Ongoing Investigations: Case #232

narutaki_icon_4040 Mao no Kyoushitsu is a one-shot by Miki Yoshikawa done with her usual zany flair. This time she takes us to an elementary school class whose teacher just happens to be Satan.

The class is of course terrified at first, then they come to think it is all an act but is it!? Manami and her friends set out to find the truth, she being the only one who believes he must truly be Satan. I really enjoyed the repoire between all the kids from their over the top reactions to young cynicism. A wonderfully bizarre setup and fun romp that I wouldn’t mind reading more of.

Surely the best part is when The Devil commends Manami for attempting to burn him alive (it was an accident!).

hisui_icon_4040  It was nice to be able to track down a one shot story from Miki Yoshikawa in the form of Mao no Kyoushitsu. All too often we never get to see little stories like this from even well-known authors let alone lesser known artists like the author of Yankee-kun to Megane-chan. It can even be hard for the Japanese audience to read some of these stories let alone us Yanks.

Before I get into anything else I would like to mention that I thank goodness they translated chuunibyou as poser “nutjob-itis.” I feel like we are just getting out of the grips of small segment of people throwing around the term Chuunibyou all the time. So a somewhat silly English version fits with the scene were the kids are trying to figure out Mr. De Mon’s deal all the better. I don’t feel you have to translate every word into English for a good translation but here the adaptation of a complex word here adds a lot to the scene.

Other than that the strongest part of the story here is the characters. Manami is a great protagonist. Her desire for school to be more fun if Mr. De Mon’s story is true is really infectious. At times it makes her an unreliable narrator but that makes the story even more enjoyable.  You are sort of wondering if Mr. De Mon is really a hell spawn the whole time too. Also her reaction faces are great.

Mr. De Mon is equally fun. In a way he is the type of character that Miki Yoshikawa excels in. She knows when to play him for laughs really well but is not afraid to pull back for a little emotional softness when the time is right. The key is to go for the emotional moments at just the right time or they come off as lame. Also too much serous emotion makes the character overly dramatic and weighs down the comedy.

I also really like the delivery of the line, “”He likes pretty girls. Earth shattering.” A wonderful use of deadpan.

And the story ends nicely. You get the feeling there are more stories with Mr. De Mon but that is where the curtain closes. I feel that Miki Yoshikawa is a good enough author to continue the story of The Demon’s Classroom. She is really good at creating new avenues in a story that other authors would just use to tell variations on the same story. But at the same time this is a great place to end the story as a happy short story.

If you never read anything by Miki Yoshikawa this is a great place to get to know her as an artist with a minimum time commitment. It is a story that showcases some of her best features in a single story. If your already a fan I’m sure your hunting down this story as we speak.

Bonus: If are a fan of Miki Yoshikawa you will see an elementary school version of Hana Adachi in the last panel of page five.

The Ongoing Investigations are little peeks into what we are watching, reading, or playing outside of our main blog posts. We each pick three things without much rhyme or reason; they are just the most interesting things since the last OI.

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Ongoing Investigations: Case #228

narutaki_icon_4040 The Legend of Korra from Nickelodeon Studios returns! I had been actively avoiding all the preview clips and such before the actual release of the show. The double-episode premier moved at a very quick pace (which I’m feeling currently neutral about) and we saw the gang head off to the South Pole.

I liked that the show carried over Korra and Tenzin’s rocky student-mentor relationship. There was growth for both of them but that doesn’t mean things are all peace after the first season. The same can be said of Korra’s feelings towards her father. It is very clear that Korra feels like rebelling and that is only compounded, quite understandably, after some secrets are revealed about the past. I have a feeling more and more secrets are going to be dropped this season.

Korra’s uncle is so transparently evil that I hope they surprise us with his story and training of Korra. I would like to find out that he truly does have a positive connection with the spirits but his zealous attitude has taken things too far. I don’t want to see Korra get used but at the same time her impatient attitude has to catch up with her if we’re too see major changes for her.

I’m really curious to see Kya’s story!

Needs more Asami. Needs more Naga.

hisui_icon_4040 While the end of the first season of the The Legend of Korra suffered a bit then it tried with breakneck speed to tie up any and all loose ends before it ended I enjoyed the experience greatly. So I looked forward to see what would happen with the 2 episode hour-long special of the second season entitled Spirits. The first season was an extremely self-contained story, as it was originally supposed to be the only season, so one of the main questions was where they would go from the previous conclusion.

In many way the new season starts with everyone rather settled into the calm after the defeat of Amon. Some people are doing well like Mako and Korra while others are struggling to stay aloft like Asami and Bolin. But none of them are really worried about major world events or dire problems. All their current projects are personal but not necessarily trivial.

Korra is the most lackadaisical of the cast. Having learned the basics of air bending and touching her spiritual side she seems to have adapted an attitude of, “I got this.” Tenzin wishes to continue deeper into the spiritual side of air bending but Korra is all out of cares in her caring pouch. But before Tenzin can take her on a tour of the Air temples for a journey of self discovery and spiritual awakening as a compromise they agree to go to a festival at the South Pole first.

It should be clear from the title of the season that while Korra has gotten a good feel of the physicality of being the Avatar now the she can use all four elements she has only really taken a single step on the path of the world outside the material. When she encounters hostile spirits she can throw a good deal of damage their way but the subtleties unique to dealing with the immaterial is a complete unknown to her.

At the same time she is also dealing with her father and uncle. Her father is a well-meaning guy but is clearly someone who has made several poor decisions in his life. It is interesting in the fact that the bad things that happened to him  were not just misfortunes beyond his control but disastrous decisions that either came from poor judgement or an overprotective nature. Tonraq is clearly not a bad guy but someone who clearly flawed while trying to do the right thing. Her uncle, Unalaq, on the other hand is a well-informed and spiritual man. He clearly understands the world of the unseen and the proper rituals to deal with it. At the same time he seems inflexible in his beliefs. He is definitely the type to burn a village in order to save it without a second thought.

I am slightly tempted to ask my RPG group to watch this season if for nothing else they just started a storyline in-game that is dealing with spirits so it seems extremely relevant.

The episode ends well with a strong hook for the season. It shows the direction ion which a majority of the plot is going to revolve around at least for the time being if not the rest of the season. I’m glad to see a storyline that could be as interesting as the Equalist storyline from last year. There is also a major emphasis on the original progenitor of the Avatar concept as well. I am curious to see how his origin will tie into the larger story.

So far I like how the first season is going.  The last season was almost exclusively set in Republic City. This season seems to be focusing on the North and South Pole with the distinct possibility of doing some globetrotting to the mundane and spirit world as well. We have already seen that the Water Tribes have advanced since we last saw them as well as the Air country has begun to reform if they don’t really have any benders beyond Tenzin’s family. That exploration of the world alone should make this season worth watching.

The Ongoing Investigations are little peeks into what we are watching, reading, or playing outside of our main blog posts. We each pick three things without much rhyme or reason; they are just the most interesting things since the last OI.

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Ongoing Investigations: Case #225

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hisui_icon_4040 I recently got my hands on the Tsukihime Plus Period art book so I might as well discuss it on the blog. Not exactly sure we I have forgotten to talk about it here but the more important thing is that I correct that error. It helps fill in the gap in my collection as it is one of the more important Tsukihime art books. (For SOME unknown reason I mostly seem to have Fate/Stay Night art books.) Also the only other Tsukihime art book I have is Colorful Moon which is much more a fan book than something official like Plus Period.

Tsukihime came out in December 2000 and Plus Period was released in October of 2004. You can easily see that Takashi Takeuchi‘s art style has changed over the course of those four years just by this book alone. Since this has art from everything from Kara no Kyoukai to Melty Blood Re-ACT you can see his art improve by leaps and bounds. Early Arc and the Melty Blood Arc are not two entirely different characters but at the same time she is not the same character when viewed side by side. The book is valuable just for that look into Type-Moon in of itself. Also the path leading up to the current designs in the Tsukihime remake seems much less jarring when you see the shift between the original game, to Melty Blood, and now to the new look.

Like the later Complete Material books for the Fate franchise there is a good mixture of design art, promotional art, interviews, and new material. But I think there is also a lot more that shows that Type-Moon was a bit more in the doujinshi mindset than their more serious and corporate mode today. (Not that that have totally lost that spirit but they are much more professional now a days.)  There are a lot more silly comics, amateur works, and just rough but vibrant pieces. The whole section on Kara no Kyoukai while having a distinct and important connection to Tsukihime also has a much more amateur feeling. The whole Curry de Marche story might still happen today but it would have a different polish to it. It feels very raw in this art book.

There is still a good deal of valuable information as well. It has material from Tsukihime, Kagetsu Tohya, and Melty Blood all in the same place. We see off handily mentioned but never seen before characters like Riesbyfe and Kiri Nanaya. The Talk story also gives interesting insights into what a Tsukihime 2 might have contained (or should I say might contain in the future.) As always there is a wealth of information in the interviews that feels so close but so far away. I would love a translated version of those interviews. We have nice snippets of them but something in an official book would be more real to me.

There are a few rough sketches with Takeuchi trying to draw the main cast with a far more “realistic” style which was interesting. There is also a weird page or two where everyone is drawn like super creepy ball joint dolls (aka ball joint dolls). If anyone knows my hardline stance on ball joint dolls they will know my feelings about those pages (No me gusta.)

Random doujinshi idea inspired by the book: Akari Fujisaki from Hikaru no Go accidentally becomes the head of the Back Alley Alliance and no one notices it is not Satsuki Yumizuka.

If nothing else the book really makes me want to go back and play Tsukihime again. It also makes me chomp at the bit for Mahoutsukai no Yoru. Thankfully that is much closer to completion than the last time I checked. The world needs more of the vibrant Aoko Aozaki.

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narutaki_icon_4040 Curses Foiled Again is the sequel to the delightful Foiled by Jane Yolen and Mike Cavallero. And from the looks of the ending, there may be more books in the future.

Aliera’s new-found powers as the Defender of the Faerie are one’s she’d rather forget as the real world continually gets weirder as more and more of the fairy realm becomes apparent. Trying to ignore things of course only makes things worse culminating when Caroline, Aliera’s cousin, gets kidnapped.

Some of the greatest moments of the book are when Aliera and Avery are imprisoned in the Troll realm. The lead up is just hilarious and speaks to New Yorkers decidedly ignoring weird things going on around them. The artwork hits full gear in these scenes especially our would-be heroes escape. The lighting and paneling during their subsequent path through the caverns add such atmosphere to the moments.

I felt this book didn’t push the character development too much which left me feeling a little unemotional to things happening. Still, it was a fun installment and like I said there seems to be more planned. I’d be interested to see more of Caroline in possible future volumes.

The Ongoing Investigations are little peeks into what we are watching and reading outside of our main posts on the blog. We each pick three things that we were interested in a week and talk a bit about them. There is often not much rhyme or reason to what we pick. They are just the most interesting things we saw since the last Ongoing Investigation.

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