New York Asian Film Festival 2009

Last year I attended only one film, Dororo, at the New York Asian Film Festival. Though we did try to see L Change the WorLd, too, but it was sold out. In any case, this seemed like a big mistake in retrospect. There are tons of films from all different genres. Everything from pulpy mysteries to sex-centric surrealism to over-the-top samurai action to sweet romance was up for grabs at this year’s Asian Film Fest. Many of these films one might not have a chance to see otherwise. So with that in mind, and a little help from the NYAFF guide book, we set out to see some unique flicks.

I missed out on all the movies last year including Dororo but that is because if it were not for bad luck I would have no luck at all. On the other hand, Narutaki and I insisting on seeing the L movie no matter how many times life seemingly tried to let us dodge it is our own fault. But this year we are in it to win it and are hitting up a bunch of the movies playing. My priority number one was to see the 20th Century Boys movies not only because they are most relevant to the blog but also because I really enjoyed the manga. All the other movies are interesting experiments. I was not sure how many I would like but I was ready to be surprised.

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Ongoing Investigations: Case #049

Quest for the Missing Girl is a mature manga. Not in the sense that it has cursing, violence, or graphic sex; Missing Girl deals with topics such as missed chances in life, settling down and moving on, relationships between parents and children, and compensation dating. Even compensation dating which could easily be used for a gratuitous sex scene is discussed as a subject of serious weight and importance but is never shown. The story begins when the mountaineer Takeshi Shiga is informed that Megumi, the daughter of one of his old friends, has gone missing. Shiga soon finds himself playing the part of detective in Shibuya, which is just as unfamiliar to him as the mountains would be to most other people. As the story goes on we learn about what lead up to Megumi’s disappearance and how it relates to the lives and decisions of all the other characters involved. Except for the climax there is not much action. In fact, the climax is mostly Shiga VS inanimate object. The draw to this book is as a fascinating character study and tightly plotted one book story. It’s never going to have a huge fan base in the manga community. The story is excellent but it won’t pop for younger manga fans. It is not mature due to excess. It is mature because it’s a well told story which deals with matters that only those with life experience will care about.

I was really glad I had a chance to read Quest for the Missing Girl which is nominated for an Eisner this year. The plot of Megumi missing actually brings to the surface many underlying mysteries in the lives of the characters. The strained relationships also make for thoughtful scenes. This really gives the book a hefty amount of weight that is woven in and out of this not so complicated missing person’s case. All culminating in a daring rescue attempt that is very “a man’s gotta do what a man’s gotta do”-esque. There is something very passionate about Shiga who literally comes down from the mountains to find this girl. He isn’t a super over the top seinen hero but Shiga is definitely a manly dude who does some manly things. Jiro’s artwork is far from simple but it isn’t very stylized which compliments the story perfectly. So while on the whole it doesn’t come off as gritty it still seems gaunt at times especially with his way of shading. This book begs to be picked up and read in one swift sitting. Quest for the Missing Girl was my first encounter with manga-ka Jiro Taniguchi and it was an overwhelmingly positive experience. So much so that I ordered up a few more of his books immediately.

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Ongoing Investigations: Case #048

I picked up a copy of No Girls Allowed from the MoCCA Arts Fest. After hearing a bit about it online, I was pleasantly surprised to see the artist there selling copies along with some of her other work. The price was less than the intended amount and how could I resist an anthology of real cross-dressing women throughout the ages. I had also not heard of many of them which is certainly a tip of the hat to the book. Eventhough all the stories are written by the same author and then drawn by the same artist, some are much better than others. The story of James Barry a female doctor was by far the most developed and Esther Brandeau was also good while Ellen Craft seemed to have the least fleshing out leaving you wanting. The stories are made for a young audience and I think that is important to know going in. Overall, I learned a bit and was also entertained so my 8 bucks was well spent.

Disappearance Diary is an autobiographical manga by Hideo Azuma, the man often considered the the father of lolicon. He tells stories from four very different times in his life. We see him when he was homeless, when he worked as a pipe-fitter, when he worked as a mangaka, and when he was in a rehab clinic. Hideo gives us a sneak peek into his life during many times in which he was at his lowest. He mentions right off the bat that he is going to focus of the humorous and interesting parts of the bad times. It helps keep what would otherwise be a bleak and depressing manga enjoyable and lighthearted. Overall the aim of the manga is to entertain you while showing why he had to run away from being a mangaka and what the results of the decisions he made were. The art is simple and cartoony which has a distinctly retro feel. Disappearance Diary shows you that you can tell a powerful story (and a true story) while still being fun and light. This is an amazing manga that everyone should read. As a side note, the more I learn about manga the more I have to tip my hat to any mangaka. The lifestyle seems amazingly harsh. Even if I had the skill and opportunity to be one I’m not sure I would have the strength. I recently found out there is a sequel called the Depression Dairy. I am curious to pick that up as well.

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