There was a formspring question a while back about what anime you would show a class, we liked it so we expanded it into a little post. Imagine you are a professor. You have students who have anime studies as a major. What titles should they be familiar with in their first year that introduces them to the major? Lists like this are never really complete especially when working in some sort of restriction like our 10 TV series and 5 movies but there is only so much time in a semester. It also becomes more difficult as the years go by and more and more shows are produced. But you can still attempt a good foundation. It is important to note that not all of these titles are necessarily the best representations of their genre. Titles were often picked because it helped show the full range of what anime has to offer more than being the pinnacle. The shows here are meant to show what anime can produce in order to help the student decide where they want to focus their studies. So here’s what we thought of, what would be on your list?
Posts Tagged ‘The Melancholy of Haruhi Suzumiya’
Ode to Broken Things
January 4, 2011
If your anything like me you have found yourself dissecting your choices in entertainment and what they mean about you. I occasionally sit back and wonder why I truly enjoy the things I truly enjoy. During these examinations I have come to one major conclusion. The artists and works I usually like the most are usually very flawed. I loved Kinoko Nasu, Rumiko Takahashi, and Yoshiyuki Tomino but they are all idiosyncratic artists with highly imperfect works under their belt. This realization lead me to another even more shocking revelation. All the most influential works in a genre are not the masterworks but flawed works. All the shows that define radical shifts are often riddled with major flaws but are inspiring despite that fact.
Flawed works are sometimes the most special of all; they are chance taking stories that don’t quite have all the details worked out. When breaking new ground it is no surprise when one gets lost along the way. This can occur in many different facets from having the amount of episodes suddenly shortened due to low-ratings or lulls in the middle of the story as they try to stretch or even extraneous characters taking up too much time. But these are also stories that surprise you with their decisions and that’s a most powerful and memorable reaction.
NY Anime Festival & Comic Con 2010: Minori Chihara
October 20, 2010While there were several Japanese industry people at NYAF most of them were only present for the what they were presenting and never appeared in any formal panel where you could ask them questions about anything outside of what they were there to present. But voice actress and singer Minori Chihara not only had a panel but she also had a concert to promote her appearance in The Disappearance of Haruhi Suzumiya. I would assume almost everyone who went to see her was there because of her work as Yuki unless Sakutarou has a huge fan following I was unaware of. And a lot of fans were very thrilled to see her at the convention because of that.
Ongoing Investigations: Case #043
May 8, 2009
I finished the Contraband arc of Liar Game. It ended pretty strongly with a equal mixture of success and failure for our main characters. I really liked that it was neither a total victory nor a total loss. Nao and Shinichi are definitely in a tight spot going into the next round but they did much of what they needed to do. Liar Game stays a smart series that challengers the reader but does not pull its plot twists out of thin air. How the game works and how the characters pull off their schemes are set up before the reveals are given. A clever person could probably figure out the answers in advance. Norihiko Yokoya has obviously been set up as a reoccurring villain which is the first in the series. Nao is still oscillating between being girl-who-needs-to-be-saved and Shinichi’s partner but at least her character is growing. I am hoping by the end she will have her own unique perception and tactics. I am a little surprised that Fukunaga is staying on as an important side character.
Picked up Key to the Kingdom a while back but just started reading it. So far books one and two have impressed me, it is a wonderfully put together shojo fantasy. We start with Asta, the youngest prince, who has no desire to rule nor to hold a sword. So when the country’s rule lies in the hands of whoever can find the “key to the kingdom” it seems he will be free of such troubles. However, fate has other things in store as Badd, a retainer, drags him into looking for clues to its whereabouts. When a Dragon Man appears on their path it becomes clear that everything is not as it seems. A diverse cast emerges along the road as Asta resists but gets caught up in the complexity of the country’s history. There are many things going in this story including action, politics, mystery, and love. I was surprised that the series is only six years old because the art certainly has a late-80′s or mid-90′s feel to it. A great start to the series, highly recommended!
