There is no i in team: The multi-perspective approach in Giant Killing.

hisuiconFor a bit of synergy with this months episode of the Speakeasy we decided to talk about Giant Killing, our favorite sport anime of the spring season. Plus with the World Cup having just finished yesterday it seems like the best time to talk about a soccer anime. But the reason we are looking at Giant Killing is its unique  story telling considering the other sports shows that have come out in English. It is a seinen series with a distinctly adult feeling. All the main characters are professionals trying to revive a floundering J. League Division 1 team.  Even most of the side characters are adults with jobs and adult problems. This is not a show about a high school team or some teenagers in a back lot. The cast has the responsibility of the East Tokyo United club on their shoulders with all the burdens that come with playing for a professional team. We see all the pieces that go into a professional sport club.

Giant Killing swept me up in its first episode. And as I am being carried along quite happily, I am here to tell you it isn’t the soccer that is holding my attention so thoroughly. Truth be told I know very little about the sport not being able to recall ever having watched a real match in my lifetime. The key to Giant Killing’s success despite presenting us with a rather familiar, if only by American standards, plot where an unconventional coach embarks to rejuvenate a washed-up team is how it approaches the story from angle after angle.

hisuiconNormally the main character in a shonen sports anime would be one of the players. In a shonen or shoujo series it would be a young kid with tons of potential but is just learning to play. In other seinen series it might be an amazing player with a past. The main character in Giant Killing is Takeshi Tatsumi, the coach of the team. As Narutaki said the unconventional coach may be a old troupe but he is almost always a side character in anime. With Tatsumi we get a bit of the typical seinen protagonist. He is the legendary player with a past but he is the team’s strategist not the key player. This lets him connect and deal with everyone who is a part of the club or has business with the club giving the show is broad range of perspectives. The story follows various perspectives so when Tatsumi interacts with them the impact is far greater.

The promotional material, the first episode, and his attitude itself tells us that Tatsumi is the main character, for he is the piece around which everything changes. However, don’t be surprised to see him merely in the background of an episode smirking or deep in thought. Giant Killing is attempting to tell a highly encompassing tale with a large and growing cast of characters occupying every role in the world of soccer from player to aging veteran fan, middle-management to reporter, coach to hooligan. Each new perspective builds on the other pieces until you end up with (or is leading up to) a panoramic view of the Japanese soccer scene. It’s ambitious but it’s succeeding. The way Giant Killing presents its characters, in snippets and moments, dives at the heart of the matter succinctly.

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July’s Final Denouement: The Great Detective Knows

WARNING: Massive spoiler for pretty much all of Umineko no Naku Koro ni up to and including the 6th visual novel.

hisuiconIn an unusual twist I will have an actual Final Denouement as the this month’s Final Denouement. I’m going to use this as a sounding board for my crazy theory on what I think is going on in Umineko and even point a finger at who I think the the main mastermind behind the deaths on the chessboard is. I’m mostly curious to see what other people who have played the games think of my theory. I’m sure there are holes in this theory that I’m not seeing and I welcome any criticism. Of course this means if you have not read up to episode 5: End of the Golden Witch you should wait until because I will spoil parts of the story like nobody’s business.

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The Speakeasy: A Reverse Thieves Podcast – Drink #006

Anime 3000 presents: The Speakeasy

The Speakeasy is an ongoing conversation between the two of us about themes, trends, and concepts present in anime and manga and along side that sometimes there will be a critical analysis of fandom. If you were ever curious about our conversations that are the genesis of our posts then this will be utterly enlightening. If you never wondered about that, hopefully you will still enjoy the show!

Drink #006: The Black Russian and the White Russian, The Art of Adaption

A majority of the anime produced is based on a preexisting work. A good deal of shows are adapted from manga but there is also anime based on light novels, video games, literature, and even some more unusual sources. But not all anime is adapted equally. Assuming that the source being adapted is solid what makes a good anime adaption and where can adaptation go wrong? We will be talking about the different philosophies used in adapting manga and the strengths and weaknesses that comes with any strategy. We will also try and discover why the adapting an anime into a manga seems to fail so often.

(Listen) (Show Notes)

And now your helpful bartenders at The Speakeasy present your drink:

BLACK RUSSIAN
5.0 cl Vodka
2.0 cl Coffee liqueur
Pour the ingredients into the old fashioned glass filled with ice cubes. Stir gently.

WHITE RUSSIAN
5.0 cl Vodka
2.0 cl Coffee liqueur
3.0 cl Fresh cream
Pour coffee liqueur and vodka directly into old fashioned glass filled with ice. Float fresh cream on the top and stir in slowly.