Your Fate is Mine to Decide

UCHUU KITAAAAAAA!!

While I am hardly Mike Dent when it comes to tokusatsu I do keep my eye on it. So when everyone was talking about how cool Kamen Rider Fourze was I had to check it out. It turns out they were right. It is pretty out of this world (thankfully I do not constantly make puns like that in the podcast.) When the series was about half done Patz from Insert-Disc mentioned we had to get together and do a podcast on this. We then teamed up with Dave Cabrera as he was periodically talking about the series on his own blog, Subatomic Brainfreeze.

In the premiere episode of the Cockpit podcast we discuss exactly what makes Kamen Rider Fourze so darn super cool. We also go into a bit of the general Kamen Rider franchise as well as the newest entry called Kamen Rider Wizard. So if you like Kamen Rider, tokusatsu, or just campy but awesome things in general you just might want to check this out.

“Space…a wondrous world, filled with infinite cosmic energy. Using the Astro Switches, these young people will open the door to the future of space. Space on your hand! Reach out and seize the universe!”

The Cockpit – Episode 1 – It’s Space Time!

Ongoing Investigations: Case #184

I finally caught up with Motorcity (2-12) not that I had fallen too far behind, but it is nice to be current. Though there is no word when the next episode is due out yet. This show has really gotten some traction as the later episodes focus on individual characters and developing parts of the world.

From the Duke of Detroit to mutant terrorists to crime bosses, Motorcity has its share of seedy characters. This really brings flavor to the world under Deluxe and thematically works to highlight Deluxe’s true price for clean, streamlined perfection. And in the world of Deluxe the force of its army and machines against The Burners and Motorcity is steadily increasing.

The last aired episode was a stand out as we learned about Dutch’s family who still live in Deluxe. And in a lot of ways the series went out of its way to make me not really think about who the Burners were related to and how they were affected by what’s going on. Up until this point, not much has been said about people’s home lives with the exception of Julie.

Speaking of. I definitely request more Julie! She has the greatest conflict of the series but we just don’t see her enough.

There is a special quality to a one book manga. Sometimes a story needs more room to breath than a one shot but is not suited for a long 10+ books run. Romantic stories can really suffer because of this. There is enough meat to their story as to need some time to for a relationship to develop but if the series goes on for too long you start having to add in unnecessary complications just to keep thing interesting while delaying the inevitable conclusion. The pointless rival character (or characters), the silly misunderstanding, or the unnecessary delayed confession can all extend a story by several books but can frustrate the reader at the same time. If you have a strong tent pole beside the romantic conflict you can extend a story with far less effort but then the romance becomes a background element. But being one book long sometimes gives you exactly what you want without leaving you feeling frustrated.

While Sakuran is hardly focused on romance it does have a story that I think is perfectly suited to being one book. There is some romance in the book. In fact the whole climax is centered around it. But it is more of an accent on the story than the raison d’être. I think that Moyoco Anno was wise to tell the story she wants to tell in one go. Sakuran mainly focuses on the fact that Kiyoha’s life utterly stinks. She can’t escape the life of being a courtesan. Her life is better than being a simple prostitute but in the end it is just that she is in a slightly nicer prison cell. No matter how she rises within her little world she can never really break free.

A single chapter does not fully show her struggle. You really need to see her trials as she rises in the ranks. You need to see that she keeps rising in her little world but her problems just change but never go away. She is always property and she is always chained to her destiny. But I think that beyond maybe another book or two the story would feel claustrophobic and mostly just misery porn. It is not really a story that can be episodic like say Bartender. Although if someone wants to write a story about a prostitute who always finds the key to their client’s problems with some unusual sexual act I assure you there would be an audience for such a title. You could also focus on the politics of the brothel but it would have really changed the tone of the story. It was just the right length for the story that was told.

I will say that on of Moyoco Anno’s real skills is letting characters shine despite adversity. While Hiroko Matsukata’s life in Hataraki Man is infinitely better than Kiyoha’s they are both women who are brilliant as they rise to a challenge. They both have a unique beauty as they defy their position. They both try to find happiness in places that where it can be hard to see. But obviously Kiyoha’s battle is a much more desperate one. And on some levels it makes it more beautiful if somewhat depressing at the same timel. She is someone who could have been so much if she was born in different circumstances.

I was also impressed with the delicate use of paradox. Being a courtesan she is an extremely glamorous prostitute but in the end she is still just a prostitute. Now matter how fancy her dress or elegant her manner she is still beaten if she steps out of line. She still has no real freedom. Also she is in a sexual and sensual profession but there is nothing sensual about it. All the sex is technical. A means to an end. A show and a game. All the intimacy is a deception and everyone involved knows it but props up a lie.

Overall this is a great mature story with some good bang for your buck. If you want a short series to read in one go it is something to check out. One and done. Just don’t read this anywhere where you would have people looking over your shoulder that you don’t know too well. When the book is graphic is unabashedly frank. But if you are in a safe space it is a strong tale for adults.

The Ongoing Investigations are little peeks into what we are watching and reading outside of our main posts on the blog. We each pick three things that we were interested in a week and talk a bit about them. There is often not much rhyme or reason to what we pick. They are just the most interesting things we saw since the last Ongoing Investigation.

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Ongoing Investigations: Case #183

And so ends Kamen Rider Fourze or as I like to think of it Kamer Rider Diamond Is Not Crash. Having never seen a full Kamer Rider series this certainly was a treat. The last 21 episodes (28-48) put a nice cap on everything. The series ended things pretty much how would expect them to end with a few nice little twists to make it all feel unique.

Without giving away too many spoilers I will say the best part of the writing in the series is the way they pull off reveals. They make a good use of what amounts to 2 stage method of pulling back the curtain. They set up certain mysteries fairly early on and tease you with the answers. Then when they finally give you the solution I found nine times out of ten I had figured out the answers from the clues they left. But then they usually followed it up with a secondary reveal just after that which is nowhere as easy to predict. It is a strong one-two punch that helps nicely in giving impact to the story.

I will note after a certain point they really began to focus much less on the Rider Club than in the first half. They never disappeared but their overall screen time dropped from where in was in the first half of the series. For all the trouble they have over keeping Miu and Shun in the club they don’t do a good deal after they graduate. How many times was the Powerdizer really that important?

Still it was a fun show that really never took itself too seriously. It could hunker down when it needed to but it never lost sight of how silly its overall premise could be. It remained earnest while still being fun. It also helped the somewhat hokey production vales go down a bit smoother.  In many ways I think this could be the HeartCatch PreCure! of Kamen Rider for me. While I may enjoy other Kamen Rider series this one will take a truly spectacular show to beat.

Seriously Dark Horse, I hate you for putting Blade of the Immortal on a once a year release schedule. Blade of the Immortal vol. 25 is, as always, a beautiful piece of violence. There are some really exquisite page sequences in this volume. Samura amazes me with his artful blood spatters.

It has been a while since we’ve seen Shira in action; he had mostly been slinking around once he appeared again. The confrontation between him and Manji is sooooo what we’ve been waiting for for a long time. It certain had some surprises, though it isn’t over yet, but I was glad to see paths crossing again that I didn’t expect at this point. I kind of forgot that most of the characters don’t know Shira is still alive since we the audience have known for a number of volumes at this point.

We are finally privy to some insights on Manji’s immortality and vulnerability that we could only speculate on before. Although I don’t trust the information fully yet since it is only the doctor’s theory; this might be Shira’s big mistake.

At the end of this installment are some pretty hilarious joke comics parodying characters and situations in the series. I especially laughed when Rin needed bait to fish with so she cut off Manji’s arm.

The Ongoing Investigations are little peeks into what we are watching and reading outside of our main posts on the blog. We each pick three things that we were interested in a week and talk a bit about them. There is often not much rhyme or reason to what we pick. They are just the most interesting things we saw since the last Ongoing Investigation.

Continue reading