AnimeNEXT 2011: Tweets

Even small conventions are exhausting feats, and AnimeNEXT is not that small! While we finish up our con reports, here is a micro-journey with me through the convention. Some highlights include Production I.G moments and some “overheard at AnimeNEXT” gems.

Friday

http://twitter.com/#!/narutakiRT/status/79171251737858049

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Bonus Round – Monkey Mice, Surf Ninja Elephants, and Incest

It is a revolutionary episode of the Bonus Round on Anime3000 where we talk about part one of the 1997 J.C.Staff show Revolutionary Girl Utena. This is a license rescue and remaster of the classic deconstructionist shojo anime by Nozomi Entertainment. The story centers around Utena a girl who has decided to become a prince to find the man who saved her in the past. She becomes involved a game of surreal duels with the enigmatic student council over the doll-like Anthy. The Student Council Saga introduces many sinister mysteries with some comedy to help break the tension. To put the bonus in the bonus round we have a commercial for a new product from the Mumbai Curry Company before the review. It has the commercial debut of Evan Minto from Ani-Gamers.

Anime3000 – Bonus Round – Revolutionary Girl Utena DVD Set 1: Student Council Saga

Don’t worry. We will return for Part 2: The Black Rose Saga.

Chiharu Harukaze and the Straight Talk Express

hisuiconI recently mentioned how much I have enjoyed the comedy in Hayate the Combat Butler but Kenjiro Hata occasionally decides to drop some hardcore truth on us as well. In chapter 319 we learn the truth about the doujinshi market. Only 5% of doujinshi sell over a thousand copies, about half sell less than 50 copies, and 70% lose money on their efforts. In one page it shatters the idea that people are casually making themselves famous or making a casual living through doujinshi. When you sit back and think about it the reality of the situation is quite obvious but sometimes you need it laid out in plain black and white. It is easy to see CLAMP and Type-Moon create a career out of their amateur work and assume this happens more often than not. You always hear stories about doujinshi artists who turn down professional work because of  the insane hours and might conjecture they are making a living doing their independent projects. I guess I always assumed the success rate was higher even if that was a very naive notion.

hisuiconOn the other hand I am curious how different this is from trying to make a living off of doing an independent or web comic. I am sure there are a great number of people who try their hands making a living off of their creative talents but only a select few that ever become anywhere near successful. I just wonder if a career via doujinshi has any higher or lower success rate versus other forms of independent comic art.