Posts Tagged ‘cross-dressing’

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Ouran High School Host Club, Water can’t hurt handsome men.

March 31, 2008

It can’t. Just bounces right of them. I have seen it happen. Host Club is best summed up as the shojo comedy styling of female Kyon and her all male harem.

A complete parody of everything that is a staple in shojo manga all crammed together in one ridiculous show.

Haruhi Fujioka is the poorest student at Ouran High School, a school which is made up of Japan’s wealthiest and most prestigious students. Haruhi looks like a nerdy little dormouse of a man with messy hair and an unstylish nonstandard uniform. Therefore Haruhi looks totally out of place at this prestigious school. When trying to find somewhere to study Haruhi wanders into the seemingly empty third music room. Haruhi finds that a handsome sextet of students have turned the music room into a host club for the wealthy girls of the school. While trying to get away from the bizarre members of the club she accidentally smashes an eight million dollar vase. The host club forces her to become their lackey to pay them back for the vase. Two things get Haruhi out of having to do menial chores for the club. The first is that Haruhi has natural charm and grace that makes her a natural host. The second is that she is a rather pretty girl. Certain members of the club are more surprised than others when they learn that Haruhi is actually a girl but no matter what it greatly changes the dynamic of the clubs interactions with her.

Haruhi’s situation with the vase is brief and really only exists to get her into the club. It’s brought up randomly when a joke calls for it. The host club was founded to make girls feel happy and to do good things when they feel like it. This series really doesn’t have an overall plot so it does perfectly well with its bizarre one off scenarios and events. It also makes it great to turn on whenever and laugh it up.

The cast is rather delightful bunch of assorted miscreants and fetish characters but this is by design. While each character obviously fits into a stereotypical archetype of shojo manga they still retain likable qualities that keeps them from feeling like merely microwaved leftovers. Lots of comedies try to use stock characters for comedic effect but they often feel like cardboard cutouts merely propped up for jokes. I feel as the series adds depth and nuance to all the major characters while still keeping them comically amusing.

Well, the thing about archetype characters is they exist because people like the archetype. And believe it or not, some writers can use them well and make you love them as you have loved all other characters like them before and some writers fall flat and create boring, seen-it-all-before feelings. You can’t use an archetype without bringing something to the table and Host Club brings it all. And while you have shojo eye candy flying all over the place, you know it is just one colossal joke. The guys of host club are schemers and they know exactly what is going to bring in the customers, so that is what you get.

Haruhi is the master straight man of the group. With a wide variety of deadpan expressions she takes everything the host club throws at her as best as anyone in the same position would be able to. She is smart, independent, and sassy when she wants to be. The only thing that seems odd is Haruhi’s odd variable skills of observation. When it’s plot convenient Haruhi is an eagle-eyed and empathetic girl who notices even the slightest changes in mood of other characters. Other times she is an oblivious to everything and anything that is going on around her. Side note: Narutaki loves Haruhi with long hair.

Haruhi is interesting although I wasn’t really a fan of her till they started giving her something to do other than have no reaction to our host club cronies. But that starts to dissipate as we learn about her family, she ambitions, and her friendships that develop. She definitely stands out as a strong female but I felt her better moments were when she realized she could, and sometimes needed to, rely on others.

I think on a certain level Haruhi has the “Silent Bob speaks” effect. They make her so blasé most of the time so they few times she does react it is of significant note.

All of the members of the host club have unique relationships with one another. The series is more about friendship than anything else and it does it very well. Personally I find the friendships to be the strongest thing about the show because within that there is room for so much hilarity and drama. In fact, some of the best moments are the episodes when you learn how the host club got together. Everyone has a special connection to their king. Speaking of Tamaki, he in particular really becomes a developed character in these episodes. You start to realize that he has more going on in his head that you previously imagined.

Tamaki is the charming blonde foreigner who is half Japanese archetype. Tamaki is basically Irresponsible Captain Tylor but in charge of a host club instead of a spaceship. At first glance Tamaki seems like the incapable playboy with absolutely nothing of significance going on inside his head. But as the series goes on we learn that Tamaki can and often does put his rather sharp mind and ability to read people to good use. On the other hand, it is also very clear that much of Tamaki facade of being naive and gullible is quite real as well. One of the main mysteries of Tamaki is how much of his supposed silliness and clueless nature is real and how much of it is an act. I don’t think we ever really learn what the answer is but we definitely get a better idea by the end of the series what the percentage of clue to clueless is. Also when Haruhi is not around (and sometimes when she is around) Tamaki is most often made the straight man of the group.

Most people that know me well could spot from a mile away that I would love Tamaki. Tamaki’s personality is essentially my most favorite type of character in any series. But Tamaki is this character ten-fold (as with everything in Host Club, it deals in extremes). He has a free-spirited and goofy nature punctuated by his bouts selfishness and narcissism. However, his moments of kindness are shining and sweet. I find these things very appealing because many times it hides a darker past, but the character has choosen a somewhat positive way of dealing with it. Tamaki is the kind of guy that after watching a while you will always be wondering how much he planned and how much things just fell into place. Did I mention that he is beautiful and blond?

Hikaru Hitachiin and Kaoru Hitachiin are devilish twins. There main shtick at the host club seems is always implying that they have a incestuous homosexual relationship. In reality the Hitachiin twins are consummate manipulators and practical jokers. Everyone and anyone seem to exists for their amusement although their favorite targets are without a doubt Haruhi and Tamaki. They seem to have an odd amount of respect and admiration for Tamaki despite how much they seem to ridicule and manipulate him.

The twins are a paradox, they are the same and they aren’t. Their relationship is really well explored in the series. I think they are probably have the most growing up to do but that is what makes watching them a treat. You have the feeling they are moving toward something and a change will follow. As with most of the guys in the club, they love themselves a lot. But not to the point of all the fujoshi squealing in the club. They are in the same class at Haruhi and might be the closet friends she has. They love to rub that in the face of the king.

Certain people we both know seem to think that Hikaru is the closest thing to a legitimate rival for Tamaki over Haruhi’s affections in the series. We both think she is a little bit crazy.

Honey and Mori are sort of a package deal. We rarely if ever seen them as separate people. Honey is the shota bait super hyper cute high schooler who has the body of a little boy. He loves cakes and candy and happens to be as sweet as sugar as well. Mori is the stoic kendo club captain that watches over Honey like a bishonen gargoyle. They are almost as close as the Hitachiin twins to the point where I almost don’t feel that weird seeing yaoi doujinshi about them.

I don’t think it is an mystery why Mori is always shown with Honey. Mori is tall, dark, and handsome and Honey is short, sweet, and cute. I hear the moe chants in the background. But seriously I wish both of these characters had more screen time and a lot more character development. Heck, for a while there Mori had the most intimate relationship with Haruhi out of everyone.

If Tamaki is the lively soul that keeps the Host Club together as a family than Kyoya is the the cold machinery that keeps the host club running. The Shadow King is the masterful, almost villainous, brains of the group. He is the man that organizes the club, keeps everyone in line and in check, and makes sure it turns a profit. These are abilities that no other man in the club could even hope to have. He has a definite competitive spirit which is not obvious but clearly fierce when exhibited. In the manga, he seems to have a subtle crush on Haruhi but is mostly just a supporter of Tamaki in the anime. For some reason he is my favorite member of the host club. I guess I like his ice cold demeanor and subtle style.

The Shadow King is essential to the club. It just plain wouldn’t have gotten off the ground without him. He also completes the necessary glasses, smart guy of their shojo fantasy club. Tamaki and him are almost polar opposites and so they play off each other very well, creating one of the most dynamic friendships in the story.

The romance aspect of this series gives it some of its moments of drama. But once again, this series is so over the top that most of the time it is used for gags. There are some very sweet moments that will have you gushing but for the most part it sticks to what it does best, silly. And to add to its shojo parodying, of course a good portion of the club is in love with Haruhi, for some reason.

Everything in Host Club is played up with the volume turned to 11 for comedic effect while still remaining somewhat loosely based on a coherent storyline and reality unlike spastic comedies such as Excel Saga. They often throw ten jokes at you every ten minutes and parody every genre under the sun (especially shojo genres) but it never comes at anything more than a brisk pace. Too often such comedies seems to have little in the way of a strong plot. Host club manages to constantly be funny while still telling a individual story each episode. It also knows when to take it slow and just let us get to know the characters or to build a little drama and romance while still falling in the comedy category.

Host Club is character driven because it is a situational comedy. With the main characters, there is always something to love. The random side characters that pop-up, like the club “manager” and the president of the Dark Arts club, just to its cast of perfect weirdos. There is nothing much going on as far as over arcing story but who cares? Everyone needs a hilarious show that you don’t have to think too much about. Ouran fits that bill to a tee.

For shame Narutaki. For shame. You forgot to mention Beelzenef. Without him what is this show? I also really like the Yakuza so who tries to learn to be make friends with people from Mori. His story was hysterical. I think it’s also criminal to forget Renge, the resident fujoshi, and her running commentary and helpful suggestions from her limitless knowledge of anime, video games, and burning moe passion.

Alright, alright. I couldn’t go on without mentioning the hilarious president, and only member of the Black Magic Club, Nekozawa and his hand puppet Beelzenef! His appearances are brief but totally hilarious, as the door to his club randomly appears where ever he needs it to. Also any sort of light send him into a state of shock, haha.

Having read the manga I find that they hit almost all the highlights. This means that often certain episodes are the combined plots of two to three different stories from the manga. I feel that this let them get as much of the manga as they could into 26 episodes while still letting you get to see who everyone in the club really is. The only thing they really left out was Kyoya’s feelings for Haruhi. Any scene where Kyoya seems to show affection for Haruhi in the anime is either modified or played down from how it was in the manga. I assume they removed it because they just have less time than the manga but I felt his crush added some charm and depth to Kyoya.

It is always hard to completely develop a large cast in just 26 episodes, so that would be my initial reasoning for them removing Shadow King’s feelings. But they do hint at it a little. So instead of doing it only half way, I think they moved the story in a more direct fashion.

The anime also has an original 2 part episode to end the series. It ties together all the themes of the show pretty well. It is as clear an ending as you can get for an on-going romantic comedy.

While I know the anime’s ending wasn’t totally concrete, I felt it was pretty clear on certain levels about the feelings of certain characters. But it wasn’t so definite that you would be thrown off if in the manga it doesn’t end the same way. I really enjoyed the last two episodes even though a lot of the slap-stick and gags were missing from it.

All in all Ouran High School Host Club is a comedy for both sexes. It is shojo but I think it is funny enough and witty enough to win over any male who does not mind a little bit of flowers and bishonen. Plus, they are constantly mocking flowers and bishonen. Females don’t even need to be told why they will like Host Club. It is just a fact. I am just worried that Funimation will drop the ball when they market Host Club. They have a sure fire hit on their hand they just have to sell it correctly. I sort of wish we lived in a world where Host Club could get on TV but I’m not naive enough to ever think it would happen any time soon.

I brought up this concern when I found out about the license. I feel like they are going to market to girls period. This show has a much more broad appeal if they play their cards right. Show up the slap-stick, the gags, the parody. Instead I imagine trailers with flowers, pretty boys, and romance. Blah blah. It’s not that this isn’t the core, because it is, but the show has the potential to bring in a wider audience, bringing in bigger numbers, and actually do well as a shojo title. The DVDs are due out later this year, although there is still no date announced.

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Rose of Versailles, the manliest man is really a woman!

January 15, 2008

I will refrain from just writing, “I love this show!”a 100 times over. But seriously, I do. It combines so many of my favorite elements: history, royalty, court intrigue, and cross-dressing sword swingers! You ever wonder why shojo shows have sparkles around characters? This show is why. So many shojo creators mention this show in their influences. It ‘s historically important to the anime time-line. And that alone seems like a good reason to check it out.

I remember that each member of CLAMP mentioned that Rose of Versailles and Candy Candy were two of the biggest influences on them as children. One side note, neither of those shows got licensed in the U.S. but were breakout hits in other parts of the world besides Japan. If I remember correctly, it was rather popular in France. They did co-produce that Live-Action movie with the Japanese back in 1979. I guess that speaks volumes on how well it was done. If the French liked something that foreigners did about them it must be good. :)

By the way, I am calling this a spoiler-free discussion because nothing about Oscar is spoiled, but that doesn’t mean things known in history aren’t mentioned here. If you know nothing about the French Revolution and the things leading up to it, learn some!

You mean Marie Antoinette does not get a happy ending? I am shocked!

Rose of Versailles in one sentence is: the story of an imaginary cross-dresser who is assigned to guard a spoiled princess, whose antics kill most of the cast.

After having nothing but girls, General Jarjayes decides to to raise his 6th daughter as a boy so he can have someone to carry on the family legacy. General Jarjayes raises his “son” Oscar so well that she is chose to become the body guard for Louis the XVI’s new wife, Maire Antoinette. Since Marie Antoinette is both naive and self absorbed she frequently makes powerful enemies and horrible choices in friends. In fact most of her friends are, if not more, dangerous than her enemies. Oscar spends most of her time foiling the plots of those around her to ruin Marie Antoinette while trying to prevent Marie Antoinette from destroying herself on her own. Overtime Oscar becomes disillusioned with the royalty of France as she sees that their petty schemes and extravagance is slowly killing the French peasantry and France itself.

I think the one sentence description fits perfectly.

I really liked Rose of Versailles for two reason, even before I saw it. The first is that it was major influence on my favorite anime, Utena. Anything that helped make Utena has to be good. It’s a fact. The second reason is a secret reason. Known only to me (or anyone who knows me well enough). Other than that, Rose of Versailles is good for a number of reasons. It has beautiful animation for it’s time and beautiful animation in general. Secondly, it has iconic historical characters that are well adapted to a fictional story, while incorporating solid fictional characters. It also takes characters of minor historical importance and gives them some interesting fictional back stories. I like all of the fictional characters added to the story. A solid cast is vital to a show filled with drama, and melodrama, like this one.

The animation of this series incorporates a lot of different elements. I don’t normally bring these things up but since it is an older show I think it is worth mentioning. There are so many detailed backgrounds and period costumes that it is very daunting to think about hand drawing each and every thing. They use watercolor stills also. It also incorporates dramatic lighting, such as only certain characters being in full color. And I feel they also give you decent combat scenes. While they certainly use the flashes of light or quick cuts, you still see a sword fight. I don’t feel like they skimp on it.

It’s very clear that quite a bit of research went into making this. From what I can tell Riyoko Ikeda has done lots of research for all her historical series. There are some historical inaccuracies but most of them seem to be made for ease of plot or dramatic power rather than any lack of research.

Minus Oscar’s household, almost everyone else who appears, that has an importance to the story, is actually from history. Although, I have read her father is a real General but can find zippo about him. That isn’t to say their plots and whatnot are right out of history, but their personalities are pretty on target. Obviously, some things may be exaggerated for the convenience of storytelling. The Wikipedia character listing does a nice job of linking to the actual historical figures.

I’m sure if we were French or either of us had studied French history some of these more minor characters might be more familiar to us. Well, a lot of liberty is taken with Rosalie Lamorlière because as far as I can tell there is not that much known about her historically. Historically she was a peasant woman who looked after Marie Antoinette before she was executed. In the show she becomes Oscar’s student, and by doing so she plays a part in several rather important events. The real-life Rosalie probably had little to nothing to do with. She is also written to be secretly related to quite a number of major historical characters.

Well, the thing about history and historical fiction is since no one knows everyone and everything involved or that contributed to something, you can make things up without it seeming too unreasonable. So liberties are taken with what went on in their private lives but also in the events of the time. This is why I love historical fiction. The romances are of serious importance (because this is a shojo series), such as the one between Marie Antoinette and Hans Axel von Fersen, which has historically been a point of contingency among scholars. I was also quite surprised that the scandal of Marie being thought to be a lesbian (although untrue) wasn’t more prominent. There is some exploration of shojo-ai in the series, and this would have been an good opportunity for it, especially between Marie and Oscar.

I feel it comes up enough for a kids manga. During Jeane’s trail for her involvement in the affair of the necklace she mentions that her, Oscar, and Duchess Julie de Polignac were Maire Antoinette’s lovers and when she is on the run she writes memories that surely bring up their fictional affair. Marie Antoinette does dote on Oscar enough that it seems like a good avenue for shojo-ai but they mainly stick to the traditional love triangle with Fersen. Rosalie and her sister seem to have less than platonic feelings for Oscar throughout the series.

I think the view of Marie Antoinette is interesting. They really play up the innocence of her actions and also how naive and childlike she is. She becomes a sympathetic character who actual history hasn’t been too kind to. However, when you watch you can trace just about everything that happens back to her selfishness. But that is what happens when a spoiled child becomes the queen of a country.

They don’t pull punches in making you occasionally want to slap some good sense into Marie Antoinette. If anyone gets the short end of the stick, it’s definitely Louis XVI. He appears often enough at the very beginning of the series but soon disappears to the occasional guest appearance.

But Oscar is our main character and a very good one at that. Raised as a boy since birth, and taught the art of fencing and other combat, she comes to a crossroads at the age of 14. She can guard the new princess or she turn back to womanhood (although I don’t think Oscar actually feels that is an option). The only thing I feel is thoroughly unbelievable, is how readily everyone accepts this woman acting like a man. And taking a position as captain of the royal guard. But suspension of disbelief for the stories sake.

Well, I think it was best summed up with the line, “Oscar you more manly than a man.” Oscar is manlier than every shonen fighting lead combined and at least as mainly as Kenshiro or Hiko Seijuro, and that is some pretty high praise. Guts is manlier than Oscar but NO ONE is manlier than Guts.

Yes she is rather amazing. Always chivalrous and brave and beautiful and intelligent and valiant and strong and talented and and and! She puts every male character in this series (and possibly all other shows) to shame. And all of the side characters are enamored with it: Andre, Rosaile, all the ladies at court. That is okay though because I think everyone watching the series is rather in love with her, too.

I did not notice it at first, but you also mentioned several times throughout the series that Andre seem to be able to come, go, and do pretty much what ever he wants despite being a servant unless the story requires him to be restricted in some way. At the same time, they make a big deal about Rosaile having to pretend she is noble to get away with certain things whenever she is around.

The Duke du Orleans is a brilliant villain, never scene without that evil glint in his eye. Historically he was known to always be sticking his nose in everything, always in the thick of it as it were. And this story is no different, you’d think he started the French Revolution completely on his own! Robespierre who? And Jeane, whoa, that woman is crazy! But to be fair, history paints a very similar picture of her. And lets not forget Saint Just, who doesn’t appear till much later. In Rose of Versailles, people who are evil are like the most evilest people ever. Although, they only seem to pop up randomly and then never appear for years at a time.

It’s not like Duke Evil moustache shoots children in the back…oh wait he does. And one bit of advice to anyone living in Rose of Versailles France, don’t ever take on a secret job assignment. The minute you finish a secret job someone pops out of nowhere and kills you to make sure you never talk. Just place a sign in the front of your store stating that you only take public contracts. I feel that the author is a little kinder to the female villains. She tends to try to humanize them and give reasons for the female villains of the show like Jeane and Madame du Barry being as horrible people as they are. The women in Rose of Versailles are just as horribly evil as the men (if not more so) but they are given some sort of motivation for their horrible behavior. The bad men in Rose of Versailles are just bad to the bone because they are bad dudes. She never tries to humanize the Duke Orleans and the Duke Guemenee.

Rose of Versailles doesn’t expect you to be a history buff to enjoy it either. I think you can tell the show was made for a mixed audience, so you won’t feel left behind by anything if your French history isn’t up to snuff. Although, the incredibly obvious foreshadowing can be laughable at times. The is serious time skipping going on, clearly you can’t fit everything that ever happen leading to the French Revolution into a 40 episode series, so a lot of the middle years are cut out. Like when Marie is having children and what not. Also I feel the series has a shift in view from the first to the second half. The first half really has a lot of Marie and Oscar but the second half focuses solely on Oscar.

I feel the first half deals a lot with the politics of the time in the forefront and they make the relationships run in the background; although, they are intimately tied to what is going on. After the affair of the necklace it gets turned on its head and the relationships are brought to the forefront where as the politics are moved to the background. Oscar making a lot of decision involving how she feels about the court and nobles has a lot to do with it. I wonder if Riyoko Ikeda had Oscar drop out of the politics because it was the natural progression of the character or because she just tired of writing about the court.

This show is one of the few really old titles that people constantly call for to be licensed. At every convention, if you go to industry panels, you will hear it asked for at least one time. Japan loves it and so does everyone else! It is really unfortunate that it doesn’t seem very likely to happen or it would have by now. Until someone wrestles the rights away from the manga-ka we don’t have a prayer.

Well, I have the feeling it’s one of those problems where if you could throw enough money at it it would go away. The problem is the amount of money you would need throw at Rose of Versailles to get the licence would probably make it totally unprofitable. It has it’s fans in the U.S. but I’m thinking they want mainstream new show prices for a show that is old and carters to what is a niche audience in the U.S.

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