Modern Shojo: Narutaki’s Most Wanted Part 2

Last time, I discussed manga-ka and their libraries of work which I want more of in the U.S., but this time I sticking with individual titles. I’m tackling modern shojo titles that were released in the U.S. but did not get a complete release. It is so sad! I don’t hold out a lot of hope for these to see further release, but they are certainly ones I’d like to own all of in English if it were up to me.

Two Flowers for the Dragon

Now I know I said I’d focus on individual titles, but Nari Kusakawa is one of my favorite manga-ka. Three of her titles were licensed by CMX (oh lord, how I miss them!) and two made it to completion. Recipe for Gertrude and The Palette of 12 Secret Colors are absolutely worth picking up if you can find them.

Anyway, my favorite is Two Flowers for the Dragon and as luck would have it it was not finished. Perhaps more torturous is that it was so close! One book away from the end CMX closed up shop.

Two Flowers is a fantasy about an oasis kingdom ruled by people descendant from dragons. The current heir is bright and mischievous Shakuya who possesses magical abilities and also transforms into a dragon when under emotional strain. We join her in the story when a few things are occurring 1) her presumed-dead-for-five-years betrothed reappears, 2) a conspiracy against her kingdom arises, 3) and secrets about her family begin to emerge. This all leads to a great journey to uncover the truth.

Romance also plays a big role in the series. Shakuya already has a new fiance since her first was presumed dead. Each of her hands sports a flower tattoo symbolizing her betrothals. Because of her dragon blood they bloom based on her feelings and she has one year to figure out which one of her suitors is to be the one.

I desperately wish another publisher would jump on the Kusakawa bandwagon.

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REPOST – The Speakeasy #004: The Pink Lady, Invasion of the Beautiful Boys

Drink #004: The Pink Lady,
Invasion of the Beautiful Boys

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Various people start watching the latest show for manly men who live and fight for manly things. They notice the men in this show for guys are pretty handsome. Some of them are even gorgeous. Parts of audience cheers with delight,  most of them continue to watch without batting an eye, and the rest run to their computers to rant at the injustice perpetrated against them.

In this episode we begin to examine this phenomenon. Is there anything wrong with throwing some service to the females watching a show theoretically for guys? Also what makes the male fans go nuts over this phenomenon in the first place?

(Listen)

And now your helpful bartenders at The Speakeasy present your drink

The Pink Lady

*1 1/2 oz gin
*1 tsp grenadine syrup
*1 tsp light cream
*1 egg white

Shake ingredients with ice, strain into a cocktail glass, and serve.

Misaka Mikoto: Possessing the Spark of a Main Character

Not that long ago Narutaki and I were having a discussion about a phenomenon she likes to call side-character-itis.  It is the tendency for fandom to latch on to certain side characters and completely obsesses over them to the point where they almost seem resentful whenever the main characters take the center stage. Hinagiku Katsura from Hayate the Combat Butler is a prime example of this. At times parts of the fans base seem genuinely surprised they are not watching a show called Hinagiku the Combat President. Shonen fighting shows tend to have this phenomenon as well as they often have generic protagonists to keep the story flexible. They offset the bland hero by making the side characters very vibrant.  The problem is while fandom often gets obsessed with these more exciting side characters they are rarely strong enough to carry a show on their own. Often what makes them work as a side character is what keeps they from standing on their own as a main character.

I recently decided to re-watch some episodes of A Certain Magical Index during lunch at work and one of the poster girls for side-character-itis pops up immediately: Misaka Mikoto. Whenever a new episode of the show would come out it seemed the fan base interest was directly tied to the amount of the Railgun in any given episode. In fact she was such a popular character she was spun off into her own series. But interestingly enough she was strong enough to support her own show. So what separates the main characters in waiting from the merely flashy supporting cast? What separates the Fraisers from the Joeys? I won’t say that Misaka Mikoto has all the answers to that question. But she is a good place to start thinking about which characters can cut the mustard.

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