Kimi ni Todoke’s 2nd season starts off with a 0 episode devoted to a sorta recap of the 1st season while also giving us a closer look at Kurumi. Kurumi has excellent growth in the short time we meet her, but that doesn’t hinder her mean-spirited, though cleverly hidden, nature. She becomes a character that you really enjoy seeing as she progresses forward. But enough of that seriousness, I laughed quite hard to see what I could only describe as a mini-Death Note homage in this episode!

If there is one thing the internet has enough of, it is hate. Hate for shows, hate for people, and plenty of hate for characters. Unfortunately, we will be spreading such ire today. What would our former post be without its companion piece? However, I would like to point out this post isn’t about bad characters or poorly written development, it is about characters we dislike for inherent flaws in their personalities. I would even argue, if I can passionately oppose a character that means they are actually written rather fully. Once again we are trying to explore what, if anything, it means to dislike a character with such fervor. This, much differently from the previous post, can get a bit hairy and quite intense at times. But we will do our best to be respectful. Maybe.

I really hate fake strong female characters. They are female characters that the writers try to pass off as strong but are really just weak. Cecily Cambell from The Sacred Blacksmith is a prime example. We are supposed to believe that she is a strong swordswoman that can defend her self. But she mostly goes around being useless. This annoys me more that the standard token chick because at least you don’t have high expectations out of them. Another great example is Clarice from Claymore. Also belligerent women than are actually weak but the writers mistake being confrontational with strong. The fact that they kept portraying Sheryl Nome as a strong woman when she is clearly just fronting to hide her deep insecurities. The fact that people rally behind her as some sort of symbol of feminine strength really ticks me off. Also the fact that show never acknowledges any of Sheryl’s behaviors as anything but a virtue. This is in contrast to Ami Kawashima from Toradora whose same actions are seen as the weakness and defense mechanisms that they are. The other character that stood out to me as being horrible was Takumi Nishijo from Chaos;Head. He had to be one of the most unlikable protagonists I have ever seen. People usually complain about harem leads being generic and unsympathetic. Takumi has all the traits that make harem leads so hated and then either exaggerates those traits or has even worse traits on top of that. He is selfish, petty, lecherous, misanthropic, and just a disgusting human being. At least I felt some amount of sympathy for Tatsuhiro Sato from Welcome to the NHK. I have not one iota of good will towards Takumi and could not drag myself through a show with him as the lead.

I can be a harsh critic when it comes to character flaws, so where to draw the line was a little more difficult because once again this isn’t just about annoying characters, it is about characters that sort of epitomize traits that I dislike above all else. First up is a woman whose death I called for as each episode she further gathered my dislike, oh Flay Allster (from Gundam SEED), how I will always recall your attempts (and successes) at being a racist solipsist who uses her femininity in the worst ways with hatred. One must draw the line at trying to get nice guys killed. Squarely in the middle is Sakujun (from The Story of Saiunkoku) who has something not quite right about him from the moment you lay eyes on him. Sakujun acts in such a roundabout way that he takes advantage of good people so much so he borders, no, he is mentally abusive. He portrays the ultimate ends of using guilt and obligation to get what you want. And to round things out is Misa (from Death Note) whose ridiculous obsession with Kira makes her a gothic doormat. Her inability to see the things right in front of her is phenomenal and intensely frustrating as is her attempt to see anything Light does as love.

The oddity for me is Hinagiku Katsura from Hayate the Combat Butler. I normally adore characters like her. She has pink hair, she uses a sword, she is proud and confidante but kind and supportive and she loves someone from afar. But for some reason I really don’t like her as much as the rest of the cast. Unlike say Narutaki who actively hates Sanji I just don’t really like Hinagiku. I can’t put my finger on what exactly I dislike about her that stops me from liking her the way everyone else worships her. I do on the other hand get all worked up about her fandom that insists that the manga should be about her and that she is the best character ever. It is like everyone would rather be reading Hinagiku the Combat Student Council President. I myself like the lead characters as they are.

A character I have trouble understanding my dislike (this may be too tame of a word) for is Sanji (from One Piece). By all normal circumstances, he should rank rather high for me but it never happened. Sanji’s got a laid back style, he cooks, and he is a good fighter but something about his love sickness really doesn’t jive with me. And I also think this particular case has also boggled the minds of many of my close friends.

The challenge is the same as before. Take what we have given you and try and make an analysis of our character from the characters we hate. Also feel free to write in the characters you hate and what you think it means about you. I did find it a little harder to choose characters I hated than Narutaki. I think we both have affection for charters as deep as the other one. I think we also both like a wide variety of characters. The biggest challenge was for use to narrow out lists down to 3 characters. But for some reason I have a harder time hating characters.

I feel like just writing this helped me learn a bit about myself!

SPOILERS, SPOILERS. TRUST ME YOU DON’T CARE.

Since it went over so well last time, we saw the film at the same place we watched the second Death Note movie. Once again not too crowded, though more so than when we went the other time. I didn’t go into this movie with many expectations, I had heard and read a bit about it before hand. Though frankly it would be hard for me NOT to go see a movie all about L. So with only mild hopes I braced myself for this film. Somehow the reviews didn’t do the movie justice. It was much worse than I could have imagined, it may have physically injured me at points. The only thing that prevented me from plain giving up on it was that I committed myself to writing this review! How dare you film, how dare you make me write a word against L!

W.C. Fields said, “Never work with animals or children.” L, or should I say Kenichi Matsuyama, should have listened to him. The fact an L movie was being made was hardly a surprise to anyone. He was clearly the most popular character hands down. They had the prefect place to add in one last hurrah before his ultimate end. When I first heard about the movie I was cautiously optimistic. L has to solve his last case against terrorists with a super plague having only a few days left to live. Sounds fine. Then I heard it was a stupid action movie. I was fine with that. Although L was almost always playing mental games in the manga, they also made a big deal that he was amazingly physically fit and even a martial arts master. I thought that people went into the movie expecting another mind game but got a cheesy action movie and were overly harsh. No they were overly generous. Everything that could make a movie bad was bad in this lemon of a movie. When my favorite original character was a vehicle you know you are in trouble. And before you ask it was not a cool talking car.

After catching Kira by writing his own name in the Death Note, L is only left with 23 days to live. L spends his remaining days solving all the unclosed cases he can. During this blaze of glory, a young girl and a small boy get L involved with a terrorist group that plan to cleanse the earth of wicked humans to save the environment with a super virus. L must protect the unnamed boy who survived the destruction of his village by the virus and the girl named Maki Nikaido whose father had developed the antidote. After her fathers destroys the only working antidote, the terrorists must get Maki for their plans to succeed.

I wasn’t looking for another Death Note like case, but I can imagine that some people were so they went with something world threatening again. This is where my understanding for choices in this film stops. The plot just keeps running along making no sense. It also doesn’t utilize L for any real reason, he uses almost no logic to solve things. Worse is that he does things and you wonder, “How in the hell did he know that?” which he does in the other works, but he explains how he knew. Here there is none of that. How did L know where Maki was when she ran away? Why did he build that small magnetic device? He is just psychic apparently. Also calling this an action movie is laughable. I too would have accepted, L Secret Agent, but that doesn’t happen either. I think Kenichi’s comment in the extras was rather telling of what was going on. He basically said they wanted him to be a different L than his vision of him in the first two films. So he did his best to compromise but keep L true to form. Kenichi was not the problem with this film, that is for sure. Throwing in the random action scenes didn’t help either. Especially when they make no sense, like in the first one where the helicopter just stops shooting for 5 minutes so the little boy can escape. Or in the final airplane scenes where the terrorists switch from gung-ho to timid and back again at the drop of a hat. P.S. How did L have a bag full of the anti-dote when but moments before he was asking the doctor to make as much as he can? It would have been better if they had given up on trying to make this plot work and just had L sitting in his lair. Possibly the best part, and most indicative of what I would want to see in the last 23 days of L, is when he solves a giant stack of cases from agencies all over the world in a day.

They couldn’t have tried harder to make a worse bunch of original characters. They team up L with kids for most of the movie. Making child characters enjoyable and authentic is obviously a challenge this movie was not up for. The little boy that falls into L’s care is mostly annoying or silent and never anywhere in between. Maki is slightly better since she is older but is sill irritating. They are mainly there to bond with L and bring out his humanity and other such sappiness. Go away. Then about half way through the film they introduce a random FBI agent, Hideaki Suruga, out of nowhere. He literally just bumps into them in a scene that is extremely out of place and then proceeds to do next to nothing. The crew of villains is a rouges gallery of mediocrity. Kira was a good villain if sometimes comically hammy. Misa Misa was at least fun to hate for being one of the most horrible female characters ever. These guys are not even worth the bile. I knew Daisuke Matoba that the guy with scarred eye was going to kill the professor that started the terrorist group because you never give a guy an eye scar like that and them not have him in the rest of the movie. Other than that he was mostly there to be angry and kick stuff like a petulant child when their plans were foiled. The other villain that is (not?) worth mentioning is, Hatsune Misawa, the ax crazy girl. While everyone else has guns, for some reason she insists on using knives to kill everyone. Theoretically this could lead to some cool action scenes but it comes off more comical than anything else. All the other terrorists are just lame and bland. The biggest crime of the cast is most of them are UTTERLY unimportant. You could have cut the cast by 3/4 by just combining characters together or eliminating them and been fine. The only likable new character was the Angel Crepe truck. Apparently L’s mobile office is a tricked out Crepe truck. It’s sad the truck has more character than the human cast.

For some reason we spend a good 50% of the time with other characters. If you’re making an L movie because he is so darn popular, put him in it more! None of these newbies are interesting, especially the kids. I would rather L have gotten an animal sidekick in this film! What they add to this film is awkward and annoying in equal amounts. The constant bonding scenes of L with these children are just plain weird, which possibly makes since because L is awkward. However, it’s the children that come off as the weirdos. Running around, screaming, crying, randomly doing things. L as Mister Mom was not exactly the movie I was hoping for. Other side characters include: some doctors, one of which is killed in a most hysterically cheesy horror movie death scene; a total Matsuda ripoff, and for the love of Gackt I can’t figure out why anyone would want to do that since Matsuda offers nothing either; and K, who if you couldn’t figure out from the opening credits was going to be the main villain because, that’s right, her initial is K. Let me just mention that they guy with the eye scar, I couldn’t look at him without thinking about the villain in Casino Royale.

Oh, what went wrong with this movie? There are blanket problems: huge plot holes, corny dialog, boring action scenes, bad pacing, poorly developed characters, and just plain irrational character decisions. Why does Maki’s dad know to destroy the antidote before the terrorists arrive? Why does L instantly trust the FBI guy for no adequately explained reason. Then they are just all the silly moments. The part where Daisuke Matoba decides to go into his apparent magic murder box a whips out a knife to kill his boss. Also Maki’s father finally dies after infecting himself with the virus when they hit the “Give him a Highlander style Quickening death” button. Also L’s two major actions scenes are major lame sauce. So they even messed up the one thing that could have saved the film from being an utter disaster.

At the end there are extras, these were probably the best extras of all three films which is kind of ironic. Though I wanted to smack the English voice actor for L as he tried to imitate L for some God forsaken reason. You sir are not Kenichi, just stop! Other than that they have a good amount of Kenichi talking about what its been like playing L. He rather touchingly says that L has been a big part of his life that he won’t ever forget. Also it has some behind the scenes footage and talking with the director. This movie didn’t have to be bad . . . terrible . . . painful. The biggest mistake was taking the focus off of L. Which seems like a stupid mistake considering the reason it was made was because everyone loves L. Essentially this film has all the oddities of L (like his posture, his eating habits, etc.) but lacks the inner spirit of L. It comes off as a caricature of L and not the authentic thing. It’s a rather tragic end to the live action movies as I think the other two are very, very good.

The funny thing is there is nothing wrong with any individual piece of the movie in theory. However, everything in the movie is so poorly executed it is a train wreck from start to finish. This movie fails on almost every level possible but I must go out of my way to mention its greatest crime is a crime of omission (which is quite an accomplishment considering how much they did wrong.) L hardly does any detective work and does not solve a single puzzle on his own. I would have easily accepted L running around being a ninja secret agent as long as they had him use his brain as much as his body. But he does next to nothing. He mostly stands around while things unfold around him. He very occasionally steers things toward the correct conclusion.  All the major puzzles are solved by other characters which is sort of against the general concept of L. They should have just animated the Death Note novel. That would have been worth watching. This is not even worth bringing up.

With the love-love that is nigh palpable from Narutaki, there was no way were going to miss the big screen showing of the second Death Note movie. Instead of going to the theater in Union Square we went to Clearview’s Chelsea which was significantly less crowded. If they continue to get anime movies at that theater, I think I will go there from now on. It was a nice place and they had an awesome waffle shop across the street. I myself had some good chai bubble tea. There was a closed shop called Burgers and Cupcakes which I am sure could have been saved by Narutaki if only he knew of its existence before.

Wow, what a big difference between two theaters that are just a few blocks from each other. Our experience at Union Square, while not sold out, was still packed and we were stuck with crummy seats. This was a whole other story, sadly there were only about 10 to 15 people besides us at the screening. However, compared to the number of people in total at this theater that night, that doesn’t seem like bad numbers. The theater was really nice and clean, I will definitely be picking this place over Union Square.

The first Death Note movie ended with L and Light meeting face to face for the first time. The second movie then takes the remaining books and and combines them into 1 movie. This means a whole bunch of extraneous characters, plot lines, and one very controversial plot point got the ax. We get a greater disparity between the movies and the manga than the first movie. I know this leads to some rather strong opinions towards either the manga or the movies.

While the first movie was different from the manga, it still kept some of the major plot lines and interwove them just a bit differently. The second movie starts pushing it in a very different direction. Where the manga stumbles through some of its shifting plot, the movie removes altogether. Afterall, there is only this one movie to wrap up the story so inevitably a lot of things will go missing. To create a solid ending for a series like this in just 2 hours was a challenge that was handled really well.

The movie begins with Misa Misa gaining her own Death Note and becoming the second Kira. L tries to prove that Light is in fact Kira while also trying to catch the second Kira. Light is as always trying to kill L and mold the world to his vision. The plot then follows the manga in a condensed manner up until the Yotsuba Arc. We get a thankfully short version of the arc and deals with one other new Kira. Of course, no Death Note adaptation would be complete without the most infamous line in the series, “exactly as planned.”

The cast carries over from the first film and that is much to its credit. These actors, especially Kenichi Matsuyama, really brought great things to these characters in the first film and continue at the same pace here. You read an in-depth view in our review of the first movie. But we have a few new additions to discuss, namely Misa Amane, Rem, and Kiyomi Takada. Misa starts off our tale and follows rather closesly to her path. Light proves how easily he can manipulate women though never to the misogynistic extent of the manga. Kiyomi is sort of a mish-mash of characters from the manga. She helps exhibit that desire for power present in Light but not seen in Misa. I thought she did an excellent job portraying how easily one can fall into it. The character also solidified my feelings that Light, while a genius, doesn’t have ideals that are new or even unique.

The original Kiyomi Takada from the manga was Light’s girlfriend in college that eventually becomes Kira’s mouth piece as a news announcer. In the movie she is an aspiring news anchor who is a closet Kira supporter. She eventually becomes more involved with the Death Note due to Light’s schemes. Kiyomi Takada works fine in her role. I can’t say that she was extraordinarily gripping but I don’t think she was supposed to be. She is supposed to be a person who feels she has grand designs but really just has very petty schemes especially compared to the machinations of Light and L. Misa Misa is now is now fully integrated into the movie so her full force of annoying is apparent but thankfully has a shortened appearance. Less Misa Misa is always better. Rem is generally the same as she was in the manga but they never make note that Rem is in fact female.

The dub as per the first film makes people giggle at inopportune times. Though Ryuk didn’t seem nearly as out of control. Once again we talked a bit about this in the first film review. Everyone basically stays on target. Though I always miss not hearing Kenichi’s voice just because I like him so much.

I don’t really think about dubs anymore being a subtitle person. I don’t hate them but I just don’t think I pay attention. Therefore someone has to stand out as being really good or really bad for me to notice. The Death Note dub did not have anyone standing out for better or worse. I, like Narutaki, did notice that people were sometimes laughing at the wrong times but it was not anything that negatively effected my viewing experience. Then again I wonder if I really notice anyone being anything other than extraordinary for better or worse in Japanese.

Well, thank goodness someone realized how crappy the extras for the first movie were. They certainly stepped it up a notch with this release and had the actors talking about their roles and working together. It also had some fun scenes of each one performing their final lines for the film and then being given flowers!

I also think the directors insights into the movie were a little more interesting because he was doing more than simply adapting the manga. He was making it his own. It was interesting to see what all the principal actors thought of their roles.

A lot of things about this shorter version appealed to me. Biggest of which was the intensity, the manga became so enormous that it couldn’t hold on to that edge. It started to become too sensational, but with the movie you stayed glued exactly as long as a person can. L also always stays a focus, as he should. He is the perfect foil to Kira and the only one suitable for this life or death game with Light. Plus, strangely, I don’t have enough time to hate Misa in the movie because she is never there for any exorbitant amount of time bumbling things. And if you couldn’t guess it has the ending as I always wanted it.

The Death Note movies are the definitive version of Death Note for me. The second movie takes the best of the middle and end of the manga and condenses it into a climatic ending. The director has the ability to use 20/20 hindsight and take the best while tossing away the chaff.  I felt the manga went on for far too long due to its popularity and lost much of its focus in the middle.  The movies also have the ending that I feel a majority of fans wanted from the start. I know it has the ending I much prefer. You could say they basically ended up in the same place but I feel both conclusions leave a different taste in your mouth.

Top 5 L quirks
5. No shoes
4. Great tennis player
3. How he holds a phone
2. Making pastry shish-kebabs
1. Crouched sitting position

I too like to see anime movies in the theaters as well. I would really like to see a good comedy, as good comedies are only enhanced by an audience. Though I don’t know of any comedy anime that would be popular enough for their movies to be playing in American theaters. I suppose that I will take what I can get. I know they are going to be showing the Bleach movie soon as well. The dub alone will keep Narutaki away but I might just go out of random curiosity, since I’m one of the few people who has not seen it. No amount of loyalty to anime fandom will make me pay money to watch a Naruto movie though. I would not so secretly like to see the Kara no Kyoukai movies in theaters but there are going to seven of them and that it’s not popular in the U.S. so that makes it almost impossible. I am also sure that the Evangelion movies would be simply amazing on the big screen but someone has to shell out some serious cash before that will ever happen.

We saw the film, along with other friends, at the Regal Cinema at Union Square. We pre-ordered our tickets but I didn’t see any big line for the event. Also, I noted before we went up (maybe 15 minutes before show time) that the event had yet to sell out. The theater was pretty crowded though and our seats were forced to near the front. I have some friends in Indianapolis and they said their theater was pretty crowded, too. So I’ll assume it was pretty much the same all over.

It was crowded enough that they will hopefully do something like this again. It was not enough to have it to play for several weeks but I think it’s enough to get two showing for those who want them.

Unlike the manga and anime Death Note the movie starts slightly in medias res. The movie begins with criminals all over the word suddenly dying of heart attacks. Law enforcement agents around the world are baffled as to who is doing the killing and how exactly they are doing it. It turns out that they are being performed by Light Yagami a young college student you uses a Shinigami’s magical note book to kill people. When Light writes anyones’ name in the book, while think about their face, the person who’s name he writes dies. As the Japanese police force start their investigations, they are approached by L the world’s greatest detective who has some theories about these murders. The Japanese form a task force with L at the helm to try and solve the mystery of the deaths.

I quite liked the pacing of the movie. It kept the wonderful cat and mouse that drew me into the original manga. We got a lot of the defining moments from the beginning of the story, like: the L TV broadcast, the bus scene, all the Raye scenes really, and the chips. There were new additions as well, especially the twist at the end which is completely new and you really see the director moving things to his own needs at that point. But I liked that, I am happy with the way he is telling this lengthy story in a just a few short hours. Also the Death Note manga is extremely word heavy and I was glad to see they didn’t bring that to the movie, not tons of internal monologues or any such thing. You were really able to read the characters emotions form the actors.

I think you just like the fact that Misa Misa was kept to a minimum in this movie. When you only have two movies to adapt a 12 book series, I suppose it helps that several arcs in the manga are weaker than others and can mostly be axed out with no problem. The director certainly knew how to show and not tell which helped cut down on the need for lengthy mental dialogues, while still showing the back and forth between people trying to outwit each other. I also like that Naomi Misora was given a little more time in the movie. I had always wished she stuck around longer in the manga.

Fujiwara Tatsuya comes out of the gate being the charming and intelligent, young man with a god complex, Light Yagami. It is always engrossing to know what Light is up to unbeknownst to the rest of the characters (except possibly L) and realize how cunning his interactions with them are. After Light falls into L’s first trap, he wises up and starts to push the envelope of how far one can think ahead. Fujiwara takes acting with his CG partner, Ryuk, in stride and never over acts to compensate. However, Ryuk comes off as much more comic like than I felt in the original story. Which added some downright laugh out loud audience moments.

I think everyone noticed that really odd scene where they used a cardboard cutout instead of CG to make Ryuk’s shadow. It was an interesting bit on unintentional comedy. I don’t think they played up Ryuk’s comedic aspects as much as minimized the creepy/scary moments. Oh and I think you have forgotten a most important fact: Light’s father is played by none of than Chairman Kaga from Iron Chef. I admit it’s not easy to see, especially when at no point in the movie does he dramatically bite into a pepper or wear a flashy suit.

I was quite amused and couldn’t help getting caught up with the crowd when L appeared on the screen; the theater went into applause. Kenichi Matsuyama really looks the part of L and once he opens his mouth he solidifies his rendition of the eccentric, but brilliant, detective. L’s character is very much in tune with his manga counter-part, he thinks like no one else and is able to get results, albeit not always by ethical means. And as he sat on the couch making pastry-kebabs I knew the character was spot on.

From what I can tell, L seems to be the most popular character in Death Note so they better have picked a good actor for him. I was happy with L as well. I think Kenichi put in the right combination of playful, creepy, eccentric, and amazingly brilliant to his portrayal of the world famous detective.

I was really surprised it was dubbed, really wasn’t expecting that. Because as most people can attest, possibly from watching some swanky kung-fu movies, dubbing real people is a whole different ball game than dubbing animation. It is just plain more difficult. This was probably done due to its popularity on Adult Swim. However, the most important ones were decently done. Though I’d be lying by saying it was great and preferable. Light and L’s voicing was close to their characters’ original sound at least and most of the time they didn’t speak like William Shatner. I can’t say the same for the rest of the cast. I can also blame the major amount of chuckling to the dub, too. I am glad to have seen it fan-subbed first. And what I couldn’t understand was the lack of subtitles for cell phone messages, newspapers, etc it was just plain lazy.

Odd that you mention swanky kung-fu movies because the dub really does come off as an old Shaw Brothers movie dub at times. I half expected Light to comment on the weakness of L’s crane style investigation-fu at the end of the movie. All the live action Japanese movies and TV dramas we have watched together have been subbed so I wonder if it’s just the way most live action movies come off or is this movie weaker than others? I have noticed for some reason when they play Japanese movies, be it live action or anime, they tend to play them without the option for subtitled signs in theaters. Most of the time you can get away with it but there are far too many scenes where plot was being conveyed by text for it to be anything less than very silly.

The bonus, a making-of featurette after the movie, was mundane at best. There were no real insights, a very brief interview with the director, and mostly us seeing scenes from the movie but with all the equipment in the shots. The only nice thing was the preview for Death Note: The Last Name. I would guess that Viz plans to release that theatrically in a similar manner. When is yet to be determined.

Other than getting a laugh out of a few of the directors odd comments I don’t think we got any grand insight into the movies though the featurette. It was nice to have a little extra that you did not get with the fan-sub but I’m sure Narutaki just wanted more Kenichi Matsuyama running around as L. I suppose that explains why L: Change the WorLd and Death Note: Another Note got made in the first place. The world just needs more L.

The Harold and Maude Award or Favorite Classic Manga Release:
To Terra
It is so rare to get older, 70′s titles. But I feel it is even rarer to find old shojo titles,
hopefully this will be changing in the next few years. It was nice find a serious, sci-fi story that had a solid story and characters. While looking at real world issues, it doesn’t losing any of its charm coming from the fantastical elements.

Ode To Kirihito
“Ode to Kirihito is moving, tender and engrossing. Also very, very odd.”
—Neil Gaiman, author of The Sandman and Anansi Boys
If Neil Gaiman likes it, it has to be good. At 832 pages for $25 you definitely get your money’s worth with this classic Tezuka work. One of Tezuka’s more mature works, it follows the story of a doctor who contracts a disease that makes him more bestial than human. It then becomes his quest to restore his humanity and at the same time is a examination of what makes someone human.

Burn this Book or Worst Thing I Read:
Rurouni Kenshin: Voyage to the Moon
I think I was a bit spoiled because the first translated light novel I read was Twelve Kingdoms: Sea of Shadow, and it was well done. This one was either translated horribly or just not good to begin with, unfortunately I will never know. The characters seem odd in prose form; the movements were very stilted and awkward; the fight scenes were boring and matter-of-fact. There seemed to be zero that reminded me of the greatness of the manga series.

Pretty Face
“Rando struggles to be a good “big sister” to Rina as fate conspires to put him in one disastrous situation after another. When pants start coming off, and half-naked women start crawling all over him for the thinnest of reasons, Rando must use all his karate wiles to avoid being exposed as a complete weirdo. Meanwhile, will the mad Dr. Manabe succeed in his plan to remove the last remnants of Rando’s manhood…or will Rando remove Dr. Manabe’s brains with his fist? It’s 7.5 inches of manga heaven!”
-Ad copy for Pretty Face Book 2

I admit I have not read this per-say but all the ad copy for it makes it seem so very bad. It’s like the most messed up shonen romance show premise I have heard in a while. Even Boku to Kanojo no XXX and Midori Days seem sort of cute compared to Pretty Face. Maybe it’s really good but everything about it makes me not want to give it a chance.

Hot, Wet Nobu or Best News of the Year:
Death Note Movies
Death Note movies have been licensed and the third movie (all about L) is coming out in Japan! They may even get a big screen release here in the states. Really loved these two films and am anxious to watch them again and own them for myself! Also can’t wait for the new movie, surely only made because they realized too late that everyone really loved L in the series and not Light. Yay for L fan service!

ImaginAsia getting into Anime
ImaginAsia really seems to understand how to pick up and distribute older and/or niche series and actually make a profit. If anime companies are going to continue to license older series and distribute them on DVD, they just might have to do it how ImaginAsia has been doing it.

DearS Season 2 or Worst News of the Year:
Geneon closes down
Bye, bye Geneon. I for one am very sad to see you go. Especially in mid-release of some good shows! They did a quality job and picked up some beautiful, but not super marketable shows.

Okiku Furikabutte made into anime
I guess it would be too easy for me to pick Geneon’s death as well; so I’m going with Okiku Furikabutte being made into an anime. What I have seen of this show makes it seem like moe for girls. It is nothing but shota yaoi doujinshi fodder and a side order of actual baseball manga. The main character is a useless crybaby and everything seems to be designed to be eaten up by horrible Fujoshi.

Just Shut You Mouth Already or Things I Wish People Would Stop Talking About:
Nymphet Controversy
Kodomo no Jikan! It is a horrible thing but seriously what else is there to say about it that hasn’t been said yet? Could there be a week gone by where this topic isn’t broach yet again.

Why fan-subbers are saints and heroes
I know that part of the industry’s problems come from their inability and refusal to adapt to the fact that the internet changes everything; but that does not make every fan-subbing group a bunch of faultless white hats and untouchable heroes. Two wrongs don’t make a right. Fan-subbers can be cool and do a service to the American anime community but that does not forgive the bad groups that don’t follow the rules of proper fan-sub etiquette. It also does not mean that fan-subs are only good and that they don’t sometimes hurt American fans on certain levels.

Peanutbutter and Relish Sandwich or Show I Unexpectedly Liked:
Hayate the Combat Butler
Hayate no Gotoku! It just sounded kind of “eh.” But after a friend of mine described the first episode to me, I was laughing out loud, and I had to see it for myself. It’s so wacky and ridiculous that it infectiously makes you laugh. So, while it isn’t some earth scattering series that will change your life, you can bet you will have a lot of fun watching it.

Kekkaishi
I expected Kekkaishi to be a generic shonen fighting show. But I think it takes the tried and true shonen formula, then tweaks it enough to make it something that stands out from the pack. Kekkaishi’s focus on the romance while not making it overbearing is refreshing. Also every episode seems to add to the world and plot without seeming like a stall for time. Then the fact that the female character is not just a damsel in distress or eye candy. Added to them not pulling punches and killing characters. All this and more makes it a very unusual and refreshing show. Too bad no one cares.

Can You Stop Playing That Please or Favorite Opening:
“Sha la la -Ayakashi NIGHT” by Saeka Uura
This is a tough one. I really love the song in the Gundam 00opening (it is L’arc-en-Ciel afterall) and also loved the catchy tunes from Lovely Complex. But overall awesome? Guess that would have to the Kekkaishi opening. It was one of the first things that got me curious about the show, so it was good enough to draw me in. The song is really fun and since I have sought out the artist to hear more of her stuff.

“Brand New World” by D-51 (One Piece opening 6)
The opening to kick off the Ennis Lobby section of the Water 7 Arc is an upbeat and fun opening for One Piece. I think the opening really gets you pumped while really encompassing the spirit and flavor of the series. I’m just warning you that the opening is sort of filled with spoilers so if you have not finished Water 7 you might want to hold off on watching the opening.

Wowza! or Hottest Character:
The Men of Saiunkoku
The majority of the male cast from Saiunkoku. Unless they are an old guy, there isn’t a bad face to be seen in the court! And even the old guys were good looking when they were younger. Not only is this series full of historical type drama and romance it also boasts lots of eye candy!

Revy from Black Lagoon
Damn! Revy would probably kill you as soon as you look at her, but who cares? She is HOT. She is a very competent mercenary and the way she handles herself just makes me think that she is a goddess drenched in a gown of blood. She is also built like a brickhouse and that never hurts. In a time of moe, she is the antithesis of helpless and under-aged; she is a breath of fresh air. Or more like a breath of smoky spent shells and cigarettes.

All Those Sacrificed Goats Were Worth Something or Best License Announcement:
NANA TV
NANA TV series. PERIOD. Awesome story, awesome characters, awesome music. My only really complaint about the series is it doesn’t finish the story since it is an ongoing manga. But it was a delight seeing my favorite characters moving and to hear the music. Any music series is obviously made better by having an anime counterpart.

Honey and Clover
Even though I have mixed feelings about the ending of Honey and Clover, it is an excellent josei manga and a well done anime. We get so little josei in the U.S. that any of it is welcome. Very well done josei is even better. I really want this show to have a vocal fan-base because the more diversity there is in the U.S. market the better it is for fans in general. Hagu is love.

The Micky Rooney of Manga or Best Short Manga:
Penguin Revolution
I actually wish more series were in the 5 to 7 book range. I am always anxious for a storyteller to tell their story, in a complete fashion, but then to move on to the next great story! I want to say Penguin Revolution, but it hasn’t finished in the U.S. yet and I haven’t read the last 3 books (out of its 7). But I really like the story thus far, combining hilarious capers with a bit of mysticism and romance. Her other series Land of the Blindfolded, also released in the U.S., was along these lines but the mysticism was more prominent.

Wanted!
Wanted! is a collection of short stories by Eiichiro Oda. These were written before he started One Piece. There are 5 different stories including the second version of Romance Dawn that was the prototype for One Piece. It’s an interesting look into how his style and storytelling has developed. You can also see that Oda takes certain aspects and characters from his earlier works that later incorporates them into One Piece.

Sometimes Shipping From Japan is Worth It or Favorite Piece of Merchandise:
Bandai’s Athrun Zala 1/8 figure
My brand-new Athrun Zala 1/8 figure. It is all mine! MINE! The loveliness of his face made only better by his perfect pose. Okay, maybe I’m bias.

Max Factories’ Fate/Zero 1/8 Saber
It’s Saber. She is wearing a Suit. She has an awesome sword. If you don’t like that then I’m not sure we can be friends.

Here is My Room Key or Favorite Convention Guest:
Tomokazu Seki
Tomokazu Seki who was at Otakon was so great! He did so many voices and gladly did special parts from the series for the audience. He was super kind and gracious. I almost injured myself getting his autograph and after I go it he even said something that I requested! He was all around an awesome dude who also happens to always be voicing characters I love.

Katsushi Ota
If nothing else, it’s a sure sign that we are one step closer to getting Kinoko Nasu as a guest at a U.S. anime convention. He seemed a likable guy and to be an interesting, well articulated guest. The fact that he gave me two book of DDD just because I was was a big fan was really gracious. And that he took my picture and promised to pass it on to Nasu made my day. I really hope Faust does well here in the U.S.

Mr. John Holmes Award or Best Packaging:
Beck Box Set
It would have to be BECK. The box for the DVDs looks like a mini-amp! It has some weight to it and the top of the amp opens to put the DVDs in. I just love it. It also came with stickers and all the DVDs come with guitar picks. How fun and appropriate. I don’t buy boxes much anymore unless they have some unique feature and this definitely has that.

Saiunkoku’s box set case
It’s a classy little box for a very classy show. It is shaped like a jewelry box and it has a ornate red ribbon on the front. I like how it folds open and has the fan-like disk sleeves. It also just looks very nice on a self or a desk. I’m not sure I would buy a box like this for every series I pick up, but it seems very right for this series. It’s a shame that Saiunkoku is in limbo right now. If anyone else picks up the series, I would probably still put them in this box.

Spewing Milk Out of my Nose or Funniest Manga:
Nosatsu Junkie
Nosatsu Junkie is definitely a shojo romance but it is surpassed by its hilarity. Between the dual personalities of Umi, our male lead, and the serial killer expression that our main character makes whenever she tries to smile and look cute, it is a laugh a minute.

Nodame Cantabile
Nodame is such a fun character that she could be in any manga and just make it funnier. Combine her with Chiaki and it makes comedy gold. They play off each other very well. The best part of Nodame is the characters are real enough that you feel that they could be actual people you could meet. I guess in part that comes from Nodame actually being based on a real person. I’m sure that Narutaki will agree with this assessment almost as if it seemed that parts of Nodame were based on parts of his life.

I know there haven’t been many articles this month. But with the end of the semester, holidays, and whatnot it just wasn’t possible. Next year will be a whole other story! Look forward to it.