New York Anime Festival 2009
September 30, 2009
Everyone’s question was would NYAF live up to, exceed, or fail compared to the two previous conventions? There was quite a bit of talking with the announcement that NYAF would join with NYCC for 2010 so there was also the question of what would NYAF do as its last year as an independent convention? Although those are all pressing questions my main question was if I was going to have fun? Was I going to be able to do as much as I wanted to? We were also running two panels one of which had a lot of people looking forward to it. The Bloggers Roundtable had some big names on the marquee but it was a the first time we ever ran the panel. I had the most expectations for the panel because I felt it could succeed or fail so much more than any of our previous panels. On top of all that I had two guests staying at my humble abode during the convention so I had to play host as well as press.
It was no secret that we were looking forward to New York Anime Festival, probably more than any other con previously thanks to a killer guest, director Yoshiyuki Tomino. This sent NYAF which I always enjoy but never as much as say Otakon right to the front of the line this year. That being said, the rest of the con experience remained the same though I was happy to see quite a few license announcements this year. Since NYAF’s space has basically stayed the same from its first year, there weren’t too many surprises but that also means it still has some of the same problems. Javits, is Javits, its a bit of a walk from the train, the hotels, and most food. Though it also means that for the most part events went off without a hitch and things seemed to be well in hand with the staff.
The convention for me started on Thursday night since most of my main convention group went to see the Eureka Seven movie. Although not officially a part of the convention experience it felt like a great way to spend an evening before the big show. The movie itself was bizarre. I will never forget the line, “I am an enemy alien spy robot” as long as I live. It was a visually appealing movie but otherwise a utter train wreck. I appreciated their attempt to do something new with the original story but their execution left something to be desired. Though I was happy to watch a film with my friends and be able to talk about it afterward because I often feel like I hardly watch any anime at anime conventions. On Friday morning my two guests the spectacular OGT, the amazing PatzPrime, plus the remarkable SDShamshel all met up and went to the Javits center early to get Tomino autograph tickets. We were all a little worried when we heard that people were already starting to line up at 7am. We finally arrived at 10 and got progressively worried when we saw how the VIP line was growing but we were able to get our autograph tickets. Since we got there before the con officially started getting our press badges was a snap. We all went for some delicious Go Go Curry before starting the convention. Starting the con with curry is a tradition I could get behind.
Once again, the staff of NYAF as far as tickets goes were on top of it. Not a moment more than one was I in line for my press badge, which incidentally looks very different this year. This goes for the weekend con badges and VIP ones as well and only half for individual day passes. I’m not sure what to make of them, on the one hand I really like the hard plastic but on the other hand the badges aren’t very fun. Maybe that sounds like a stupid complaint, but too bad, many of us have a grand time trying to guess what show or characters will appear on the badges before going to a con. The speculations can even spawn forum threads, so it has become a popular and expected part of anime conventions. And I was surprised to not at the very least see the badges sporting the logo from this year’s contest winner. Since I never made it to the convention center before opening time, I have no idea what the lines looked like but from the massive crowds on Saturday I can imagine there was a pretty good wait in the morning. However, panels seemed to be well organized in this regard though having a press badge prevented any problems for me. The Javits space allotted for NYAF was insufficient for Saturday but was tolerable on Friday and Sunday. Happily this mean the Tomino panel was rightfully full.
Otakon 2009
July 27, 2009
If you have never been to Otakon, let me just say that it is like a whirlwind of anime, manga, costumes, music, fans, panels, guests, and friends. You are practically going non-stop from the moment you touch down in Baltimore. Maybe it is just the way my mind works, but it seemed to be ten-fold this year! The amount of things seen and done in just one day sound almost impossible. I distinctly remember some of us talking on Friday night about how things done that morning felt days in the past rather than just hours before. But I’m not complaining, I call Otakon the highlight of the summer for a reason! This year only went on to prove that statement further.
Otakon came and went in an amazing and thrilling blur. I remember the highlights but the details even a few days later are still sort of fuzzy in my head. So in many ways this con report is just as much for me as it is for anyone reading it. This is my chance to sort out what I felt and what I did in my own mind because there was just so much information to process. I was almost always doing something. In fact, I wore myself out so much there was two or three times I just had to stop and nap or get food even if it meant missing out on something awesome. At first I was worried that there were not going to be any Japanese guests worth talking about but in the last few weeks before the con they pulled some great guests out at the last second and turned my perception of how great this was going to be right around.
Friday
No Means No, Defense against Fanboys and Fangirls panel
Know Your Creators panel
Yutaka Yamamoto panel
Mobile Suit Gundam: Celebrating 30 Years panel
Anime Recruitment
Legend of the Galactic Heroes: History’s Future panel
Mecha Appreciation panel
Opening Ceremonies
Kikuko Inoue panel
I Can’t Believe You Haven’t Seen This!
MELL concert
Guess the Melons 18+ panel
Saturday
Gundam Model Building workshop
Funimation panel
MELL press conference
Maruyama, Ishiguro, Kikukawa, Matsubara press conference
Anime and Manga Studies panel
From Kenshiro to Kenshin: The Neo-Shonen Revolution panel
Fred Schodt panel
Fred Schodt autograph session
Return of the Anime Old Timers? panel
Otaku TV panel
The Problem with Otaku panel
Review Anime the Right Way panel
Sunday
Without Watching the Anime: Opening & Ending Themes panel
Hidenori Matsubara panel
Osamu Tezuka, Astro Boy, and the Manga/Anime Revolution, with Fred Schodt panel
Naomi Tamura concert
Narutak, Kohaku, and I all met up at my apartment. The anticipation was practically visible! Before we left I got an early birthday present of some very choice pencil boards, one of manga art Hayate No Gotoku and a cute Gakuen Kino one. We fortunately got a ride to the MegaBus pick up in front of Penn Station. I must agree with Mike Dent, MegaBus rocks! I will never ride a Greyhound again unless forced to. The free WiFi was awesome and the ride was smooth and clean. We took over the back of the bus where we pretty much had a pre-Otakon party. The Baltimore public transportation was a little slower than we had first anticipate but we arrived at our hotel by about 6:30PM. Here we encountered the first and only real major problem of the convention: the Radisson overbooked the con rooms. They tried to throw us into a super small single when we had booked a double. Thankfully Narutaki is a master of getting what he needs and they eventually gave us a bigger room.
If you saw the amount of stuff being lugged to Otakon, you would think we were moving there. Heck, at the very least you would have thought everyone was a cosplayer bringing gear, but no. However to be fair, when I say we, I mean 9 people and also a lot of it was free stuff for our panels and food that was quickly eaten up. I wouldn’t say I was nervous about MegaBus, I had done some research, but a new experience is always a little worrisome in these cases. Though really with so many friends along, a misstep can easily turn into an adventure! Luckily we didn’t have to prove that rule as the bus was great, well-organized, and on time. While the bus stop is certainly far out from the Inner Harbor in Baltimore, the price tipped my hand and everyone seemed satisfied. I was a bit miffed at the Radisson because they have served me so well in the past. In the end, things turned out fine once a larger room was acquired, remember: calm persistence! I will just mention that I use quite a bit of the tips in our Con Survival guide and they serve me quite well.
AnimeNEXT 2009
June 22, 2009
Narutaki and Hisui’s schedule:
Friday
Anime Through the Generations Panel
Anime’s Pirate Legacy Panel
Anime Princesses Rule Panel
Japanese Crime Fiction in Anime Panel
My Stereotypes are More Offensive than Yours Panel
These are a Few of My Favorite Scenes Panel
Saturday
I Can’t Believe You Haven’t Seen This! Panel
Psychology of Anime
Vertical Panel
ParaPara Dance Workshop
Directing! Panel
Funimation Panel
Bad Anime, Bad! Panel
As the Otaku Grows Panel
Sunday
History of Manga Panel
Otaku Perceptions and Misconceptions Panel
Anime Blogging Basics Panel
Aren’t cons exciting? No matter how many I go to, I always look forward to another one. This has become especially true in recent years as I meet more and more people from blogosphere and other outlets. AnimeNEXT usually kick starts my con season every year and this time around is no exception. It was one of those inbetween conventions that holds a special place because of the dates it usually lands on. There was a major location change this year so it the con had a bit of a unknown factor going in.
I have to agree with Narutaki. As I am more and more a part of the menagerie that is the anime community, I look forward to going to conventions more than ever. It is a great opportunity to see old friends, meet up with people you have only talked to on the Internet, and discover awesome people you have not yet met. I know people are always disappointed that I am not actually an emotionally dead red-headed magical maid when they meet me. Then again I am actually emotionally dead so that is something, right? AnimeNEXT also has very good panels thanks to some very knowledgeable old time fans attending every year. There is also a strong and growing blogging presence. Since the thing I like the most about anime conventions, besides Japanese guests, are the panels it is always nice to seem some quality lectures about fascinating topics.
AnimeNEXT 2008
July 3, 2008
Hisui and Narutaki’s Saturday Schedule
New York Anime Festival Panel
Anime Dating Game (Cosplay)
ParaPara Dancing Workshop
Media Blasters
Gaijin in Japan
Anime and the Revolving Door of Culture Panel
Anime Recruitment
AnimeNEXT has been the convention to fill the void for the New York area since the death of BAAF (and now we have NYAF). So I have always had a fondness for it, for a small convention it has done pretty good for itself. I remember when it was still in the hotel that now houses MangaNEXT. But this year it just wasn’t quite up to the task, where are you Japanese industry guests? And you American industry?
I have always liked that AnimeNEXT was the good small local con. It’s big enough to get decent Japanese guests and a good selection of activities but small enough to really interact with the guest if you so choose. From what I can tell AnimeNEXT is not fully responsible for the lack of industry presence this year. Apparently the Japanese guests backed out at the last minute and they could not schedule new ones in time. I’m curious who they had coming. The American industry seems to be doing poorly enough that they are only focusing on major cons everyone has to attend and local cons that don’t require too much travel. Since Media Blasters and Del Rey Manga are local they showed up but for everyone else it was too much of a journey in these leans times.
As with most conventions, this one started out with a line. With all the horror stories about 6 hour line waits for registration I was a bit apprehensive. The line was no longer than normal, less than 30 minutes to get our tickets. And at least the line was in the shade and actually the weather on Saturday was really perfect for the event. Weather is extra important for NEXT because the convention is split into two buildings. I have always found this unfortunate but they really have no alternative, the convention center isn’t growing.
The line moved pretty quickly. If we had pre-registered we would have been done in seconds. I can’t say that we have ever had a problem at AnimeNEXT. For some reason anime conventions have yet to be as efficient as sci-fi/comic conventions. But I have been been lucky so far in avoiding major hassles. Also since they gave out the forms you had to fill out while you were waiting in line, it made everything run more smoothly. I have never had a big problem with the convention being split into two buildings. I definitely see how it can break the flow. But from what I saw, the cosplayers loved it because the strip between the two buildings was an active area of people hanging out. Ideally you have a situation like Otakon where the cosplay section is off to the side and the events are together in one continuous area. As you said though there really is no great solution without changing the venue.
However, we did miss the first panel we wanted to attend which was Tokyo Bound. I am always planning for my imaginary trip to Japan. So instead we headed for the dealer’s room because my next panel wasn’t for a while yet. Not too much to say about it, it was fine, good even. I found the two things I was looking for (doujin and a Kyrios 1/100 scale Gundam model) so I was pleased with the selection. There was no line for it which is indeed good management.
I myself picked up some pretty sweet Gundam 00 figures of Sumeragi and Feldt for under 20 dollars a piece so I was very happy. I was looking at a nice Kaleido-Ruby figure but was a tad overpriced and out of my spending range anyway. I was sad when I heard the doujinshi dealers missed getting their big shipment so they was less selection than we could have hoped for. They still had a good selection but I’m curious what they could have had. I almost got a very nice Phoenix Wright art book but neither me or my roommate decided to get it. Ah well, there is always Otakon.
Anime Dating Game is one of those things we went to expecting it to be really bad. Cosplayers pretending to be contestants on the dating game? But it wasn’t, it wasn’t great either, but it actually had potential. The cosplayers just needed more rehearsal but the audience was eating it up. The only other thing is you have to familiar with all the characters or it isn’t as funny. I felt like the guy playing Ace for One Piece was the most memorable and well done. He had perfect timing with his “I have a smokin’ hot body” comment.
The problem is that they tried to improvise when no body there was an improv actor. Improvisational comedy is hard for professional actors let alone random untrained cosplayers. The way to do a skit like that is to write out a script and rehearse it several times before the con. I think that way you can get some real gems. Despite my critique, the audience really loved it. I think that the Anime Dating Game is merely an idea that if pulled off with more preparation could be so very good.
ParaPara Dance Workshop was one of the highlights. None of us have done it before and we thought what the heck? We have no real qualms about embarrassing ourselves. The girls running it were enthusiastic and encouraging, so bravo to them! Though for newbies they went a little fast on the steps. I only started to catch on to one song by the end. I would like to see the panel be longer so we could go over the steps more times or cut it down to two songs instead of three. It was a lot of fun, I will definitely do it at the next con I go to. A workout at an anime convention, who knew?
Ever since my mother watch Super Gals she always asks if I go to the ParaPara demonstration at cons; my mom is an odd woman. Overall, it was fun and the instructors seemed to be having as good at time as the audience. We were rather tired after the workshop and we only had to do half as much as the girls on stage. I’m not sure they could have lasted another hour. I think that you are right in they should have only taught the dances for two songs and slowed it down a little. That ParaPara Paradise song was rather infectious. I kept singing it to myself the whole day. On a related note, I think more cons should shell out for ParaPara Paradise machines they could be the next DDR.
Unfortunately, the Cutting Edge of J-music panel was canceled. Media Blasters, there isn’t much to say about it because they didn’t say much. Though I was glad to see some industry presence there. I know industry related stuff isn’t the biggest draw at cons so maybe it is just me feeling their absences but I was really disappointed. They don’t have to make announcement (we know they save them) but at least be there hyping stuff and giving out things. It is dark days!
The fact that Media Blasters ended their panel after a half an hour because they did not have much to say was a little bit frightening considering. I assume everyone is saving their big announcements for Anime Expo, San Diego Comic Con, and Otakon. I guess it is good that no one is over licensing themselves out of business, but it is a distinct sign that times are lean. I remember at previous AnimeNEXT conventions we would get one or two title announcements. Now we have almost no industry presence and no new news. With ADV’s current health I think it’s only going to get worse before it gets better.
We did make our way to artist alley at some point. This was a completely new area for the convention, the parking lot under the hall. It was hot and sticky and smelly! There was no ventilation, awful. I don’t do well with heat and almost passed out in artist alley by the end of it. However the artists this year were great! And a lot of them too. I talked with two girls who work on show with Nickelodeon. One for a new show called Three Delivery and the other for Dancing Sushi. Their work was strong and playful, this snagged me and ended up being my only purchases from the alley.
The stink of unwashed gamer and otaku was quite strong. I did see a group doing the Haruhi dance, the Lucky Star dance, and Caramelldansen down there. I can’t see why anyone would want to dance in that pit of stench but to each their own. I liked a lot of the artists this year. They had a good mixture of art styles. I really wanted a Saber in a suit picture from Fate/Zero or a picture of the Straw Hat Crew. But I forgot to bring reference materials. Oh well, another thing to do at Otakon.
Are you trying to make me jealous by constantly mentioning Otakon? Hum. One of the first panels I knew I wanted to attend was Gaijin in Japan. I am just uber curious about anything like this. The guy running it really seemed to know a lot, have good advice, and great stories. But the poor guy needed a longer panel or some serious time management. He barely got into the actual living and working in Japan part before it was over. I did get some good resources including the site Gaijin Pot, oddly enough Japan is in need of IT people! Of course that doesn’t help me much.
He did seem very knowledgeable and interesting so it was a shame his panel was not longer. I did like his section about the different dialects and certain speech patterns in Japan. Kansai-ben and Osaka-ben are things you always getting an inkling of in anime but never understand the full ramifications of on Japanese society. I was also interested to learn about the Japanese bus system and how it differs from the Japanese train system.
I went to the Revolving Door panel alone but since it was run by the Bad Anime! Bad! guy I was assured that it would be interesting. It was basically a look into how Japan and America keep ping ponging influences on their media back and forth. One of their examples was how William Gibson wrote Neuromancer which heavily influenced Ghost in the Shell. Ghost in the Shell and Megazone 23 in return heavily influenced The Matrix. The Matrix went on to pioneer bullet time which is used in anime. The panel was a constant stream of the back and forth between the two styles of media. Although the panelists had notes and the panel never dragged, it was run in a very conversational manner. The audience was encouraged to participate in the discussion while the panelists kept the conversation on track.
We ended the night on a high note with a panel of our own! Anime Recruitment strikes again! I am becoming less nervous as we continue to do these and one day I will be totally comfortable. I was surprised to have no tech problems, I really think that is a first. Plugged in the laptop and it was there on the screen, boom! And the panel proceeded with success. There wasn’t as many people as I was hoping for. I had forgotten that at smaller cons there are few attendees who don’t attend the masquerade. Whereas at something big, there are always lots of people about. But everyone who came seemed to leave with new knowledge. Also there were these great girls in the front row who were very excited. It was a lot of fun!
I think the panel went well and everyone got something from it. We did as well as we could with what we were given. It seemed like certain people in the audience got as many new shows to watch as they got shows to show other people. Those two girls in the front were writing notes constantly. There was one guy in the audience who was cosplaying Sean from Streetfighter who had a girlfriend that totally seemed to be dragged along to the con against her will. By the end of the panel she seemed interested in Monster and all the Satoshi Kon movies we mentioned. If nothing else it proves to me that our panel works.
AnimeNEXT was still fun, but it is hard not to have a good time with friends along. Also the convention was well run, although we are still waiting for our refund. The people running NEXT do a good job they just had some bad luck this year. And while I did attend some panels I never normally would have (even liked them) it doesn’t quite make up for it.
