Ongoing Investigations: Case #226

narutaki_icon_4040 Wolfsmund (vol. 1) by Mitsuhisa Kuji is the latest release from Vertical. The story tells the tale of a dark period of history set in and around the Alps in the mid-17th century centered around the St. Gotthard Pass (a fortress nicknamed Wolfsmund) and ensuing unrest of the peasant population.

The art of Mitsuhisa Kuji is well suited to details adding a lot to the historical period as well as the setting. I also found her depiction of Wolfram as perfectly unnerving in his clam expressions and easy smile.

The first couple of stories feel more like one shots, but they are really there to build up the reputation of Wolfsmund as a place without mercy and a master who is charming and frightening. The running thread is a woman in town providing hospitality to travelers hoping to pass through Wolfsmund’s gates. Later in the volume, Willem Tell and his son arrive in the town and that is when the story really begins.

It was refreshing seeing a different bit of history being called on as a compelling backdrop. You really wouldn’t call it “forgotten history” but at the same time there isn’t a ton of manga-ka tackling the Swiss peasant rebellions either.

Wolfsmund is brutal historical fiction/fantasy executed with a deft artistic hand. Easily one of the best, and my favorite, new manga titles out. If you’re sitting around waiting for Vinland Saga, this should be your next purchase.

hisui_icon_4040 It is often said that a well crafted villain is more interesting than a well made hero. Wolfsmund seems to take this philosophy to heart by centering the narrative around a truly despicable villain and having him act as a thresher against a wide variety of heroes. That means that characters who would be protagonists in any other story have a very transitory feel as they are more foils there to be inevitably defeated or at least set back by Wolfram, the man in charge of Wolfsmund. So when Wolfram’s inevitable defeat comes you feel his punishment is well deserved after you have seen the number of lives he has destroyed.

Then again this is seinen. It is always a little unusual but not totally unheard of for the villain to never get their comeuppance in a series for older readers like this. Will the story end with Wolfram being taken down and Wolfsmund finally broken? Probably. But you never know. And that is what keeps the story interesting.

Willem Tell is one of those interesting characters like King Arthur and Robin Hood that might have at one time been based on a real person but whoever that person (or amalgam of people) was is nowhere near as important as the legend that sprung about around the figure that exists because of the stories. That means Mitsuhisa Kuji has a character with casts a fairly large shadow but can be worked with since he is far more legend than real man so you don’t have to worry too much about pesky sticking points of history. But as The Rose of Versailles has shown with someone like Duke du Orleans that you can have a decent amount of leeway with real people like The Duke of the Hapsburgs if you make the story compelling enough.

It is always worth pointing out that Mitsuhisa Kuji started working as an assistant for two very different mangaka. She was an assistant for Kentaro Miura of Berserk fame and Kaoru Mori best known for Emma. So you have the hyper violence and grittiness of the dark fantasy series and then soft touches and attention to historical details from the Victorian romance. As contradictory as those styles may seem at first you can see both influences clearly blending together in Wolfsmund. The characters have a gentle almost shojo feel which exacerbates their suffering when really horrible things happen to them. At the same time there is a distinct amount of research given to the details of the setting that make it feel very real. And everyone can die. And I mean anyone. And so two very different styles blend together to make a third type of story very different from its mentor’s but borrowing many of their best traits.

After one book I am curious to see where the story goes. It is a unique historical series with a very different flair. But also buy Vinland Saga. Just buy both series for different reasons ans support more historical manga in the end.

The Ongoing Investigations are little peeks into what we are watching and reading outside of our main posts on the blog. We each pick three things that we were interested in a week and talk a bit about them. There is often not much rhyme or reason to what we pick. They are just the most interesting things we saw since the last Ongoing Investigation.

Continue reading

Ongoing Investigations: Case #225

Arcueid.Brunestud.full.91343

hisui_icon_4040 I recently got my hands on the Tsukihime Plus Period art book so I might as well discuss it on the blog. Not exactly sure we I have forgotten to talk about it here but the more important thing is that I correct that error. It helps fill in the gap in my collection as it is one of the more important Tsukihime art books. (For SOME unknown reason I mostly seem to have Fate/Stay Night art books.) Also the only other Tsukihime art book I have is Colorful Moon which is much more a fan book than something official like Plus Period.

Tsukihime came out in December 2000 and Plus Period was released in October of 2004. You can easily see that Takashi Takeuchi‘s art style has changed over the course of those four years just by this book alone. Since this has art from everything from Kara no Kyoukai to Melty Blood Re-ACT you can see his art improve by leaps and bounds. Early Arc and the Melty Blood Arc are not two entirely different characters but at the same time she is not the same character when viewed side by side. The book is valuable just for that look into Type-Moon in of itself. Also the path leading up to the current designs in the Tsukihime remake seems much less jarring when you see the shift between the original game, to Melty Blood, and now to the new look.

Like the later Complete Material books for the Fate franchise there is a good mixture of design art, promotional art, interviews, and new material. But I think there is also a lot more that shows that Type-Moon was a bit more in the doujinshi mindset than their more serious and corporate mode today. (Not that that have totally lost that spirit but they are much more professional now a days.)  There are a lot more silly comics, amateur works, and just rough but vibrant pieces. The whole section on Kara no Kyoukai while having a distinct and important connection to Tsukihime also has a much more amateur feeling. The whole Curry de Marche story might still happen today but it would have a different polish to it. It feels very raw in this art book.

There is still a good deal of valuable information as well. It has material from Tsukihime, Kagetsu Tohya, and Melty Blood all in the same place. We see off handily mentioned but never seen before characters like Riesbyfe and Kiri Nanaya. The Talk story also gives interesting insights into what a Tsukihime 2 might have contained (or should I say might contain in the future.) As always there is a wealth of information in the interviews that feels so close but so far away. I would love a translated version of those interviews. We have nice snippets of them but something in an official book would be more real to me.

There are a few rough sketches with Takeuchi trying to draw the main cast with a far more “realistic” style which was interesting. There is also a weird page or two where everyone is drawn like super creepy ball joint dolls (aka ball joint dolls). If anyone knows my hardline stance on ball joint dolls they will know my feelings about those pages (No me gusta.)

Random doujinshi idea inspired by the book: Akari Fujisaki from Hikaru no Go accidentally becomes the head of the Back Alley Alliance and no one notices it is not Satsuki Yumizuka.

If nothing else the book really makes me want to go back and play Tsukihime again. It also makes me chomp at the bit for Mahoutsukai no Yoru. Thankfully that is much closer to completion than the last time I checked. The world needs more of the vibrant Aoko Aozaki.

sep-comics

narutaki_icon_4040 Curses Foiled Again is the sequel to the delightful Foiled by Jane Yolen and Mike Cavallero. And from the looks of the ending, there may be more books in the future.

Aliera’s new-found powers as the Defender of the Faerie are one’s she’d rather forget as the real world continually gets weirder as more and more of the fairy realm becomes apparent. Trying to ignore things of course only makes things worse culminating when Caroline, Aliera’s cousin, gets kidnapped.

Some of the greatest moments of the book are when Aliera and Avery are imprisoned in the Troll realm. The lead up is just hilarious and speaks to New Yorkers decidedly ignoring weird things going on around them. The artwork hits full gear in these scenes especially our would-be heroes escape. The lighting and paneling during their subsequent path through the caverns add such atmosphere to the moments.

I felt this book didn’t push the character development too much which left me feeling a little unemotional to things happening. Still, it was a fun installment and like I said there seems to be more planned. I’d be interested to see more of Caroline in possible future volumes.

The Ongoing Investigations are little peeks into what we are watching and reading outside of our main posts on the blog. We each pick three things that we were interested in a week and talk a bit about them. There is often not much rhyme or reason to what we pick. They are just the most interesting things we saw since the last Ongoing Investigation.

Continue reading

Ongoing Investigations: Case #224

narutaki_icon_4040 Hey everyone, did you know that the Axe Cop cartoon is now on? I have been looking forward to this ever since it was teased. With eps. 1-2 you get a great sampling of what you’re in for if for some inexplicable reason you have never read the comic.

The opening of the show gives you a very quick rundown of how Axe Cop became Axe Cop, a perfectly necessary thing to do. What elevates it is the kid narrating, who may very well be writer Ethan Nicolle, giving just the right amount of gravitas to the premise. So already each and every episode starts off on the right foot.

Axe Cop’s voice is perfect and the delivery of the absurd dialogue is spot on. The animators capture the world of Axe Cop quite well and they have a good idea for funny background details.

The stories so far are an amalgam of what has been in the comic but put together in different ways to create semi-new insane tales with different interactions and jokes. Flute Cop’s role comes off as the most changed as he is a straight man to the wackiness often times. I hope that he turns into Dinosaur Soldier in an upcoming episode.

This show is a perfect fit for Fox’s animation block.

hisui_icon_4040 If there is one thing you cannot accuse Axe Cop of it is a slavish devotion to the conventional narrative structures we all know. I mean there is some semblance of your standard plot. It is not Ulysses or Gravity’s Rainbow here. (Somewhere a literature major threw up inside their mouth when I put Axe Cop in the same paragraph as those two books. But they are a literature major … so no one cares.) It is just a show that hops from plot point to plot point with an extremely stream of consciousness sense of progression.

That actually makes sense since Axe Cop in the creation of the adult Ethan Nicolle, who does the art, and his young son who is the writer. Is it theoretically about a cop who has an axe that fights crime. It is actually about the strange adventures of testosterone laden Gary Stu who goes around being a man’s man in a way that would make Brock Samson and Golgo 13 look like the forgotten members of the Golden Girls. That means he kills zombies, ninjas, dinosaurs, and the King of all Bad Guys with extreme violence and kid logic.

And that is the selling point of the series. When Bat Warthog Man’s friends are all eaten by the King of All Bad Guys it is up to Axe Cop to assemble a team so he can blow a horn inside the huge villains head. This lets dinosaurs can eat the villain’s brain. Mr T, a dinosaur rental store, scatological humor, and giant chicken bodied generalissimos get involved along the way. And that is the first episode. The second episode has super intelligent poop as a villain. Also we learn that Axe Cop is too cool to defecate like normal people.

I think the real question comes down to  how does this compare to the original comic. The original comic just feels tighter. Things just HAPPEN. But since it is all centered around one page stories so it just feels odd organic despite its almost absurdest nature. With 11 minutes to fill they try to keep that same vibe while centering everything around an actual plot structure. In a way that loses a bit of the original’s charm. Not enough to kill the momentum but enough to make one a clear winner.

Also at 11 minute half episodes this still works but if they take these plots and try to make them half an hour episodes they are just going to meander most of the time. Maybe two 11 minute half episodes in each episode would work but full episodes would stretch the premise too thin. Also something makes me roll my eyes at the thought of Axe Cop episodes trying to have B plots.

Also despite what Naruatki says the real reasons she likes this so much is because they often involve dinosaurs in the comic. It really makes you think how badly Terra Nova had to botch things up for her not to like that series.

The Ongoing Investigations are little peeks into what we are watching and reading outside of our main posts on the blog. We each pick three things that we were interested in a week and talk a bit about them. There is often not much rhyme or reason to what we pick. They are just the most interesting things we saw since the last Ongoing Investigation.

Continue reading