Posts Tagged ‘Kekkaishi’

h1

Ongoing Investigations: Case #169

May 11, 2012

In a most unexpected turn of events the Master Keaton manga returns to the pages of Big Comic Original in the form of Master Keaton Remaster. I guess at least some of the rights issues around the original manga have been cleared up because I know for awhile the original manga series was quite expensive due to it being out of print. But now Taichi Hiraga-Keaton is back! He is still an amusing mixture of a loveable loser and an amazingly competent superman all in one package.  The series starts not long after the end of the original manga. Keaton is notably more entrenched in his academic career after his recent archeological discovery. But just when he thought he was out of the insurance game for good it draws him back in for what he is told will be one last job.

Of course this being Master Keaton we know that will not be the case. Soon he is investigating ruins, redeeming the honor of a man in a coma, and fighting slaver traders. All for one insurance case. It has all the mature elements that you expect from this manga. The story has a well researched history, a steamy underworld, and characters that show their complexity even if we only know them for a chapter or two. There is rape and sex slave traffic but there is nothing graphic or salacious. It just happens to be a story with the disgusting parts of the sex trade as a piece of it. All the bite of an adult story with none of the guilt.

One of the most interesting parts of any Master Keaton story is the fact that Taichi usually comes is for the climax of a story. He is presented with a case, does a good deal of research to find out what is going on, arrives at the critical moment during the ongoing story to help someone out, and then leaves before the falling action is over. This could be amazingly frustrating if done poorly but Naoki Urasawa does this in a way that merely makes you feel like the stories are and organic part of the world. Taichi does his part, and then leaves, and that is all we see. But we get enough of the story from Taichi’s perspective that it always feels satisfying.

I’m am really glad to see the manga running again. Master Keaton is some of the best bite sized seinen you can find. Hopefully they will work in his daughter soon as she is always a refreshing character. Maybe this renaissance of the series will help get both parts licensed for English. That would be masterful.


I watched the first two episodes of Motorcity, a new Disney DX animated series. It showed a lot of promise and sported some cool animation.

The story revolves around a futuristic Detroit with two levels to the city; the old, underground, and free area known as Motocity; and the modern, controlled, upper Deluxe.

Mike leads a group of car fanatic rebels known as the Burners who are trying to bring down the leader of Deluxe. Mike is pretty interesting as he isn’t a kid, but a 17-year-old who was once being groomed by Deluxe’s leader. Now having defected, he is putting all his skills and some sweet modded cars to use.

Also of interest is Jules a resident of Deluxe who is actually helping them secretly. And she just happens to be the daughter of Deluxe’s dictator. But even the rest of the Burners and Mike don’t know that about her.

Both episodes revolved around some sort of threat being sent down to Motorcity. There was lots of cool machinery and robots and whathaveyou to keep things interesting.

These were great episodes and I can’t wait to continue. Definitely something I’m going to attempt to keep up with. The episodes are streaming on Disney DX’s website so far.

Read the rest of this entry ?

h1

Ongoing Investigations: Case #166

April 20, 2012

From well-known documentary filmmaker Morgan Spurlock (you’ll probably know him best as the guy who did Super Size Me), comes a look into the biggest geek convention in the U.S., San Diego Comic-Con. A Fan’s Hope follows a few different people through the convention which wasn’t abundantly clear in the trailer I saw but now after seeing it, the title makes much more sense. There is a lot more of a personal journey to this documentary than a real focus on the con as a whole and its development and history. While that wasn’t exactly what I was hoping for, the film isn’t a disappointment but more an incomplete tale.

Unlike some other films, Morgan is only behind the camera for this one, which is a shame since he would have been the perfect person to give us tidbits of information and bring context to scenes. The people we do follow are generally interesting if not experts on the con. Two artists trying to go pro, a comic book dealer who hasn’t had a good year for profits, a costume sculptor wanting to show off her skills, a toy collector on the hunt, and a couple where the guy is going to pop the question make up our merry band.

Equal attention wasn’t given to everyone, sometimes this was good (the couple), sometimes this was bad (the artist from the military), but most of all it felt like they should have cut back on the group as a whole or make the film longer. Though the public proposal I could have done without altogether, it makes me so uncomfortable! And I had gotten a little worried about the guy since his girlfriend seemed attached to his hip. Interspersed between these stories are celebrities saying a line or two or telling a story about the convention and these were a lot of fun. Kevin Smith does an especially good job while telling a story about what would happen if his now self could travel back and visit his 11-year-old self.

This film is a celebration of fandom, it is not an expose, but it really needed to be a bit of both.

I did not realize that this was a Morgan Spurlock documentary until after I saw it. Or I should more precisely say that I did not realize Morgan Spurlock was also the same director as Super Size Me until after I watched the movie. As a long-term nerd I can’t say that I learned anything particularly shocking about Comic-Con as a whole. It is distinctly more of a celebration of Comic-Con and a look at how it affects certain people rather than an in-depth expose of the grand mechanisms behind the convention.

If you’re looking for parts on Twilight fanatics vs. Comic nerds or the sickly side of the cosplay community you won’t find it here. They do touch on the fact that the convention had become much more of a general media con than a solely comic focused event though the eyes of one of the oldest remaining comic sellers but even that is mostly played as a positive. The real meat of the documentary was the experiences of the people who attended the con. You had the collector, the cosplay girl, and the dealer among others. Their stories were all interesting. The Mass Effect cosplay group was undoubtedly skilled. That animatronic Krogan outfit was a marvel. You cannot see that outfit and not be impressed. (You can but your mostly just a jerk who likes to pat themselves on the back for how “worldly” they are).

But the most interesting stories were the two men trying to get professional jobs in the comics industry while attending Comic-Con. It was a good look at someone who makes it and someone who was clearly not ready. I wish they had focused a little more on the artist who got a job through the event. As a married man in the military I felt he really contrasted the image of the lonely super spaz you associate with comic fandom. He was clearly seriously into comics with the skills to back up that love but I felt he was a fascinating example of the diversity of the community. The gentleman who was rejected was also compelling. As someone who has never taken rejection well his story hit very close to home even if he dealt with his setbacks with a good amount of grace.

The real question this documentary answers is why do people go to Comic-Con. It is a wonderful examination of what makes people come back year after year and why the convention has become the phenomenon it has. I am coincidentally listening to the Freakonomics audio book. Since Spurlock worked on the film based on that book I might give that a look soon as well.

Read the rest of this entry ?

h1

Ongoing Investigations: Case #149

December 23, 2011

I had been waiting to watch Hayate the Combat Butler! Heaven is a Place on Earth since it was announced last year. So when it finally come with the latest volume of the manga I was thrilled to watch it. The movie much like the rest of Hayate is a pleasant and warm helping of comfort food. Heaven is a Place on Earth is a nice little story set right after Natsu-comi and the arrival of Kayura Tsurugino but before the beginning of the next semester. It perfectly captures the feeling of being out in the country during summer vacation. The story focuses on the Hayate/Nagi relationship so I am of course totally behind it. But there is a Hinagiku bath scene so all the fans of the pink student council president will be satisfied. The best part of the movie is it feels like a nice minor arc in the manga. While it is a bit surreal at points it feels like it was taken from the source. Too often these little spin-off movies miss any of that spark that make you love the manga but this one captures that je ne sais quoi perfectly. The oddest thing about the movie is it came out BEFORE Kayura was introduced in the manga but the movie makes no real attempt to introduce her. It goes along like she has always been a part of the cast. At this point it is clear who she is but I am sure there were many a Hayate fan trying to figure out who this strange new girl was. Kayura cosplays as Saber in the movie so she is 1000% OK with me though. I will also say that I cannot deny the appeal of Maria with twin tails in a summer dress. This movie is probably not going to win over anyone who is not already a Hayate fan. They don’t make an effort to introduce you to the plot other than showing some newly animated clips from the first episode during the opening song. Oh Ruka does not take part in the main plot but she sings a song and says a few lines of dialog during the movie’s opening. So if she appears in the 3rd season she now officially has a voice actress. I am now just waiting to watch it again when they release the extended cut on the Blu-Ray.

I went to see Arthur Christmas mostly thanks to an article about its production which also alerted me to the fact that Aardman Animations (of Wallace and Gromit fame) made the film with Sony. It really was everything it should have been: a delightful Christmas adventure with plenty of humor and holiday magic plus top-notch animation. It is the story of the one present Santa forgets to deliver on Christmas Eve which causes endless trouble for everyone. Arthur, youngest son of Santa, along with Grand-Santa take up the mission. Arthur isn’t the successor to the Santa mantle. Oh, he has plenty of enthusiasm but he is also absent-minded, clumsy, and afraid of just about everything; still he has a true heart that inspires everyone in true movie fashion. It even gets a little meta at points as Arthur realizes that Santa isn’t a person, it doesn’t matter who delivers the present, Santa is an idea and a feeling. One of the highlights to the animation production is just how Santa does deliveries which is very high-tech nowadays as they attempt to explain the ways in which it is all accomplished using military precision, thousands of highly trained elves, GPS, and a “sleigh” that functions much more as a space ship with the ability to camouflage itself in many ways. But the olden ways must be dusted off and put to use to fix the gift mistake. It has that classic bridging of multiple generations as a key element along with the realization that we each have a place in the world. While the story has some bumps, I didn’t understand how worrying helped Arthur get to the sleigh or why wrapping the burglar alarm did anything at all, it was a holiday film that left me in good spirits!

Read the rest of this entry ?

h1

Ongoing Investigations: Case #145

November 25, 2011

Carnival Phantasm Season 2 has an all Saber related episode. Therefore Carnival Phantasm Season 2 is rated A++ with a side order of extra credit. But with all my horrible blatant prejudice aside Carnival Phantasm continues to be a series of in jokes piled on top of each other. There is some good material that does not rely on the mythology but there are few people who would be able to sit through what would otherwise be rather incomprehensible episodes otherwise. This set of episodes really favors the Fate side of things. Episode five is mostly Berserker running around wreaking havoc.  Episode six is sort of dodgy since it mostly revolves around the fact that Shinji often beats and rapes Sakura while Rider does her best to protect her in a faux soap opera. It is really is a dark type of humor that could easily turn people off. Episode seven is the only split episode with the first half being about Arcueid making okonomiyaki and the second half being about Caster’s love life. I wonder if this skit is enough to make people actually like Caster. Unlike Sakura she has never really been hated but mostly just ignored.  The eighth is all about Saber so I naturally enjoyed it immensely. They thankfully end the Phantasmoon story for the most part in episode 6. It was never that long but they were stretching what was originally a one page gag pretty far as it were.  I assume we will get one more Phantasmoon skit in season 3 but I think the break will go do it a world of good. Lancer continue to be the Kenny of the series dying in every episode. I have more to say but maybe I will save it for its own post. Other than that: ALTER! ALTER! ALTER!

 In volumes 27-28 of Kekkaishi we finally get confirmation, at least in part, of what Karasumori’s deal is. 27 is mostly battling the witches spell which threatens not just the sacred site but the surrounding city. But big surprises occur when Yoshimori is able to harness the mind-emptying technique that we’ve been so curious about. Along with this comes the reveal of his new familiar which leans towards creepy. Since all of this involves the head of the Organization and every major player I can only assume we have entered the final arc of the series. I still feel as though Yoshimori’s family has secrets lurking in its depths but we’ll have to wait and see.

Read the rest of this entry ?

Follow

Get every new post delivered to your Inbox.

Join 1,265 other followers