Archive for October, 2008

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Fall Into Me: Fall 2008 Anime Guide

October 20, 2008

Every season tend to have it’s own flavor and for better or for worse they tend to have a a bunch of show with similar themes and motifs. This is just the way TV works. This fall the in thing is supernatural action. 7(?) of the 17 shows we are doing first impressions of have a supernatural theme to them. I like supernatural themed shows so this is good thing but can be just as bad if not worse than any other genre.

There are always a ton of new shows coming out. Alas there are only so many hours in the day so we have to be selective. We are not reviewing sequels, ongoing shows (yes, of course, we are watching Gundam 00!), or any show we are pretty sure, like 99% sure, we will not like. And be aware we are reviewing these shows after watching just one maybe two episodes, so it is just first impressions.

Tytania

Tytania is the story of the nasty Tytania clan and their attempts to take over the UNIVERSE! It is set in a space fairing future not unlike the Traveller universe which although humanity has high space technology but with all the stylization of European nobility including dress, titles, and antiquated personal weaponry. We are quickly introduced the major players in the Tytania clan and we see although they do not officially rule the empire they do so in all but name. And boy are they boring so far. But there is hope in the form of Fan Hulic and his rebels from Euria. Fan actually seems likable and someone you want to root for. I really hope the story is about his awesome fight against the Tytania bastards like the ending suggests or this is going to be rather lame. I guess they could also make Tyania more sympathetic and interesting but I think I would rather see Fan’s excellent adventures. I recommend this show to anyone who is running out of Legend of the Galactic Heroes to watch and needs their next space opera fix.

Character designs by Haruhiko Mikimoto who did original Macross, woo-hoo! This is very seriously a show about the biggest jerks in the universe and their pompous, pampered lives. Please for the love of all things mighty, take them down FAN (pictured above)! I was really worried that he was just going to be another conquest but looks like he has some hidden cunning. I really wasn’t interested in the show until I realized he had something up his sleeve. My suspicions are the same as Hisui’s in that this show will be about the rebels taking on the empire so to speak. Which you would never know from the opening sequence. Which by the way sounds like it is an anthem for the Tytania clan.

Hokuto no Ken: Raoh Gaiden – Ten no Haoh

So this episode is about the sensitive musician Raoh. He is trying to cross the world and make it a peaceful place through the sound of music. Or it is about Raoh a man, five times the size of any punk he runs into, who can only walk in a straight line. He also has two minions one who he gives a fist pound to in greeting and one who is almost molested which was surprising because it was only almost. The opening sequence reminds us that what we are watching is pure, awesome, raw power while the ending sequence implies that there is some touching story behind it all. I think we know why we are all here watching this and it has nothing to do with depth. Also since this is just the beginning of Raoh’s journey he has not yet donned the fantastic armor.

Most people might not realize that Raoh from Hokuto no Ken is actually much like Narutaki. They are both the King of Fists and they both live life without regret. Clearly since Narutaki is a real human being it was Roah that was based on him. So does Raoh Gaiden live up to the greatness that is Narutaki’s life? The answer is clearly YES!For those not in the know this is a side story to the original Fist of the North Star series with the big bad guy as the star. Set in a post-apocalyptic world where the strong prey on the weak and the ultimate weapon is martial arts. Roah plans to save the world from its sorry state by conquering it. He and his two lieutenants make their first step towards world domination by taking over some poor saps fortress. For some reason, to minimize the damage to the fortress I suppose they go in disguised as a performing troop. This leads to unintentional hilarity. Roah then proceeds to school this guy and name himself King of Fists. Is the animation super awesome? No. It’s serviceable and a little out dated. Is the plot super deep? Hells no. Why are you going to watch this? Roah at one point is confronted by the random encounter enemies of any post-apocalyptic world, the biker punks. He confronts their leader and punches a whole the size of a cow in him…and the building in the distance, too. If that sells you than welcome aboard this crazy train.

Ga-Rei ZERO

This show really started out very typically with decent action. Dark pasts with some messed up supernatural elements running around the city. But the girl does fight these zombie like things using her motorcycle. Awesome! But I felt the mission didn’t have any suspense. It was all over and wrapped up in the blink on an eye so it didn’t have that edge of the seat spirit. Then they throw you for a loop, like really do. As you sit there with your mouth hanging open you will wonder what just happened. Then fade to black….WHAT? Now I have to see what happens!

Motorcycle-fu is quite a site to behold. Sure the main guy uses, your now standard, double pistol gun-fu but, girls wielding the combat motorcycle skill is still woefully underused. Other than that it starts out with the standard NPC troops getting hosed by monsters so our young team of protagonists have to come in a show them how it’s done. Tooru wants to get revenge on the main baddie who killed someone precious to him, and our combat motorcycle girl is obviously interested in him. You have got the big guy with a scar and tech nerd to round it out. They take on two monsters in rather standard form and then just before the end as every review will surely mention they throw something quite unexpected at you. This is based on a manga but so far it seems to be based in the same world but with a different set of characters.

Kuroshitsuji

Ciel Phantomhive is the twelve-year-old head of his family’s toy company. Since his parents have passed away in a as yet unexplained fashion he is in the care of his demonic butler, Sebastian Michaelis. There are also four other servants in his household but they can barely take care of themselves let alone their young master. This series reminded me of Count Cain and it’s continuation God Child. It has that same creepy Victorian setting with an undercurrent of supernatural always in the background. The main problem is Count Cain has a handy formula that Kuroshitsuji has yet to learn. Each story in Count Cain would start with humorous hijinks and slowly as the story actually started would lose the comedy and turn grim until its usually dramatic or grizzly conclusion. When the next story began they would restart the formula so the comedy would refresh the pallet from the darkness that came before it. The director either needs to stick closer to Count Cain formula or learn to switch back and forth between tones a little cleaner.

This series is an odd duck. I am rather a fan of the combination of morbid and comedy. When done right it is hysterical. This series jumped between the two readily. The humor was very funny but sometimes the transitioning between the horror and light-hearted moments was just off. It starts off very dark and creepy and then booms you with hilarity, which is good, but it didn’t totally work for me because the horror seemed like it wanted to be taken seriously. That was a little hard to do when Sebastian is pulling table clothes off like a magician and the hired help being a most clumsy group of people. I think if it could even out the movement between the genres it could be good.

ToraDora!

This show seems like it has a lot of potential. Ryuji is a very funny, quirky and likable protagonist (and he is kinda cute despite his Yakuza eyes!). The poor boy can’t get from one end of town to the other without people cowering in fear and his obsession with cleaning things is great. As for Taiga, I think she could be a full realized character not just a fetish. She is a delinquent that is for sure, brash and hot-tempered. However, I actually imagine her trying to be quiet, sweet, and nice around the guy she likes rather than her normal self. There is a story behind her attitude and that story and development of her is what could make or break this show. The odd friendship that pops up between these two was nicely done. And while I know they will eventually be something more than friends, I wouldn’t mind watching their hilarious interactions without it.

When Ryuji and the petite “Palmtop Tiger” Taiga find that they have crushes on eachother’s best friends a rather unusual friendship forms between them. Ryuji may seem scary but he is actually a domestic genius and has a fondness of making mix tapes for girls he can never ask out. Taiga is a slovenly, delinquent that hides an inner bashful young maiden. They have an amusing dynamic that will be easily and quickly by labeled as tsundere by the Internet but I feel is more complex than that. Tiaga is voiced by Rie Kugimiya who also voiced Shana from Shakugan no Shana. Your enjoyment of both shows hinges on your liking the main female character. If you enjoy Tiaga like Narutaki and I did then your will be able to follow this show and determine if you ultimately like it. I did enjoy that in the second episode someone clearly expresses their feelings for some one. There is at least no pussyfooting on that front. I have a feeling that ToraDora! could fall into a repetitive cycle of Tiaga being nasty to Ryuji and having it kill the comedic value of their relationship but hopefully it will remain fresh.

Hyakko

Imagine if the first episode of the The Irresponsible Captain Tylor was only Yuriko Star and Makoto Yamamoto. Since they are both the straight man characters it would be sort of boring and only illicit some chuckles at best. It takes Justy Ueki Tylor and the rest of the crew playing off them to truly make them funny. This is the problem with the first half of Hyakko. Ayumi and straitlaced Tatsuki are lost on the humongous campus. They wander about the campus until they finally run into Torako jumping from a second story window followed by her friend Suzume. Things take a turn for the more interesting when the quartet is finally formed because Torako starts to get them into amusing little predicaments as they try to find their homeroom. When they finally arrive we see several other classmates who are sure to be regular characters but so far they have barely been introduced. The show really only works when they are all together. If they can keep up the high energy comedy I think this might be the funniest comedy of the season but they can’t break up the dynamic they they have running.

Thank goodness this show is not the first half of the episode, boring. It really started to pick up speed once all four girls came together and were running around the campus. All of them are distinctly different personality types ranging from shy and quiet to loud and belligerent. And quite frankly if I never learned another about them I wouldn’t be upset. The leader that will surely continue to get them all in explicable situations is Torako who in the first episode jumps out a window, throws a brick threw one, and punches a teacher in the gut. I know that she will surely garner a huge fan-base that will know no limits. All of these characters play off each other so in this case the sum is greater than all its parts. It is still slice of life but bordering on complete hijinx comedy which is the only kind I like.

Skip Beat

Kyoko Mogami kills herself working two full time jobs, living in a apartment much beyond her means, and doing the housework for two people for one reason. It lets her be with her beloved childhood friend and pop idol Sho Fuwa. One day she discovers that he is just using her because he knows that she has a crush on him. You expect her to break down crying. Instead she starts manically laughing and vows to get her revenge. So she makes herself over from Plain Jane to Cool Gal and starts on her road to a grand pay back. The first episode is masterfully set up. We get a likable and sympathetic Kyoko who shifts gears from quiet and meek to her occasional amusing dramatic reaction shots. We get a good insight into why she would fall for Sho and his charming attitude. We also get an equal insight into why he is such an utter buttmonkey that we want her to get him back. I am eagerly waiting to see how Kyoko puts her plan into motion.

Okay, I was very curious about this anime because the Skip Beat manga is pretty good. Well, it would be if it was unnecessarily long (and continues on as we speak). That is where the anime can come in. It can potential have the revenge and the romance at a good, even pace with a wrapped up ending. The first episode did the manga justice as far as I’m concerned. It wasn’t the mostly hilarious adventures of a hard working but slightly insane Kyoko punctuated nicely with moments of drama. It really does a great job a lulling you into thinking this is just standard shojo romance and then WHAM!

Hakushaku to Yousei

This was a series I knew nothing about but was really looking forward to. I love the era and setting (Victorian England) with the added fantasy elements. I think the first episode title says it all, “A Refined Villain.” Indeed that is what the Edgar is. He is ridiculously handsome, much too charming and cunning, sparkles and flowers surround him on occasion, and when he punches someone…well let’s just say it is very dramatic. AND I LOVED EVERY MINUTE.I am happy to say that there is a plot surrounding all of this and it isn’t out of the blue for Edgar to be trying to seduce our pretty heroine, Lydia. But yes it is over the top, girly, fantasy, romance fun!

Lydia Carlton is a fairy doctor. That means she can see and talk to them unlike most people and help people deal with them. She even has a magical fairy cat named Nico that acts as her companion. While traveling to England from Scotland she find a young man who has just escaped from being tied up asking to help him. Edgar eventually tells her he wants the legendary fairy sword. It is his proof of linage and he needs Lydia’s help to get it. Edgar and Lydia are now being chased by people who want the sword as well. I am curious how much of a bastard Edgar really is. They imply that he murders a man in cold blood. We also see Nico reading an article about how Edgar is wanted for larceny and murder. This is mostly off screen and the paper could be wrong so theoretically he could be a decent villain or he could be stone cold evil. I guess wondering is part of the fun.

Michiko to Hatchin

Michiko and Hatchin starts with Michiko breaking out of a supposedly inescapable prison and then raising some hell in the surrounding town. Then we switch to Hatchin who has been adopted by a horribly nasty priest and is equally nasty family. But eventually Michiko and Hatchin’s lives intersect and it ends with them starting a road trip with the police in pursuit. I really liked Michiko and Hatchin but I’m not going to watch another episode fan-subbed because this show is so clearly going to get licensed; it is not a matter of if but when and by who. With Manglobe Inc. working on it it has that same off beat style of Cowboy Bebop and Samurai Champloo.  So far as I can tell it takes place in an unnamed Hispanic country which is not your normal anime setting. It has a great sense to style and cool so far. Unless this show takes a nose dive later on I am just going to sit back and wait for the DVDs.

I don’t think it is surprising that this series has style. From the animation to the characters designs to the music. And the opening animation was quite cool. A nice blend of action and comedy and two lead characters that couldn’t be more different. The story is unconventional and I think that looks attractive in general but it also made me incredibly curious. I in no way have any idea where this show is going. Michiko is a very unpredictable woman if the first episode is any idication. Perhaps, just like Hatchin, I am just along for this crazy ride.

Shikabane Hime Aka

Ouri is an orphan at a Buddhist orphanage who is finally moving out on his own. It turns out that the head of the orphanage secretly uses a corpse princess named Makina to fight other nastier forms of undead. While the series is not bad I can’t say that it hooked me either. The premise is interesting and has potential but is executed in a extremely average fashion. There are a lot of unanswered questions. How do people become undead? Why is she working with Buddhist monks to fight monsters? What role will Ouri play in all of this? Who is this talking cat that keeps showing up whenever Ouri is near? The fact that she fights with duel machine guns sounds cooler than it actually is in execution. Maikina fighting style seems to be charge straight at whatever she is fighting with guns-a-blazin’. Since she is undead she seems not to even try to dodge with leads to rather straight forward fight scenes. Maybe when Ouri gets involved this will change. This is a series I will let the rest of the Internet finish and then determine if it’s worth my money.

I just have to say I am in awe of GAINAX’s recent non-fan-service. All the opportunities were there but they ignored them! The show had an overall even tone mixing comedy and action. Though in just this first episode no one, or should I say our main characters, have not come together yet. They have met but we really don’t know what their involvement with each other is going to be. I think that bears a lot on what kind of a show this is and whether or not it will be worth watching. I felt the action scene at the end was sloppy and not very gripping.

Linebarrels of Iron

I think I did not hate Linebarrels of Iron unlike most reviewers mostly because of lowered expectations. Not that it is a good show. It’s rather bland but I did not hate it. I think the main reason people hate on this show so much is its main character, Hayase Kouichi. He goes from wimpy chump who is resentful of his friends who protect him to power-crazed jerk seinen douche-bag all in one episode. Hayase is running an errand. On the way back a giant mecha and a naked girl land on him. He then befriends said naked girl and uses the mecha to fight the evil mecha than come for her and her mecha. The problem is that he goes crazy with power and become a right jerk when he is is behind the controls of his new toy.  While I feel that such a repressed person might very understandably go a little dark when he is finally given power that does not make him likebale. The plot is totally standard and the protagonist is very hard to like which is going to lead most people to skip this show. Oh mad points to anyone who combines the last line of this episode with Kenshiro.

Mouryou no Hako

I…I…uhm…nope…I got nothing. The animation was very nice. Good music choices. It was really creepy! But since the show is supposed to revolve around four investigators and they didn’t really appear much in the episode, it is a little hard for me to judge this one. I would need a second of third episode to full grip it. But maybe it is a good sign that I am atleast interested enough to see the next episode.

Kohaku will watch this show if for nothing else CLAMP does the character designs. That fact aside this is a creepy show. We start with a young man going to visit relatives by train who then wakes up to a strange man showing him a living girl’s head in a box of flowers. And then we get into the weird stuff. It is sort of a hard show to determine if I should recommend it or not. The first episode is set in the 1950 as we see two girls developing a strange friendship that quickly develops into a bizarre codependent relationship. Kanako Yuzukithe more intellectual of the two girls begins to talk about how they are reincarnations of each other and when they die they will become the other one. Yoriko Kusumoto the more passive girl cuts her self off from her mother as she seemingly become more and more draw into her partners madness. Then as both girls plan to take a trip in the middle of the night tragedy strikes. The first episode draws you in with unsettling but beautiful animation and intriguing plots but it turns out that the first episode barley even introduces most of our main characters or the main murder mystery. I am 99% these two girls story in related to the main mystery but how it is related has yet to even been hinted at. I can’t say if I like this show or not but I know I want to see more if for nothing else to try and figure out what is going on.

Kurozuka

Does your anime need sex and gritty samurai violence but you don’t want to watch Ninja Scroll again? Well, step right up Kurozuka. Kuro is on the run in a Monk’s garb while being pursued by assassins sent by his brother. After nearly dying in a fight due to a fever he and his retainer seek shelter in the house a beautiful woman named Kuromitsu. While Kuro is waiting he finds him self increasingly attracted to Kuromitsu. Soon more assassins come and break the peace. Kurozuka is a good action show that has the potential to have some deeper themes and ideas of the plot goes in the right direction. Even if it never decides to take the higher ground of philosophy the cool action sell the show enough already.

I did just recently watch Ninja Scroll actually and I’ll admit that I was really excited about the prospect of something like that stepping out this season. Kurozuka did just that in its first episode. The fights were nicely choreographed, bloody, and took up most of the episode. It was also nice to see them not cutting away or resorting to extreme amounts of flashes during the fights. And when those dudes forearms got sliced off, NICE! Hopefully that will continue. The world is a bit mysterious, definitely a supernatural slant and it almost seemed post-apocalyptic. It was an intriguing first episode and probably one of my favorites overall. Also seems a likely license by Manga Entertainment.

To Aru Majutsu no Index

Kamijo is a student in Academy City which seems to be a city of schools. Apparently people regularly run around with psychic powers in Academy City to the point where there is a ranking system. Toma’s psychic power is that he can cancel out other people’s powers with his right hand. After earning himself a self proclaimed rival he goes home to find a strange girl lying on his balcony. Her name is Index and she is from the church being chased by mages who want the magic spell books locked in her brain Johnny Mnemonic style. Although Toma thinks Index is crazy he takes a liking to her and invites her back any time if she is in trouble. This of course means that their destinies are quickly intertwined. I think Narutaki was spot on in calling that people will cosplay the daylights out of To Aru Majutsu no Index if they cosplay the heck out of anything coming out of this season. I liked the little twist on the standard formula of a guy saving a girl from punks in the beginning. I also thought Index was cute even if she has a mega-lame name. Toma seems likable enough and I enjoyed his rival. Apparently so did Japan because she got her own spin off light novel series and manga. If this show shows up in Yen Plus don’t be surprised.

This show was able to surprise me and make me in laugh in just a few minutes. Kamijo seems to be a capable and fun protagonist which makes him a pleasure to watch. His interactions with everyone are fun to watch. His power could be really interesting since it is more of a defensive technique though he uses it aggressively! Oh, I call every girl in the opening to falling in love with him. Index, who gets props for worst name, is funny and energetic though a bit ditzy. Their first meeting is really funny, in fact Kamijo isn’t incredibly serious most of the time. I found it to be a good time and probably the best straight shonen action show out of the bunch.

All in all I liked this season. Nothing really stood out for me as my next favorite show but nothing was horrible as well. If I had to pick a favorite of the season…Michiko and Hatchin although Tora Dora, Kurozuka, and To Aru Majutsu no Index were all very good. I think Linebarrels of Iron was the weakest show that I watched. Oh, Narutaki and I wanted to watch Tentai Senshi Sunred, Bihada Ichizoku, and the J-drama Bloody Monday but due to both of our Internet connections going out this weekend we could not review those three. I am sure we will try to review them in Ongoing Investigations when we get the chance.

Top 5 Recent Shojo Manga I’d Like to See Animated
5. Monkey High
4. Yamamoto Zenjirou to Moushimasu
3. Chocolate Cosmos
2. Penguin Revolution
1. Nosatsu Junkie

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Ongoing Investigations: Case #015

October 17, 2008

Samurai Deeper Kyo 30 was very Samurai Deeper Kyo. We got some villains named after playing cards thrown at us. I keep waiting for a group of villains named after popular fast food chains. Though we at least get some good back story on Hotaru finally. And with the return of Kyoshiro and the discovery of Kyo’s body we may just be entering the final arc of this series. I am very grateful.

GTO: The Early Years 7 and 8 are entertaining as always. I sort of miss the raunchy buddy comedy of the earlier chapters. The sex comedy parts occasionally appear from time to time to break up the action but it has mostly turned into a Bosozoku fighting manga. I had been waiting see the story of the original Midnight Angel Masaki who is so important in the finale of GTO. Without reading Shonan Junai Gumi it seems sort of random for this character to suddenly be mentioned out of nowhere and then be so important to Onizuka. Now we finally get to see who he was and how he effected Onizuka’s life. This makes his appearance in GTO a cool little nod to those who have been reading Tohru Fujisawa’s works since the beginning. Also man, oh, man could fujoshi go to town on this series if they wanted to (and possibly did). The amount of unintentional homoerotic subtext you could read into the predominately male cast interactions are hysterical if you think about it.

Ah, my shojo love is returning! I mentioned a few weeks ago I was in a bit of a shojo slump but thanks to Mixed Vegetables and now Monkey High! I feel my spirit reawakening! Monkey High! is a very funny and sweet romantic comedy about an unexpected relationship. Haruna has just transferred schools and thinks all the kids at her new school are a bunch of monkeys; they are rather loud and wild. And the ring leaders are best friend duo Atsu (tall, handsome, charming) and Masaru (short, cute, goofy). Now you are probably thinking, “Oh I know where this is going.” But you are wrong! She totally starts crushing on silly Masaru and essentially ignoring Atsu’s antics and advances. Not only that but they start dating before the end of book one. And we are off on a ride of fun, non-angsty, new love. The setting is very typical but the characters are well written and charming. I was also quite relieved to see the problems that crop up in shojo manga, like misunderstandings, not linger on for too long. They were put out there, explored, and resolved in a easy manner. Masaru is hard not to love, he remind me a bit of Otani from Love*Com, but not such a curmudgeon about his height. I’m am excited to pick up the next book in this series.

I read Del Rey’s Phoenix Wright: Official Casebook volume 1 manga. It is not the proper Phoenix Wright manga but a doujinshi anthology much like Galaxy Angel Party. So it is gag stories rather than new cases which I am sure is a disappointment to some people but just fine by me. I always like to see different artists takes on established characters. Plus the stories are short so if you don’t like someone’s art style or interpretation you are on to the next before you know it. I was overall happy and nothing was eye or brain meltingly bad. It is no substitute for a new game but it is certainly not a bad supplement while you wait. Also I am slightly surprised that there was not one appearance of Ema Skye. I wonder if this was produced before she was added as a character in the series. I am also curious if Del Rey ever plans to get the main Phoenix Wright manga. I assume they are waiting to see how well this does before they fork over the cash for the main series.

Finally got around to watching the first five episodes Code Geass and really enjoyed it. It has a great and diverse cast. So much so that I can’t dislike any of them, atleast not yet, and certainly can’t pick a favorite. Lelouch’s descriptions didn’t do him justice, I needed to experience this character. The dichotomy of his personalities is fascinating and at this point he hasn’t killed any civilians. The opposite side of the coin, Suzaku, is an equally good study of the differences in the human condition. They really are after the same things but are going about them in completely different ways. So far I am impressed.

I see why some people draw comparisons between Code Geass and Death Note but it is mostly looking at apples and oranges. They have more that is different about them than in common. It does suffer the Sunrise robot show curse of taking several episodes to get up to speed. I know everyone we were watching with was really only sold on the show after episode three. I feel everyone should give Code Geass a shot to shine or fail on it’s own merits and flaws. I can’t say that I have picked the Lelouch or the Suzaku camp as of yet if I even wind up picking either. If I had to pick anyone to root for it would be Euphemia li Britannia, if for nothing else my predisposition to support girls with pink hair. I did want to watch Gundam Seed just to see what was up with Lacus and if she was cool or not. Euphemia seems like a cool character but she was hardly in it enough for me to make a solid choice.

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NYAF 2008 Lance Fensterman Interview

October 14, 2008

When the hurly-burly’s done, When the battle’s lost and won. So with New York Anime Festival nothing more than a fond memory, after all the numbers have been tallied, and as everyone has finally stared to recover from an enjoyable but exhausting weekend we reflect on how NYAF turned out. Let us a look under the hood of New York City’s largest anime convention with NYAF’s Lance Fensterman.

We were lucky enough to talk to Lance at length about the goings on of one big convention that is just two years old!

Reverse Thieves: So, how did New York Anime Festival go overall?

Lance Fensterman: I’m completely thrilled with it. It’s always scary, I’m not gonna lie. It’s always scary when you decide to throw a party at your house and you’re like, “Boy, I hope people show up and everybody has a good time.” It’s really not that different of a feeling except it’s between 15 and 20 thousand people. It’s a lot bigger of a matzo ball hanging out there if they don’t show up and have a good time. Anyway, I was thrilled. We had great turn out. By all accounts everything went smoothly. There was plenty to improve on but there were no fires. . .no stampede.  So I count that as a pretty big win! [laughs] And lots of really happy smiling fans so I’m happy.

RT: Was there anything that went off without a hitch?

LF: The biggest of them all was the bad weather. The days leading up to the event, the day before the event, the morning of the event I was checking the weather. I was thinking, “My God, are people going to show up? How bad is this going to be?” They were talking huge winds and huge rains. So that was the big thing I was relieved about because the storms never came and the people did.

RT: On the flip-side, was there anything that had a lot of unforeseen problems?

LF: There were two minor things. One was the masquerade, we just have to do it better. We were closing the [exhibition] hall and so everyone was leaving and running into a line. The room was too small, it was the biggest room we had, but it was too small. There was a line but people were trying to get in from four different directions. And it just needs to be done better and in a bigger space. The second was one guest, it’s not important who it was, we just didn’t have everything they needed and were expecting. It was no one’s fault, it was literally lost in translation for a few things. So we had to scramble and take care of it and then the event was fine. But you never like to be scrambling at the last minute though in events like this you can’t avoid it. Those were the two biggest things that caught me off guard a little bit.

RT: So attendance was up 24% from last year, according to the blog [Medium at Large], how does that compare to what your projections for the show were? Did this year just blow them out of the water?

LF: Yeah it kind of did. We might even be able to say it was up 25.3%, I got the last of the retailer tickets in last week that were sold on Saturday during the show. Yeah, we were thrilled. You have to keep in mind that creating an event is a breeze, getting people to show up that’s hard. It has been an interesting year for anime in general in terms of how the business is doing. So we really weren’t sure what to expect. We knew the fans were still growing, rabid, and excited but the industry as a whole was kind of struggling. And we moved the dates from December to September so it was almost like creating a new show all over again. Some of the companies that were with us last year that were really big were not there this year. Not because they didn’t want to be but because financial they didn’t have the wear with all to be there. So you look at it that way, new dates, new companies, only second year running it so it felt brand new. Our projections were exceeded by quite a bit. I’m really grateful to all the fans who came out and had a great time because it was overwhelming increase. It’s a quarter, that is huge!

RT: So you guys revamped the layout of the convention, how did it help or hurt it?

LF: Our goal was to try and make things follow between the exhibition hall and the panels, try to get more integration between the two. It worked in some ways and didn’t in others. I think taking the main stage off the show floor was a huge win. It was so much better having it in its own self-contained space. Now where it didn’t go well was having the little theater stage in the panel area. It was too loud and disrupted the panels sometimes.The other thing that didn’t quite work, well it could work better, if  we had the artist alley folks where people could get to them after the show floor closed. I’m not sure how to do that because I don’t want to remove them from the show floor. It is a really important part of the experience but they need to stay open later. We have started kicking around ideas of how to do that. I don’t want to bore you guys too much but Anime Fest is really different even from New York Comic Con and certainly the big publishing show I run as well in that the show floor isn’t necessarily the main attraction. So you have to find ways to keep it lively and popping because it is important but not always the focal point. You have to find clever ways to keep it as one big community but at the same time it closes earlier than everything else. And that is the way it needs to be so it is an interesting challenge. I can come up with lots of ideas but we are limited a bit by the Javits Center. We are creative people we will figure something out.

RT: You brought up artist alley, so lets talk about it a little more. The layout seemed very odd, with a long narrow aisle. Also I was talking with a lot of the artist and they expressed concerns over the price of tables. NYAF tables were about four or five times the price of other anime cons. Do you feel that NYAF is giving them more so it makes up for it?

LF: That is actually interesting because it is about a third or a quarter of the cost of a table at New York Comic Con. From our scale it is fairly inexpensive. The reality is that being in New York City is five times more expensive that being in a third tier city like Baltimore. And that’s not a knock on Otakon or the city of Baltimore, it is just a fact. It is more expensive to do business in the Javits Center and we see it with everything we do there. In full disclosure, NYCC is an expensive show. It’s more expensive that San Diego [Comic Con] and it is truly the cost of doing business here. We always try to keep the price point in artist alley at the lowest we can possibly do. The Javits Center just costs a lot of money. My favorite example is, a keg of beer at the Javits cost $800.00 and that does not count the union labor to pour it. It’s Javits, it’s the way it is. And I’m not being dismissive of Artist Alley concerns, they are there to make money and have a good time. It is one of the pains of being in that building. Our job is to build a really kick ass event and give them the most bang for their buck. And being the second year the show has ever existed, we are getting there. We aren’t there yet but we’re getting there. Our job is to deliver all the fans, we are in NYC there are a lot of people outside those doors. And we have to change the structure or the layout that will give them what they need. I talked to a number of people down in Artist Alley as well. I’m sure we heard some of the same conversations. We are very committed to making it work for them. The show needs them, the show isn’t good without the artists.

RT: I think every agreed the Maid Cafe was improved over last year. The most common complaint seemed to be it was hard to know it was there. How did you feel it went? And also the website said there were going to be butlers and atleast one person here was disappointed.

[laughs]

LF: Unfortunately, I didn’t get my tux back from the dry cleaner in time. I really apologize for that. [laughs] Honestly, I can’t answer why we didn’t have butlers. I’m not privy to that information. I know that we had planned on it and it was a goal. But perhaps none of the gents stepped up to the plate. We did discuss it as being something important and I’m not exactly sure why it didn’t happen. We will have a commission looking into that. [laughs] I thought the Maid Cafe was better without a doubt. Part of the reason it was better was because it was on the show floor this time as opposed to the conference side. But again the Javits makes it a challenge because there are really strict rules on who can server food and how much you can bring in. We had to jump through a lot of hoops to try and do our best to create the experience we knew the fans desire while still adhering to the labor regulations of the building. That is so boring, edit that out. How can you take the fun out of a Maid Cafe? Start talking about union rules.

[laughs]

RT: What about moving the cafe to the front?

LF: We like to have a lot of open space at the front of the hall. As people come down that escalator there needs to be space before you hit the booths or anything else for safety and flow. I would actually think about moving it to the center of the show floor. We know it is something that is important and a draw so when you put things like that at the back it makes sure people come all the way through. We don’t want them to stop at the center, we want to ensure they keep moving. It is like why the milk is always in the last aisle of the supermarket.

RT: How did having a music venue outside of the Javits Center work out?

LF: It did work, it was fairly well attend from what Karate Rice told us. There were two reason we did it this way. One was philosophical and one was pragmatic. The philosophical one was we really want the fest to spill out into the city. We had events the whole month leading up to the show and we had the after party at Morimoto’s; we want this to become more that just one place. The purely pragmatic is the Javits center doesn’t have a space great for acoustics or to build a stage and have a band. So we thought, “Why force it? Why not have it a true music venue?” We didn’t want to try and replicate it and we thought it would be cool. The Knitting Factory is an institution. So we were happy with it.

RT: This was the first year for a large amount of fan run panels, was it a success?

LF: I think it was good, they were well attended. We haven’t got our official feedback from people on the quality of panels yet. This is one I’d like to ask you about.

RT: We were really happy. We have been running panels for a couple of years now at a lot of different conventions. But we had our best attendance ever at NYAF.

LF: Then I can decisively say we were happy with the fan run panels then with that information! [laughs] Everything went smooth, no major issues at all.

RT: Many cons have water coolers around, in the panel rooms, and for the panelist did the Javits prevent you from providing this?

LF: We just didn’t think of putting them in. It is on my list though, you just put it on my list! At NYCC we have water coolers in the offices and some of the panel rooms and such but we’ve never had them on the show floor. And a piece of feedback we got from other panelists was that we need to improve the green room and making sure that all the panelist have water. It needs to be done.

RT: You mentioned getting feedback about these, how do you go about gathering information about the events?

LF: We aggregate all the attendance and send out extensive research to exhibitors, professionals, attendees, and panelists. And it is a random selection of people, we typically send it to around a thousand to two-thousand people to get a representative sampling. It is pretty in depth research from everything from general satisfaction, to what kind of guests do you want to see, to how far did you travel, to how do you plan to spend with vendors. It helps us gauge where we need to improve as well as what the fans and exhibitors what from us. It is also partly how I get paid so if you liked it I get to keep my job.

RT: After so many conventions have banned signs and yaoi paddles why did NYAF decide not to?

LF: You know, it wasn’t a conscious decision. We never made the decision not to ban them, to be honest we didn’t even address it. It wasn’t something that was discussed before the show and it wasn’t something that showed up a lot at last year’s show. So it really wasn’t on our radar.

[Hisui tells Lance a story about Anime Boston, see the Providence Anime Conference 2008 Report]

LF: We really try to, with all the shows, the best we can, have a “Don’t be a dick” policy. Just don’t be a jerk! [laughs] We don’t want to have a bunch of rules. We did put down specifics about weapons because that is something we need to be on top of. Besides that, there really aren’t too many rules and we want to keep it that way. It is one thing if it is an aesthetic case, that signs are distracting, but that is an opinion. But if it is a safety issue, a solicitation issue with people asking for money, that is a whole different area. I’m not fond of the color orange but I won’t tell anyone, “No orange because it distracts me.” But if it an unsafe thing it is a different deal so it is clearly a conversation we will be having this year that we haven’t had before. At New York Comic Con it is has never been an issue. Some people have signs but there is nothing untoward about them, it is typically is in a playful way. We don’t want to be cumbersome with rules but we do want to make sure everyone is safe.

RT: Comic Con had more of a podcasting presences than NYAF have you considered ramping up the podcasting section and podcasting guests for next year?

LF: There are sort of two questions there. We didn’t feel an “official” podcast by us was necessary because other podcasters are doing it already. Maybe we could add something to the mix, but really how much? It is already being done well. I have looked at it really closely, I do a really big podcasting program on the book publishing show I do. So we can do it well, but it isn’t necessary. The second question, having a more organized effort for the podcasters. And we do that at NYCC and we partner with an organization and they help us with our “podcasting alley.” We give them space and we give them electricity so they can do their work and interviews. It is almost like a podcast press office right on the show floor. We could totally do that for Anime Fest but we didn’t approach anybody about it. We didn’t consider it, but we would after all it has worked out really well for NYCC. They are really an important part of the show and community and we want to embrace them.

RT: How did the special events, like the dinner and tea parties go? Are you going to do more next year?

LF: They were both sold out! The dinner went great, I didn’t go but the second hand feedback was great. All the seats were taken so by all reports they were very good. We absolutely would do them again. Any time we can do something different and any time fans can get to hang out with the creators in some sort of different setting we love it. For last year’s NYCC for example, we didn’t  end up doing it because it became unmanageable, but we were going to do this huge creator cruise. Where we were going to have about a hundred creators that had agreed to do a three-hour cruise around Manhattan. There would be a bar and you could just hang out with all these awesome comic creators. But we had to cut something because it was still in the early stages. The whole point is that it is cool to go to the con, it is cool to get a signature, it is cool to hear someone talk but having dinner or going on a cruise [with these creators] is a once in a lifetime experience.

RT: About autographs, there were only fifty autograph tickets [for each session] unless you had a VIP ticket. So what is the thinking behind the amount you give out?

LF: It is based on the what the talent is willing to do. Willing or able. In some cases it was depending upon the amount of time they had for us or what their preference were. In almost every case we were able to talk them up a little bit and we ended up handing out more than fifty. We tried to set the expectation lower. If we say we have fifty but only end up with thirty-five, for whatever, reason it is a disappointment. If we say we have fifty and we end up actually having seventy that’s a little better situation. That is not totally our decision, it is something we have to manage through the talent. 

RT: There lots of different VIP passes and there were more added nearer the con. It was a bit confusing, what was going on with it?

LF: There was an all inclusive VIP pass and when that sold out there was a lower priced VIP pass. So what we tried to do was if we had extra stuff we wanted to put it out there. And what happened was, the all inclusive VIP pass we didn’t have extra of all the pieces that made up that pass. So, we took what we could and parsed those out into different packages. We didn’t mean to confuse people, but at the same time we want to make sure people have that opportunity. 

RT: Have you ever considered having the guests run panels, almost like fan run panels? Especially English speaking guests who might be an expert on something.

LF: That is a great idea. I will pass that along, I don’t run the programing for the panels. But we would definitely be open to it.

RT: Did you have a good turn out for volunteers?

LF: I felt like out of all the events we’ve done that have volunteers, this one went the best. We were really pleased. We always need more and need them in the right place. You always notice where they are not and sometimes we forget to notice where they are. I was so pleased with the crew. Some of them have been volunteering with us for as far back as four years. We have some who have done every NYCC and both NYAFs. I have to say these shows would not exsist without them. I don’t mean that they show runs better, I mean the show wouldn’t happen without them. They are amazing. 

RT: You’ve run NYCC which is a much larger convention, but are there any problems unique to running an anime con?

LF: Yaoi paddles? [laughs] Not that I can really think of. Though one of my biggest concerns at NYAF was undesirables for lack of a better term; people, older males that had no business being there. That worried me more at NYAF than at Comic Con and making sure the appropriate actions were being taken by security. We had plain clothes security to make sure there was not anyone inappropriate there. We’ve never had a problem in the past. But it is a large gathering of mostly younger kids that are more female than male. Safety is the first concern with the younger crowd. We don’t want anything to happen, ever. If you look at it from my vantage point, with a little bit of objectivity, it’s a setting that you should be, as an organizer, concerned about and aware of. And we took the necessary steps.

RT: What is the process for bringing over Japanese guests? Do you work in tandem with American companies, do you contact them directly, or is it different for each one?

LF: It’s really different for everybody. But the typical model, if you will, is to work through a publisher or a distributor and that is usually how we go about it. But we also have agents and partners in Japan. So much of what we do at these shows is a network, knowing people. The more people you know the more opportunities will come to you. Morimoto is a good example of that, why not make it about Japanese pop culture and not just anime or just manga. So we just approached him, I happen to have connecntions in the book publishing world, and he has done some cookbooks and so we sort of worked through his publisher. So it happens all kinds of different ways. 

RT: How do you feel NYAF is stacking up against bigger or longer running conventions?

LF: I really don’t think about it. We are our own entity and we’re still new. This was a huge step for us from year one to year two. You look at other shows, like Otakon, and it is such a fabulous show and they’ve been doing it for a long time and do it really well. And we would love to do some of the same stuff, but at the same time we want to do our own thing. It is never something we talk about like, “We want to be more like …” or “Are we as good as …?” We do everything we can to the best of our ability and put on the best show in NYC.

h1

Providence Anime Conference 2008

October 13, 2008

Friday
She Might Not Be Into Meowth: Dating Tips for Otaku
Dubs That Time Forgot
The Business of Anime
What? Why? Hentai!
Back in MY Day…

Saturday
Got Yaoi?
Bleach: Of Death and Dyings
ADV Films
All About Anime Cons
When Otaku Attack: The Dark Side of Fandom
Anime Hell
The New Wave: Women, Manga, and Where We Stand
Couples in Anime
The Fans Fucking Scare Me

Sunday
Anime in the 60s
Anno Atomu: Manga Before the Age of Tezuka
The Vile Spectre of Moe
The Absolute Worst of Osamu Tezuka
Do Anime Cons Have a Future?
Conference Feedback

Providence Anime Conference was a great victory for conventions but I worry that it was a Pyrrhic victory in the same moment. Only time will tell if my fears are grounded or if I’m just being my normal pessimistic self. I was never at a loss for an interesting panel to attend, a cool anime to watch, or a fascinating person to talk to. The atmosphere was distinctly refined and sophisticated while still retaining a passion for these Japanese cartoons and comic we all love. The only problem was the dreadfully low turn out for such a lavish convention center . It is a shame because it was an unique experience I would love to bring other people to next year.

I must say the Rhode Island Convention Center is ideally suited for a anime convention. It is connected to the Westin Hotel and Providence Place Mall so theoretically you could check in and never have to leave the interconnected complex. It does not matter what the weather is because you can stay indoors all day and night if you wish. I myself stayed at the Providence Hilton because they gave you a discount if you booked a room online. I had to walk farther to get Chinese food around the corner where I live than I did to get to the convention center. Downtown Providence was sort of sterile but it seemed safe, clean, and there were plenty of places to eat and drink. It was also within walking distance of the bus station so no wasted money on a cab. It would have been the prefect location for the convention had they gotten the 2000 people to show up.

I got in just a little before the first panel started; got my attendee and panelist badges quite easily. The badges has quite unique and colorful designs that I think most people including myself enjoyed. I then quickly checked into my hotel and then went to panels all day. The schedule was quite good; I more often than not had to decide which panel I wanted to go to more. I was also really pleased that the guests did multiple panels and often did panels that were not just about them but topics that they had experience with. A good case in point was Christopher Ayres doing a panel on Mock Combat for Cosplay despite the fact he was at the convention as a voice actor. I always thought it would be a good idea to see what other type of panels the guests can do to mix things up and I think it worked.

I started with Sarah Hodge-Wetherbe’s anime dating panel. She did not actually talk that much about general dating advice like I assumed the panel would consisting of. It might have come up at the very beginning because I did miss the first ten minutes. Since she is a dating columnist for soulgeek.com she just had the audience if they had any questions and she would them give them her advice. There seemed to be no end of questions from con-goers and she answered them in a serious and entertaining fashion so the audience and I had a good time.

Iris “Rakshar” Gordon had the most scholarly panels with Geoffrey Tebbetts coming in a close second. Iris did the Bleach – of Death and Dyings, Death Note – The Psychology of Solipsism, Fullmetal Alchemist – The Symbolism of Alchemy, Neon Genesis Evangelion – The Man in the Machine, and Witch Hunter Robin – The Hero’s Tale panels. I attended at least an hour of each of her panels and they were without a doubt the highlight of the convention and the closest to the stated higher goal of the convention. She had meticulously researched each of her presentations and they were well written and well presented in an engaging manner. I felt that some of her points used some academic shoehorning to get them to fall into place but they were always backed up with documentation and thoughtful ideas. I knew that when she was explaining how the Captains from Soul Society each corresponded to a Buddhist Hell I knew I had finally gotten what I had come for. If you have a chance to see one of her panels I highly recommend it.

Geoffrey Tebbetts was no slouch himself with the Nandeyanen!: The Finer Points of Owari Comedy and Anno Atomu: Manga Before the Age of Tezuka panels. The first panel was an investigation of not just Owari Comedy but Japanese comedy in general. I loved his little Naruto themed comedy act at the end. Take that Uncle Yo. The second panel was an insightful look into what people before Tezuka contributed to modern manga and how they were different as well. We all too often assume that anything before Tezuka is not worth talking about but that is obviously not the case. It is always interesting to see panels that go in different directions and slightly more obscure topics. Geoffrey is another panelist you should go out of your way to see at a convention.

Dubs That Time Forgot, Anime in the 60s, and The Absolute Worst of Osamu Tezuka were panels by big name fan, owner of Anime Jump, and all around cool dude Mike Toole. Dubs that Time forgot was half material that I saw on Anime News Network and half new material. Since Mike Tootle is always adding new content it was still fun to watch. Anime in the 60′s was a good overview of the best (and worst) of what 60′s anime had to offer. The Absolute Worst of Osamu Tezuka mostly dealt with mediocre adaptions of Tezuka’s classic works and some of the mediocre to horrible movies his original production company put out. It was still mostly a love letter to his best works. I was hoping to hear more about stuff like Rainbow Parakeet that nobody talks about. He did dozens upon dozens of different manga. Some of it had to be bad.

I finally got to see one of David Merrill’s Anime Hell panels. They are just dozen of wacky and amusing clips which are more often than not have only a tangential relation to anime. But they are usually darn fun so it’s all good. My favorite part was the man who did the one man Mito Komon vs. Godzilla movie. It’s was worth the price of admission in itself. Don Hertzfeldt’s Rejected got a big reaction out of the crowd as well.

When Otaku Attack: The Dark Side of Fandom and The Fans Fucking Scare Me were both panels talking about the worst that anime conventions and anime fans have to offer. Both panels were obviously well attended and well received. When Otaku Attack tended to be the more serious panel. It started out with Internet fandom horrors stories which of course always leads to a discussion of how 4chan is the anus of the Internet. The second half was mostly about anime fans praying on other anime fans and how we have to band together to prevent that. The Fans Fucking Scare Me was mostly funny little stories from the Funimation rep, like how a kid punched out his best friend for a promo card or how a trailer trash family followed his Dragon Ball Z tour for several states.

The most disturbing story was the story of why Anime Boston no longer allows signs at their convention. Apparently one year Sarah Hodge-Wetherbe was at the con. Her and her friends were chatting with con security while waiting to get into an event. One of their friends spotted a girl who could not be more than fifteen with a “Will Hentai for Money” sign. Attempting to call her bluff he called over the girl and threw down five dollars. She then proceeded to robotically flip up her skirt showing the Full Monty including the fact that she was quite hairless down there. Everyone who saw this was flabbergasted. When they regained their sense they proceed to find the girl, take away her badge, and give her a lecture about how utterly stupid and dangerous her actions were. And so we know why they have rightfully instituted a no sign policy at most anime conventions.

The Business of Anime and ADV Films panels were looks into how anime is brought to the U.S. and then how it comes out on the shelf. The Business of Anime was run by Adam Sheehan from Funimation and the ADV Films panel was run by David Williams. ADV unsurprisingly did not comment at all about the companies current situation and could not even comment about the state of their rumored CLANNAD license. Both companies representatives did talk a good deal about digital downloads. They seem to be a good way of supplementing their income on licenses while providing a legitimate alternative to fan-subs. The only problem is that Japanese companies are extremely hesitant to give out digital distribution rights.

Back in MY Day panel consisted of Kevin McKeever from Harmony Gold, Chris Beveridge or AnimeOnDVD, and David Williams of ADV. It was a fun little look back to fans who took their love of anime and turned it into a career one way or another. Kevin and David did most of the talking. Chris seemed to get embarrassed after he mentioned that Cream Lemon was his gateway into serious anime fandom. David talked a lot about how he got into anime and how that led to the creation of ADV. He also spoke about how they did things back in the early day of the company. It was a fun panel and when David Williams took out the heavy sipping whiskey and started passing it around among his fellow panelists you knew it was informal as you could get.

The Vile Spectre of Moe was interesting and not nearly as harsh as I thought it was going to be. I assumed it was going to be a Daryl Surat style moe bash fest. It was actually a history of otaku fandom and how it led up to the popularity of moe. Christian Daly was clearly not the biggest moe fan but he went out of his way to be fair and balanced. My only complaint about the panel was their was this girl in the audience who felt she should have been a co-panelist. She must have piped up with her own 2 cents after after point he made which, although out of Christian’s control, was annoying. If she obviously knew more than Christian it might have been fine but this was not the case. I felt like screaming, “Let the man run his panel thank you very much!”

I really liked Providence Anime Conference. I don’t think it was able to live up to all it’s ideals but PAC did a good amount of what it wanted to in only its first year. I saw no attention whores in the hallways, most everyone asked intelligent and thought provoking questions at panels, and we saw a more mature set of panels that were generally well attended and received. Although there was a good deal of drinking going on at night and there were hentai related panels it was hardly the majority of the experience. I don’t drink and don’t care that much for hentai but I always had something to do. The only negative thing to say about PAC was it was so poorly attended. They had planned for 2000 attendees but I would be very surprised if they they got over 500. I got the feeling that everyone I talked to had a great time and I know that I would got again next year. The real question is if everyone else is not too gun-shy from this lackluster turnout to try it again. I hope that if the New England Anime Society too took much of a loss on PAC to try it again that someone else sees that this was a good idea and learns from PAC’s mistakes to give it another shot.

It was promised and so I made it come to pass. I commissioned Hisui and Narutaki art as I plan to do at every convention I attend. The first piece is by Nikki O’Shea of Dragon Press Graphics. I hope you enjoy it.

Top 5 characters who should have 1/8 sized figures so I can buy them
5. Amelia Wil Tesla Seyruun (Slayers)
4. Momoka Nishizawa (Keroro Gunso)
3. Ranka Lee (Macross Frontier)
2. Shiro Emiya (Fate/Stay Night)
1. Ryuunosuke Fujinami (Urusei Yatsura)

 

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