The Speakeasy #119: Rose of Versailles, Log Horizon, March Comes in Like a Lion, Blue Period + More

We discuss all the things we’ve been watching and reading lately: Burn the Witch, Smile Down the Runway, Higurashi New, Blue Period, March Comes in Like a Lion, Rose of Versailles, and Log Horizon.

Urusei Yatsura: The Triumphant Return of Some Terrible Bastards

hisui_icon_4040_round I have to say I’m glad that there are still anime and manga licenses that can surprise me. Despite the number of crazy anime licenses (that are not Macross) that have been announced there is still about one a year that pleasantly surprises me. The one for 2018 was the fact that Viz said they were going to try and release the Urusei Yatsura manga again despite dropping the license twice before. I was generally content with the anime release from AnimEigo¬†from a few years back but I can’t say I was not at least something secretly hoping for a full release of the manga even if it felt highly unlikely. So I was a bit blindsided in the best possible way by the news and have been waiting for the new and improved books ever since then.

This post is less of a review and more of my observations on the first volume. Like with some of my Type-Moon posts none of what I would write would even remotely be considered objective or measured. This has always been a series that I loved and was very important to my early hardcore fandom so to say I look upon this book with rose-colored glasses is putting it kindly. If anything think of this as a look into the thoughts of a super fan.
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Has Shonen Jump Gotten Darker?

hisui_icon_4040_round I have a theory. I think Shonen Jump has recently gotten a bit darker than it has been in a while. A more accurate title for this post would have been “Have a Number of Shonen Jump Titles Gotten a Bit Darker?” but that does not really roll off the tongue. I’m not claiming that 2019 Shonen Jump is all Young King OURs or Afternoon. Let us be realistic. I’m not even saying it is back to its peak Fist of the North Star era level of Shonen Jump. It is more somewhere between the fairly light mid-2000’s Shonen Jump and the almost seinen era 80’s Jump.

My theory began with Demon Slayer: Kimetsu no Yaiba. I will admit that Demon Slayer had mostly flown under my radar until recently. I was not really avoiding it for any particular reason. I even remember Carl from Ogiue Maniax giving it a thumbs up. What happened was I recently started using the Shonen Jump app when they changed how it worked. Now that that newest chapters are free I have started reading a bunch of titles. I saw that Demon Slayer was one of the titles you could read but there was enough backlog that it intimated me away from trying to catch up. The title was on my radar but never enough for me to add another title on to my regular reading schedule.

Then the anime from Ufotable came out. The mixture of word of mouth, impressive production values, and current positive reviews made me want to sample the series and now I could start from the beginning. The series was fairly entertaining. It is not my favorite Shonen Jump series but it is solid enough that I will probably make an effort to catch up with the manga when the anime is over. The far more interesting reaction I had was to the overall mood of the series.

I was a little surprised amount of blood, guts, and murder that was in Demon Slayer. Now Demon Slayer at its peak is a fluffy bunny panel of Berserk. But for Jump, it seemed a bit darker than I was used to. But then I looked around and realized that the median tone of the magazine had gone it the same direction. The recent batch of new titles have made me think there might be something going on.t

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