NYICFF 2013: Hey Krishna

narutaki I have been reading lately about the growing Indian animation industry so I was pleased that NYICFF was going to give me an opportunity to sample a feature film.

Evil king Kans works the people of the land to the bone to do his bidding, he takes what he wants and kills those that oppose him. His one soft spot is his cousin but when it is prophesied that she will give birth to a son who will be the ruin of Kans, Kans imprisons her and her new husband indefinitely and kills their child after each new birth. But one day the God Krishna appears to the couple and is reborn in their newborn son. Krishna helps them exchange the child with one in a neighboring village before Kans can be alerted to the birth.

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NYICFF 2013: Wolf Children w/ Mamoru Hosoda

narutaki Who wasn’t excited to hear about Mamoru Hosoda’s next movie? At this point, he is the anime film director I have my eye on most. Us New Yorkers have been very lucky to have his films appearing at the New York International Film Festival.

I often feel one of the main problems with success is that it raises people’s expectations for your next work. J. D. Salinger’s famous struggle with the success of The Catcher in the Rye immediately comes to mind. Mamoru Hosoda might not struggle with a pressure to the same degree but I feel fandom watches him with a certain amount of expectations after The Girl Who Leapt Through Time and Summer Wars.  I know that Narutaki and I had a decently high level of expectations as our Summer Wars review clearly shows. So the question becomes does he live up those high expectations as one of the few young directors still able to make original anime movies that have a wide range of appeal? Does Wolf Children live up to high bar we set for it based on his previous works?

 Wolf Children is a film that I mulled over quite a lot after it and was able to realize a few things about the themes. That’s not to say that my gut reaction was irrelevant, but more that the story has layers that can be peeled away. This movie is told from the mother’s perspective of watching her children grow up, change, and move through life. And it is about accepting their decisions even if they aren’t the ones she’d choose for them.

Honestly, being the selfish twenty-something that I am, it was hard to accept the outcome and some of the choices of the characters in the movie. People don’t always turn out the way you want them to, but that doesn’t make their decisions any less relevant. Acceptance is a big part of this film.

Hana, a college student falls in love with wolf man and has two children with him. When he tragically dies Hana is left to raise Ame and Yuki by herself. As the troubles of being a single parent of two lycanthropes mount while living in the big city Hana moves out to the country in hopes that it will help her children. In a rural  environment Ame and Yuki mist choose between embracing their feral natures in the wilderness or integrating into human society.

There is quite a bit to love about the story told in Wolf Children. It is an interesting look at the lives of two children caught between two worlds where they don’t exactly fit into either. But the story is mostly from their mother’s perspective. We see how she raises them and how she deals with the decisions they make. A good deal of the first half of the movie is seeing what tribulations Hana must endure to raise her very unique children. The story then shifts when Ame and Yuki start going to school and Hana moves the background as the narrative focuses on the paths of the two wolf children.

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NYICFF 2013: Ernest & Celestine w/ Benjamin Renner

narutaki For some reason, I thought this was an Oscar nominee but it no. Still, after seeing it I indeed think it should have been a nominee, maybe it will be for 2013! Ernest & Celestine is a French/Belgian animation based on the characters from the Belgian book series of the same name. We learned from one of the directors after the film that the screenwriter spun a different tale than that of the books.

The gorgeous animation is filled with life. The film moves seamlessly between whimsical watercolor and graphic flair. It very much feels like an animated storybook which you can fall right into.

Ernest & Celestine is a tale of creativity, mayhem, and friendship. In a world where mice live below the surface and bears rule the outside world, there was a little mouse named Celestine who was a burgeoning artist and wasn’t afraid of bears despite everything she had been taught. Ernest was a lonely musician who just didn’t fit in with bear society. These two lost souls found each other on a fateful night sparking an enduring companionship.

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