The Birth of Kitaro: The God of All Yokai

narutaki_icon_4040_round Having just recently finished Shigeru Mizuki’s Showa: A History of Japan, it seemed like a golden opportunity to sample his most enduring work Gegege no Kitaro. So when D+Q offered us a review copy of The Birth of Kitaro we jumped at the chance.

hisui_icon_4040_round If you have ever enjoyed Mushishi, Natsume Yuujinchou, Mononoke, xxxHolic, Kekkaishi, or Nura: Rise of the Yokai Clan then you owe a great deal of thanks to Shigeru Mizuki. Much like Osamu TezukaGo Nagai, or Rumiko Takahashi he is an artist that has influenced countless titles in an unmistakable manner. Every manga and anime that has spirits, demons, ghouls, ghosts, gods, devils, or monsters has a touch of Gegege no Kitaro in it. In fact most of them are either borrowing heavily for the structure of Gegege no Kitaro or dipping into the cavalcade of mythical Japanese creatures that Shigeru Mizuki popularized. In fact most of them do both.

Yokai existed before Shigeru Mizuki started writing about them and would have been the topic of anime and manga even if he had never been born. They are an integral part of the Volksgeist of Japan. What Shigeru Mizuki did was put his own very particular take on the concept that has become just and much part of Japanese storytelling as the Yokai themselves.

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Manga of the Month: Barakamon

Barakamon (ばらかもん) by Satsuki Yoshino

narutaki_icon_4040_round There are a few rare occasions in which you will find me enjoying a, what could be termed, “slice of life” series. In Barakamon, the combination of comedy, small town life, and just a hint of forward progress for Handa makes the series absolutely endearing.

When young, master calligrapher Handa takes a swing at a critic, he is pushed off to the countryside by his manager until things blow over. While there Handa actually thinks about the critic’s words and begins to rediscover who he is as an artist.

This is all facilitated by Handa’s interactions with the many colorful people of the town chiefly elementary schooler Naru who is the first person to befriend “sensei” driving him crazy with her rambunctious antics. There are high schoolers and best friends Miwa and Tamako who are charming in their mildly malicious tricks. And semi-delinquent Hiroshi who probably comes closest to being a peer and friend to Handa. Plus, a whole array of other semi-recurrent eccentric folks for Handa to play off of.

Satsuki Yoshino does a great job of changing up the pace of each story. Sometimes is centers around a calligraphy project of Handa’s, sometimes is a problem one of the townspeople is having, sometimes unexpected visitors arrive, sometimes we learn a bit about the past, sometimes it is a lazy day, and so on and so forth. Whatever it may be the comedic timing always pulls it together.

At the same time, there is always an undercurrent of sentimentality only coming to the forefront in single passing moments. It is there just enough. This let’s Barakmaon feel like more than a situational comedy.

I always catch myself smiling about Barakamon long after I’ve finished a volume. Barakamon is a true delight.

~ kate

The May 2016 Line-Up

The Line-Up is a monthly rundown of new anime, manga, novel, and artbook licenses for the U.S. It also lists new streaming/broadcasting announcements and posted crowdfunding projects available to U.S. residents. And finally, it includes anime/manga projects and live-action anime/manga adaptation announcements from Japan.

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