Category: Detectives

Ongoing Investigations: Case #057

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I recently attended the Student Anime Film Screening & Discussion with anime scriptwriter Dai Sato at the Japan Society. There, 25 students attended the A*NI*ME: Japanese Animation Production class for two weeks to learn the basic philosophy, theory, and techniques behind anime production. They were split up into 5 teams which had to create a full write up for an anime series or movie complete with character descriptions, plot outline, and a small trailer for their pitch. After the trailers, Dai Sato and the other instructors mentioned what they liked and what could have been worked on. They were always very polite and kind but Dai Sato did give them legitimate feedback in a constructive manner. The first group did a pirate adventure very similar to One Piece called Casa Dulce in which a band of pirates are looking for the legendary Utopia but instead find family through their crew. The students in group two did an adventure series called Floreixen about a society were peoples’ destinies are determined by the eggs they are hatched from. The third group did a western horror influenced series called Scindo in which a mad scientist calling himself Grandfather kidnaps a group of teenagers and injects them with a drug called Scindo. The fourth group proposed a title called 99 where everyone is a partial conversation cyborg but one day a man who is 100% human is found and he is quickly draw into a conflict. Our last group was the only on to pitched a movie, it was called Hybrid where a half human/half robot boy goes on an adventure that makes him wish to seek peace between the warring human and machine sides. We were then shown a dubbed episode of Samurai Champloo about a graffiti battle. After the episode each of the groups was given an award. The first group won the grand prize but all of them got some award of recognition for what they did best. Even though the projects were clearly amateurish they were enjoyable considering they only had 2 weeks to complete the project and much of their time was spent learning how to do the writing and the philosophy behind it. Kishotenketsu the 4-part structure for Chinese and Japanese narratives seemed to be an important part of the classes and was mentioned by each group. After the award ceremony I got my Eureka 7 case and Narutaki’s Cowboy Bebop case signed by Dai Sato.

The Walking Man by Jiro Tanaguchi is a simple, short piece about a man exploring his new town which emphasizes the beauty of noticing the little things in the world and taking a minute to appreciate them. It also seems like a great excuse to draw incredible backgrounds and environments. In fact this is one of the few times where those take precedence over our character so much so that he doesn’t even have a name. The dialogue is sparse with some chapters having none at all. It doesn’t even come across as slice-of-life but just these very brief, serene moments in time.

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Ongoing Investigations: Case #054

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This week your lovely writers were on the Ani-Gamers podcast! Okay, so we did the podcast a while ago but it is just now up. We discuss Otakon 2009, I know our con report was just not enough for you readers so you should listen to this, too! There is also an appearance by the ever elusive Kohaku and travel buddies Ogiue Maniax and VamptVo (obviously since he runs the podcast). Don’t forget to listen till the very last second for a special treat!

Tanpenshu 1 and 2 are a collection of short stories by Hiroki Endo. Endo also writes Eden: It’s an Endless World! which I very much enjoy so I was curious to see his some of his other projects. All the stories in Tanpenshu have the same component parts that make Eden. On the other hand they are all their own stories with their own feel so it’s not like your reading endless variations on one story. We have everything from modern day stories about yakuza, to sci-fi sex stories, to an autobiographical story. All the tales, even when they are comedies, tend to have an adult feeling mixed with a deep melancholy. When he decides to make his story dark they can be as dark as pitch. Because You’re Definitely a Cute Girl is is clear example of that. Platform was my favorite with a very twisted but powerful story. Hang mostly seemed to be very awkward sex scenes with a sci-fi twist. Maybe I am just dense and did not get why it was trying to say but it just seemed gratuitous to me. No matter what all of his stories will stay with you after you read them. The art has a distinctly seinen feel that often can be quite detailed and breathtaking. These are a great buy if you are already a fan of Hiroki Endo but also a great place to test the waters and see if you like him.

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Ongoing Investigations: Case #051

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In preparation for seeing Frederik Schodt at Otakon, Narutaki and I decided to read The Astro Boy Essays. The title might say The Astro Boy Essays but this book is just as much a detailed look at Osamu Tezuka as it is a look at Astro Boy. The essays cover the production of Astro Boy as both an anime and manga, its effects on Japanese anime and manga, as well as on Japanese culture in general. The book also covers how Astro Boy was localized in the United States. Throughout Frederik Schodt gives us a look at the man himself, Tezuka. I now realize that many of the smart people who I consider well-versed on Osamu Tezuka are merely stating what they know from this book. My only criticism is that at times this is obviously a collection of essays written over the years. This means that some parts will be redundant as he has a tendency to repeat certain aspects in one essay to the next because all the essays were originally stand alone pieces. Still it is one of the definitive pieces on Osamu Tezuka and one of his most beloved and well-known creations. It is a must read for anyone interested in anime and manga’s history and one of its greatest contributors.

YAY! I got my copy of The Astro Boy Essays signed! After recently reading Dreamland Japan also by Schodt, which showcased a bit of Schodt’s friendship with Tezuka through his interpreting for him in the United States, I needed to pick up this collection of essays as well. Astro Boy and Tezuka are highlighted in his previous books, and some of the tidbits are the same, but the thinking of Tezuka and his own interactions with his creation are fully fleshed out in The Astro Boy Essays. It is written in a conversational manner and not bogged down with so many dates, facts, and figures as to come off dry. This is apparent in all of Schodt’s works and is the reason it is so accessible and a joy to read. The Astro Boy Essays also helped me appreciate that so much of the Tezuka library is finally being published in English. While I have not read much of the original Astro Boy manga, I soon will be. This was an all around quick but informative read that is necessary for anyone who appreciates the history of anime and manga.

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