I feel it is best to start with a brief introduction of what Anime Tamago is. If you’re a longtime reader of the blog you will have seen our previous reviews of the Young Animator Training Project films. Since 2010 four short animated films are funded by the project in hopes of encouraging new talent in the anime industry. If you have ever heard about the project it was most probably because of either Little Witch Academia or Death Billiards. They were the biggest titles that the project has produced. Both of them have their own TV series and developed a dedicated fan following. Since then due to a number of factors, nothing else has really taken off like those two shows from 2013. For the last four years the entries for the year were known as the Anime Mirai shorts but this year they were re-branded as the Anime Tamago shorts.
While these shorts have fallen off the radar of a sizable amount of the fandom we still think they are worth examining. Most of these titles either come from either relatively fresh-faced crews or people who have been in the industry for a while but have been promoted to higher positions than they might normally have. Not all of these are spectacular or even good. Actually, some of them have been downright awful. But these titles are a good way of seeing who might very well be an up and comer in the anime industry. Today’s random Anime Tamago director or animator might be tomorrow’s superstar.
One of the major downsides of this project that keeps it from being well-known in the English-speaking world is that fansubbers have an extremely varied interest in the titles. Some shorts from Young Animator Training Project get subbed near instantly. On the other hand, I only recently discovered that someone got around to subbing Parol’s Future Island despite the fact it came out in 2014. It really all depends on the tastes of whoever is still out there doing fansubs. None of these are guaranteed to ever get subbed. Therefore we watched two of the films without subtitles. We had no subtitles for Colorful Ninja Iromaki and Kacchikenee! and were forced to watch them raw.
So far we have yet to have any Young Animator Training Project films that had a super dense narrative and at the same time was not subtitled. I can’t guarantee we caught all the nuance of the shows we watched raw but I am fairly confident we understood the broad strokes thanks to anime being a visual medium and the stories being fairly simple. I do wonder when we will collide with a show like Kuro no Sumika: Chronus where we would miss major parts of the story without the translated dialog. But I suppose we will figure out how to cross that bridge when we get to it.
This project is always full of surprises and that’s what holds my interest year after year. While these shorts aren’t indie projects, they are still a little off the beaten path most of the time. What I really enjoyed from this time around was that three out of four were more in the children and family category. And even the fourth one wasn’t especially far from that.