The Rebirth of the Witch and the Knight

Carnival Phantasm has come to an end. The grand Type-Moon cross over even ended with some little cameos by the cast of Fate/Zero, Kara no Kyoukai, the Mobile Site, and some rather minor Type Moon characters. The they even gave some love to Notes with V/V. But at the very end after the credit a mysterious woman picks up the phone to introduce the bonus movie. This woman is Sajyou Ayaka who is the original protagonist of an early draft of Fate/Stay Night. To celebrate the end of Carnival Phantasm the extra goes back to the origin of the Type-Moon universe with Fate/Prototype. This video is an animated version of some of the notes to the original unfinished story that would be used to make Fate/Stay Night.

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The Speakeasy #025: The Flying Penguin, A Revolutionary Girl Utena & Mawaru Penguindrum Discussion

Drink #025: The Flying Penguin,
A Revolutionary Girl Utena & Mawaru Penguindrum Discussion

Kunihiko Ikuhara is undoubtedly one of our favorite directors so it seemed only fitting for us to devote a podcast to two of his most recognizable masterworks. For each show we brought on a guest to talk with us a bit about the selected show. We started with Clarissa from the Anime World Order podcast to chat about Revolutionary Girl Utena. As she recently did a paper for grad school on the show she seemed the only logical choice for a guest to talk about pink-haired crossdressers. After that we talk with Patz from Insert-Disc about Ikuhara’s recently concluded work, Mawaru Penguindrum. With both titles we do an in-depth analysis of characters and themes and don’t hold anything back on the spoiler side of things. If you have not finished either series be warned that we give away pretty much anything that could possibly be. If you want a review just know that both shows are 100% recommended so you can just watch them and then come back and listen to the podcast.

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And now your helpful bartenders at The Speakeasy present your drink:

The Flying Penguin

Preparation:

Pour 1.5 ounces each of Vodka, White Rum and Gin into a highball glass over two ice cubes. Add a good spash (approx .25 ounces) of angora bitters and swirl with a metal stirring rod. Add 5 ounces of Pink Grapefruit Juice. Add 1.5 ounces of sugar syrup. Slice a fresh lime into a slice approximately 1/2 of an inch wide. Cut in half, squeezing one half directly into the drink (then drop the squeezed lime half in). Make a small nick 2/3rds of the way up the second halfof lime and use to rim the glass then as a garnish. Include a metal stirring rod.

Ongoing Investigations: Case #153

I continue my morbid curiosity with the Akiyuki Shinbo and Nisio Isin duo by watching the first two episodes of Nisemonogatari because there is no way Narutaki was going to watch this with me. I know some people have been commenting that for better or for worse Nisemonogatari has a different feel than Bakemonogatari. I think the difference between the two seasons is minor but important. I did not use the word subtle because the difference is the pacing of the fan service in the new arc. Bakemonogatari definitely had fan service in it. Each arc in the original series introduced a girl, her supernatural problem, and the fetish she embodied. And so each arc played up that girl’s brand of fan service to all but the most fan service desensitized.  But this current arc is ostensibly about Koyomi’s two sisters but unlike the previous arcs this one really had the other girls getting a good amount of screen time in another girl’s arc as opposed to their cameos early in the story. This means that they now have to cram in a full cycle of story, reference humor, and fanservice that is particular to that girl in a much shorter amount of time making all three components more obvious. So anyone watching for the titillation will probably not notice the difference or only be delighted to be so nicely catered to. But anyone else will either consciously or unconsciously notice the change in the rhythm of the story. The art is still rather gorgeous and the dialog still has a snappy pace. I am just pointing out the big difference that will determine if you want to continue to delve into Koyomi’s supernatural adventures.

D.Gray Man Volume 17 starts off by throwing us into the middle of a virus outbreak that has occurred while the Black Order is also trying to move to their new location. The first few chapters are really out of control and crazy (and ridiculous overall), especially because everyone has  turned into zombies. As the zombies are infecting everyone, Allen tries to figure out the cause and how to cure it. After that insanity, we then get to actually focus on the Black Order group’s move. Allen and Lenalee go first, allegedly to open portals, but there are ulterior motives. The best part though is the reappearance of Cross Marian, who probably has the most shocking story in the volume. There are some major problems for both Allen and Cross, and so even though it initially seems like a jokey volume, it’s actually quite an important one.

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