In a most unexpected turn of events the Master Keaton manga returns to the pages of Big Comic Original in the form of Master Keaton Remaster. I guess at least some of the rights issues around the original manga have been cleared up because I know for awhile the original manga series was quite expensive due to it being out of print. But now Taichi Hiraga-Keaton is back! He is still an amusing mixture of a loveable loser and an amazingly competent superman all in one package.  The series starts not long after the end of the original manga. Keaton is notably more entrenched in his academic career after his recent archeological discovery. But just when he thought he was out of the insurance game for good it draws him back in for what he is told will be one last job.

Of course this being Master Keaton we know that will not be the case. Soon he is investigating ruins, redeeming the honor of a man in a coma, and fighting slaver traders. All for one insurance case. It has all the mature elements that you expect from this manga. The story has a well researched history, a steamy underworld, and characters that show their complexity even if we only know them for a chapter or two. There is rape and sex slave traffic but there is nothing graphic or salacious. It just happens to be a story with the disgusting parts of the sex trade as a piece of it. All the bite of an adult story with none of the guilt.

One of the most interesting parts of any Master Keaton story is the fact that Taichi usually comes is for the climax of a story. He is presented with a case, does a good deal of research to find out what is going on, arrives at the critical moment during the ongoing story to help someone out, and then leaves before the falling action is over. This could be amazingly frustrating if done poorly but Naoki Urasawa does this in a way that merely makes you feel like the stories are and organic part of the world. Taichi does his part, and then leaves, and that is all we see. But we get enough of the story from Taichi’s perspective that it always feels satisfying.

I’m am really glad to see the manga running again. Master Keaton is some of the best bite sized seinen you can find. Hopefully they will work in his daughter soon as she is always a refreshing character. Maybe this renaissance of the series will help get both parts licensed for English. That would be masterful.

I watched the first two episodes of Motorcity, a new Disney DX animated series. It showed a lot of promise and sported some cool animation.

The story revolves around a futuristic Detroit with two levels to the city; the old, underground, and free area known as Motocity; and the modern, controlled, upper Deluxe.

Mike leads a group of car fanatic rebels known as the Burners who are trying to bring down the leader of Deluxe. Mike is pretty interesting as he isn’t a kid, but a 17-year-old who was once being groomed by Deluxe’s leader. Now having defected, he is putting all his skills and some sweet modded cars to use.

Also of interest is Jules a resident of Deluxe who is actually helping them secretly. And she just happens to be the daughter of Deluxe’s dictator. But even the rest of the Burners and Mike don’t know that about her.

Both episodes revolved around some sort of threat being sent down to Motorcity. There was lots of cool machinery and robots and whathaveyou to keep things interesting.

These were great episodes and I can’t wait to continue. Definitely something I’m going to attempt to keep up with. The episodes are streaming on Disney DX’s website so far.

I finally decided to sit down and finish up Guilty Crown. Oh boy. This anime’s bus for crazy town clearly had a bomb planted on it by Dennis Hopper and therefore could not go below 50 miles per hour or everyone on board would have died. It is best summed up by the fact that during the final assault on the massive enemy strong hold the remaining heroes are all in either massive mecha or armored personal carriers. And then the main character is on a segway. That is the logic that constantly propels Guilty Crown forward. And it is all done with complete earnest. None of this is The Lost Skeleton of Cadavra style of being goofy on purpose. It is done straight faced because everyone thinks they are doing Shakespeare. And that gives it a bizarre charm. But never mistake that for honest ability.

Not that all of that crazy means that everyone makes it out of Guilty Crown alive. Near the end we get to some Zeta Gundam levels of character death. Main and secondary character start dropping like flies.  In fact I was somewhat shocked that they ended on such a downer of an ending. It is hardly Space Runaway Ideon but you could not call it a happy ending either. Certain characters who you would assume have plot armor are actually quite vulnerable and most everyone who lives does so at the cost of a great sacrifice. I will say that Segai could not die quickly enough. When he finally was removed from the board it was a blessing. I was surprised another bad guy got off complete scot-free without so much as a slap on the wrist. Still there is no “boy gets girl and lives happily ever after” ending.

I can’t say that I would recommend Guilty Crown. Most of the reason I enjoyed watch it was how silly it was. It is a great show to watch with some sort of I Don’t Even crowd or for a few nights of personal MST3K but beyond that is is pretty lame.

I started watching the second season of the Story of Saiunkoku. The first season was incredibly strong so it is a hard act to follow. And so far this new part of the story (eps. 1-8) isn’t holding up very well.

It may just be the animations obvious quality drop that is stopping it from being as dynamic. Characters expressions are awkward, timing is often slightly off, and there is tons of talking without anything going on.

Despite that, the last few episodes have had some interesting developments including finally getting the story behind Eigetsu’s dual personality. We’re also learning a bit more about Shurei’s father’s past and his split with the Hong family.

For the love of Oyashiro-sama please stop making any more Higurashi anime. The original story was magnificent. The Rei OAVs added some additional clarification of story points while telling a compelling gaiden story. There were even 2 hysterical comedy stories. Higurashi no Naku Koro ni Kira 3 and 4 on the other hand just continue the trend of horrible Kira episodes. When you do a Mion and Keiichi story that I have absolutely no interest in then you are clearly doing something terribly wrong. They are just the same jokes from earlier arcs only done without any spirit. I know the Higurashi characters are popular. I love them too. With all the tragedy and redemption they go through it is hard not to love them. But it is time to let them go. There story is over. There is no more to tell. It ended on a great note. Let us remember the good times we had together and not try and milk anymore from this setting.

Vol. 31 of Kekkaishi is exactly what every training transition should be. Yoshimori is learning new techniques from a really surprising source and the audience is seeing all these new complexities to the story thanks to this additional character. Also Tokine is also training; it is a great relief she will be working towards something in these final volumes and not just showing up at the end. 

The Ongoing Investigations are little peeks into what we are watching and reading outside of our main posts on the blog. We each pick three things that we were interested in a week and talk a bit about them. There is often not much rhyme or reason to what we pick. They are just the most interesting things we saw since the last Ongoing Investigation.

I picked up The Story of Saiunkoku vols. 1-7 recently and my goodness has this only renewed my passion for the series. I fell in love with the anime a few years ago, so far this manga has followed it quite closely (both being based on a novel series which I have no way of reading, I don’t know if it follows the books closely as well).

Saiunkoku, put simply, is about a kingdom and a romance, but the series is far from simple.

In these volumes, we meet a large cast of nobles and get caught up in assassination schemes, courtly politics, syndicate wars, and various governmental situations. Shurei is a smart, hard-working, but poor, noble who is brought to court in the hopes of helping the new emperor. She not only forms a close relationship with Ryuki the emperor, but also many others in his circle. Shurei not only helps guide the emperor but begins gaining friends and influence in the politics of this large kingdom.

And that is what is so special about Saiunkoku; the political and societal struggles of Shurei and women in this ancient land. A good portion of the series after the first two volumes is Shurei dreaming and applying herself to become a civil servant which no woman has been allowed to do.

While the series also wears the hat of reverse harem, to its credit all the men are fascinating characters with their own places in the court and politics. And by and large they are not in love with our heroine. The story is pretty clear this is about Shurei and Ryuki. But on that note, it is amazing how little time these two actually get to spend together because of their stations and duties.

The story has a clipped pace never lingering too long on any one thing. At times I found myself really yearning for more time for Shurei and Ryuki to no avail. There are moments with a bit too heavy exposition but they seem to lessen as the volumes go on. All in all, it is a great world with a great cast that you want to know more about.

I will say that they wrapped up the first season of Young Justice quite nicely. I did feel that one or two of the slow building plots were quickly resolved in the last 2 episodes but that is more of a stylistic issue than a major complaint. Over all they did a good job of having everyone one in the main cast having some noticeable character progress while at the same time tying all the episodes together into one cohesive plot. I do find it a bit odd that all the new animated DC series seem to be utterly in love with Vandal Savage. While he is decently old character I myself had never heard of him before recently. But he makes for a good foil to teams as opposed to some villains who are better off as either pawns of a bigger villains or as the nemesis for solo heroes. I also have to applaud them for adding more women to the team with the addition of Zatana and Rocket. At the same time while Zatana gets a decent amount of screen time for a late addition Rocket sort of gets thrown in at the last second. So I thought, “Well she can get more screen time and character development when they come back for season 2.”

Then very surprisingly the next week went straight into season 2. And people HATED it. While I can’t say I was in any way as angry as other people I do feel their pain. The season starts after a 5 year time skip. Most of the Young Justice team is new, half the old team is nowhere to be seen, and most of the team that we see is remarkably different with no explanation.  I recognized all the new team additions but is mostly because I have a solid albeit firmly intermediate comics education. Well I recognized everyone except for Lagoon Boy. But all those underwater guys who are not Aquaman are super-duper high level nerd territory anyway. I am sure the average viewer would at least need some explanation for who the Blue Beetle is. The problem is unlike The Avengers: Earth’s Mightiest Heroes they don’t do the greatest job of introducing people without exposition.

I get that they are going for the risky payoffs of the in medias res plot revelations but the execution is somewhat off.They did such a good job of building up the first team. If they just skipped ahead but kept the team the same it probably would not have felt so jarring. Both changes combined really throw off the flow of the story. I will continue to watch but I feel that the choice was a major misstep and apparently most of the audience agrees. Hopefully they payoff for the reveals of what happened during the time skip will make this all worth it.

The ending to Twin Spica is unsurprisingly a very emotional one. It has been a long road for all the students; they’ve all faced challenge after challenge but now they are facing their futures which is seemingly insurmountable without each other there. A lot of decisions are made in such a way that I simultaneously felt happiness and loss.

I was very pleased though that the manga does not stop where many other might and instead gives us important and thoughtful falling action, albeit in a condescend manner.

I’ll really miss these characters, I’ve carried their hopes in my heart for quite a while.

Twin Spica has been quite a journey and the final volume is no exception. The volume very much proves that it was the journey that was the most important piece and not the destination. That is not to say the destination was overlooked. The book has the natural climax you would expect. But it is merely a sharp punctuation on the story as opposed to the bulk of the last volume. What is more important is what leads up to that ending and what the ramifications are on the cast. The ending has a wonderful mixture of joy and sorrow as the cast exuberantly revels in its victories and tearfully mourns their losses. But you will note even in the biggest successes there is some regret likewise there is still hope even in the darkest tragedy. In a way that can be seen as a solid summation of one of the major themes of the manga as a whole. A spectacular ending to a spectacular series. It is a crying shame that this series is only going to get one printing.

I’ve started watching Star Wars: The Clone Wars CG TV series from the beginning. I’ve previously only seen an episode here and there on television when it was on.

What I noticed and liked best in these first 4 episodes is the changing focus. Yes, a good portion is following Anakin but there are of episodes, in fact the very first one, where he is more of an aside. We’re really getting a big picture story and a better understanding of the complex universe.

And so another season of My Little Pony: Friendship Is Magic comes to an end. Some people celebrate while others curse the heavens. Yet the sun keeps on rising and setting as if the presence or lack of ponies did not dictate the proper flow of the heavens. It has pretty much become a “We’ve always been at war with Eastasia” situation for both sides. The content has long since cease to be important. Both sides both want to win some greater philosophical battle that is no longer tied to the issue at hand. And overall the extremists on both side are incredibly horrible to listen to.

That nonsense aside the season was pretty fun. I still say that the shows is missing a certain a je ne sais quoi now that Lauren Faust left the show. It is still entertaining but there is a different sort of charm to the show now that she has moved on. That said there are now at least 2 stories Narutaki could watch as they bookend the season with fantasy adventures as opposed to having nothing but slice of life stories after the initial adventure. Other than that there has been a shift toward more individual stories as opposed to ensemble pieces. While episodes might focus heavily on one character in the first season it was a rare occurrence for any of the main five characters not to have a role to play in any episode. But many of the episodes in the second season zero in on a single charter or pair of characters and will often leave out the rest of the cast.

The best episode was probably the train mystery episodes but considering the blog I write for I maybe biased. A Murder on the Orient Express homage episode was not the first thing you would expect from this show. I also really enjoyed the Iron Will episode. It was extremely quotable. When somepony tries to block, show them that you rock! But overall most of the episodes usually had at least one or two amusing sequences. Overall it is still a fine show for little girls that just has an unusual but mostly harmless (but sometimes very annoying) older fan following.

The Ongoing Investigations are little peeks into what we are watching and reading outside of our main posts on the blog. We each pick three things that we were interested in a week and talk a bit about them. There is often not much rhyme or reason to what we pick. They are just the most interesting things we saw since the last Ongoing Investigation.

This is not some be all, end all of lists of shows from the decade. This is just a little nudge to say “Hey, did you see all these goodies?” Also these are shows that we have both seen, it was just plain easier to narrow it down that way. But you’ll see at the end a personal pick for each of us. What gems did we overlook in these last ten years, I’d sure like to hear!

Kino’s Journey
(Read our full review here)

Kino’s Journey is a meaty show for people who really want to sink their teeth into what they are watching. Kino’s travels take her to a new town every episode that highlights some oddity of human nature or culture. All the stories deal with philosophical concepts in a mature manner while remaining entertaining. This is best one episode at a time so the ideas presented within can be mulled over in your head for a bit before moving onto the next.

Kino’s Journey  has this mix of hope and melancholy in addition to it’s wanderer feel. The span of the world Kino travels is vast like her indomitable spirit and curiosity. This is also one of those shows where you are sort of dropped into the middle and only see the wrapped up of a specific journey and a bit of growth by the end rather than a full conclusion of some kind. P.S. talking motorcycle

Daughter of Twenty Faces
(Read our full review here)

A high spirited adventure with the best parts of detective and phantom thief anime. Chizuko is a great, strong young woman who is thankfully not sexually exploited by the show. She really draws you into her journey and makes you root for her as she is helping Twenty Faces steal a priceless object or when she tries to solve a mystery. It has an excellent blend of action, comedy, tragedy, intrigue, and drama with a touch of steampunk.

We just wrote about Daughter of Twenty Faces so you shouldn’t be too surprised to see it on the list since in encompasses exactly what we are all about! The setting is really catching with its post WWII feel but intermixing steampunk. Everyone wants an adventure like this, it has that classic familiar feel to it, but its mysteries and quirks are deftly handled.

Planetes

One of the best examples of hard sci-fi you will find in anime; it takes the the best parts of the genre with an utterly believable future filled with commonplace space travel. At the same time it avoids making it dull by connecting you to the characters and their stories. You will find yourself rooting for the underdogs of the debris section as they reach for their dreams. A more mature anime with an adult storyline that does not have gratuitous sex or violence.

There is a sad lack of sci-fi anime of late and Planetes focus on a more probably and mundane future makes it a further anomaly. But within that mundanity of the job are a cast of characters each with their individual dreams, fears, and a connection to space. Think of it like an office sitcom, only better. And since this is really a story about people an interest in space is recommended but not required to enjoy this show.

The Story of Saiunkoku
(Read our full review here)

Don’t let certain people on the Internet make you avoid this show because they say it is a reverse harem. A cast of attractive male characters does not a reverse harem show make. The men all don’t dream of Shuurei. If fact almost none of them do. This a great blend of drama and politics in a unique fantasy setting. The comedy and drama is strong but Shuurei’s deft dealings with politics and adamant determination to improve the nation is what will keep you watching.

Don’t go look at The Story of Saiunkoku promotional material, just don’t, it doesn’t help our case. The story while focusing on Shuurei has a huge cast of characters giving it the feeling of literally telling us the story of an entire country. The romance of the first 10 or so episodes soon takes a backseat to Shuurei’s rise in the government and all the politics, problems, and people that come along with it.

Akagi

Don’t let the fact that you don’t know how to play Mahjong keep you from enjoying one of the most intense anime. The sheer suspense and the players reactions tell you everything you need to know. Every game is a intense life or death struggle where Akagi puts everything on the line and you can’t help but get swept away with his madness. Akagi could be playing old maid and the it would still be as captivating.

First you will watch the opening and shrug, but by episode three you will have the song on your MP3 player. Akagi himself will blow you away with his bad-assery, even at age 14 or precisely because he is only 14, and you will know his chuckle that means “you fool” well. Never has Mahjong been more intense as Akagi goes around challenging the unsavory underworld with stakes that give even the worst of them pause. And yes, Akagi would mop the floor with anyone from Saki.

Paradise Kiss

High fashion and dramatic romance combine to create a visual symphony for the eyes and an emotional one for the heart. A mature look at romance and relationships that is long enough to be an excellent character study but short enough that the melodrama does not wear out its welcome. And the whole time everyone looks stunningly sharp while it is going on.

Paradise Kiss may sell you on its awesome opening alone. If not, then consider Yukari’s dramatic journey from unsure young girl to determined young woman who learns what it is to step out on your own. Between its colorful cast of characters and its very mature romance, Paradise Kiss delivers on all fronts. It also has a hip, modern style paired with its bittersweet coming of age tale.

God Soul Combination Godannar!!

Any mecha fan will tell you that Gurren Lagann is constantly making sly little  winks at the audience to see if they love old giant robot shows as much as they do. Godannar shouts its love for robots outside your window with a boom box playing the Mazinger Z theme. It has comedy played totally straight to great effect alongside well done character drama between the pulse pounding robots fights. It can be easy to miss all of the with the super gratuitous fan-service but don’t let that turn you off from a truly spectacular show.

Alright, there is little to no way you can watch this show if fan-service deters you. But even so you should atleast watch the first four episodes. Godannar is this wicked combination satire but played extra serious making it even more funny! It will leave you holding your sides from laughter but also cheering for giant robot action. And just try not to sign along with the opening. Recommended for viewing in groups.

Le Chevalier d’Eon
(Read our full review here)

It combines real life personalities from pre-revolutionary France and adds a layer of supernatural intrigue. Plus you get zombies, magic, politics, cloak and dagger, and the hottest version of Robespierre ever. The best part is that we get to see the mystery behind the conspiracy in Le Chevalier d’Eon at just the right pace so we are never bored or info dumped. Plus the actions scenes are well choreographed and dynamic.

If I had to pick one show on the list that is simply amazing, it would be La Chevalier d’Eon. It is a well-plotted globe spanning mystery with a great use of subtlety and nuance in addition to its twist on history. Everyone in the series is engaging and all have a little secret making it impossible to always know people’s motives. And best of all this show genuinely surprised me in its final revelations.

Cromartie High School

I really enjoy dry humor when it is done effectively and Cromartie High School pulls it of in spades. Even though the student body is filled with stand up comedy delinquents, a robot, a gorilla, and Freddie Mercury it is all kept in check by making the humor very subdued. The jokes could easily wear thin if the comedy was spastic but the jokes are allowed the correct amount of slow build to make this series a delight.

I always thought Cromartie High School would have done well with the Adult Swim crowd. The series is played so dry and straight as if having these scenarios occur is just a part of life. It’s a riot and you’ll wish you could go to a delinquent-filled Japanese high school too!

Taisho Baseball Girls

Taisho Baseball Girls is a fun and bright tale of a girls baseball team trying to show that they can play on equal terms with the boys. The story moves along at a brisk but relaxed pace and every episode had something that made me laugh out loud or tear up a bit. This show remind me of a historical version of Princess Nine and that is no faint amount of praise.

Taisho Baseball Girls may win you over with just its first episode’s musical tour of Taisho era Tokyo. The series has charm in spades and thanks to a well thought of cast of girls most every moment is a gem. The humor is spry but not over the top as it its tiny steps towards feminism. It also for the most part refuses to pander keeping the themes of teamwork and friendship believable. I too got a Princess Nine feeling, maybe even a little A League of Their Own thrown in!

Kekkaishi
(Read our full review here)

Kekkaishi is this strangely unknown shonen fighting anime that corrects so many of the major flaws of popular shonen fighting shows yet goes critically overlooked. It has a vibrant protagonist, a strong female secondary protagonist, and battles where the fighters have to using their brains more than their brawn to defeat their opponents. Stop complaining about why you dislike the shonen anime you are watching now and watch this instead.

Why, why, why didn’t this show get the love it so deserved? Kekkaishi has the right combination for shonen fighting, which includes a strong female lead. Tokine starts off more capable than Yoshimori and while he grows, so does she. And let’s not forget it also boasts one of the most organic romances in recent memory, one which never overtakes the plot but is in the undercurrent at all times.

Moribito: Guardian of the Spirit
(Read our prereview here)

When done right children’s literature does not mean simple literature it means literature that can be enjoyed by anyone and Moribito is based on a great piece of children’s fiction. Balsa is a great, strong female protagonist who retains her femininity while still be an amazing fighter. Also coming from a family friendly time slot in Japan means the animation is lush and smooth. The story is complex while still be accessible for enjoyment by the whole family.

Moribito stuck out to me because of its established world setting that sort of melds historical and supernatural, its just well realized quickly. Balsa is one tough lady, even though there can be spans between fighting, the fights are nicely presented. Don’t let that it’s based on children’s literature fool you into underestimating it. After you watch this, go and pick up the first two novels!

Gankutsuou: The Count of Monte Cristo

Gankutsuou is simultaneously a unique visual marvel and an amazing re-imaging of a literary classic.  Gankutsuou takes one of  Alexandre Dumas’s most famous tales and places it in a futuristic time while giving us the story from a previously minor character’s point of view. As long as you don’t hold the original book as unchangeable holy writ I think there is much to enjoy about this adaption.

Color, patterns, and light are all played with in the extreme in Gankutsuou and splash about in every scene. This easily lends the otherworldly feel to the story as goes its futuristic historic setting. The story unfolds in dramatic bliss as revenge and love are orders of the day thrown in with more than a few twists. Some people have complained that Gakutsuou’s style is difficult to watch but it is a unique site to behold as is its take on a classic tale.

Princess Tutu

Princess Tutu is so rare and unique that it shouldn’t be missed. A a seemingly simple fairy tale about a duck who transformers into a girl in order to protect the broken pieces of a prince’s heart takes a decidedly dark and deconstructive turn as it goes on. What is explored through the series are myths, how stories emerge, fate, and a darkness in people’s hearts among other things. Ahiru is bright and awkward but with a strength all her own and a sense of duty and love that is unrivaled.  It’s just such an unexpected show!

Emma

Emma is a delightful romance in Victorian England that just feels like it should be on Masterpiece Theater. As a classic Upstairs Downstairs romance it has a charming and human cast of characters that draws you into this period piece. This is a great series to just come home to and relax with in precisely the way the slice of life genre should be. The series is immaculately researched and looks amazing. A masterpiece for anyone who loves historical fiction and well done romance.

If there is one thing the internet has enough of, it is hate. Hate for shows, hate for people, and plenty of hate for characters. Unfortunately, we will be spreading such ire today. What would our former post be without its companion piece? However, I would like to point out this post isn’t about bad characters or poorly written development, it is about characters we dislike for inherent flaws in their personalities. I would even argue, if I can passionately oppose a character that means they are actually written rather fully. Once again we are trying to explore what, if anything, it means to dislike a character with such fervor. This, much differently from the previous post, can get a bit hairy and quite intense at times. But we will do our best to be respectful. Maybe.

I really hate fake strong female characters. They are female characters that the writers try to pass off as strong but are really just weak. Cecily Cambell from The Sacred Blacksmith is a prime example. We are supposed to believe that she is a strong swordswoman that can defend her self. But she mostly goes around being useless. This annoys me more that the standard token chick because at least you don’t have high expectations out of them. Another great example is Clarice from Claymore. Also belligerent women than are actually weak but the writers mistake being confrontational with strong. The fact that they kept portraying Sheryl Nome as a strong woman when she is clearly just fronting to hide her deep insecurities. The fact that people rally behind her as some sort of symbol of feminine strength really ticks me off. Also the fact that show never acknowledges any of Sheryl’s behaviors as anything but a virtue. This is in contrast to Ami Kawashima from Toradora whose same actions are seen as the weakness and defense mechanisms that they are. The other character that stood out to me as being horrible was Takumi Nishijo from Chaos;Head. He had to be one of the most unlikable protagonists I have ever seen. People usually complain about harem leads being generic and unsympathetic. Takumi has all the traits that make harem leads so hated and then either exaggerates those traits or has even worse traits on top of that. He is selfish, petty, lecherous, misanthropic, and just a disgusting human being. At least I felt some amount of sympathy for Tatsuhiro Sato from Welcome to the NHK. I have not one iota of good will towards Takumi and could not drag myself through a show with him as the lead.

I can be a harsh critic when it comes to character flaws, so where to draw the line was a little more difficult because once again this isn’t just about annoying characters, it is about characters that sort of epitomize traits that I dislike above all else. First up is a woman whose death I called for as each episode she further gathered my dislike, oh Flay Allster (from Gundam SEED), how I will always recall your attempts (and successes) at being a racist solipsist who uses her femininity in the worst ways with hatred. One must draw the line at trying to get nice guys killed. Squarely in the middle is Sakujun (from The Story of Saiunkoku) who has something not quite right about him from the moment you lay eyes on him. Sakujun acts in such a roundabout way that he takes advantage of good people so much so he borders, no, he is mentally abusive. He portrays the ultimate ends of using guilt and obligation to get what you want. And to round things out is Misa (from Death Note) whose ridiculous obsession with Kira makes her a gothic doormat. Her inability to see the things right in front of her is phenomenal and intensely frustrating as is her attempt to see anything Light does as love.

The oddity for me is Hinagiku Katsura from Hayate the Combat Butler. I normally adore characters like her. She has pink hair, she uses a sword, she is proud and confidante but kind and supportive and she loves someone from afar. But for some reason I really don’t like her as much as the rest of the cast. Unlike say Narutaki who actively hates Sanji I just don’t really like Hinagiku. I can’t put my finger on what exactly I dislike about her that stops me from liking her the way everyone else worships her. I do on the other hand get all worked up about her fandom that insists that the manga should be about her and that she is the best character ever. It is like everyone would rather be reading Hinagiku the Combat Student Council President. I myself like the lead characters as they are.

A character I have trouble understanding my dislike (this may be too tame of a word) for is Sanji (from One Piece). By all normal circumstances, he should rank rather high for me but it never happened. Sanji’s got a laid back style, he cooks, and he is a good fighter but something about his love sickness really doesn’t jive with me. And I also think this particular case has also boggled the minds of many of my close friends.

The challenge is the same as before. Take what we have given you and try and make an analysis of our character from the characters we hate. Also feel free to write in the characters you hate and what you think it means about you. I did find it a little harder to choose characters I hated than Narutaki. I think we both have affection for charters as deep as the other one. I think we also both like a wide variety of characters. The biggest challenge was for use to narrow out lists down to 3 characters. But for some reason I have a harder time hating characters.

I feel like just writing this helped me learn a bit about myself!

I battled being sick and being sleepy just to finish the last six episodes Saiunkoku but it was well worth it. A delightful fusion of comedy, drama, intrigue, and romance made up for a killer headache and a generally woozy feeling. The Story of Saiunkoku starts with Nabiki … I mean Shurei Ko who is a rather unusual princess. She has taken to doing odd jobs such as playing the erhu and teaching at the local temple to keep her family afloat. A recent civil war has devastated the land and left a great many people in dire straits. Her family has fallen on hard times partially due to the fact that during the civil war they spent much of their money and resources taking care of the needy people in the neighborhood. One day one of the chief advisers of the Emperor offers to pay Shurei as small fortune to tutor the young Emperor into a man worthy of the throne. It seems that since the new Emperor has taken power he has completely withdrawn from interacting with the court. Shurei has to turn the seemingly naive slacker into a proper and strong ruler of a troubled kingdom.

She accepts the offer before even hearing the request fully! But Shurei greatly cares about the well-being of her country and people and is there by very disappointed the Emperor is not taking it more seriously. As she dreams of being a government official (which she eventually succeeds at) she vows to do her best to help and support the Emperor so that he has the good of the people at heart. This stories focus is Shurei but also the kingdom itself with its politics, families, nobles, troubles, triumphs, and romances. If it wasn’t set in a fictional place I would call it historical fiction. I see this series as shojo but also a family-type show, it airs on Saturday mornings. I imagine that is why it is already two season of 39 episodes each. There is a bit of everything thrown into the mix: romance, drama, action, comedy and tragedy. It is one big play with one huge cast of characters.

I remember we were trying to figure out what age group this show was targeted at and we had an amusing conversation about whores. As it turns out, there is a brothel with a rather interesting madame that is the focal point of several stories in the “second arc.” The fan-subs we saw constantly referred to the women who worked at the brothel as whores which seemed rather harsh and vulgar with what is otherwise handled rather delicately in the rest of the series. It’s never implied that the brothel is anywhere but a place where men pay to have sex but it is clearly a high class brothel with a distinct air of class. It was therefore an odd choice for the fan-subber to pick one of the harshest terms for a prostitute in the subtitles. I’m curious if this is just a poor word choice or just a straight but odd translation from the original.

All the episodes titles come from famous Chinese proverbs. The proverbs always are critical to some plot point in the series and are often uttered by someone in the cast. I suppose that also shows that this was meant to be a show for the whole family. Often times family shows go out of there way to teach some little lesson or moral while also being entertaining. It just shows that as long as you are classy in your storytelling you can incorporate brothels into your family programming in Japan.

I mentioned this series having a lot of focus on the kingdom and therefore there are a lot of big players in this. Off the top of my head I counted 20 important people (not including Shurei and the Emperor) to the story and that was just thinking about it without looking at a character listing so I know I’m forgetting some. You have the royalty, the nobles, all the government officials, and various other players. I think the cast is really amazing though, almost as if I’m watching a play, I think of them as real people. Their interactions are dead on. And there is every type of person you can imagine all the way from a madame to head of the finance department who wears a mask at all times. The way the characters are folded into the story is done very organically and you know once you see someone they will eventually pop up again.

And it is all those wonderful characters that make the show come to life. If these characters were not so well made, I don’t think the story would be the masterpiece that it is. There are some rather mundane and standard plots in the series. But the realistic characters breath life into them. I was going into the characters individually but it seems a waste for two reasons. The first reason is that all the characters are slowly and skilfully brought into the show. Each new set of characters are added with just enough time for you to learn who they are, but never enough for them to ware out their welcome or reveal all of their layers. The second reason is that talking too much about the characters will spoil their little secrets and quirks. There is a certain charm in learning who everyone is and what their story is. Many of the characters are shown in a light that leads you to believe they are one type of character but later actions or interactions will reveal that they have more going on or different motivations than they would originally seemed to.

Of course there is one character we have to look at in depth, Shurei. She is the pillar of the series in which the show is either supported by or falls apart around. Being the most important character means that your enjoyment of her personality is one of the biggest factors in determining weather or not you will enjoy this show. That being said, Shurei is definitely a character I can get behind. She is a strong female character who can take care of herself. She is both willing and able to support and protect herself but not unwilling or unable to accept help when she needs it. She displays the kindness and softness that many a female character does, while also avoiding being a wilting flower. She is smart partially because she is naturally smart but also backs that up with the willingness to put hard work into study. She is definitely frugal but always in a realistic and often times charming manner. She is the type of woman you would want to marry. She is the type of woman I would want to marry.

Shurei at first glance seems to be a too perfect I-wish-I-was-that-girl type but that quickly dissolves as you get into the meat of the story. She is extremely intelligent, on par with her male peers, and shows little intimidation in the many political situations. In fact, she is much more confident when it comes to facts and figures than her own heart. I think this is a popular theme for strong females but shojo usually sticks with the average girl and so Shurei seems to be a departure from that.

The only cliche thing about her is that she has a fear of thunder. Having seen several shojo series and a lesser number of shonen series where they pick a phobia to give a character vulnerability. It’s not unexplained phobia and when when learn the story of why she is afraid of thunder it gives it you insight into her and several other characters. It definitely was not just added to be added so it’s not a bad mark on the show itself. It did on the other hand come to the revelation that giving a female character some phobia is a common and easy method of fleshing them out. It might be common knowledge to everyone else but it only just clicked in my head. It might also stick out because another character I just read about had the same phobia.

Well, you can’t have a good protagonist that doesn’t have fears and flaws (unless you’re seinen). If Shurei was never afraid of anything she would be completely unrelateable and unrealistic. And I think that is what’s so great about this show. While it lives in the storybook realm all the characters’ personalities are like people you know, it gives a nice kick to the fairytale angle of the whole series.

Her relationship with the Emperor is interesting because it a unusual mix of storybook romance with realistic angles. They both seem to be able to often see right through each other but at the same time have a good deal of uncertainty about what the other one is thinking. I also really like they they both support the other one’s dreams and ambitions. All too often we have the wish fulfillment fantasy of the provider who asks for and needs nothing in return. They also play well off each other. They have an amusing chemistry that makes you want to root for them. I know that it does not hurt that the Emperor is definitely the type of character that Narutaki loves.

If you looked at my Top 5 couples list, you will see these two on it. They make me all jumpy inside! This series does a fantastic job of creating a fairytale romance that isn’t a fairytale but almost practical. I never feel they are a forced coupling where nothing is explained it just is. All of their feelings and emotions come from a part of their past or personality. But you still have the fairytale because he is the Emperor and she is a princess. Ryuki is in love with her but he never hinders her path. No matter how much he may want her to stay in the palace, he recognizes and wants her dreams for her as much as she wants them herself. He recognizes her strengths and helps her, without doing things for her, even when those things take her further from his side rather than closer. Okay, so I’m totally in love with Ryuki myself. Sue me. He isn’t perfect, even though my description was glowing. But you do see a lot of growth in the first season. He becomes committed and serious about his job, but doesn’t lose all of his silly and sometimes naive thinking. Their relationship is really the driving force of the series for the first ten episodes or so but then it starts to take a backseat to the politics of the country. It is really there to show growth, change, and also to set up a love story that takes place over years and distance.

The director always keeps the pace of the story moving. All too often stories with political intrigue can get bogged down in their own weight of there story but Jun Shishido avoids that trap. That being said, I sort of wish we could have stayed a more focused on the Emperor but the story naturally drifts away from him being the most important character in Shurei’s life. The anime makes it clear that this is Shurei’s story and Ryuki is one of the most important people in her life, but he is not the be all and end all. Love is an important and generally fascinating part of her life but it’s only one aspect of it.

Friendships also play a big role (as do rivalries). They help to give depth to the series and also create a meaningful and rich history. I especially enjoy watching this relationship grow between Ryuki (the Emperor), Ran (a General of the Shaorin army), and Koyu (Vice-Secretary of the Civil Affairs). They have a familial feel to them. They work together but they also poke fun at each other, fight foes, and talk. So as the story moves away from them I was visibly disappointed. However, all the other characters pick up the slack. Such as the bond between Seiran and Ensei which is both mysterious (you find out more as the story goes along) and wonderful because there is trust.

I also liked Seiran’s relationship with Ryuki. It was unexpected and interested me. I would like to talk about it but it is a major spoiler. It really makes me think we should add a spoiler thread to the forums so we can discuss certain things after people have watched the series. In fact, after we post this I going to do just that. I know there is one character that you really want to talk about because you super love him and want to have his babies. Babies of super love.

Women are sparse in this series which only adds to the setting. It is an ancient time when women were not considered on the same level as men. But throughout the series we meet characters that challenge and break-through these ideas to help push the society forward. We literally get to watch as a new era is being born. All of the women that do appear show stature, intelligence, and courage while not losing their femininity. You have women in roles like: head of family, running their own business, and progressing the country. The series also reminds you of the responsibility of being a lady in waiting and not looking down on such roles for women.

I like that Saiunkoku gives women power but does not do it in ways that are incongruous with the setting. Shurei’s rise to being an official is fraught with hardships and massive resistance. They make it clear that she is very lucky that things have come together in a way that she can break the normal restrictions of society. Had she tried as hard as she did at some other point in the countries history, she probably would not have been able to become an official.

I would not recommend that you watch this show sick as I did because it is a show where the little details are important. Little facts, items, and relationships will come up when you least expect them to. There are some very good uses of Chekhov’s gun. You will often wait with baited breath to learn why something casually brought up in one part of the series with effect people later on. Nothing as bad as Audrey’s letter in Twin Peaks but you might wonder when a certain report is going to come into play.

OMG! Audrey’s letter! You saw me, I was practically pulling my hair out for four episodes. I like that Saiunkoku takes these things into consideration because I get obsessed with the little things. Especially since they sometimes come waaaaaaaay later, to the point you almost forgot (unless you’re me). I like that things come full circle because the writer really thought ahead. I think this somewhat stems from them originally being novels. Which incidentally I desperately wish someone would license.

Or Lothos. Lothos will see it all coming a mile away. (Lothos is a reader of this here blog). I don’t think it’s an impossibility for the novels to get licensed. The manga and book market is far healthier than the anime market. I think the probability is directly linked to how well the Twelve Kingdom novels did. If Twelve Kingdoms sold like gangbusters, then this is a sure license. If it sold poorly it is a long shot. It would have a much greater chance if someone saved the anime license from Geneon but I don’t think that is going to happen anytime soon. Prove me wrong Funimation. Prove me wrong.

If anything gives this series away as being shojo it is certainly the character designs. I can honestly say I’ve never seen a series with more beautiful guys, and the cast is 85% male. Not that I’m complaining or anything. And hey most of the guys can back up their pretty faces with fighting skills or cunning. So, hot and useful totally works in my world.

Also I would say almost all of them are very likable. How many times have you seen the pretty boy who is good at everything but you want to beat some positive personality into them? And I think our minds have been tainted by cute male (a place on 4chan) and it makes me sad. There are quite a few scenes that were clearly fodder for countless doujinshi. When you have likable beautiful male characters in compromising positions you know that the fan-girl mind is sparked like a powder-keg to draw and write smut. Nothing in the show is horribly exploitative but anyone who has seen enough doujinshi will know that certain scenes are going to be used.

Look, I don’t want go into this too much. But if cute male has taught us anything, it is this: characters don’t even have to know each other to have smut made about them! So, a series rife with beautiful men is just asking for stories to be written about it. And unfortunately, Saiunkoku doesn’t show up on cute/male very often. Did I say unfortunate? I totally meant fortunate. Yes, that is what I meant.

I will off handily mention there is the occasionally supernatural element to the series. I would say about 90 of everything that goes on is mundane and normal. There are one or two characters, and they are mostly more minor characters, that have blatantly magical powers. They will usually only pop up ever five or six episodes and their powers are usually subtle. Magic seems to be understood to exist in the world of Saiunkoku but it also seems to be very rare. I wonder how much the supernatural comes into play in the second season. I assume they keep the same balance of mundane to supernatural but there are hints that might not be the case. I suppose the only way to find out is for me to watch.

Oh and watch we shall! Probably have to review the second season as well, that is when it’s done. I want the rest of the DVDs that fit it the awesome little case that Geneon made for it! And it had little postcard posters, which are now hanging in my office. Poor Geneon, you were a service to fans! But we had to hunt for it, found fan-subs of it before it was licensed since there was really no alternative. This series is great. We have babbled on about it long enough you’d think. But no, I could go on and on about all the little things that make this series a winner. Let me just say that this is one of the best shojo series to gace television in a long time. That is my final thought.

I really hope we sell people on this series because it is another series that can easily fall by the wayside if people don’t talk about it. I think it is one of the smartest, most entertaining, older family friendly shojo fantasy series. If you watch the series and you like it tell people about it. I really want someone to pick up the anime again. I think it is the best way to get the rest of the related materials. I think that there are some series that do some things better but not as many do as many things very well as Saiunkoku. It is definitely better than Fushigi Yugi. Zing Fushigi Yugi. Zing.

UPDATE: Funimation has picked up this show along with other Geneon titles!

The Harold and Maude Award or Favorite Classic Manga Release:
To Terra
It is so rare to get older, 70′s titles. But I feel it is even rarer to find old shojo titles,
hopefully this will be changing in the next few years. It was nice find a serious, sci-fi story that had a solid story and characters. While looking at real world issues, it doesn’t losing any of its charm coming from the fantastical elements.

Ode To Kirihito
“Ode to Kirihito is moving, tender and engrossing. Also very, very odd.”
—Neil Gaiman, author of The Sandman and Anansi Boys
If Neil Gaiman likes it, it has to be good. At 832 pages for $25 you definitely get your money’s worth with this classic Tezuka work. One of Tezuka’s more mature works, it follows the story of a doctor who contracts a disease that makes him more bestial than human. It then becomes his quest to restore his humanity and at the same time is a examination of what makes someone human.

Burn this Book or Worst Thing I Read:
Rurouni Kenshin: Voyage to the Moon
I think I was a bit spoiled because the first translated light novel I read was Twelve Kingdoms: Sea of Shadow, and it was well done. This one was either translated horribly or just not good to begin with, unfortunately I will never know. The characters seem odd in prose form; the movements were very stilted and awkward; the fight scenes were boring and matter-of-fact. There seemed to be zero that reminded me of the greatness of the manga series.

Pretty Face
“Rando struggles to be a good “big sister” to Rina as fate conspires to put him in one disastrous situation after another. When pants start coming off, and half-naked women start crawling all over him for the thinnest of reasons, Rando must use all his karate wiles to avoid being exposed as a complete weirdo. Meanwhile, will the mad Dr. Manabe succeed in his plan to remove the last remnants of Rando’s manhood…or will Rando remove Dr. Manabe’s brains with his fist? It’s 7.5 inches of manga heaven!”
-Ad copy for Pretty Face Book 2

I admit I have not read this per-say but all the ad copy for it makes it seem so very bad. It’s like the most messed up shonen romance show premise I have heard in a while. Even Boku to Kanojo no XXX and Midori Days seem sort of cute compared to Pretty Face. Maybe it’s really good but everything about it makes me not want to give it a chance.

Hot, Wet Nobu or Best News of the Year:
Death Note Movies
Death Note movies have been licensed and the third movie (all about L) is coming out in Japan! They may even get a big screen release here in the states. Really loved these two films and am anxious to watch them again and own them for myself! Also can’t wait for the new movie, surely only made because they realized too late that everyone really loved L in the series and not Light. Yay for L fan service!

ImaginAsia getting into Anime
ImaginAsia really seems to understand how to pick up and distribute older and/or niche series and actually make a profit. If anime companies are going to continue to license older series and distribute them on DVD, they just might have to do it how ImaginAsia has been doing it.

DearS Season 2 or Worst News of the Year:
Geneon closes down
Bye, bye Geneon. I for one am very sad to see you go. Especially in mid-release of some good shows! They did a quality job and picked up some beautiful, but not super marketable shows.

Okiku Furikabutte made into anime
I guess it would be too easy for me to pick Geneon’s death as well; so I’m going with Okiku Furikabutte being made into an anime. What I have seen of this show makes it seem like moe for girls. It is nothing but shota yaoi doujinshi fodder and a side order of actual baseball manga. The main character is a useless crybaby and everything seems to be designed to be eaten up by horrible Fujoshi.

Just Shut You Mouth Already or Things I Wish People Would Stop Talking About:
Nymphet Controversy
Kodomo no Jikan! It is a horrible thing but seriously what else is there to say about it that hasn’t been said yet? Could there be a week gone by where this topic isn’t broach yet again.

Why fan-subbers are saints and heroes
I know that part of the industry’s problems come from their inability and refusal to adapt to the fact that the internet changes everything; but that does not make every fan-subbing group a bunch of faultless white hats and untouchable heroes. Two wrongs don’t make a right. Fan-subbers can be cool and do a service to the American anime community but that does not forgive the bad groups that don’t follow the rules of proper fan-sub etiquette. It also does not mean that fan-subs are only good and that they don’t sometimes hurt American fans on certain levels.

Peanutbutter and Relish Sandwich or Show I Unexpectedly Liked:
Hayate the Combat Butler
Hayate no Gotoku! It just sounded kind of “eh.” But after a friend of mine described the first episode to me, I was laughing out loud, and I had to see it for myself. It’s so wacky and ridiculous that it infectiously makes you laugh. So, while it isn’t some earth scattering series that will change your life, you can bet you will have a lot of fun watching it.

Kekkaishi
I expected Kekkaishi to be a generic shonen fighting show. But I think it takes the tried and true shonen formula, then tweaks it enough to make it something that stands out from the pack. Kekkaishi’s focus on the romance while not making it overbearing is refreshing. Also every episode seems to add to the world and plot without seeming like a stall for time. Then the fact that the female character is not just a damsel in distress or eye candy. Added to them not pulling punches and killing characters. All this and more makes it a very unusual and refreshing show. Too bad no one cares.

Can You Stop Playing That Please or Favorite Opening:
“Sha la la -Ayakashi NIGHT” by Saeka Uura
This is a tough one. I really love the song in the Gundam 00opening (it is L’arc-en-Ciel afterall) and also loved the catchy tunes from Lovely Complex. But overall awesome? Guess that would have to the Kekkaishi opening. It was one of the first things that got me curious about the show, so it was good enough to draw me in. The song is really fun and since I have sought out the artist to hear more of her stuff.

“Brand New World” by D-51 (One Piece opening 6)
The opening to kick off the Ennis Lobby section of the Water 7 Arc is an upbeat and fun opening for One Piece. I think the opening really gets you pumped while really encompassing the spirit and flavor of the series. I’m just warning you that the opening is sort of filled with spoilers so if you have not finished Water 7 you might want to hold off on watching the opening.

Wowza! or Hottest Character:
The Men of Saiunkoku
The majority of the male cast from Saiunkoku. Unless they are an old guy, there isn’t a bad face to be seen in the court! And even the old guys were good looking when they were younger. Not only is this series full of historical type drama and romance it also boasts lots of eye candy!

Revy from Black Lagoon
Damn! Revy would probably kill you as soon as you look at her, but who cares? She is HOT. She is a very competent mercenary and the way she handles herself just makes me think that she is a goddess drenched in a gown of blood. She is also built like a brickhouse and that never hurts. In a time of moe, she is the antithesis of helpless and under-aged; she is a breath of fresh air. Or more like a breath of smoky spent shells and cigarettes.

All Those Sacrificed Goats Were Worth Something or Best License Announcement:
NANA TV
NANA TV series. PERIOD. Awesome story, awesome characters, awesome music. My only really complaint about the series is it doesn’t finish the story since it is an ongoing manga. But it was a delight seeing my favorite characters moving and to hear the music. Any music series is obviously made better by having an anime counterpart.

Honey and Clover
Even though I have mixed feelings about the ending of Honey and Clover, it is an excellent josei manga and a well done anime. We get so little josei in the U.S. that any of it is welcome. Very well done josei is even better. I really want this show to have a vocal fan-base because the more diversity there is in the U.S. market the better it is for fans in general. Hagu is love.

The Micky Rooney of Manga or Best Short Manga:
Penguin Revolution
I actually wish more series were in the 5 to 7 book range. I am always anxious for a storyteller to tell their story, in a complete fashion, but then to move on to the next great story! I want to say Penguin Revolution, but it hasn’t finished in the U.S. yet and I haven’t read the last 3 books (out of its 7). But I really like the story thus far, combining hilarious capers with a bit of mysticism and romance. Her other series Land of the Blindfolded, also released in the U.S., was along these lines but the mysticism was more prominent.

Wanted!
Wanted! is a collection of short stories by Eiichiro Oda. These were written before he started One Piece. There are 5 different stories including the second version of Romance Dawn that was the prototype for One Piece. It’s an interesting look into how his style and storytelling has developed. You can also see that Oda takes certain aspects and characters from his earlier works that later incorporates them into One Piece.

Sometimes Shipping From Japan is Worth It or Favorite Piece of Merchandise:
Bandai’s Athrun Zala 1/8 figure
My brand-new Athrun Zala 1/8 figure. It is all mine! MINE! The loveliness of his face made only better by his perfect pose. Okay, maybe I’m bias.

Max Factories’ Fate/Zero 1/8 Saber
It’s Saber. She is wearing a Suit. She has an awesome sword. If you don’t like that then I’m not sure we can be friends.

Here is My Room Key or Favorite Convention Guest:
Tomokazu Seki
Tomokazu Seki who was at Otakon was so great! He did so many voices and gladly did special parts from the series for the audience. He was super kind and gracious. I almost injured myself getting his autograph and after I go it he even said something that I requested! He was all around an awesome dude who also happens to always be voicing characters I love.

Katsushi Ota
If nothing else, it’s a sure sign that we are one step closer to getting Kinoko Nasu as a guest at a U.S. anime convention. He seemed a likable guy and to be an interesting, well articulated guest. The fact that he gave me two book of DDD just because I was was a big fan was really gracious. And that he took my picture and promised to pass it on to Nasu made my day. I really hope Faust does well here in the U.S.

Mr. John Holmes Award or Best Packaging:
Beck Box Set
It would have to be BECK. The box for the DVDs looks like a mini-amp! It has some weight to it and the top of the amp opens to put the DVDs in. I just love it. It also came with stickers and all the DVDs come with guitar picks. How fun and appropriate. I don’t buy boxes much anymore unless they have some unique feature and this definitely has that.

Saiunkoku’s box set case
It’s a classy little box for a very classy show. It is shaped like a jewelry box and it has a ornate red ribbon on the front. I like how it folds open and has the fan-like disk sleeves. It also just looks very nice on a self or a desk. I’m not sure I would buy a box like this for every series I pick up, but it seems very right for this series. It’s a shame that Saiunkoku is in limbo right now. If anyone else picks up the series, I would probably still put them in this box.

Spewing Milk Out of my Nose or Funniest Manga:
Nosatsu Junkie
Nosatsu Junkie is definitely a shojo romance but it is surpassed by its hilarity. Between the dual personalities of Umi, our male lead, and the serial killer expression that our main character makes whenever she tries to smile and look cute, it is a laugh a minute.

Nodame Cantabile
Nodame is such a fun character that she could be in any manga and just make it funnier. Combine her with Chiaki and it makes comedy gold. They play off each other very well. The best part of Nodame is the characters are real enough that you feel that they could be actual people you could meet. I guess in part that comes from Nodame actually being based on a real person. I’m sure that Narutaki will agree with this assessment almost as if it seemed that parts of Nodame were based on parts of his life.

I know there haven’t been many articles this month. But with the end of the semester, holidays, and whatnot it just wasn’t possible. Next year will be a whole other story! Look forward to it.