
Every year Otaku no Video is used to kick off Otakon. It has had that spot on the programming schedule ever year since 1994 because it was one of the first and most well know anime that looks into the heart of otaku culture. It encapsulates the spirit of any anime convention and the otaku lifestyle. It simultaneously sings the praises of the otaku while hanging its head in shame at the same time. Otaku no Video does this dichotomy in storytelling with two different narratives taking place. One story is told with animation and one story is told through a live action mockumentary. Each path takes its own look at anime fandom and pushes past is logical extreme for comedic effect. In between these two extremes is where Gainax and maybe even anime fandom’s true opinion of itself lies.
Otaku no Video is a show that I remember from my early fandom. I don’t know how it is exactly, probably just the internet, but it seems as soon as you start watching anime, as soon as you enter fandom, you find out about the word “otaku.” It is like magically you just know this word and whether you use it right or wrong, and who says what the right and wrong is, becomes a part of your fandom. Nowadays you can find any number of shows featuring otaku, but when Otaku no Video hit the streets it wasn’t often otaku were main characters. But despite the prevalence of such things now, Otaku no Video is still a unique work without equal.


