The December Line-Up

As the year winds down, there isn’t a ton of things to report for the U.S. this month. In November, we saw a dip in U.S. license announcements, but there was still plenty of news coming out of Japan. The same holds for December, too. But if January 2012 was any indication, we should see Stateside news pick-up after the first of the year.

This also marks the first year we have been running The Line-Up. Hopefully this column will help anyone doing any year in review posts as well as just reflect on the year with anime and manga in general.

The Line-Up is a monthly rundown of newly licensed in the U.S., newly streaming in the U.S., and newly announced anime and manga projects.

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Ongoing Investigations: Case #195

I figured I might as well get this over with while Narutaki was on vacation so she did not have to revisit this unnecessarily unless she wanted to. Let us discuss the ending of Eureka Seven: AO (episodes 21-24). I suppose we could talk about the series as a whole at another date but I just want to get this little amount off my chest. You might wonder why I put up a picture of Dewey Novak for this review considering he does not ever appear in this sequel. Trust me. He is critical.

My main complaint about the ending is simple. But it is a fatal flaw that trumps all the other many minor flaws. According to Eureka Seven: AO it seems that Dewey Novak was right. He might have been a pedophilic mass murder who would not only commit patricide but also tried to destroy the world but as it turns out he was right. Mankind cannot live with the Scub Coral and the Coralians. One race must die so one race may live. So AO flushes the entire lesson of people learning to coexist utterly down the drain. Since I though that the original show and its themes were amazing this was a less than preferable twist in the sequel. I’m not saying that is no merit to the idea of a former villain actually be proven to have a legitimate (and actually correct) reason for his insane plan. I’m just saying in this case it was done super poorly.

Then there is the fact that Elena Peoples’ story line was amazingly anticlimactic, Naru Arata’s plot line seems totally forgotten by the end, and Truth was just all over the place as a villain. Everyone switched sides at one point or another and not always for good reasons. And in the end it all did not really matter as the Quartz Gun erases about 99% of everything that happened in the series. In the end I was mostly just glad the series was over.

It is really a shame. I had decently high expectations for this series. The first episode was promising and intriguing. But sadly my initial ideas of where the series was going were far better than anything that played out on-screen. This series certainly does not ruin the original series for me. That is still aces in my book. But I would never recommend anyone watch this after the original.

sep-manga

The finale has arrived, Kekkaishi’s last volume (35) hit stores as 2012 was coming to an end as well.

The finale volume is mostly falling action, which was rather refreshing, as the final pieces of the puzzle are revealed. I don’t think it is spoilers to say things mostly work out with the fate of the Shadow Organization falling to a new head. Karasumori’s existence is put to rest though still with some surprises in the mix and one very beautiful moment that brought a tear to my eye. And the rivalry between the clans Sumimura and Yukimura is dissolved.

I was pleased with the roles Yoshimori and Tokine played in the ending of this grand story. But they weren’t the only ones to have a big piece in the finale, and that’s what I liked best about the entire series. This was an ensemble cast and story which played out as such up until the very end; characters were not thrown by the wayside to build up Yoshimori’s importance. With such a great cast, I wouldn’t mind side stories about any number of them.

I’ve been so pleased to follow this wonderful shonen fighting manga for quite a while, anticipating each new installment. I’ll continue to sing its praises and recommend it even if it won’t be constantly reminding me of its presence every couple of months. I really hope VIZ picks up Yellow Tanabe’s new work in the near future.

The Ongoing Investigations are little peeks into what we are watching and reading outside of our main posts on the blog. We each pick three things that we were interested in a week and talk a bit about them. There is often not much rhyme or reason to what we pick. They are just the most interesting things we saw since the last Ongoing Investigation.

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REPOST – The Speakeasy #006: The Black Russian and the White Russian, The Art of Adaption

Drink #006: The Black Russian and the White Russian,
The Art of Adaption

A majority of the anime produced is based on a preexisting work. A good deal of shows are adapted from manga but there is also anime based on light novels, video games, literature, and even some more unusual sources. But not all anime is adapted equally. Assuming that the source being adapted is solid, what makes a good anime adaption and where can adaptation go wrong? We will be talking about the different philosophies used in adapting works and the strengths and weaknesses that comes with any strategy. We will also try and discover why the adapting an anime into a manga seems to fail so often.

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And now your helpful bartenders at The Speakeasy present your drink:

BLACK RUSSIAN
5.0 cl Vodka
2.0 cl Coffee liqueur
Pour the ingredients into the old fashioned glass filled with ice cubes. Stir gently.

WHITE RUSSIAN
5.0 cl Vodka
2.0 cl Coffee liqueur
3.0 cl Fresh cream
Pour coffee liqueur and vodka directly into old fashioned glass filled with ice. Float fresh cream on the top and stir in slowly.