Please, put Saint Tail back on the shelf.
August 31, 2010
Saint Tail was one of the first magical girl series released by Tokyopop before they started unflipping manga, it came out along side titles such as Sailor Moon and Cardcaptor Sakura in the U.S. Even though the translations were less than desirable, one was just happy to see titles being released. The magical girl genre hasn’t really flourished in the states since then and sadly has left a number of titles out-of-print including the irresistible Saint Tail.
I love, love, LOVE the Professor Layton games, at least the two that are localized and I’m eagerly awaiting the next installment to be released state side near the end of November. The characters of Luke and Layton are instantly memorable plus the quirky towns, people, and puzzles combined with a European art style there is just a lot to enjoy and makes an easy transition into anime.
I would bet money that while playing the Professor Layton games a majority of people had the same thought pop into their heads. “This game is fun but boy I wish this was an anime.” And so OLM, Inc. and Level-5 used their special machine to break into dreams (and more specifically Narutaki’s dreams) and make this movie. The question is can a game with a few (albeit very well done) short animated cut scenes be strong enough to stand on its own as a full length movie.
The movie begins at the end of a case with Professor Layton foiling another dastardly caper. As Luke and Layton settle in after a hard days work they are reminded of an old case they worked on that started with a letter from a student of the professor named Jenis Quatlane. Jenis’ friend who died recently has come back to life as a small child. She believes that her friend’s resurrection and several other odd incidents in the area are all related to a mysterious theater. While Luke and Layton are attending an opera at the theater everyone in the audience in locked in a series of life of death trials to determine which one of them will receive the gift of immortality. Layton must discover how all these mysteries tie into the greater puzzle of the quest for eternity.
A major concern of mine going into this movie was not wanting to have plot points spoiled from further games that haven’t been released in the U.S. yet. I was doubly worried as I saw the film’s opening sequence with a short narration about the franchise and then the case we are thrown into took place very much in the present, though it was joyous to once again see Don Paolo. However, things take a turn when Layton and Luke listen to an old record as they are reminded of the famous young woman who sang it and a mysterious case involving her many years prior.
Paradise Kiss’s Hiroyuki: One Point on Two Triangles
July 26, 2010
Paradise Kiss is all about relationships. Friends. Co-workers. Family. Lovers. And Paradise Kiss goes a long way to showing that all of these relationships, minor or major, make a difference and effect your decision, consciously or not. Growing through experience plays a solid tune throughout the series. As each character goes down their paths, some having a better idea of where they are headed than others, no one is alone on their journey. Hiroyuki, the seemingly average man among men, plays pivotal roles in much of the story despite being not quite part of the group.
I always took away the message of Paradise Kiss being that what we think we want, what we actually want, what we need, and what we get are all very separate things. No matter how much we may try to get them to be the same we discover life is about dealing with the fact that these four things may never meet up no matter how much we try to make them. All the member of Paradise Kiss kiss deal with these clashes of desires and realities both romantically and professionally throughout the series. But there is one character who on the surface seems out of place. Hiroyuki Tokumori seems to be a minor character who is both above this and apart from this. But on further analysis we see that he is not only a key player in all the lives of the main characters but also just as torn and effected by these conflicts as everyone else.
We talked at length about One Piece previously, but actually besides some random episodes and a few clips here and there, this movie is my first true foray into watching One Piece rather than reading it. My personal preference is to reading shonen manga, random fact, but with things like franchise movies it can be a good time to make an exception. However, greater than just the fun of films with favorite characters was the pull of director Mamoru Hosada whose work I wanted to explore further after enjoying The Girl Who Leapt Through Time and Summer Wars so. Starting with the sixth of the One Piece movies isn’t odd, especially because it is really unlike any One Piece you’ve seen before.
Back in the age of chaos between the start of the infamous 4kids adaptation and the blessed license rescue by Funimation I would watch One Piece via fan subs as it was the only way to see a decent version of the series. As I was working my way through the series I eventually caught up to the latest TV broadcast episodes so I decided to move onto the movies. Overall I was rarely impressed with any of the One Piece movies. Like every other long running shonen fighting series the theatrical films are almost all the same. They are very high budget filler episodes. They make a decent profit at the box office and spawn a bunch of lucrative merchandise but they are ultimately utterly forgettable in all respects. But every once and a while there is a shonen fighting movie that stand out. The 6th One Piece movie most certainly does not fit into the category of the standard formula.
This movie is of course an original one off but its unique qualities for this franchise making it anything but your standard silly adventure. The gradual build of the strange happenings feels like it is pulling you along and you’re compelled to see what is around the next corner. As the crew starts to realize something is very wrong, the entire show starts to take on a surreal quality. The movie, and the viewing of said movie, is like a dream or rather a dream you slowly come to realize is a nightmare. Even at the end of the film it is hard to say what all has taken place, what the crew will take away from the experience, or if they even remember it all.
We start with what seems to be a normal One Piece filler plot. The Strawhat Crew get an invitation to stay on a pirate resort island with all the amenities. When they arrive it is less than the spectacular vacation getaway they were promised and they are soon forced to play in a series of strange pirate games that are supposedly a test of the crew’s teamwork. Of course there is something more sinister going on in the background. But this is where things begin to really go off in their own direction. The story of Baron Omatsuri and the island go straight to horror without even stopping to pass go or collect 200 berries.
