Posts Tagged ‘Manga Moveable Feast’

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REPOST: The Speakeasy One Piece Podcast

November 30, 2010

A special repost for the Manga Moveable Feast on One Piece. Finally, it is getting the love it deserves!

Drink #003: Coconut Monkey, Can you feel the One Piece love?

I will mercifully refrain from singing modified lyrics to one of Elton John’s contributions to the Lion King soundtrack and merely ask in written form why is there not as much love for One Piece in the U.S. (and most of the English-speaking fandom) as there is in Japan. How does the number one shonen franchise in Japan become a third tier property here? We will be looking at One Piece’s popularity in Japan, why it is so good, and what we think is holding it back. Let go on a voyage to find the answers to . . . One Piece!

(Listen) (Show Notes)
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The Sore Feet Song: Mushishi MMF Podcast

May 4, 2010

hisuiconThe Movable Manga Feast is a project started by David of the The Manga Curmudgeon. Once a month a different manga that needs some attention is highlighted and over the course of a week everyone participating writes an article about the title in question. It is called a Movable Manga Feast because every month a different person is in charge of aggregating all the articles for the MMF. This month’s topic was Mushishi by Yuki Urushibara. You can read our contribution to the MMF here. Ed Sizemore of Comics Worth Reading was the host who decided to cap off his turn by having a podcast with some of the participants reflecting on Mushshi. I sadly went on without Narutaki since he was feeling a little under the weather. Along with Ed, David, and I was Linda from Animemiz, Daniella from All About Manga, and Johanna from Comics Worth Reading. We had a lively and stimulating discussion about the franchise.

April Manga Moveable Feast Roundtable – Mushishi

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Learning about humanity through the inhuman.

April 30, 2010

There is no doubt that Mushishi is a magical read, and I’m not just talking about the supernatural subject matter, but rather the skilled storytelling that bellies bits of wisdom and beauty in each chapter. The world created is so rich it becomes alive each time you open the book. Examination on a chapter by chapter basis can reveal human nature, the strength and weakness present in all people, and the thrill of discovery. Ginko is the perfect person to tell us these stories because he is as curious as the reader in what these beings called Mushi will reveal.

hisuiconIn magical theory there the concepts of sympathetic and antipathetic magic. Sympathetic magic is the idea that you use things that are similar to cast a spell because their correspondence enhances the spell. A voodoo doll works because  it looks like a human and it has pieces of the subject to create a link between the two. The concept of antipathetic magic says that things of opposing nature can be used to create just as effective a result. Antipathetic magic would use the trappings of the dead to bring something back to life. In a similar fashion, Mushishi uses two life forms that are on opposite ends of the spectrum to show us more about the human condition.

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Sexy Voice and Robo, The Girl and the Otaku from U.N.C.L.E.

February 12, 2010

I actually watched the live action series of Sexy Voice and Robo, and enjoyed it immensely, thanks to it staring Matsuyama Kenichi (of L fame). I’m not sure exactly at what point I found out it was based on a manga, it must have been from Hisui. In any case, this Manga Moveable Feast deal seemed like a good as time as any finally get around to reading this work involving an amateur sleuth, a role that I have an immense fondness for, and a robot otaku.

I picked up the Sexy Voice and Robo manga a few years ago after reading several positive reviews and finding its independent comic vibe quite intriguing (plus the comic store had it 40% off). I liked it so much I threw it on my 2008 year in review but until now it went without a full discussion. When The Manga Curmudgeon proposed this project we both decided to throw in our two cents on a great franchise we had not given our full attention to on the blog.

Nico Hayashi has two amazing abilities, one is immediately obvious and the other is a little more subtle. She has the ability to change her voice with tremendous range. This ability has led to her uncanny insight into how people think and consequently which lets her read people like a book. One day an old gentlemen notices Nico’s talents and hires her to be a troubleshooter for various odd assignments. During her first mission she cons the otaku Iichiro Sudo into helping her. She soon forms an odd friendship with “Robo” as she calls him and involves him in various other assignments. All the stories in Sexy Voice and Robo involve Nico getting involved with someone and their problems. Almost all the cases revolve around one or more self-involved people with selfish problems. Although she is being paid by the old man for most of her mission it is obvious that she loves solving mysteries and figuring out how people work.

The style of both its story artwork are captivating in Sexy Voice and Robo. Take the visuals which will hit you immediately, it has got a more raw and energetic feeling than much of the manga released in English. The uncontrolled line work, the less precise flow, and the boldness of the strokes and shadows really enhance the read. It’s a comic by all means but it has a fine art quality to it at points. And at other points it made me think about American indie comics. I don’t know how much they have influenced Kuroda, but it comes off as a great hybrid style. The story then takes all that energy from the art and adds humor and a charming bittersweetness to top it off. This story simply stated is about a few happenstances meetings which lead into a whirlwind of human stories that are all little off kilter but moving.

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