REPOST: Brief looks at The Color Trilogy.

Color of Earth by Kim Dong Hwa strikes me as the Oscar-bait of manhwa; it is a prestige release. You release this to win awards and gain great praise from reviewers and comic experts but never get more than a handful of mainstream sales. It is a historical, slice-of-life comic about a young Korean girl named Ehwa and her journey towards womanhood. It depicts Ehwa discovering her first feelings for a boy which parallels her widowed mother finding a new love. It is quite frank about the physical development and emotional changes of growing up. Overall, I found in enjoyable if very sedate. The characters were engaging and I was slightly amused by their constant use of metaphor during conversation. It was a stark contrast to the very base matters that are often the point of discussion. The character designs are simple but effective and have a traditional ink drawing feel to them. The backgrounds alternate between being very ornate, especially with some of the full-page spreads, to totally nonexistent during conversations. Most people are going to be captivated immediately or quickly turned off by either the slice-of-life nature or the earthy tone of the book. Still it is a good read for people who want their comics to have the weight of more award-winning prose.

Color of Earth touts itself as a unique work and I would agree. It easily pushes itself with its matter-of-factness of learning about one’s sexuality but at the same time tends toward metaphor and innuendo in people’s conversations. As we follow Ehwa she often finds herself at a loss because of the way people phrase things. It goes to show that even though she has to learn these things, it can be hard to get people to give you a straight answer. And unfortunately that is what Ehwa really needs. But like everyone else in life, you learn about things eventually and get it all straight in your head, sort of. The mother and daughter relationship is at the forefront and the most interesting development in this book. As we go along they become more like confidants rather than parent and child. This seems to happen for a number of reasons, not the least of which is they don’t have any men in the house. The art is very classic feeling. It fits the time period of the book and makes it seem more like fine art than sequential at times. I’d say this series is worth checking out just based on having never read anything else like it. I can’t say it is a story I would normally read, but it is has a charm that requires me to finish reading it.

Continue reading

AnimeNEXT 2010: Kenji Kamiyama

A great guest elevates a convention. And a great guest at a smaller con is an opportunity not to be missed. Kenji Kamiyama is that type of guest. There is a level of intimacy present at AnimeNEXT between attendees and guests that you just can’t get with 20,000 more fans milling about the halls. With that in mind and a press badge to boot we got to hear a lot from Mr. Kamiyama over the weekend.

hisuiconThe multi-talented Kenji Kamiyama is a high caliber guest and I was extremely pleased to see him at the convention considering how much I have enjoyed his body of work. AnimeNEXT and Kenji Kamiyama were very accommodating in providing everyone an autograph and Q&A sessions on Friday and Saturday as well and a Press Conference. AnimeNEXT bent over backwards to make him as accessible, this is the real thrill of a well run mid-sized con; you still have the ability to interact with a Japanese guest.

Kenji Kamiyama has filled many roles in the animation industry from background artist to writer but he said the goal was always to direct. And direct he has. After studying under the famous Mamoru Oshii and still working with his mentor from time to time, he has created a modern, intelligent, and growing body of work which includes directing Ghost in the Shell: Stand Alone Complex and Eden of the East. Production I.G’s great library, and place in my heart, is in no small part thanks to this man. I happily waited in line to wait for his autograph with a crowd that was content and dignified when they approached him. He acknowledged two people cosplaying Takizawa and Shiratori from Eden of the East happily and I saw him chuckle a bit when someone handed him a Tachikoma to sign (I then chastised myself for not doing the same). This open and light vibe was felt throughout the con.

hisuiconWhile he is most famous for his work on Stand Alone Complex and Eden of the East, his directorial work on Moribito – Guardian of the Spirit, Mini Pato, plus his various other scriptwriting and assorted jobs in the animation industry are equally remarkable. He is someone who slowly but surely worked his way to the top. I am curious to know if any of our readers could spot how his various roles in the industry have influenced his directorial style. I too regret not bringing something better to sign as I own all of Stand Alone Complex, Moribito, and a Stand Alone Complex shirt. Like Narutaki I got him to sign my program guide which was still a treat.

Continue reading

AnimeNEXT 2010: Fan Panels

The con had a mighty list of fan run panels with both new and familiar faces. Fan panels have become my main source of entertainment at cons in recent years and they take second only to the Japanese guest events. They are places to learn, to debate, to laugh, and even to make friends and connections.

hisuiconI have always attended conventions be they anime or not to see the panels so they make up the bulk of my con reports. Fan panels can be a gamble because their quality can vary so very much but when a fan panel is excellent it can be one of the most memorable events. A superb fan panel connects with you on a personal level in a way that a professional panel usually cannot because of a layer of formality between the audience and the panelist. An exceptional fan panel teaches you something while having a free flowing dynamic between the audience and the panelist.

“Fandom & Criticism: The Art of Active Viewing” was run by fellow bloggers and podcasters Ani-Gamers. The focus was on engaging anime on many levels even if you aren’t a reviewer, whether or not that leads to a happier viewing experience is still up in the air. The discussion was robust as they related their own habits to the audience and discussed what they look for when watching a show. The crowd had plenty to share in return and it was clear that many were casual fans so Ani-Gamers seemed to be reaching the group of people they were aiming to. There was a bit of debate, a little from myself, about the notion of whether something is actually bad. I can easily point to another panel we attended, and a personal favorite of mine and many others, “Bad Anime, Bad!!” and say definitively that yes, there are bad shows. This year’s “Bad Anime, Bad!!” gem was Frankenstein which literally doesn’t have credits, probably because no one wants to own up, but there was speculation it could have been the same crew who created Dracula: Sovereign of the Damned. The host commentary was as amusing as always, the catchphrase of the night for me was “Quick! Crab-walk for your life!” Of course our host had to shush the crowd a number of times in order for us to enjoy the horrid dialogue of the show. I don’t want to spoil anything as its worth seeing and the ending was quite a surprise.

hisuicon I always try to see any panel given by the noble old school fans of AnimeNEXT Walter Amos, Rob Fenelon, and Brian Price. They always have a mixture of professionalism and joviality. Friday night ended with their “These Are a Few of My Favorite Scenes” which is always a treat. Walter, Rob, and Brian took turns playing clips of different shows in hopes of whetting your appetite for things you might have otherwise overlooked. The video from the Space Battleship Yamato pachinko game was disturbingly well-produced. There was also an amusing clip from an anime with a super powerful pink bunny rabbit mecha in an apron with a heart. Coincidentally that same robot was in a mecha guide that Evan had in this room. This meant they had to bring up Legend of the Swordmaster Yaiba which I think they mention every panel but rarely show anything from. Moving on to prove that everyone on the panel had good taste they had a clip from Summer Wars with King Kazma. They also had a cool cut scene from Xenosaga showing that above all else they are huge space opera fans. They also played a bunch of clips from Ralph Bakshi’s film Wizards that I mostly remember as the non-anime movie that was always in the anime section at video stores in the 90s.

Continue reading