Archive for the ‘Manga’ Category

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Ongoing Investigations: Case #153

January 20, 2012

I continue my morbid curiosity with the Akiyuki Shinbo and Nisio Isin duo by watching the first two episodes of Nisemonogatari because there is no way Narutaki was going to watch this with me. I know some people have been commenting that for better or for worse Nisemonogatari has a different feel than Bakemonogatari. I think the difference between the two seasons is minor but important. I did not use the word subtle because the difference is the pacing of the fan service in the new arc. Bakemonogatari definitely had fan service in it. Each arc in the original series introduced a girl, her supernatural problem, and the fetish she embodied. And so each arc played up that girl’s brand of fan service to all but the most fan service desensitized.  But this current arc is ostensibly about Koyomi’s two sisters but unlike the previous arcs this one really had the other girls getting a good amount of screen time in another girl’s arc as opposed to their cameos early in the story. This means that they now have to cram in a full cycle of story, reference humor, and fanservice that is particular to that girl in a much shorter amount of time making all three components more obvious. So anyone watching for the titillation will probably not notice the difference or only be delighted to be so nicely catered to. But anyone else will either consciously or unconsciously notice the change in the rhythm of the story. The art is still rather gorgeous and the dialog still has a snappy pace. I am just pointing out the big difference that will determine if you want to continue to delve into Koyomi’s supernatural adventures.

D.Gray Man Volume 17 starts off by throwing us into the middle of a virus outbreak that has occurred while the Black Order is also trying to move to their new location. The first few chapters are really out of control and crazy (and ridiculous overall), especially because everyone has  turned into zombies. As the zombies are infecting everyone, Allen tries to figure out the cause and how to cure it. After that insanity, we then get to actually focus on the Black Order group’s move. Allen and Lenalee go first, allegedly to open portals, but there are ulterior motives. The best part though is the reappearance of Cross Marian, who probably has the most shocking story in the volume. There are some major problems for both Allen and Cross, and so even though it initially seems like a jokey volume, it’s actually quite an important one.

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Onizuka Cram School

January 19, 2012

Since I talked a big game about how much I would love someone to license GTO Shonan 14 Days when I made it the manga of the month back in May it is only right that I put my money where my mouth is when it goes on sale at the Right Stuf this week. Vertical not only fulfilled my request to get the newest work by Tohru Fujisawa they also went back and picked up the remaining unpublished volumes of Shonan Junai Gumi (aka GTO: The Early Years) that Tokyopop was never able to release before they went under. Since they are on sale it is everyone’s duty to preorder these wonderful manga if they love comedy, action, drama, and/or yankees. Eikichi Onizuka is an iconic character of anime and manga that is always energetic in any iteration of his story. GTO: The Early Years is a delightful mixture of raunchy comedy and manly action that shows the origin of the greatest teacher in Japan. Shonan 14 Days is Tohru Fujisawa being on the top of his game continuing right back where he left off from GTO. Someone might tell you to pick up Tezuka or the Lychee Light Club. Those are all fine manga worth picking up but they are not the manly bible that is teachings of the Oni-Baku.

And if you need something to offset all that testosterone that you can pick up Twin Spica because that series does not get enough love.

Go to the Head of the Class

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Ongoing Investigations: Case #152

January 13, 2012

I thought it appropriate to make Detective Conan: Quarter of Silence (movie 15) my first anime of 2012 and it set the year off right! In this case Conan takes on a bomber looking to destroy a dam but there is a lot more to this mystery in the small snowy town Kitanosawa whose residents have many secrets. The film starts off with a flashback many years in the past of a young boy being chased and falling down the mountain side. We then move to present day where Conan must first stop a threat to the Governor of Tokyo and a train bomb that leads them to Niigata Prefecture. We learn that the town of Kitanosawa was relocated five years prior when the dam building took place and it was not popular with many of the residents. The setting plays a major role in the film as it is small and fairly isolated and we have the added attraction of snow and all the dangers that come with it. We meet a group of childhood friends with a lot of complications between them and that boy on the mountain top, don’t count him out yet. Since there are multiple mysteries going on it keeps you guessing in good form. There isn’t too much romance in this film which is a nice break and I really enjoyed the friendship that The Detective Boys kindred with the injured boy from the mountain. This movie loves to push the limits of Conan’s skateboard from having him go upside down in a tunnel to its transformation into a snowboard which he uses to create an avalanche in the final tense climax. This in a very enjoyable addition to the franchise making me feel as if they are on a roll with the Conan movies!

I finally got to reading Twin Spica six through ten when I borrowed them from Narutaki. As I stated when I made this the manga of the month the story mixes the best of science fictions hopeful dreams of progress with the draw of excellent human drama. And it has not dropped off in the least. Although it is a story about space the main focus is the characters, their interactions, and their growth. We learn that everyone has at least one major secret that they are keeping from everyone. Some are huge, some are bizarre, some are very personal, and one is all three. But no matter how wacky anyone’s secret is Kou Yaginuma makes sure that it has an appropriate emotional gravitas. And so powerful moments are still effective. Marika Ukita’s angry loneliness,  Shu Suzuki’s carefree facade, Kei Oumi’s blitzkrieging energy, and even Asumi Kamogawa’s melancholy earnestness will always carefully play with your heart and mind without ever feeling manipulative. There is at least one story in each book that will make your earnestly well up with emotion while still having a light mood that prevents you from feeling emotionally blogged down. I am glad to see everyone is still growing. Marika Ukita clearly has had the most obvious arc of growth but everyone is moving forward at their own pace. I will say that chapter 10 ended rather unexpectedly for me. I thought something like that might happen but not at that point in the story. With only two books left to go this is a great time to start the series if you have not picked it up.

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Ongoing Investigations: Case #151

January 6, 2012

I am making my way through Twilight of the Golden Witch, the final chapter of Umineko no Naku Koro ni. As I am still not done I will save my final review for the chapter and the series as a whole for a later date but I do think there is one major fact about the game worth mentioning. When this game was first released the reaction was divisive to say the least. Going mostly on spoilers it seems that there was a very vocal community of people who felt that Ryukishi07 shot the pooch with the ending. I may or not be related but it has taken quite awhile for the English patch of the game to come out. Purposefully or not this might be for the best. It has given people (including myself) sometime to distance themselves from that initial reaction and judge the ending on its own merits outside of the initial hype for the ending and then the backlash when the ending was finally revealed. So far I am enjoying it with some time to divorce myself from the initial reactions. A prime example is the Professor Layton style puzzle section is nowhere near as horrible as it first sounded. It has some of the most powerful scenes if you get the puzzles right. It gives a little insight into how everyone in the family was still a human despite the many horrible things they had done. That is thematically important given how I think they are building up this ending. It does not shy away from the terrible things they have done but if you think anyone there is a complete monster than it makes the ending somewhat disingenuous. I look forward to reading the ending and weighing on the series as a whole now. I think I would have been far more brutal if I did not have some time away from the series. This really shows the benefit of some time away from the gut reaction of a community.

After talking about Uta no Prince-sama Maji Love 1000% in my year in review, I decided I’d better watch some more! I watched up through episode 7 which is a good half way point before everyone goes to idol summer camp (oh yes!) and decides on their partners for their final exams. Each episode has focused on one of the guys who through Haruka’s positive attitude helps each feel more confident/find his voice/etc. Of course she isn’t able to melt the frozen heart of Tokiya upon first try but we do learn quite a bit about him and a few secrets are revealed. He gets a lot more attention for the obvious reason that he is the “true path” more than likely in the original game. It continues to be a far-fetched fantasy that knows it. Also the headmaster may appear infrequent but remains entertaining as Norio Wakamoto lends his voice to the bizarre antics. I’m hoping that perhaps they will focus on Haruka’s roommate in an episode but that may be unlikely in a show like this.

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Manga of the Month: Take Moon

January 3, 2012

Take Moon (テイクムーン) by Eri Takenashi

With Carnival Phantasm just wrapping up I decided I might as well spotlight it’s origin. Take Moon was a little comedy anthology that Eri Takenashi of Kannagi fame wrote while she was still at Type-Moon (not that she fully left as she is doing the character designs for Girl’s Work.) It took the mostly serious characters from Tsukihime and Fate/Stay Night and puts them in utterly comedic situations to play out their personalities in as exaggerated manner as possible. So Arcueid goes from eccentric vampire to am undead blonde airhead while Saber is portrayed less as a hungry young swordswoman and more as a bottomless pit. But it is all done in a loving manner. It has the lighthearted feel and spirit of fandom present in an amateur doujinshi with the polish of a professional manga. The first book is all Tsukihime characters where as the second book add in skits from Fate/Stay Night. You can tell that Eri Takenashi has a bit off a soft spot for Arcueid and Ciel but almost everyone gets a turn in the spotlight. Even Hanei Misawa and Bazett Fraga McRemitz get some screen time.

I will warn readers that the manga has two major barriers. The first is it assumes that you know the Nasuverse characters inside and out. No real effort is made to introduce the characters or their worlds. Eri Takenashi not only assumes you have played all the Type-Moon games but that you also know the fandom in-jokes surrounding the games. You don’t just have to know who Kohaku is but know her mad scientist persona that she has gained outside of the main games. The second barrier is the fact there is no official English release and the second volume has never been fan scanned. I think it would be neat if someone picked it Take Moon considering the increased interest due to Carnival Phantasm and its short length but I am not holding my breath.

Speaking of Carnival Phantasm the instant question is, “If I watched Carnival Phantasm is there any reason for me to read Take Moon?” The answer is of course. While some of the stories are pretty much a direct interpretation most of the stories have been modified. The anime adds in characters that were introduced after Take Moon was written like Riesbyfe Stridberg or Red Saber but throws some characters like Arihiko Inui and Zouken Matou from main character roles to minor cameos. Heck the whole Phantasmoon skits from the anime are based on one page of a longer and very different Phantasmoon story in the original manga. Both have stories unique to their iteration as well. I mean if nothing else you don’t want to miss out on the Mystic Eyes of Breast Enlargement. It is a delightful little piece of fun for fans of Type-Moon and Eri Takenashi alike.

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