Ostracized by the Ostracized

I was pleased to see Jellyfish Princess (Kuragehime) approach the issue of beauty and looks that I haven’t seen tackled too much when it comes to girl geeks. Tsukimi struggles under Kuranosuke’s impromptu make-over fearing the rejection of her peers if she were to change her look from frumpy to fashionable. How could she show her face to her friends? Who was she if not dressed in a sweatsuit? She even ends the episode saying “I don’t want to be pretty.” There is more to it than merely not being pretty, in fact it is the idea of actively trying to look bad.

I understand the idea all too well, you essentially start rationalizing it as conforming or selling-out if you were to dress well or spend any amount of time on your hair. There is a pressure there created by the association of how the popular people look and how they have treated you. But Jellyfish Princess takes it a step further, in every episode, by showing how the group has its own ideals that must be conformed to. Them all being female is very important to this dynamic; there is a different kind of expectation in a women only group when it comes to physical appearance. If a “pretty one” emerges the equality is thrown off-balance, at least in the minds of the individuals if only on a subconscious level. From there rifts can occur in the group. These in-community standards however small or large mirror the outside world’s ostracism that they are trying so desperately to seek solace from. Without them realizing it they are imposing the same kind of judgment on people based on looks that they have been victims to. While it has basically been cut by laughable moments, this is a very real issue in the many subculture communities and one very much alive in the real world geek community.

What I hope to see is approaching the middle-ground between being a faishionista and dressing without a thought in mind. The idea that one can be comfortable with how they look and express themselves through dress is important. It isn’t about dressing with the trends but dressing to compliment yourself, to feel comfortable in your skin. Tsukimi doesn’t fully know who she is and is hiding from the world, her baggy sweatsuit is just one part of that. Now if by the end of the show she knows what she wants and she is a baggy sweatsuit, I’m all for it. In the end the realization that you can’t be happy with yourself unless you are honest with yourself will hopefully free her.

November’s Final Denouement: A Tale of Master and Student – Kenjiro Hata and Koji Kumeta

hisuiconAt first Hayate the Combat Butler by Kenjiro Hata and Sayonara, Zetsubou-Sensei by Koji Kumeta might not seem like manga with a common ancestry. The sense of humor and storytelling is quite different in both manga. Hayate has a very traditional design for a comedy manga in Shonen Sunday where as Zetsubou-Sensei is very stylized. But when we realize that Kenjiro Hata used to be an assistant to Koji Kumeta we begin to see greater similarities in their styles. When we look at, Katte ni Kaizo, a manga they both worked on together we can see how Hata was influenced by Kumeta. Hata’s work on Heroes of the Sea Lifesavers is clearly influenced by his mentor. Hata would go on to develop his own style in Hayate while Kumeta would further continue to refine his own style in Zetsubou-Sensei. I have compiled some samples from each manga to help illustrate this evolution.

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Lets Do the Time Skip Again

hisuiconIn a strange coincidence I have been partaking an inordinate number of properties that have time skips in them. On the manga front Zettai Karen Children and One Piece have recently had significant time skips. On the video game front Infinite Space has a 10 year time skip between the first and second parts of the game. And that are just what I have seen in the last month. I can also think of major time skips in Claymore, Naruto, Gundam 00, Gurren Lagann, Death Note, Twentieth Century Boys, xxxHOLiC, Jojo’s Bizarre Adventure. And that is just in series I am aware of. This started me thinking about time skips in general. What is the appeal of the time skip? What does it add to a narrative that it has become such a popular tool? Continue reading