Month: November 2008

Experiment: Kodomo no Jikan, Give me my soul back.

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18+ Discussion

You dear reader might be asking yourself, “Why did they decided to do this experiment?” And that is truly an understandable question. It all started with some rather innocent bantering between friends one day after a visit to Book Off. Scott, over on Anime Almanac, had picked up a Kodomo no Jikan book. He went on to say that it had a good story and since we had never actually read it we were just jumping to conclusions. I completely disagreed with this statement. I whole-heartedly believe that my personal preferences come before a good story. In fact, I hypothesized that most people can’t get beyond certain preferences no matter what may lie beneath them. So after some thinking, I told Scott we should exchange taboos. Scott read the two book yaoi series Gerard & Jacques and we read the first two books of Kodomo no Jikan.

Boy do I feel like we got the short end of the stick. Sort of a you get punched in the arm and I got kneed in the groin type deal. Nobody wins but one side loses a little bit more. I was dead-set against reading Kodomo no Jikan but Scott spoke so passionately about the manga and it definitely has its staunch defenders on Anime Roundtable so I figured it was worth the risk to give it a fair chance. Plus I thought it was an interesting mini-social experiment on how much can any of the three of us put aside our personal prejudices and review something regardless of certain content.

Our basic hypothesis was this, personal bias will always come into play, even if the story is good. By the way, this is not a bad thing in my opinion. Everyone is entitled to their own quirks and preferences. I don’t think anyone should have to get over them just because a story might be good. This doesn’t only pertain to preferences regarding sex either, though it does come up the most, but it could be amounts of violence, religion, etc. I wouldn’t tell anyone who abhorred graphic violence to read Berserk, even though I do think the story is fab.

For those not in the know Kodomo no Jikan was insanely controversial back in May of 2008. It seemed that you could not go to any anime related site and not see at least one post, thread, or article about it. Seven Seas Entertainment announced that it had licensed Kodomo no Jikan at Anime Expo 2006. Seven Seas planned to rename the book the Nymphette. By May 2008 they had to cancel the license due to overwhelming outrage from the fan community. Kodomo no Jikan is the story of brand new elementary school teacher, Daisuke Aoki. He immediately runs into misfortune when he finds that the class troublemaker, Rin Kokonoe, has targeted him as her prey. She wants him as her boyfriend and is quite frank about the sexual nature of her crush. He is trying to avoid losing his job while a possible relationship is blooming with a beautiful fellow teacher. It seems that the more that Daisuke tries to be a good teacher, the more he becomes entangled in the life of Rin and her friends.

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Special Screening: Death Note the Last Name, aka The True Ending

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With the love-love that is nigh palpable from Narutaki, there was no way were going to miss the big screen showing of the second Death Note movie. Instead of going to the theater in Union Square we went to Clearview’s Chelsea which was significantly less crowded. If they continue to get anime movies at that theater, I think I will go there from now on. It was a nice place and they had an awesome waffle shop across the street. I myself had some good chai bubble tea. There was a closed shop called Burgers and Cupcakes which I am sure could have been saved by Narutaki if only he knew of its existence before.

Wow, what a big difference between two theaters that are just a few blocks from each other. Our experience at Union Square, while not sold out, was still packed and we were stuck with crummy seats. This was a whole other story, sadly there were only about 10 to 15 people besides us at the screening. However, compared to the number of people in total at this theater that night, that doesn’t seem like bad numbers. The theater was really nice and clean, I will definitely be picking this place over Union Square.

The first Death Note movie ended with L and Light meeting face to face for the first time. The second movie then takes the remaining books and and combines them into 1 movie. This means a whole bunch of extraneous characters, plot lines, and one very controversial plot point got the ax. We get a greater disparity between the movies and the manga than the first movie. I know this leads to some rather strong opinions towards either the manga or the movies.

While the first movie was different from the manga, it still kept some of the major plot lines and interwove them just a bit differently. The second movie starts pushing it in a very different direction. Where the manga stumbles through some of its shifting plot, the movie removes altogether. Afterall, there is only this one movie to wrap up the story so inevitably a lot of things will go missing. To create a solid ending for a series like this in just 2 hours was a challenge that was handled really well.

The movie begins with Misa Misa gaining her own Death Note and becoming the second Kira. L tries to prove that Light is in fact Kira while also trying to catch the second Kira. Light is as always trying to kill L and mold the world to his vision. The plot then follows the manga in a condensed manner up until the Yotsuba Arc. We get a thankfully short version of the arc and deals with one other new Kira. Of course, no Death Note adaptation would be complete without the most infamous line in the series, “exactly as planned.”

The cast carries over from the first film and that is much to its credit. These actors, especially Kenichi Matsuyama, really brought great things to these characters in the first film and continue at the same pace here. You read an in-depth view in our review of the first movie. But we have a few new additions to discuss, namely Misa Amane, Rem, and Kiyomi Takada. Misa starts off our tale and follows rather closesly to her path. Light proves how easily he can manipulate women though never to the misogynistic extent of the manga. Kiyomi is sort of a mish-mash of characters from the manga. She helps exhibit that desire for power present in Light but not seen in Misa. I thought she did an excellent job portraying how easily one can fall into it. The character also solidified my feelings that Light, while a genius, doesn’t have ideals that are new or even unique.

The original Kiyomi Takada from the manga was Light’s girlfriend in college that eventually becomes Kira’s mouth piece as a news announcer. In the movie she is an aspiring news anchor who is a closet Kira supporter. She eventually becomes more involved with the Death Note due to Light’s schemes. Kiyomi Takada works fine in her role. I can’t say that she was extraordinarily gripping but I don’t think she was supposed to be. She is supposed to be a person who feels she has grand designs but really just has very petty schemes especially compared to the machinations of Light and L. Misa Misa is now is now fully integrated into the movie so her full force of annoying is apparent but thankfully has a shortened appearance. Less Misa Misa is always better. Rem is generally the same as she was in the manga but they never make note that Rem is in fact female.

The dub as per the first film makes people giggle at inopportune times. Though Ryuk didn’t seem nearly as out of control. Once again we talked a bit about this in the first film review. Everyone basically stays on target. Though I always miss not hearing Kenichi’s voice just because I like him so much.

I don’t really think about dubs anymore being a subtitle person. I don’t hate them but I just don’t think I pay attention. Therefore someone has to stand out as being really good or really bad for me to notice. The Death Note dub did not have anyone standing out for better or worse. I, like Narutaki, did notice that people were sometimes laughing at the wrong times but it was not anything that negatively effected my viewing experience. Then again I wonder if I really notice anyone being anything other than extraordinary for better or worse in Japanese.

Well, thank goodness someone realized how crappy the extras for the first movie were. They certainly stepped it up a notch with this release and had the actors talking about their roles and working together. It also had some fun scenes of each one performing their final lines for the film and then being given flowers!

I also think the directors insights into the movie were a little more interesting because he was doing more than simply adapting the manga. He was making it his own. It was interesting to see what all the principal actors thought of their roles.

A lot of things about this shorter version appealed to me. Biggest of which was the intensity, the manga became so enormous that it couldn’t hold on to that edge. It started to become too sensational, but with the movie you stayed glued exactly as long as a person can. L also always stays a focus, as he should. He is the perfect foil to Kira and the only one suitable for this life or death game with Light. Plus, strangely, I don’t have enough time to hate Misa in the movie because she is never there for any exorbitant amount of time bumbling things. And if you couldn’t guess it has the ending as I always wanted it.

The Death Note movies are the definitive version of Death Note for me. The second movie takes the best of the middle and end of the manga and condenses it into a climatic ending. The director has the ability to use 20/20 hindsight and take the best while tossing away the chaff.  I felt the manga went on for far too long due to its popularity and lost much of its focus in the middle.  The movies also have the ending that I feel a majority of fans wanted from the start. I know it has the ending I much prefer. You could say they basically ended up in the same place but I feel both conclusions leave a different taste in your mouth.

Top 5 L quirks
5. No shoes
4. Great tennis player
3. How he holds a phone
2. Making pastry shish-kebabs
1. Crouched sitting position

Ongoing Investigations: Case #019

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I finished off most of the Monaco Cup arc of Yakitate!! Japan with books 13 and 14. As always the over the top, sometimes multiple-chapter, reaction gags from the judges are the high point of the series. The character comedy is secondary but still enjoyable. The actual bread is almost secondary, too. So far we have had a bread that gives someone a glimpse of heaven and a bread that lets you travel back in time to cap off the other arcs. I am curious what will be the ultimate bread that end the next arc to one up the crazy reactions shots we have had so far.

Recently got around to reading the Moribito Guardian of the Spirit novel. I found it enjoyable but felt it could have used another 50 to 100 pages to flesh out the characters and plot a bit more. The characters were certainly engaging enough for this to be done. Plus more Shuga, star-reader, would have been greatly appreciated! Also from seeing the start of the anime, it certainly introduces more fight scenes as the novel essentially has one near the beginning and one big one at the end. Though I am aware that this is a decently long series, Scholastic has made no indication of whether or not anymore in the series will be released. Considering the amount of money spent on the printing of this book (beautiful cover, embossed stamping on the spine, super nice paper and blue ink throughout!), I have to wonder if later books would receive such stellar treatment.

I finished Fate/Stay Night and have to say I am quite content. I was a little disturbed that I noticed a lot of myself in Sakura which possibly explains much of my attitude toward her. I liked all three paths but my Saber prejudice means that I must declare Fate my favorite path. Unlimited Blade Works drags at points but it is balanced out by the sheer awesome of other parts. Heaven’s Feel wraps things up nicely and plays rather differently than the other two paths. I definitely enjoyed the little bonus section you get when you unlock everything. It gives you some interesting insights into the creation of the game. I guess my only option now is either become proficient in Japanese or wait for someone to translate Fate/Hollow Ataraxia. I could also go out and search for the new scenes they threw in Realta Nua but that is more icing than anything else.

Voices of Love was my first leap into Aurora publishing more adult josei line of manga. I picked this one for a number of reasons. One, it was a short story collection so that meant lots of different characters and plots. Secondly, one of those plots was teacher x student. And finally the Aurora website lets you sample 11 pages or so and I was able to establish semi-good art and not a myriad of love scene after love scene. Of the five stories, there was only one that I really didn’t like. I was pleasantly surprised to find an older male character as the lead in one of the stories. Though I felt most of the female characters were not particularly strong. The love scenes mostly come at the end and are a tad graphic, but they were short most spanning 2 to 4 pages. They also have some of the most awkward dialogue in the book but that is easily overlooked. I will probably pick up another title in this line if the story interests me.

I finally got around to finishing Armored Trooper Votoms. I decided to just buy part 4 off ebay. I liked this series but since I am not watching it with anyone I watch it at my own unique pace. Stage 3 is Deadworld Sunsa and it can be divided into two separate parts. We have the first  where Chirico and Fyana are trapped on a warship going through hostile space and are forced to fight people trying to stop the ship. The second is after the ship crash lands on Sunsa and Chircio has his final confrontation with Ypsilon. I enjoyed Fyana having to take care of business when Chircio was injured. It was good to see her actually act like the Perfect Solider she is while still growing as a non-combatant. Chircio has a weird path of character development. Chircio himself has been growing and changing due to the extreme nature of his life. Overall though the growth is slow and easy to miss over short periods of time but easy to see when looking at the entirety of the show. The odd thing is everyone else seem to constantly either mention that he has changed radically or not changed at all. I just find that disconnect rather funny.

Shoulder-a-Coffin Kuro was gotten on a bit of luck. I happened to answer a trivia question right at Yen Press’s Haruhi Day in Kinokuniya and won this little book as the prize. It is a very funny and cute series about a haphazard group of travelers headed up by the mysterious coffin carrying, oft mistaken for a boy, black clad, fake named girl going by Kuro. She along with a lot of bats and one snarky one in particular, Sen, pick up two little cat girls along the way. Where they are headed is still a mystery though they do seem to be looking for someone. It has a melancholy undertone but it is balanced out by the adorable art style and banter between characters. The printing is also nice with many color pages to enjoy. I will have to pick up the next volume indeed.

Our new feature! Pic of the week:

nagi, hayate the combat butler, code geass, parody