The Dream of Space

hisuiconOn August 31, 2011 the U.S. shuttle program was officially ended. Due to high-profile shuttle disasters, increased results from unmanned space research, and the overall humongous expense the US decided that the money invested in the shuttle program is not worth the dividends. Now with one of the main pieces of the Space Race being the Cold War is long over the zealotry behind sending people in space is long gone. There are no dirty Commies to beat to the moon. The America that dreamed of sending a man into space, creating lunar and martian colonies, and extending its reach beyond the solar system is no more. Growing concern over domestic issues and a perceived notion that space travel is frivolous and dangerous has transformed modern space travel from a high concept to a farcical joke. Look at the reaction to Newt Gingrich’s proposal for a lunar colony. He might have well suggested throwing money into time travel research and cloning dinosaurs for a gigantic amusement park. In America, the dream of space travel is dead or at least in a fairly permanent coma for the time being.

At the same time Japan still seems oddly optimistic about manned space travel. I remember being slightly shocked that Sumire Kanou from Toradora! legitimately was studying to be an astronaut. I also remember Orihime Inoue off handily mentioning she wished to grow up to be an astronaut. While it is foolish to assume the aspirations of fictional characters are a one to one  correspondence to the desires of a nation the fact that Japan still writes popular stories in which people dream of exploring space in their fiction is remarkable.

You have the anime and manga for Planetes and Moonlight Mile both of which involved characters who wanted to explore deep space. Even the recent Kamen Rider Fourze has a space travel motif with Yuki Jojima being a hardcore space otaku and the rest of the cast having various levels of interest in space. You don’t get three space travel anime every season but they do appear frequently enough. Two series that we have recently beeen enjoying exemplify this infatuation with the hope for cosmic exploration: Twin Spica and Space Brothers. In their own way both of them revolve around a passion for celestial exploration.

Having just finished the Twin Spica manga and starting to watch the Space Brothers anime in the new season, I’ve become very emotionally attached to the dream of space travel again. These two series show so much hope and promise to the idea of becoming an astronaut and taking that first trip to space.

This was once a big dream in the U.S., too, but in the last decade excitement over current space exploration seems to be drying up. I recall one of my elementary school teachers being way into space and she worked it into lessons as much as she could. We built moon colony dioramas and I wished for space camp. I never did but I maintained a fond attachment to the idea of space travel.

I don’t know about you, but I can’t help but believe in that impossible yet incredible dream of space. Putting a face to the hope that traveling out past our atmosphere is what makes it resonate so strongly. Maybe in the U.S., we need our own Asumi and Mutta.

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Fate/Zero S2 TV #006: Kiritsugu is Forced to Murder Everyone He Ever Loved, Part 2

And we enter into the second part of Kiritsugu‘s back story. He clearly already started down the road towards being a complete unfeeling killing machine when he killed his father. But a gentle hand could have easily pulled him away from his monstrous path if he were placed in an environment where he was immersed in the positive things in life. But this is a Gen Urobuchi novel. That is not going to happen. By they way, It seems like Gen Urobuchi has a fetish for murdering children. I know that infant immortality is sometimes a strong trend in fiction and people like to play with it for shock value. But this goes a little above and beyond.  With Caster is was a little creepy but made sense for the historical character involved. After this episode I think it might have passed into the minor fetish category.

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Ongoing Investigations: Case #169

In a most unexpected turn of events the Master Keaton manga returns to the pages of Big Comic Original in the form of Master Keaton Remaster. I guess at least some of the rights issues around the original manga have been cleared up because I know for awhile the original manga series was quite expensive due to it being out of print. But now Taichi Hiraga-Keaton is back! He is still an amusing mixture of a loveable loser and an amazingly competent superman all in one package.  The series starts not long after the end of the original manga. Keaton is notably more entrenched in his academic career after his recent archeological discovery. But just when he thought he was out of the insurance game for good it draws him back in for what he is told will be one last job.

Of course this being Master Keaton we know that will not be the case. Soon he is investigating ruins, redeeming the honor of a man in a coma, and fighting slaver traders. All for one insurance case. It has all the mature elements that you expect from this manga. The story has a well researched history, a steamy underworld, and characters that show their complexity even if we only know them for a chapter or two. There is rape and sex slave traffic but there is nothing graphic or salacious. It just happens to be a story with the disgusting parts of the sex trade as a piece of it. All the bite of an adult story with none of the guilt.

One of the most interesting parts of any Master Keaton story is the fact that Taichi usually comes is for the climax of a story. He is presented with a case, does a good deal of research to find out what is going on, arrives at the critical moment during the ongoing story to help someone out, and then leaves before the falling action is over. This could be amazingly frustrating if done poorly but Naoki Urasawa does this in a way that merely makes you feel like the stories are and organic part of the world. Taichi does his part, and then leaves, and that is all we see. But we get enough of the story from Taichi’s perspective that it always feels satisfying.

I’m am really glad to see the manga running again. Master Keaton is some of the best bite sized seinen you can find. Hopefully they will work in his daughter soon as she is always a refreshing character. Maybe this renaissance of the series will help get both parts licensed for English. That would be masterful.


I watched the first two episodes of Motorcity, a new Disney DX animated series. It showed a lot of promise and sported some cool animation.

The story revolves around a futuristic Detroit with two levels to the city; the old, underground, and free area known as Motocity; and the modern, controlled, upper Deluxe.

Mike leads a group of car fanatic rebels known as the Burners who are trying to bring down the leader of Deluxe. Mike is pretty interesting as he isn’t a kid, but a 17-year-old who was once being groomed by Deluxe’s leader. Now having defected, he is putting all his skills and some sweet modded cars to use.

Also of interest is Jules a resident of Deluxe who is actually helping them secretly. And she just happens to be the daughter of Deluxe’s dictator. But even the rest of the Burners and Mike don’t know that about her.

Both episodes revolved around some sort of threat being sent down to Motorcity. There was lots of cool machinery and robots and whathaveyou to keep things interesting.

These were great episodes and I can’t wait to continue. Definitely something I’m going to attempt to keep up with. The episodes are streaming on Disney DX’s website so far.

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