Otakon 2011: Makoto Shinkai and Children Who Chase Lost Voices from Deep Below

As far as directors go, Makoto Shinkai is one of my top choices to hear talk about his work. So imagine my delight when Otakon announced his first U.S. appearance would be right there in Baltimore. Despite being relatively young in the business, nine years, he has produced memorable and beautiful films. To top off his interactions with his fans, we were privileged to see the English-language premiere of his latest movie Children Who Chase Lost Voices from Deep Below.

There was one Japanese guest that everyone was looking forward to (unless you are a major Hetalia: Axis Powers fan) and that man was Makoto Shinkai. He is known for his mostly solitary work on Voices of a Distant Star, his longer work on The Place Promised in Our Early Days, and his stellar work on 5 Centimeters per Second. His distinct visual style and reoccurring motifs make him stand out in people’s minds. So when he came to the U.S. to promote his latest movie, Children Who Chase Lost Voices from Deep Below, even people outside of the normal mega geek blogging circles took notice. Narutaki was able to attend the premiere and a panel while I had a chance to hear him speak at the press conference.

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Otakon 2011: Fan Panels

With so many premieres, I felt like I neglected the fans panels a little this year at Otakon. Since panels is usually the biggest draw for me, I feel a bit guilty. There was a great variety, but one only has so much time. Still beyond our own two panels I did squeeze a few others in over the weekend.

I consider a healthy dose of fan panels part of a balanced convention diet. At some cons my entire schedule is filled with nothing but fan panels with the occasional guest panel if they have an interesting Japanese guest. Plus, as I become more active in the fan community I begin to know more of the people doing fan panels so I sometimes just stop in to support my friends who often do very intelligent panels (or at least entertaining panels). Fan panels have this passionate rawness that makes them unique and special. Sometimes that means you go to some real stinkers but such is the price you pay for some incredibly unique and eye-opening content.

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Otakon 2011: Industry

The presence of industry at events such as Otakon has been evolving and changing over the last couple of years. Instead of focusing on what is coming out now, which is still done, there is a shift to talking about streaming or the next big thing. This was driven home by Sunrise running their own panel this year. While there were no huge announcements from Otakon (which we’ve come to expect with Anime Expo and San Diego Comic Con in the same month), there was still much to talk about.

I have mostly decided to follows Patz’s philosophy and avoid going to industry panels unless I have a burning question that needs to be asked. With so many bloggers and news sources reporting and commentating on industry panels as they happen there is little need for me to show up. The nitty-gritty will be available for everyone to see as soon as it is announced. This lets me sit back and pick what I want to comment on. I like that approach.

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