Posts Tagged ‘press’

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New York Anime Festival 2009

September 30, 2009

Everyone’s question was would NYAF live up to, exceed, or fail compared to the two previous conventions? There was quite a bit of talking with the announcement that NYAF would join with NYCC for 2010 so there was also the question of what would NYAF do as its last year as an independent convention? Although those are all pressing questions my main question was if I was going to have fun? Was I going to be able to do as much as I wanted to? We were also running two panels one of which had a lot of people looking forward to it. The Bloggers Roundtable had some big names on the marquee but it was a the first time we ever ran the panel. I had the most expectations for the panel because I felt it could succeed or fail so much more than any of our previous panels. On top of all that I had two guests staying at my humble abode during the convention so I had to play host as well as press.

It was no secret that we were looking forward to New York Anime Festival, probably more than any other con previously thanks to a killer guest, director Yoshiyuki Tomino. This sent NYAF which I always enjoy but never as much as say Otakon right to the front of the line this year. That being said, the rest of the con experience remained the same though I was happy to see quite a few license announcements this year. Since NYAF’s space has basically stayed the same from its first year, there weren’t too many surprises but that also means it still has some of the same problems. Javits, is Javits, its a bit of a walk from the train, the hotels, and most food. Though it also means that for the most part events went off without a hitch and things seemed to be well in hand with the staff.

The convention for me started on Thursday night since most of my main convention group went to see the Eureka Seven movie. Although not officially a part of the convention experience it felt like a great way to spend an evening before the big show. The movie itself was bizarre. I will never forget the line, “I am an enemy alien spy robot” as long as I live. It was a visually appealing movie but otherwise a utter train wreck. I appreciated their attempt to do something new with the original story but their execution left something to be desired. Though I was happy to watch a film with my friends and be able to talk about it afterward because I often feel like I hardly watch any anime at anime conventions. On Friday morning my two guests the spectacular OGT, the amazing PatzPrime, plus the remarkable SDShamshel all met up and went to the Javits center early to get Tomino autograph tickets. We were all a little worried when we heard that people were already starting to line up at 7am. We finally arrived at 10 and got progressively worried when we saw how the VIP line was growing but we were able to get our autograph tickets. Since we got there before the con officially started getting our press badges was a snap. We all went for some delicious Go Go Curry before starting the convention. Starting the con with curry is a tradition I could get behind.

Once again, the staff of NYAF as far as tickets goes were on top of it. Not a moment more than one was I in line for my press badge, which incidentally looks very different this year. This goes for the weekend con badges and VIP ones as well and only half for individual day passes. I’m not sure what to make of them, on the one hand I really like the hard plastic but on the other hand the badges aren’t very fun. Maybe that sounds like a stupid complaint, but too bad, many of us have a grand time trying to guess what show or characters will appear on the badges before going to a con. The speculations can even spawn forum threads, so it has become a popular and expected part of anime conventions. And I was surprised to not at the very least see the badges sporting the logo from this year’s contest winner. Since I never made it to the convention center before opening time, I have no idea what the lines looked like but from the massive crowds on Saturday I can imagine there was a pretty good wait in the morning. However, panels seemed to be well organized in this regard though having a press badge prevented any problems for me. The Javits space allotted for NYAF was insufficient for Saturday but was tolerable on Friday and Sunday. Happily this mean the Tomino panel was rightfully full.

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Otakon 2009

July 27, 2009

otakon, program

If you have never been to Otakon, let me just say that it is like a whirlwind of anime, manga, costumes, music, fans, panels, guests, and friends. You are practically going non-stop from the moment you touch down in Baltimore. Maybe it is just the way my mind works, but it seemed to be ten-fold this year! The amount of things seen and done in just one day sound almost impossible. I distinctly remember some of us talking on Friday night about how things done that morning felt days in the past rather than just hours before. But I’m not complaining, I call Otakon the highlight of the summer for a reason! This year only went on to prove that statement further.

Otakon came and went in an amazing and thrilling blur. I remember the highlights but the details even a few days later are still sort of fuzzy in my head. So in many ways this con report is just as much for me as it is for anyone reading it. This is my chance to sort out what I felt and what I did in my own mind because there was just so much information to process. I was almost always doing something. In fact, I wore myself out so much there was two or three times I just had to stop and nap or get food even if it meant missing out on something awesome. At first I was worried that there were not going to be any Japanese guests worth talking about but in the last few weeks before the con they pulled some great guests out at the last second and turned my perception of how great this was going to be right around.

otakon, badges

Friday
No Means No, Defense against Fanboys and Fangirls panel
Know Your Creators panel
Yutaka Yamamoto panel
Mobile Suit Gundam: Celebrating 30 Years panel
Anime Recruitment
Legend of the Galactic Heroes: History’s Future panel
Mecha Appreciation panel
Opening Ceremonies
Kikuko Inoue panel
I Can’t Believe You Haven’t Seen This!
MELL concert
Guess the Melons 18+ panel

Saturday
Gundam Model Building workshop
Funimation panel
MELL press conference
Maruyama, Ishiguro, Kikukawa, Matsubara press conference
Anime and Manga Studies panel
From Kenshiro to Kenshin: The Neo-Shonen Revolution panel
Fred Schodt panel
Fred Schodt autograph session
Return of the Anime Old Timers? panel
Otaku TV panel
The Problem with Otaku panel
Review Anime the Right Way panel

Sunday
Without Watching the Anime: Opening & Ending Themes panel
Hidenori Matsubara panel
Osamu Tezuka, Astro Boy, and the Manga/Anime Revolution, with Fred Schodt panel
Naomi Tamura concert

otakon crew 2009

Narutak, Kohaku, and I all met up at my apartment. The anticipation was practically visible! Before we left I got an early birthday present of some very choice pencil boards, one of manga art Hayate No Gotoku and a cute Gakuen Kino one. We fortunately got a ride to the MegaBus pick up in front of Penn Station. I must agree with Mike Dent, MegaBus rocks! I will never ride a Greyhound again unless forced to. The free WiFi was awesome and the ride was smooth and clean. We took over the back of the bus where we pretty much had a pre-Otakon party. The Baltimore public transportation was a little slower than we had first anticipate but we arrived at our hotel by about 6:30PM. Here we encountered the first and only real major problem of the convention: the Radisson overbooked the con rooms. They tried to throw us into a super small single when we had booked a double. Thankfully Narutaki is a master of getting what he needs and they eventually gave us a bigger room.

megabus

If you saw the amount of stuff being lugged to Otakon, you would think we were moving there. Heck, at the very least you would have thought everyone was a cosplayer bringing gear, but no. However to be fair, when I say we, I mean 9 people and also a lot of it was free stuff for our panels and food that was quickly eaten up. I wouldn’t say I was nervous about MegaBus, I had done some research, but a new experience is always a little worrisome in these cases. Though really with so many friends along, a misstep can easily turn into an adventure! Luckily we didn’t have to prove that rule as the bus was great, well-organized, and on time. While the bus stop is certainly far out from the Inner Harbor in Baltimore, the price tipped my hand and everyone seemed satisfied. I was a bit miffed at the Radisson because they have served me so well in the past. In the end, things turned out fine once a larger room was acquired, remember: calm persistence! I will just mention that I use quite a bit of the tips in our Con Survival guide and they serve me quite well.

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AnimeNEXT 2009

June 22, 2009

Narutaki and Hisui’s schedule:

Friday
Anime Through the Generations Panel
Anime’s Pirate Legacy Panel
Anime Princesses Rule Panel
Japanese Crime Fiction in Anime Panel
My Stereotypes are More Offensive than Yours Panel
These are a Few of My Favorite Scenes Panel

Saturday
I Can’t Believe You Haven’t Seen This! Panel
Psychology of Anime
Vertical Panel
ParaPara Dance Workshop
Directing! Panel
Funimation Panel
Bad Anime, Bad! Panel
As the Otaku Grows Panel

Sunday
History of Manga Panel
Otaku Perceptions and Misconceptions Panel
Anime Blogging Basics Panel

Aren’t cons exciting? No matter how many I go to, I always look forward to another one. This has become especially true in recent years as I meet more and more people from blogosphere and other outlets. AnimeNEXT usually kick starts my con season every year and this time around is no exception. It was one of those inbetween conventions that holds a special place because of the dates it usually lands on. There was a major location change this year so it the con had a bit of a unknown factor going in.

I have to agree with Narutaki. As I am more and more a part of the menagerie that is the anime community, I look forward to going to conventions more than ever. It is a great opportunity to see old friends, meet up with people you have only talked to on the Internet, and discover awesome people you have not yet met. I know people are always disappointed that I am not actually an emotionally dead red-headed magical maid when they meet me. Then again I am actually emotionally dead so that is something, right? AnimeNEXT also has very good panels thanks to some very knowledgeable old time fans attending every year. There is also a strong and growing blogging presence. Since the thing I like the most about anime conventions, besides Japanese guests, are the panels it is always nice to seem some quality lectures about fascinating topics.

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New York Comic Con 2009

February 16, 2009

Narutaki and Hisui’s schedule

Thursday
ICv2 Conference
Pre-Con Party at Dave and Buster’s

Friday
NYCC Focus Group
News Flash Teen Girls Read Manga Panel
Teaching Comics Panel
MARVEL: X-Men Panel
The Business of Web Comics! LIVE!
MARVEL: Dark Reign Panel
Batman: The Brave and The Bold
Vertical Publishing Panel
Yatterman Premiere
Wonder Woman Premiere

Saturday
How Not to Break into Comics
Del Rey Manga Panel
Gabe and Tycho Spotlight Panel
MARVEL: Cup o’ Joe Panel
Yen Press Panel
Robot Chicken Panel
FUNimation Panel
Men Are From Kyrpton, Women Are From Paradise Island Panel
The Venture Bros. Panel
Bloggers Dinner

Sunday
VIZ Media Panel
Scott Pilgrim vs. The Panel!
Mondo MARVEL: 70th Anniversary Special Panel

So with 18 guests of honor (J. Michael Straczynski and Grant Morrison had to drop out), 6 living legends, 7 special guests, 32 featured guests, 79 artists and writers, 31 literary guests, 7 anime and manga guests, and 8 performance guests, plus dozens of premieres and sneak peeks for movies, video games, books, comics, cartoons, and TV shows. There had to be something for any type of nerd at NYCC 2009. Narutaki and I practically attended two different cons for the amount that we crossed paths. And we didn’t cover half of what was offered at the convention. In many ways it is the clearest example you can find of how our taste may vary when it comes to things outside of anime and manga.

Good lord, NYCC you never cease to wonder a person. The guest list was insane as proven by the statics mentioned above. The amount of panels to go to was overwhelming creating endless schedule conflicts as you are pulled in three directions at once. This was made twice as difficult because no one seemed to have the chart/grid of all the panels. Apparently there was one, no one we met ever saw it. It was also amusing how other bloggers seemed to only see one of us each day. No one could find me on Friday, likewise Saturday Hisui was missing till the end. Not only was there a ton to see and do there was also a huge amount of bloggers and friends to pal around with for the entire length of the con and after!

So my co-worker and me practically ran out of work to get to the Pre-Con party because they were giving away swag if you were one of the first 200 in. This ended up being mostly nothing worth having. Though I did keep the Ultimate Spider-Man 100 Project which has a ton of pics drawn by lots of artists. I was hoping Dave and Buster’s would have more Comic Con related stuff and atleast a discount on game credits! But we made our own fun. I played 88 games of skeeball and gave all the tickets to kids randomly. We bailed pretty early and went to dinner. My co-worker did get to speak with Joe Quesada for a minute though!

I was barely at the Dave and Buster’s party. It was just a good place to meet up with people after the ICv2 conference. I met with Scott of Anime Almanac and Dave of Subatomic Brainfreeze. I didn’t really spend any money at the arcade but I guess I am one of the reasons they are dying in America. Then again the Deal or No Deal game is not something that particularly makes me want to spend my money anyway. From what I understand the food at D&B’s is hideously overpriced and merely okay so we went to the nearly empty Applebee’s downstairs. I finally learned of Dave’s opinion of Type-Moon which made the whole convention a success. It was a good warm up for the upcoming convention.

I started the convention proper by attending the News Flash Teen Girls Read Manga Panel. It was a well run and Brigid Alverson from the Manga Blog was part of it. I did not learn anything new but it was a panel for librarians and store owners to learn about manga and its appeal to girls. All the panelists were quite knowledgeable and the panel was well run. The Teaching Comics Panel was putting me to sleep. It was basically was a panel for teachers and how they could teach language and theory behind making comics in their class. The high point was an exercise at the end: they had everyone draw one panel and then tried to make a complete comic out of it. Being interactive it woke me up to participate.

I came to the convention after the professionals panels (I worked a half day). I was sad to miss those few special hours but I took advantage of the early entrance into the exhibitors hall when I got there. It was certainly the most calm time for the convention. I always look forward to Marvel panels, they are always a good time. Luckily my first panel of the con was X-Men. It was amazing seeing so many creators up there at once, not the least of which were Chris Claremont, living legend himself, and current Uncanny writer Matt Fraction. They talked quite a bit about the upcoming Messiah War. They also hinted around at a lot of things like the new mutant child named Hope. And she has red hair and green eyes, don’t draw conclusions. . . but draw conclusions! Looks to be an exciting time to be an X-Men reader. A couple of hilarious moments occurred, as per usual. A guy stood up and asked Matt Fraction why he refused his friend request on about Xbox Live. Everyone was cracking up till we realized the guy was actually serious! Also a guy asked about Scarlet Witch, Jim McCann told him to ask at the next panel where Dan Slott would be. This seemed reasonable enough but the guy walked out and yelled “coward!” This then became a running joke at all the Marvel panels for the con.

I decided to pop into The Business of Web Comics! LIVE! panel with Scott Kurtz and Robert Khoo. It was interesting to see under the hood of how big name web-comics make their money. It was a great panel if you wanted to draw your own web comic and hopefully make money off it one day. Robert Khoo lent the panel a serious and professional quality whereas Scott Kurtz make the panel entertaining and quite funny. Both had good insights for the audience. Scott Kurtz mentioned that most professional comic artists seem mystified by the concept of putting up their work for free then making money on merchandise only.

The Marvel fun just never stops! The Dark Reign panel was awesome. Probably my favorite comic writer now is Brain Michael Bendis so I was ready to here about all the coming plans for this crazy twist. Certainly keeping a lot under their hats but they love throwing out hints to get people all excited. One guy in the audience was going on and on about how Doctor Doom would never take a backseat to Norman Osborn. Doctor Doom then became the default answer for everything in the panel. Of course there is always one guy who stands up to say how much he DOESN’T like what is going on, as if the rest of us agree with him? Joe Quesada is really great at taking the wind out of their sails. He basically says, our sales are better when big events are going on, if people weren’t buying them believe me we wouldn’t be doing them. And that was that. In other great news, they are doing Dark Young Avengers!

I then went to the Batman: Brave and the Bold Panel. Since I don’t have cable at my apartment I was sadly unaware of this show which is a shame because it seems to be rather awesome. Batman teaming up with a variety of other superheros it seems to have a good amount of Batman style and action while retaining a tongue in cheek sense of humor. They really sold me on Aquaman. I think the line, “He thinks he is an awesome hero and does not realize you all think he is lame” really sold me. They then played a rather cool episode had Batman go to an alternate Earth where all the heroes were villains and all the villains where heroes. When the leader of this alternate Earth’s heroes is the Red Hood you know you have a Comic Con episode.

The Vertical panel and my first industry panel of the convention started off slightly depressing. They have very few books coming out in the next year and only four of which are manga, all Black Jack. They talked about some of their crafting series and about how the word “cute” in the title helps them sell better. I think proposed they start calling it Cute Black Jack. Luckily there was a bright spot, apparently they are getting new investment and teaming with a Japanese publisher who they have yet to reveal. I also asked about more Shinjuku Shark novels. They said they will at least do the third book but would like to do all ten. At the end they gave away signed copies of To Terra . . . by Keiko Takemiya! I didn’t win one and I was really jealous!

I attended the first half of the Vertical panel but I wanted to make sure I got to the Yatterman premiere on time. There I met up with Scott of Anime Almanac, Gia of Anime Vice, and John of Japanator. We had a nice conversation about various things including Kaiba. The audience that was not press seemed to be mostly made up of crazy Sho Sakurai fan-girls. This was made painfully obvious because anytime anything Sho related was mentioned or appeared on the screen the audience went nuts. The squeals when Yatterman No.1 kissed anyone was simply amazing. The movie itself felt like a Stephen Chow movie. It had that same mix of goofy comedy and over the top action that made it feel like a live action cartoon in every sense of the word. I think that Stephen Chow does it better but overall I enjoyed Yatterman. You just can’t go in expecting Ichi the Killer. It’s a dumb movie but it never wants to be anything else. I am sure Yatterman fans are going to get more out of it. There was some question and answer after the panel with Sho Sakurai and Takashi Miike.

My last excursion of the night was the Wonder Woman premiere. My friend and I also caught the last few minutes of the Futurama movie before it. It seemed reasonably funny. As we waiting, the IGN theater showed a bunch of looks at things on the screens like at a regular movie theater. We saw a first look at the G.I. Joe movie which will probably be awful. They also mention how they were really making it diverse but I saw about 80 white people in it and one black guy and one Korean guy so whatever. Apparently Cobra Commander won’t be in it?! We also saw some stuff about the upcoming Chun-li movie which looks worse than the G.I. Joe one. All the fights they showed where in the shadows probably because this girl playing Chun-li can’t fight worth a damn. Anyway, the Wonder Woman movie was really great! D.C. has really done some great animated productions over the years and this ranks up there with them. There was some adult humor and was more violent than I expected! Bruce Timm along with the director and writer did a Q & A after the showing. He said he thought this was the best yet, even better than Mask of the Phantasm. NO WAY, but it was still really good.

Saturday was my big day so there was quite a bit to do. I started with the How Not to Break into Comics panel. I was hoping it was going to have a lot of funny stories. It definitely had some good ones but it was mostly a very serious look at how to try to get a job in the comics industry. Apparently people constantly don’t put any contact information on their submission making getting back to them impossible. A very useful panel for anyone who is serious about doing their pitch right.

Bandai is going to be okay people! They are going to be doing a lot more online, including having Code Geass and Gundam 00 available. Also they picked up the Gundam 00 manga and novel! YAY! I am hoping they do similar packaging with Gundam 00 as they did with Code Geass with including manga in the awesome box. Looks like Hayate the Combat Butler will be released subbed only in 13 episode boxes. This seems like a smart move, plenty of fans wanting to pick that up but not enough to go through dubbing it. I’m sure they will have a few more announcements coming this year, all of them good.

Like many east coast residents I have never had to good fortune to get out to PAX so it was really awesome to be able to Tycho and Gabe at NYCC. You definitely see where the characters in the comics come from when they talk. I found it amusing that Gabe would constantly pick people from the audience to ask questions and Tycho would have to force Gabe to stop and let him pick someone from the audience on occasion. They were very personable and entertaining and had an excellent chemistry with each other and the crowd.  It also started the trend for Saturday, every panel I attended was standing room only.

Attended Del Rey panel with a good portion of the anime/manga blogging crew. They mentioned doing some “manga” versions of X-Men at NYAF 2008. But what I saw was quite unexpected. Emo-boy/Bishonen Wolverine? Turning X-Men into a reverse harem romance comedy? It just seems like a strange way to approach things. Wolverine is rather beloved. Oh, and he is a totally crazy, deadly, bad-ass. It was really off putting. The same goes for the X-Men story. While I like Kitty Pryde, as do all, and am glad to see her staring, this wasn’t what I had in mind. One of the great things about X-Men is their strong female cast which was mentioned in this panel. I asked about the decision to then exclude most of them in favor of this school comedy bit. It was basically like “well this is just what we decided to do.” I am clearly bias and not the target audience but come on!

I barely got into the Robot Chicken panel due to a good deal of madness. It was the least organized of all the lines I saw. Staff pulled the press out of the line to get us in, then security refused to let us. I eventually got in but had to stand along the wall after one of the other press guys pulled out an class-A ability to complain politely but loudly. It was worth it. The main question and answer consisted of Seth Green talking about everything with backup from Robot Chicken crew and the Cartoon Network representative trying reign things in. Seth answered all the question (other than being super precise about their budget) but once he started talking there was almost no stopping him. He told a hysterical story about dressing up as Spider-Man at San Diego Comic Con. It turned out that he received just as much attention as Spider-Man as he did without the costume. There was also a amusing story about how they bought a vintage Batmobile off eBay and the woman who sold it to them wrote them a letter about how glad she was it was going to a good home. They tried their best to use the car without damaging it but wound up having to trash it beyond all recognition. I also loved the Star Wars joke they could not use for the show. After the Q&A it took about five minutes to get Seth to stop talking so they could play a ten minute clip. I only watch Robot Chicken on DVD so I am not sure how much of it was new stuff and how much of it has already been on TV. It was definitely worth the hassle of getting in.

One of the key things that has made Marvel a fan favorite in recent years is their off the cuff interactions with fans. So one of the highlights of every convention, for Marvel fans, is the Cup o’ Joe panel with head man himself, Joe Quesada (and usually a few guests along). It is essentially just a panel to ask questions to Joe about anything comics related. This time around he had Jim McCann, Brian Michael Bendis, C.B. Cebulski, and Marvel’s publishing director with him to help out. There were actually a lot of questions directed at Bendis which is no surprise with Dark Reign in effect. Some memorable moments included a woman dressed as Black Cat, very well done, asking when she will get her own comic; a semi lengthy discussion about the rising price of single issue comics; and me telling stories about other Marvel panels with the guys sitting next to me.

Men Are From Kyrpton, Women Are From Paradise Island Panel was packed which for some reason surprised me. There was hardly a free seat in the room. I was tempted to go to the Dr. Who panel because hey, it’s Dr. Who but I was curious to see an analysis of gender in comics. The discussion was lively and the panelist did broaden the discussion as race and homosexuality started to come up. It was all interesting and the moderator let people go off on related tangents while making sure that everyone got back to the topic at hand. I really wanted to state that it’s important to keep in mind you can’t force sensitivity or diversity into a story. If people want stories about females, minorities, or gay characters you can request that they do so and hope that someone listens. If you force people to do it then the stories will come out as disingenuous and be horrible. The best solution is for people who really care to go out and write those stories themselves but not everyone has the time or ability to do so. It can be frustrating to not see the topics you want  addressed in a sensitive and entertaining manner. I am not sure what to say other than people have to be patient but politely vocal. Though I was unable to express this to the panelist because everyone was so engrossed.

So, so much anime and manga industry stuff on Saturday. Next up was Yen Press. Everyone was excited to see they grabbed Yotsuba&! People couldn’t be happier! Though the surprise was kind of spoiled by a flaky PowerPoint presentation. They gave books galore and it got a bit crazy. This also explained why when most industry panels and empty this one was packed. Soul Eater was clearly the crowd favorite, unfortunately for me and great for Yen Press. Funimation was right after that. I liked the new Funi media player plus they are getting a lot more series online for free. I am yet to check it out since but I plan to. They showed a lot of trailers and two dudes behind us were so annoying and loud yelling DBZ and Afro Samurai the entire time. I had a major headache after that. I also found it amusing that when people realized there would be no free stuff the room emptied fast before the panel was over.

I finished of Saturday with the Venture Brothers panel. It did not have as many panelists as last year but it was still fun. I came in just before it started so I had to sit all the way in the back. It was actually great because everyone just sat on top on their chairs to get a better view. Since they did not yet have a trailer for the fourth season, they played some deleted scenes from the third. The rest of the panel was Q&A. They kept bringing up that they killed number 24 but in their defense so did the audience. I enjoyed Doc Hammer and Jackson Public saying they were going to make sure to keep the murderous moppets around just because they were universally hated. The same Triana cosplayer that made such a big splash last year showed up again and invited the cast to have coffee with her. This of course set everyone on the panel and the audience off like nobodies business. And speaking of Triana the inevitable topic of the inexplicably popular friend Kim came up. The panelist all but said they would make sure she never came back just because people keep asking for her. I really hope they do the panel again next year because it is always one of the highlights.

My last panel was industry related, as a lot of Saturday was given to. CMX did a great job. I love this company anyway and they are truly one of the under appreciated manga publishers out there. They do a lot of good smaller manga, more obscure stuff. They did announce anything new but we got to see covers and interiors for upcoming releases. One was a mecha series that looked cool called Broken Blade! I asked them about the marketing strategy of releasing different series by the same author simultaneously rather than one after the other. It was as I hoped, they are trying to build a fan-base for the manga-ka. Also they hope you don’t feel like there is too long a break between titles if you are reading my series by the same manga-ka. I like this a lot and it does seem to help name recognition. They also seemed receptive to my and Kohaku’s opinion on some licenses, like Yoroshiku Master (which was my manga of the month recently!). This panel also became the unofficial gathering place for all the bloggers going to dinner.

I met up with everyone after the Venture Brother Panel. It took a bit of herding but we got everyone to go to dinner. At final count we had a group of 15 and had to be  separated into three groups. I was seated with Gia and John along with my old friend Eric. Gia and John were nice conversation. I was interested to find that John liked Diebuster more than Gunbuster despite seeing Gunbuster first. That is almost never the case although he made a convincing argument about the themes of Diebuster being more relevant to him. After dinner I went with Dave from Colony Drop and Carl from Ogiue Maniax to karaoke with some anime podcasters. It was awesome seeing Erin and Noah again and no one can ever get too much David Riley. Ed Chavez did an awesome rendition of Metamorphoze by Gackt. Seeing Dave and Carl back to back singing giant robot openings was quite awe inspiring especially King Gainer Over!. I was also quite happy that Carl did Century Color from Turn A Gundam. Mike Toole showed up later on to kick it up a notch. I was happy finally be able to sing karaoke with people who were not all gods but merely mortal men. It made me much more comfortable. I myself got home around 5 in the morning.

The bloggers dinner, as we are calling it, was definitely a highlight of the convention. Some of the people in attendance I had only just met at the con. There were also a few that I have hung out with before, and of course good friends too. After we split into our booths all after each other, I was with Kohaku, Carl, Dave, and Evan of Ani-Gamers. This led to many amusing discussions (and the showing of video clips when Dave’s phone felt like working). On the menu for talking was creepy teachers, never drinking Snapple again, giant robots, and Segata Sanshiro. At one point we heard what sounded like a intelligent conversation going on behind us but then we promptly put it out of our minds. I had a blast, laughed a lot, and ate a yummy cheeseburger. I took part of it home but then forgot to refrigerate it, I was rather sad about that. I went home early with Kohaku and Eric in toe.

I really only went to two panels on Sunday. I went to the VIZ panel with everyone else. The there were two big topics and several smaller announcements. First they talked more about Japanese science-fiction line. It seems to have a wide variety in the first four titles upcoming. This could open up new avenues for VIZ and anime fans if these do well. The big announcement was the licensing of Rumiko Takahashi’s new manga. As far as I can tell they licensed her new manga sight unseen. Rumiko Takahashi equals money no matter what she does. I am very curious what it is going to be about. Also it seems that this will be an almost simultaneous U.S.-Japanese release if they want it to be. I am curious how simultaneous the release will be.

What most excited me at the VIZ panel was the announcement for the Natsume Yuujinchou manga. If you have been keeping up with my ongoing investigations, I have a gushed about this series a few times. After this, Evan corralled a few of us and we headed to the press room to do a podcast for Ani-Gamers about the convention. On the way there we must have been yelled at five times for allegedly trying to cut the Joss Whedon line. Podcasting ensued with the likes of yours truly, Hisui, Scott of Anime Almanac, his friend Greg, Brigid of Manga Blog, and of course Evan himself. The conversation was lively and fluid covering topics like crowds, licenses, Yatterman and state of the industry. Go take a listen!

I then went to the Scott Pilgrim panel. I have heard quite a few good reviews of the series so I was interested to hear the author speak. Most of the audience wanted to hear about the upcoming movie but Bryan Lee O’Malley could not really say anything more than what was on the Internet. I have to say comics like Scott Pilgrim are OEL done right. American artists should take their interest in manga and let it influence their  art and their storytelling but not try to adapt the “manga style” wholesale. I can’t say the panel made me want to rush out and buy Scott Pilgrim but I will probably pick it up the next time I see it.

My final Marvel panel of the con was Mondo Marvel. It had a good number of writers and artists there. About 14 in all plus Seth Meyers and Bill Hader from SNL showed up much to the surprise of the audience. They are doing a one shot Spider-Man story called the Short Halloween. The crowd chuckled at the name in a knowing fashion which lead to Seth and Bill making the comment that this was the only crowd that would get that joke (if you have no idea what I’m talking about, there is a famous Batman story called the Long Halloween). They kind of stole the spotlight, unsurprisingly. One other cool announcement was The Marvels, it is will be taking us back to the origin of origins, the Marvel universe itself. We know certain characters came from experiments, accidents, etc. but we are going to get a look at how those organizations that caused these things came to be. Sounds like a really interesting project.

Sunday I finally got to spending some cash in the dealer’s room. I bought five Revoltech figures since it was buy three, get two free and there were only 20 dollars each. I got an Ingram, King Gainer, Gurren Lagann, Yotsuba, and Dark Saber. I was a little sad they did not have Revy but that was not unexpected. I almost got the two Valkyries but decided to have some restraint. I also went to the Yen Press both as they were giving away manga but it had been mostly picked clean. I got a copy of Black God three but not one or two.

The Exhibitors hall as always was giving away some free stuff, but seemed like less than last year. I did get a copy of the first issue and a poster of Watchmen which was cool. Sunday was the first time I set foot in artist alley and it was great! Comic cons version of this is a little different because there are actually famous comic artists and writers sitting right there! There are also amateurs, too. We saw Ryu Moto (who we have interviewed) and talked with him for a few minutes. He seemed really impressed with the convention as well. I happened by the Jim Lee booth and he was actually there! The line was also fairly short, what luck! If I had come by ten minutes later he would have been gone. I got two signatures plus he took a photo with me! This man started my love for American comics, it was a really amazing way to top of the convention.

After the con we met up with some friends. We went down to Kinokuniya and Book Off. I did not spend any money but I came very close to buying the new Kido Senshi Gundam-san manga. Mostly because it has Sayla on the cover but also because it looks funny. I learned about Blaster Knuckle and Jesus manga from Dave. Both of them seem like epically horrible, but therefore enjoyable, manga. Blaster Knuckle is about a African American in the south who has to fight flesh-eating KKK members with magical brass knuckles. I can’t casually find anything about the Jesus manga I saw at Bookoff but it was about an assassin codenamed Jesus. There is a manga called Jesus about the biblical Jesus, a romantic comedy called Jesus!, as well as another romantic comedy called Jesus Christ that was in Bessatsu Friend. I was dead tired by the end of it.

I think many of us were reluctant to have the convention end! So meeting up right after we were being kicked out seemed like a way to prolong the inevitable. And a good number of us spent even more money that we didn’t have! But really, Bookoff was having a sale, how could I resist? I was also lucky to make it out of Kinokuniya with any money at all considering Gackt was in three magazine this month. I only bought one, sigh. At about seven or so we parted ways and the magic was over. Leaving a con is like having been in another dimension for three days then coming back to reality. I came out of this con with great deals, hilarious stories, and some new friends. Overall it was one of the best, and best run, conventions I have ever been to. Next year I expect great things but I have to wonder if they can top my experience this year.

I don’t think I have ever been to a convention that was so jam packed with stuff to do. I really regret not being able to go to more anime and manga panels but that is what anime conventions are for. I wish I had been able to see Joss Whedon but I did not feel like hacking through the crowd to hear him talk on Sunday. I also regret not being able to see the Dr. Who panel but such is life. There were just so many to events attend!  There were dozens of minor problems but overall I had a blast. My greatest criticism is that next year it may be almost impossible for them to duplicate the sheer amount of things as they did this time around. NYCC is clearly become a force to rival San Diego. I am curious how the date change for NYCC 2010 will effect things but we shall cross that bridge when we get to it.

Top 5 Anime songs that must be sung at karaoke
5. Tobe! Gundam by Koh Ikeda
4. Cha-La Head-Cha-La by Hironobu Kageyama
3. Rinbu Revolution by Masami Okui
2. Yuusha-oh Tanjou! by Masaaki Endo
1. Ai wo Torimodose by Crystal King

h1

New York Anime Festival 2007

December 12, 2007

Hisui and Narutaki’s NYAF schedule

Friday
Del Rey Panel
ImaginAsia Panel

Saturday
The Art of Reviewing Anime Panel
Katsushi Ota Q&A
Kobun Shizuno Q&A
Viz Media Panel
Otaku USA Panel
Unicorn Table Concert

Sunday
Vertical Inc. Panel
State of the Manga Industry
State of the Anime Industry

This was the first anime con in NYC since 2003, but nevertheless I had high hopes for NYAF. They were planning far in advance; they got the Javits Center; the schedule was up almost a month before the convention; and they were advertising. However, this last one was a bit worrisome, NYC is a big place and if everyone in it who likes anime shows up at a con you can expect a freakin’ crowd. Their projected numbers were around 15,000, I am eager to see what the actual was. Unfortunately for them, it didn’t seem that busy. It is not that I want to be squashed between otaku all day but for how big this con seemed like it was going to be, it wasn’t.

Without a doubt, this was definitely a professionally run convention. There were no major schedule changes and everything ran as smooth as silk. Even Otakon at it’s best did not run as smooth as NYAF. I think it could be argued that it ran a little smoother than Anime Expo. I have only gone to Expo once and it was very well run the year I went, 2006, but they still made things a little bit difficult and obtuse. They also had a bunch of schedule changes and mix-ups. So not matter what there is something to be said for professionally run conventions.

Saturday at NYAF, which is always the busiest day at most cons, seemed like a Friday at any other big con. When something like AnimeNEXT gets a crowd like that, it seems fine because they are smaller cons and have smaller expenses. They don’t need as many people to make back their money. Doing anything in Manhattan is expensive. I too wonder if this is the last we shall see of NYAF. First year cons almost always have a low number of attendees, so maybe they will wait and see if this con will grow. If given an chance, I’m sure that this con will grow but it has to be given that chance. According to this, BAAF had 3,500 people during its first year in 2001. Then again, BAAF 2001 was a much smaller affair from what I remember of it. Still, it was a convention that grew in numbers and scope as the years went on. BAAF did occur at another time but it still shows that even in NYC it takes time for a convention to grow. I’m also not really sure what exactly killed BAAF. I have heard several stories but they were more rumors rather than anything close to factual evidence.

Friday started out well for me, I got there around 2:30 since I had silk-screening in the morning. I met up with Kohaku to wander this new experience. The first thing that struck me was how the dealers room was set-up. It was very similar to comic cons and there was a lot of free stuff, which is always a plus. There weren’t too many people so navigation of the area was fairly simple. The entire convention was in a relatively small area but had very wide hallways.

I missed Friday because of work (and the fact that I accidentally FedExed the print out of my ticket to one of our clients). I guess on Monday there was a very confused guy opening up an overnight package. I showed up at around 6:30 to see Narutaki and Kohaku getting out of the convention.

The dealers room was definitely set up like the New York Comic Con when it was at the Javits Center. I don’t remember this convention having more free stuff than any other anime con. But maybe that is because I’m a moody loner that ignores other people where as Narutaki and Kohaku are normal functional human beings. I remember the comic con was pretty packed but things still moved nicely most of the time thanks to the large hallways.

It was also the best day to talk to industry people since there wasn’t a whole ton going on and they weren’t overwhelmed with questions yet. We chatted with Mike Bailiff (I think) from ADV and also Chris Oarr. We also talked with quite a few people over at the newest addition to the manga market, YEN Press. And as per usual, talked with the people from Del Rey as well. Del Rey certainly made a lot of acquisition announcements for the coming year, of which included a light novel of XXXholic and the manga of Gankutsuou.

I’m curious to see what the XXXholic light novel reads like. It was great potential to either be very good or very bad. XXXholic can be very episodic so a random story in the middle is not anything that would be obtrusive. I have not heard anything about the Gankutsuou graphic novel but historically any manga based on an anime is weaker than the original work.

ImaginAsia, I wanted go to to see how the classics were doing. I really wanted them to be going well! And thankfully they are, thanks to the sets being really nice and them being shown on their cable channel. They also have a block of programing that is all Geneon titles, I had to ask what was going to happen to that with the recent news. They said it would remain as is, and they have hopes that Geneon isn’t completely dead yet. I also spoke to them after the panel and asked about Rose of Versailles. I thought I was going to hear the usual about it being expensive, and the creator is problematic. But she told me that the biggest obstacle right now is Riyoko Ikeda wants the manga released first! Well, bring it on people!

Well did they not say that Riyoko Ikeda was not a super crazy lady but she was a super crazy lady who also wants the manga released first. Also Geneon still seems to be in an odd undead limbo between being fully dead and just half dead.

The dealers room, the industry booths, and the artist alley were one big mish-mash. I can’t really find a reason for this, except to possibly just fill the room to make it seem bigger. But after some searching you could find everything you wanted. And of course the dealers room did hold some gems. But this is not really my priority at cons.

I did not buy much this convention most because it was so close to Christmas. I did find it odd that they combined the dealers room and artist alley into one as well. I did pick up a neat Gundam doujinshi where they remade Azumanga Daioh strips with Gundam characters. Any doujinshi with Domon Kasshu and his glowing King of Hearts in a Azumanga strip is worth the price of admission.

The Art of Reviewing Anime panel was rather uneventful, but it did reaffirm my beliefs about the AnswerMan being jaded. I don’t think it’s impossible to work in the industry and still be a fan. Daryl from AWO was there to and it was rather amusing to see him and the AnswerMan saying the completely opposite of the other. But the Katsushi Ota panel was wonderful! Thank you Del Rey for bringing him. He is the editor of Faust which Del Rey announced they would be releasing parts of. It is a light novel anthology series that has illustration accompaniment. This will definitely be an experiment here in the U.S. and I’ve very excited about it. I asked him about digital distribution and he said there was something big coming up later this year that he couldn’t talk about.

Jaded? The tomb of a Chinese Emperor is not as jaded as Zac Bertschy. A noir gumshoe is not as jaded as Zac Bertschy. The fact that he did not light up cigarettes to put them out on members of the audience was somewhat surprising.

Well if nothing else, Katsushi Ota provided me with the highlight of the con. Kinoko Nasu who writes for Type-Moon (games like Tsukihime and Fate/Stay Night) also has written for Faust so you know I was at this panel. I like the idea of light novels in general so I was probably going to go anyway, but once I found out they might be announcing some works by Nasu, I was there in a flash. Faust seems pretty interesting. They have a collective mix of authors and artists working on the book. We will only be getting selected parts of the Japanese Fausts but as long as we get Garden of Sinners, DDD, and see their CLAMP artwork I’m happy. I asked Ota what his impressions of Nasu were and he gave me both an amusing story and a definite insight into the man. That was awesome. I also thought that their boxed line of books looked nice.

I am always interested in more light novels being released, since I’ve such a big reader, so this is a dream some true to me. Ota seems to be smart, insightful, and has a desire to bring creative people together into projects. Anthologies haven’t been bigger sellers in the U.S. but I hope this turns that around. It will have short stories and also excerpts from longer works.

At the end Katsushi Ota gave me the first two books of DDD and then took my picture with the books and promised to send the pictures to Nasu himself. WIN! That is the second Japanese creator that now has a picture of me. Without a doubt my favorite part of the convention.

The Guest of Honor was Kobun Shizuno. At first Patrick Macias asked him about how he became a director in the anime industry and what he though of the industry in general. Then Shizuno showed a pretty long clip of his newest show, Cross Climber. It seems to be about a full immersion virtual reality MMO with a sinister secret purpose. Then a bunch of people asked him questions about the Evangelion movies that he could not answer. The most interesting part was listening to how Shizuno worked his way through the industry to become a director. I sort of wished the people from the audience had asked him some more interesting questions. I did like that someone asked him a Princess Nine question. That show does not get enough love.

You are kinder than I was. I was practically leaping from my seat in outrage at the crappy questions. Two questions were not about his OWN work but about Ginax works. This man is a director, not a film critic, you shouldn’t be asking what he thinks of other peoples’ work. Not to mention there was only time for about 5 or 6 questions so them being wasted was quite a frustration. After this panel we also man into Dave and Joel from Fast Karate and talked with them a bit.

I had never heard of Unicorn Table before they were announced as the musical guests. But I am always up to hear some J-pop! So the concert was something of a high priority for me, and I wasn’t disappointed. There were 10 or 11 songs, which was more than I could have hoped for. We pushed our way to the second row and enjoyed quite a show! We survived the otaku stink for nearly an hour and a half. Although, I wasn’t crazy about her solo songs in the middle, the entire band was the best part. They really got the crowd up and cheering. There was even a raffle at the end, they gave away a t-shirt, a DVD, and a small bag.

Unicorn Table was pretty fun, although my favorite part was when the guitarist and the bassist just started to rock out while the main singer was changing costumes. I stayed away from the madness at the front of the concert and enjoyed myself in the back. I also have no need to be around stinking touchy-feely otaku.

The panels were all industry run and this was my biggest complaint. I really like a mix, I always go to many industry panels but I also like things about older anime or some aspect of anime. I hope this can be remedied next time around. The best things were the state of the industry panels where people from all over got together for a round-table of what’s been going on in the last year. As can be imagined, the anime one had a lot of what if’s and what can be done. It was really informative.

I’m not sure why they did not have any fan run panels. I admit when fan panels are bad they are very bad but they also could have had some good fan runs panels. It might be that as a professionally run convention they did not want to take the risk of a non-guest/nonprofessional run panel. Excluding fan run panels cuts down on your poorly done panels but also excludes a good many interesting panels that could exist.

It was really interesting to hear the two state of industry panels. The manga panel was happy talk and full of what are we going to do next. The anime panel was full of what can we do to pull ourselves out of this mess. Both panels talked about digital distribution. The manga panel speculated on why they were doing so well and how they could keep up their success. On the anime panel, they discussed why sales were down, what they could do to counter it, and what their hopes for digital distribution were. John O’Donnell, from CMX, definitely stole the show during the anime round-table. His answers/tirades were insightful if a little harsh.

I feel like this was a small con that seemed bigger because of the industry involvement but really it wasn’t anything like Otakon. A small con dressed up in big con clothes. Then again, it was its first year and also it is the winter…in NYC, not exactly the most inviting scenario. I also feel like it should have gone on longer into the night. Panels running till 8 or 9 at least and showings till at least then if not later. We know they could do it since the concert went on till almost 10. Overall, I had a good time and learned a lot. It wasn’t the best time I’ve ever had at a convention but I look forward to another one of these, if there is one.

I like having a con basically in my back yard. I’m sure I would fly halfway across the country to go to NYAF, but I will definitely take a subway ride again next year. It was not my favorite con but I had a good time and it did everything I need a con to do. I was never at a real loss of what to do; there was always something interesting going on. I sort of wish I had had some more time to see some of the movies they premiered on the big screen but there were too many good panels. Too many good things is never a real problem. It proves that a for profit convention can be done in an acceptable manner. If NYAF takes what they did this year, and grows, it has the potential to be one of the big name East Coast cons. I look forward to seeing how things turn out next year.

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