Japan is lookin’ to crack down!

So, Japan has decided it wants the U.S.’s help is putting down fan-subs. I am actually a little surprised. Japan hasn’t really taken an interest in it even though it has been going on for years and years. I guess I never really thought about the effects of fan-subs on the Japanese industry. I don’t know if anything can really be done about it though. Besides if the U.S. anime industry isn’t making the plea is doesn’t seem like it’ll hold water.

Maybe that is why Japan is making the plea. If the U.S. industry won’t make a fuss then the Japanese are going to make sure that someone is going to protect their intellectual property. A good number of anime are now made with the idea that some of the projected profits will come from international distribution. So they seem to think they have two choices. Make less anime without the support of the U.S. anime industry or get someone in the U.S. to crack down on fan-subs. The real question is even if they get someone to crack down hard on fan-subs will it really do anything positive for the U.S. or the Japanese anime industry.

I feel that fan-subs have their uses and positive impact on the anime industry but they also doing harm to the anime industry. The problem is as long as there is some possibility of ruining it for everyone some jerk is going to go out there and make sure that he ruins it for everyone (And often times they are quite proud of it.) There are going to be people who watch fan-subs and the minute a title they watched get licensed they go and buy it in stores. Then there are people who will watch everything they can get their hands on and not bay a slim dime on anything in the U.S. or Japan and act like they are the heroes on the modern age. Most people fall somewhere in the middle but it’s hard to see which end of the spectrum most people all under. Do most fans buy the shows they really like that they watch on fan-subs or do they only buy a fraction of what they watch fan-subbed? A thread on Anime Jump makes me think people are not buying anywhere as much as they say they are.

And there is now this reverse backlash of people in Japan downloading fan-subs because of the sky-high DVD prices in Japan. Although, they have the opportunity to watch it on television that we don’t. So that’s where the ruining it for us kind of comes in. I mean fan-subbing has been going on for a quite a while with some complaint from the industry but very little action.

The problem is that up until recently most of the time fan-subs were inferior to legitimate releases. In the old days the video quality was almost always better on a legitimate release. Now if most fan-subs might be of lesser quality but only hard core video freaks can tell the difference. The only real draw that legitimate releases have are extras like DVD bonus features and exclusive items included with DVDs. I mean the Japanese CD market keeps itself alive despite outrageously high prices by including exclusive tacks on their CDs to prevent people running to reverse imports or downloading American CDs. I guess that DVD extras are less valuable then the actual content of extra tracks on a CD.

The thing is fan-subs are not going away any time soon. They were an integral part of the formation of an American anime fan-base so it’s hard to separate them from fandom. They actually have their positive benefits even today, despite what some company reps might tell you. Whether the benefits outweigh the costs are another story. I think as much as some people would argue against it we would not have anywhere the current U.S. fanbase without fan-subs.

There are those few examples where it seemed like everyone watched in on fan-sub and then decided not to buy it. So that really damaged the persona I think. There was Love Hina and then more recently it was seen with Rozen Maiden (that’s really weird that I dislike both of these shows, but I digress). But fan-subs are the only way some niche shows are even a thought in the heads of company reps. They have an insight in to what people are actually watching. They have a leg up on other media! Fan-subbers are working for free and the industry gets to look in on what fans think is good.

But I think that fan-subs can also give a very wrong impression of the market. Geneon assumed that since so many people were downloading and talking about niche shows like Rozen Maiden that it was worth the high price to license Rozen Maiden and they would make their money back. But it seems places like 4chan and the rest of the Internet was willing to watch Rozen Maiden for free but they were not willing to buy it on DVD and anyone who did not see it fan-subed was in no rush to buy such a show on DVD either.

Well, I wish fan-subbers were less worried about their e-penises and worked a little more on obscure and older shows. Do you really need 10 groups working on one show? (the answer BTW is no). I understand that subbing is in some ways almost an art form so you can have more than one translation that are both correct but have different subtleties. The thing is, after 2 groups are working on something, it is almost assured that most of the extra subbers are either adding nothing new or are sub-par to other groups doing the subs. A lot of times they are just a bunch a speed subbers trying to out do each other and just giving in to a fast translation with a horrible grammar and spelling.

I sort of agree. In fact, when there is more than one group I usually stick with the one I think has the best sub…not the fastest sub. For example with D.Gray Man, I always wait for the Black Order sub, even though they are a couple episodes behind. I think people should lose the pride thing and do more shows! More is better, the more we see the richer the anime community is. But can I really complain when people actually do this out of the goodness of their fanboy/fangirl hearts? Not really. Besides there are so many shows available there is no way I could watch all of them.

I have to admit I’m on the fence with this issue. Selling is not cool but when it is completely free it is harder to say. Especially since the shows aren’t licensed in the U.S. I can understand Japan’s problem and quite frankly they don’t owe us anything. I mean if I could never watch another fan-sub again I would be upset. But I would still be buying anime. My disappointment would come from all the shows that will never make it to the U.S. But I have to say if the prices of DVDs were not so high in Japan, I wonder if they would be seeing such problems?

I think if DVD prices were lower in Japan we would still have the same problems we have in the U.S. The only changes would be that Japanese consumers might buy more DVDs and American might import more Region 2 DVDs. The only people who can change the situation in America is Americans. Either U.S. fans have to suck it up and support the industry or the U.S. industry has to break some heads and hearts and crack down on the bad boys of fan-subbing. I’m not saying they should try to take down everybody who downloaded Monster but maybe you can take down some of the mega download sites that have half the licensed shows out in the U.S. Something is going to change and I hope it does not hurt either industry too much on either side of the Pacific. But I also don’t want to hurt the U.S. fan base either. It’s sort of nice that you can run into several anime fans at work or school and not be outrageously shocked.

Narutaki Currently!
Watching Shonen Onmyouji
Reading Rockin’ Heaven
Listening to Abingdon Boys School

Hisu (Brainwasher Detective) Currently:
Watching The Story of Saiunkoku
Reading 20th Century Boys
Listening to Daybreak’s Bell by L’Arc-en-Ciel

Cat’s Eye and Orguss: 2 Golden Oldies

Why you should buy them! (probably)

I think you should buy them. In fact, I demand you go buy them.

I think we are extremely lucky that ImaginAsia has come along and decided to try this. Classic shows released in the past have done notoriously bad. Not because the shows aren’t good, but fans seem to be superficially obsessed with the way a show looks. I’m not saying style doesn’t matter because there are some things that are so ugly is it hard to look at it. But to miss out on a really good show because of it seems counter productive.

Well, I think a lot of ImaginAsia‘s plan to pick up older series come with the fact that they have a novel distribution system that makes it economical to release niche titles to a niche audiences and still get some kind of profit. First off, ImaginAsia is a cable channel so they can put anything they license right on TV, which is an advantage that most anime distributors don’t have. Then ,they are releasing them on high quality press on demand DVD-Rs. This means they are possibly not as high a quality a disk that has been factory pressed DVD, but the only real difference between the two will been seen 5 or 10 years so I guess we shall see then. For now they see good enough quality.

Since they are so cheap to make, can be made in house, and since they are only distributed on the Internet, ImaginAsia can sell them at a lower price than normal anime DVDs. Also since they are print on demand. They don’t have to worry about a factory filled with thousand of unsold DVDs if a title is unsuccessful. Also since they are going for a niche market, so they’re not spending big bucks on a dub. All in all this seems the best way to see a old anime series that does not have nostalgia factor like Voltron. I wonder if other companies will start to do the same thing if ImaginAsia makes a profit.

But for me, I really love 70’s and 80’s style so the vintage of a show is not really an issue for me. I jump at the chance to watch some older shows. And as such have jumped at these ImaginAsia releases.

Yeah, there are a bunch of really good classic series that could use some U.S exposure. Captain Harlock, Rose of Versailles, and Dirty Pair come to mind right off the bat. There are also some legendary old sports anime like Aim for the Ace, Touch, Attack No. 1, and Tomorrow’s Joe. Some of the greatest hits of anime go unknown in the US because they are old sports shows but are an integral classics of anime in Japan.

I like the way they are released even-though some people take issue with it. Of course, they are subtitle only, which doesn’t bother me since I don’t even listen to the dub track, ever, not even as a test, for most shows. The first disc comes in a thick box that holds all the discs. The box is nice, comes with artwork and all the discs have artwork on them, too. Then each disc after that just comes in a … So you just continually add discs to the big case filling it up. It saves space, is cost effective, and quite frankly is the only way we are ever going to get shows like this in America. And if these releases do well, we can expect more in the future. It would be wonderful to get a lot more classic shows here in the U.S. Especially since Rose of Versailles is part of the TMS catalog. It’s a long shot, but you never know.

Well there is always the rumor that Riyoko Ikeda is super duper crazy and is the main obstacle preventing Rose of Versailles from getting licensed.

I like the boxes and they are pretty nice looking. Most people prefer smaller boxes as opposed to single boxes for each DVD anyway. I mean I don’t even keep most of my DVD cases anymore. I throw all my DVDs in CD notebooks. I need space. Otherwise where am I going to keep all my Saber figures?

Well we can talk all day about what a good distribution idea ImaginAsia has but if the shows stink who cares? Or if you hate the types of show they licensed then why should you care. But I think ImaginAsia picked at least two good series in Orguss and Cat’s Eye. They are very different shows but both have a distinctly fun old school vibe. They have yet to ship me Nobody’s Boy Remi so I don’t know how good that series is.

Orguss is about Lt. Kei Katsuragi is a fighter pilot who is assigned to protect a dimensional bomb set to blow up an enemy space elevator. When the engineering team assigned to detonate the device has to flee as the battle turns south Kei decides that he don’t need no stinking dimensional science PhD to set off a highly complex dimensional bomb. Since Kei is 80’s anime protagonist, and a huge jerk, he sets off the bomb horribly incorrectly. This has a two fold effect. The first effect is Kei is transported 20 years into the future. The other is that he rips time/space in half and mixes dozens of different world together rather unstably. Kei pops out with his transforming fighter and is discovered by a traveling band of merchants. They take him in partially out of the kindness of their hearts and partially because he is an idiosyncratic point. What an idiosyncratic point is unknown to the viewer but everyone in this new mixed-up Earth seem to think one is very valuable. In fact the militant Terram keep sending soldiers to capture or kill Kei because he is an idiosyncratic point. Kei stays with the Emaan merchants because they seem to have his best interests at heart. Oh and because he is a horn-dog that probably has a shrine to Ataru Moroboshi in his room and the Emaan ship is filled with cute girls and sexy ladies.

Orguss is space opera lite. There is a serious plot but the show doesn’t seem to take itself too seriously. The main characters are not dark and tragic, at least not so far. Kei is a super-flyboy, jerk as far as I can see with glimmers of sensitivity. But to counter act this, he is slapped in just about every episode. Mimsy being the one doing the most slapping. Mimsy the love interest, although I feel like it is really rushed.

Well, the whole Mimsy and Kei like each other does sort of come out of nowhere. I guess since Kei hits on anything that moves and is female he was bound to eventually get someone who was interested. Mimsy also seems interested because Kei is different and not a super prat like her fiancée Sray (who I’m sure is going to die sometime in the last 5 episodes of the show). I’m sure they will string the romance along by making her go back and forth between Kei and Sray until Sray gets killed.

Plus ,he uses the guaranteed techniques of world famous pick up artist Mystery. Duh!

On the Emaan side, there seems to be a lot of women in high ranking roles, which is nice. Most of the ship is female. They have a female captain and their best pilots are also female. I wonder if this has to do with their society. But of course Kei is just way better than anyone. Although, this sort of makes sense considering the Emaan society are merchants.

Well, a large female casts with leadership roles lends itself (but does not guarantee) some strong female character roles. The captain Shaya seems capable so that is something. Maaie and Lieea are somewhat more cutsey but seem decent at supporting Kei. I remember reading on Anime Jump that someone theorized that if Orguss was made today it would be a harem show and all the girls would love Kei.

I guess I can see that, but I don’t really think it would have to be. Thank god this is not a harem show, sorry people. I also really like Muum, the little girl robot. Her first appearance is the first time we see Kei seem to care about anything. He dots on her like a little sister. I see her as a super-adorable R2D2 that fixes his ship and gives him information.

Well, having watched the second disk she does sort of slip into proto-moe. She definitely has a crush on Kei but thankfully Kei does not seem to be a robo-pedo.

Why, why!?

Because Moe had to come from somewhere.

Cat’s Eye is one of those shows that you just have to roll with. The premise is so outlandish that you have to be in it for pure entertainment.

Hitomi, Rui and Ai beat Superman in the worst attempt to hide someone’s secret identity. These three lovely ladies run a little cafe called the Cat’s Eye by day. By night they are the notorious cat burglars called Cat’s Eye. They steal various pieces of art and always leave a calling card. They always steal pieces of art that had been part of their father’s collection before it was broken up after he disappeared. They hope by collecting pieces of their father’s collection they will find some clues as to what happened to him.

And they also where outlandish outfits! Like roller skates and bright colored scarfs in combination with their jumpsuits, I swear they look like they are going to a roller disco. They also have access to everything ever, ever. Planes, boats, all sorts of equipment. I suppose all of that cash from the art their father collected keeps them going, as running a cafe probably isn’t raking in the money. But then ya gotta wonder why the art was sold and now they are stealing it back? Where were they that they didn’t inherit it?

Then there is Toshio, Hitomi’s fiancée, frequent visitor to the Cat’ Eye cafe, and the detective assigned to stopping Cat’s Eye. Obviously Hitomi is dating him for his gentle compassion and rugged good looks not for his common sense or stunning intellect.

It is so hilarious! Especially when he takes people who need his help with Cat’s Eye to the Cat’s Eye cafe to discuss their plans!

The show seems rather episodic with the women from the cafe lining up another piece of their father’s collection, them doing prep work, them pulling off the job, and then how they get away.

This seems to be a popular method for caper shows. It makes sense and allows the series to continue for a long time. But it also makes me want to watch it in spurts as opposed to straight through. Once again that isn’t bad but it is a different experience. There is an over-arcing plot but for the most part I could watch it once a week and grasp what is going on. And if there ever is something I need to remember, they will probably remind me of it when it comes up.

From what I understand in 37 episodes in the first season and 36 episodes in the second season we only get real answers from the manga. Japan really seems to like formula shows like Lupin and Conan. They were definitely made to be watched once a week and if you missed an episode you would be fine tuning in next week none the worse for wear.

I found both shows to be entertaining and full of 80’s charm! Not to mention music. They are both fun and don’t take themselves to seriously, which I can appreciate. With both a good price and a good quality release they are a great buy. I am definitely going to continue to purchase these shows and look forward to other releases from ImaginAsia.

I also really hope this works out for ImaginAsia because I just keep dreaming about what other awesome older shows they could get from TMS.

Narutaki Currently!
Watching Innocent Venus
Reading Spiral
Listening to Adrift ~Sky Hurricane~

Hisui (Brainwasher Detective) Currently:
Watching Le Chevalier d’Eon
Reading Yotsuba&!
Listening to Jungle P by 5050

Claymore, no yuri scenes depite how much you want it.

The yoma food pyramid consists of one section, as opposed to the six sections of the human food pyramid. Unfortunately for humans, the sole section of the yoma food pyramid is labeled human organs.

In the Claymore universe, there are demons called yoma who are shape-shifters. They hunt humans by eating their victims brains and then using the memories they gain to impersonate the people they have eaten to infiltrate their victims communities. The yoma are also stronger and faster than humans and can regenerate as well as turn parts of their bodies into weapons.

An unnamed human organization has created a special breed of warriors to combat the yoma, they are called Claymores. The organization takes young women and creates half-human/half-yoma hybrids that gain a degree of a yoma’s strength, speed, and abilities. These hybrids then have silver hair and silver eyes making them easily distinguishable from normal humans. The appellation Claymore comes from the humans they protect not from the organization or the warriors themselves. People call them Claymores because they wield gigantic Claymore swords almost as big as they are.

What first attracted my interest was the female dominated cast, in powerful roles. In fact, men rarely show up at all, minus Raki, until the very end of the series. It’s rare that a clearly shonen show has an all woman cast and it is not fan-service central.

Well, there is somewhat of a non-Raki male presence before the end; there are those two church knights in episode 4. But the major purpose of the two church knights is to show that you can be an awesome human fighter and that you are still nowhere near the same level as even the weakest Claymore.

When Claire appears she seems to be a flawless killer. Claire is certainly a stoic character, and I almost mistook her for completely emotionless. But as the story goes on I believe this exterior is melted to some extent through her interactions with others. Also, it helps to give depth to her motivation to find out she is the lowest ranked warrior. I think it is worth pointing out that Claire does have many qualities that are typical of shonen male heroes. But as the story progresses and we see some of her back story, I felt I saw a woman.

I think the writer wants Claire to be a mystery in the beginning. He wants Claire to be the same enigma to the audience that most people see when they see a Claymore. In fact, the writer tries to go out of his way to make Claire seem like a monstrous killing machine in the first few episodes. Most people see the Claymores as emotionless monsters only a little better than the Yoma they hunt. Only as the series progresses do we slowly learn that Claire has feelings, inner conflicts, and personal goals and desires.

In fact, in the early episodes all the Claymores we see are rather emotionless and serious business like. It’s not really until Helen and Deneve do we start to see Claymore who are somewhat playful or personality filled even if it’s a definitely psychotic version of playful or personality filled.

I like that Claire is the weakest of the Claymores. She win fights more on learning and cleverly applying new techniques or using teamwork with other Claymores and their abilities, more than winning because she has a hidden, previously unknown, mysterious power that makes her super strong and lets her win due to brute force.

Raki is vulnerable yet determined and I think Claire sees a lot of herself in him. Unsurprisingly, he has a strong desire to protect his savior and works towards becoming stronger. He also brings the only fully-human sided perspective to the situation. As his race completely rejects and abandons him because his family was killed by Yoma.

Raki is the stereotypical shonen hero who wants to get more powerful to protect the ones he cares for. In most shonen anime Raki would the protagonist who would grow stronger with his hidden previously unknown mysterious power and Claire would either die or be surpassed by Raki. Although it has yet to happen in the manga I feel one day Raki might be able to fight along side Claire as an assistant and comrade but I don’t see him ever surpassing Claire and I find it unlikely he will be her equal. His role will always be support. At least that is my prediction.

Since Raki also appears in the first episode, it t is almost strange that he wasn’t the main character. I like that. I knew what Claymore had in store but for a split second those formulas came to mind. I am quite enjoying this string of shows that have both female and male protaginists that both grow. We also have to remember that Raki just decided to become strong right when we meet him, but Claire we really don’t have a sense of how much time has passed but it seems like a significant amount.

Raki’s other importance to the plot is to be the naive person who has how the world works so the audience learns how the world works as well.

I don’t think Raki has totally been rejected by humans in general. I think he was definitely abandoned and cast out by his home village but he had several chances to stop following Claire and just settle down in another town that does not know his family was killed by Yoma. Both Raki and Claire were abandoned by the people of the town they lived in and they both had chances to leave the people who saved them but stuck with them despite the fact that their lives would be far easier if they stopped following the person who saved them. It’s not like Raki has to follow Claire. He wants to. That’s an important distinction.

I loved the comradery that became a ongoing theme. In a series where everyone seems like a loner, this is a nice touch. It makes the characters more tangible to realize they need other people. The friendships you see can sometimes be unexpected in the situation everyone is in. But then maybe that is what makes these vital, a lot of these woman I assume “grew up” together if you can call it that. You truly see this between Deneve and Helen who appear later as friends. While we don’t get full back stories of anyone except Claire, there is a lot of things one can infer through the way characters deal with one another. The the group of half awakened beings that form a kinship are especially strong as a group who have a common bond.

I think that I like all of the interactions between the Claymores because besides comradery you also see a wide variety of different relationships between them. You have fierce rivals, friendly rivals, devoted companions, standoffish business relationships, bullies, mentors, subservient lap gods, loyal retainers, and more. It’s almost like two Claymores don’t interact with each other in the same way. It speaks a lot to how quickly and carefully the Claymores are developed in the series. Since a lot of the Claymores don’t last a long time it would be easy to simplify their characterization, but the writer takes the easy way out in that respect.

I also have to say that, as we both sort of hinted, Helen and Deneve have the most interesting relationship outside of Raki and Claire. They are characters that would easily be voted as characters most able to have their own spin off series. They have a close almost sisterly relationship while still being sort of messed up 6 ways until Sunday really makes them fascinating characters. I’m also sure that there are like 5 million yuri doujinshi of them only being surpassed by the 6 million doujinshi of them getting raped at the same time. Oh doujinshi. :(

I’m also surprised you did not mention Jeanne who I was pretty sure is a character you would marry (or at least make your BFF with benefits) if she were not a fictional character.

Well, this was the great thing, I thought it had a steller cast in general. I liked Claire, Raki, Helen, Deneve, Miria, Theresa, and Jeanne. Okay, but you’re right Jeanne was my dearest. Although she doesn’t show up till much later she brings honor and pride, without arrogance. Her sense of duty to those around her, especially Claire, bring real depth to her personality. And lets not forget her totally awesome ability.

Raki and Claire’s relationship brings me back to my point about seeing a woman in Claire through a sort of seemingly male figure. But I must admit, the turn it took between these two happily surprised me. It could have gone a number of ways, but I liked this route. I also felt like this could create a really dynamic interaction that is not often explored.

I feel that the change of the relationship is unexpected and interesting but not out of the blue. Their relationship was definitely always building and always growing so it’s not like anything was thrown in just to be thrown in because it was time for something to change. It also subtly changes both characters without being to subtle as to be almost no change in the characters or too bold as to be unrealistic and out of character.

The ending was pretty weak in my opinion but this doesn’t devalue the show for me. I felt like the Claire and Raki relationship, that I thought would be dynamic, just collapsed in on itself and it was just a role reversal.

Well the dynamic part of the relationship really falls apart when the stop using the manga as a guide and start making their own ending. I have a distinct feeling that the writers of the anime did not fully understand how Claire and Raki’s relationship worked so they fell back on the formula they already knew and just changed the roles.

I also feel the writers could only do so much with the ending of the series. Where the manga ends and anime basically ends is a very open ended part of the manga. It seems the writers wanted to put some sort of ending on the series because it does not look like will be getting a second season of Claymore. They basically had to pull together plot threads that were not together in the original manga to make some sort of resolution. That kind of abrupt patch job will always lead to a ending that is less than it should be. I think all in all it did what is set out to do. They wanted to get you wanting to read Claymore while being and be okay with the ending if you can’t read the manga.

There are a bunch of things I would have liked to have seen but we never got to see but I think a lot of them just have not come up in the manga so there was not much to be done about it. I would have liked to have seen how Claymores are made and trained. We have a vague idea of how it’s done but I’m sure there is something important about the processes and how it’s done. I would also like top know what the deal with the Claymore organization is. It seems that even the Claymores themselves have almost no idea how the organization works and they seem to have their own less than savory agenda. I would have also really liked to have seen more done with the Yoma’s ability to take on other people’s shape and how you can never know who is a yoma. I think that could have made some really interesting stories but they stop focusing on it after the first few episodes.

There are things I wanted to know, but I don’t fell like the series suffered from not telling us. In fact, being brief and vague can be good when done right. I like when the writer lets me infer things, make guesses , and come to my own conclusions about some things. But you are right, these are all things that haven’t been throughly explored in the manga yet either, so we will get our answers eventually.

I have to say, nothing has capture me in the same way as Berserk did, until this show came along. Although not quite as violent and gory, it is enough to satisfy. This show has a pretty large following if the Internet can be believed. But I personally doubt we will be seeing anymore animated productions of this series. I suspect it is very well loved among otaku and did well in its time slot, but not better than expected. I guess we will just have to wait and see what is on the table for the spring line-up. I also expect to see theis series licensed in the near future. In any case, I am definitely going to start reading the manga.

This show just finished up in Japan and also on the fan-sub circut. Now you can watch it straight through, we were watching week by week. It’s fairly easy to come by, too. I recommend the Eclipse translation. And don’t forget, if you like this show be sure to mention it at cons and write in saying you want it licensed!

UPDATE: Claymore is now licensed by Funimation!