NYICFF 2013: Zarafa

narutaki I found myself listening to more than a little French throughout the festival this year. And all of the French animated features this year were award-nominees at The Cesars which is pretty much France’s Oscars.

Zarafa is a continent-spanning adventure in which a young boy, Maki, escapes from slave traders which leads him to a herd of giraffes and Mahmoud who is tasked with bringing back a giraffe to the Ottoman Viceroy of Egypt. The Viceroy sends Mahmoud to France with the beautiful creature as a royal offering to King Charles X. Along the way they are helped by a balloonist and pirates, pick up some friends, traverse exciting and dangerous ground, and eventually reach the city of Paris all while being pursued by the slave trader with a grudge.

Zarafa (the giraffe) is based on the real story of France’s first giraffe which was a sensation that even influenced fashion.

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NYICFF 2013: Hey Krishna

narutaki I have been reading lately about the growing Indian animation industry so I was pleased that NYICFF was going to give me an opportunity to sample a feature film.

Evil king Kans works the people of the land to the bone to do his bidding, he takes what he wants and kills those that oppose him. His one soft spot is his cousin but when it is prophesied that she will give birth to a son who will be the ruin of Kans, Kans imprisons her and her new husband indefinitely and kills their child after each new birth. But one day the God Krishna appears to the couple and is reborn in their newborn son. Krishna helps them exchange the child with one in a neighboring village before Kans can be alerted to the birth.

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NYICFF 2013: Wolf Children w/ Mamoru Hosoda

narutaki Who wasn’t excited to hear about Mamoru Hosoda’s next movie? At this point, he is the anime film director I have my eye on most. Us New Yorkers have been very lucky to have his films appearing at the New York International Film Festival.

I often feel one of the main problems with success is that it raises people’s expectations for your next work. J. D. Salinger’s famous struggle with the success of The Catcher in the Rye immediately comes to mind. Mamoru Hosoda might not struggle with a pressure to the same degree but I feel fandom watches him with a certain amount of expectations after The Girl Who Leapt Through Time and Summer Wars.  I know that Narutaki and I had a decently high level of expectations as our Summer Wars review clearly shows. So the question becomes does he live up those high expectations as one of the few young directors still able to make original anime movies that have a wide range of appeal? Does Wolf Children live up to high bar we set for it based on his previous works?

 Wolf Children is a film that I mulled over quite a lot after it and was able to realize a few things about the themes. That’s not to say that my gut reaction was irrelevant, but more that the story has layers that can be peeled away. This movie is told from the mother’s perspective of watching her children grow up, change, and move through life. And it is about accepting their decisions even if they aren’t the ones she’d choose for them.

Honestly, being the selfish twenty-something that I am, it was hard to accept the outcome and some of the choices of the characters in the movie. People don’t always turn out the way you want them to, but that doesn’t make their decisions any less relevant. Acceptance is a big part of this film.

Hana, a college student falls in love with wolf man and has two children with him. When he tragically dies Hana is left to raise Ame and Yuki by herself. As the troubles of being a single parent of two lycanthropes mount while living in the big city Hana moves out to the country in hopes that it will help her children. In a rural  environment Ame and Yuki mist choose between embracing their feral natures in the wilderness or integrating into human society.

There is quite a bit to love about the story told in Wolf Children. It is an interesting look at the lives of two children caught between two worlds where they don’t exactly fit into either. But the story is mostly from their mother’s perspective. We see how she raises them and how she deals with the decisions they make. A good deal of the first half of the movie is seeing what tribulations Hana must endure to raise her very unique children. The story then shifts when Ame and Yuki start going to school and Hana moves the background as the narrative focuses on the paths of the two wolf children.

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