Category: Comics

Ongoing Investigations: Case #167

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Sumo is a gimmick comic. That might seem like an insult but when a gimmick comic concept mixes with a solid story it can become something far greater. When the story is weak in a gimmick comic than you often just wind up rolling your eyes as you call out the novelty piece of the story. But with Sumo its storytelling twist adds to its great story to give you the feeling you are reading something innovative.

The story in itself is simple. A washed out NFL hopeful moves to Japan to become a Sumo wrestler after a devastating breakup. While he has an amazing amount of promise he has been doing rather mediocre and his next match is a pivotal point in his career. The story jumps back and forth in time with each period in time being its own color. This lets the reader know when each piece of the story takes place without text balloons or exposition but at the same time also lets the color of the time period reenforce the mood of the story at that point. The blue really helps reinforce the melancholy feel of Scott’s time in America, the green shows Scott’s awkward transition to life in Japan as he gets to know his manager’s daughter, while the orange helps express the spirit invested in Scott’s critical match.

If the story was not there, this would merely read like a slight curiosity. But instead this instead demands your attention and begs to be used as an example for anyone wanting to explore the use of color in comics.

Sumo is by Thien Pham who worked with Gene Luen Yang on Level Up which we liked a lot.

The story of Scott is a fairly simple one told in alternating time frames but each piece meets up at the end with poetic force. Though I was a bit surprised we don’t know the full outcome, but we do know that Scott’s life and his understanding of what he wants has changed.

Thien’s simple artwork is bold and iconic using strong lines to express a variety of emotion. One minor quibble I had with the art was during the Sumo matches, it was sometimes hard to tell who was who. The use of color as Hisui mentioned is very important in the book with oranges for Scott’s life in the present, bright with possibility; blues for his past in America, a time of coming-of-age and letting go; and greens for his (more recent) past in Japan, new life and growth taking over. All of this makes the sparse amount of dialog more powerful allowing you to let the emotions wash over you.

Sumo is a quiet story that has immense power.

There is a preview available, too.

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Ongoing Investigations: Case #166

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From well-known documentary filmmaker Morgan Spurlock (you’ll probably know him best as the guy who did Super Size Me), comes a look into the biggest geek convention in the U.S., San Diego Comic-Con. A Fan’s Hope follows a few different people through the convention which wasn’t abundantly clear in the trailer I saw but now after seeing it, the title makes much more sense. There is a lot more of a personal journey to this documentary than a real focus on the con as a whole and its development and history. While that wasn’t exactly what I was hoping for, the film isn’t a disappointment but more an incomplete tale.

Unlike some other films, Morgan is only behind the camera for this one, which is a shame since he would have been the perfect person to give us tidbits of information and bring context to scenes. The people we do follow are generally interesting if not experts on the con. Two artists trying to go pro, a comic book dealer who hasn’t had a good year for profits, a costume sculptor wanting to show off her skills, a toy collector on the hunt, and a couple where the guy is going to pop the question make up our merry band.

Equal attention wasn’t given to everyone, sometimes this was good (the couple), sometimes this was bad (the artist from the military), but most of all it felt like they should have cut back on the group as a whole or make the film longer. Though the public proposal I could have done without altogether, it makes me so uncomfortable! And I had gotten a little worried about the guy since his girlfriend seemed attached to his hip. Interspersed between these stories are celebrities saying a line or two or telling a story about the convention and these were a lot of fun. Kevin Smith does an especially good job while telling a story about what would happen if his now self could travel back and visit his 11-year-old self.

This film is a celebration of fandom, it is not an expose, but it really needed to be a bit of both.

I did not realize that this was a Morgan Spurlock documentary until after I saw it. Or I should more precisely say that I did not realize Morgan Spurlock was also the same director as Super Size Me until after I watched the movie. As a long-term nerd I can’t say that I learned anything particularly shocking about Comic-Con as a whole. It is distinctly more of a celebration of Comic-Con and a look at how it affects certain people rather than an in-depth expose of the grand mechanisms behind the convention.

If you’re looking for parts on Twilight fanatics vs. Comic nerds or the sickly side of the cosplay community you won’t find it here. They do touch on the fact that the convention had become much more of a general media con than a solely comic focused event though the eyes of one of the oldest remaining comic sellers but even that is mostly played as a positive. The real meat of the documentary was the experiences of the people who attended the con. You had the collector, the cosplay girl, and the dealer among others. Their stories were all interesting. The Mass Effect cosplay group was undoubtedly skilled. That animatronic Krogan outfit was a marvel. You cannot see that outfit and not be impressed. (You can but your mostly just a jerk who likes to pat themselves on the back for how “worldly” they are).

But the most interesting stories were the two men trying to get professional jobs in the comics industry while attending Comic-Con. It was a good look at someone who makes it and someone who was clearly not ready. I wish they had focused a little more on the artist who got a job through the event. As a married man in the military I felt he really contrasted the image of the lonely super spaz you associate with comic fandom. He was clearly seriously into comics with the skills to back up that love but I felt he was a fascinating example of the diversity of the community. The gentleman who was rejected was also compelling. As someone who has never taken rejection well his story hit very close to home even if he dealt with his setbacks with a good amount of grace.

The real question this documentary answers is why do people go to Comic-Con. It is a wonderful examination of what makes people come back year after year and why the convention has become the phenomenon it has. I am coincidentally listening to the Freakonomics audio book. Since Spurlock worked on the film based on that book I might give that a look soon as well.

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Ongoing Investigations: Case #165

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My roommate bought the hideously expensive Fate/Zero Season 1 box set. For this I am very grateful as there is no way I could afford that. So we sat down to watch the special features the first of which is the Please! Einzbern Consultation Room. I was super excited because these were written by Kinoko Nasu himself just for the box set.

We were in for a rude awakening when we discovered that the $369.98 box set did not bother to sub the Consultation Room episodes. That was certainly aggravating. But eventually we were able to find some subs of the skits but those REALLY should have been included for the price the set went for.

That bit of anger aside the Please! Einzbern Consultation Room is a pleasant little distraction along the lines of the science lessons from Gunbuster. Irisviel and her amnesiac student Zeccchan (who clever people just might recognize as a younger version of someone they know) go over little details about the Holy Grail War that fill in details that might not have been clear in the TV series proper as well as expand on some ideas only hinted at in the show. The Consultation Room proper only starts in the third episode were they talk to Assassin and get a bit of back story on him while they “help” him with his psychological issues.

The part where the two consultants circle around Assassin like in the infamous scene where Risei and Tokiomi stroll in a circle around Kirei was priceless.

The end of the third episode clearly indicated that the next box set would have more consultation sessions with the Servants to die in the next half as well.

Overall it was a fun trio of omake episodes. It was really only for the hardcore fan who wants all the little details but that is why you put episodes like this on the collectors edition box sets. Still Irisviel is filled with a warm charming grace so the more we see of her the better. I cannot wait to step into the consultation room again. It is just a shame that I had to go to less than legitimate means to experience that fun.

The eagerly awaited second season of Game of Thrones has finally started.

The first episode starts with a seemingly huge recap of the previous events proving just how much happened in ten episodes. Our story restarts closely to the end of the last, everyone reeling from upsets in power and the arrivals of a handful of self-proclaimed kings. The introductions of Stannis, Davos, and Melisandre The Red Witch are welcome. But I find the actress of Melisandre is not what I pictured at all and she doesn’t exude the intensity of the character.

With new characters also came new pieces of the opening map which is brilliant every single time you watch.

The first episode is brief in showing some of the most interesting pieces of the story, sadly, like Jon on the Wall, Arya traveling the road, and Daenerys seeking out for land. There is plenty of Tyrion though which is nothing to be sad about.

The story starts to change in episode two, I can really see a lot of decisions being made to make the epic more linear for ease being brought in. The second episode was full of surprises thanks to it. Sansa hasn’t appeared much which is a blessing since she spends most of this book being beaten down. They also seemed to have reined in Arya a bit on her violent tendencies, not sure how I feel about that.

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