Manga of the Month: The Promised Neverland

The Promised Neverland by Kaiu Shirai and Posuka Demiz

hisui_icon_4040_round Sometimes you finish all your work for the day but you will have 20 minutes before you can go home. As anyone who has ever worked in an office will tell you that is YouTube time. It is not enough time to start working on anything you need to do but it is also not enough time to waste doing nothing. Finding myself in that sweet spot I loaded up a video that caught my eye about The Current State of Shonen Jump. It was an examination of the magazine since the conclusion of Bleach and Naruto. It is a solid analysis of the state of the magazine after they lost two of the recent Big Three titles. The thing that caught my attention the most was mostly just a footnote in the greater context of the video. One of the most popular titles in the magazine was currently The Promised Neverland. Other than Hinomaru-Zumou I was fairly familiar with all the other titles on the list. Hinomaru-Zumou is a sports manga about sumo without an anime so it is essentially invisible to the English-speaking fandom. I was far more surprised that I had never of heard of The Promised Neverland. That made me immediately buckle down and do some research.

The more I looked into The Promised Neverland the more I was surprised I had not heard at least a bit of buzz about it. Now it started in the middle of the pack rankings wise in Japan but really jumped up in popularity as the series has gone on. Carl from Ogiue Maniax described it as Death Note with tiny orphans. While it is hardly a perfect description it works perfectly as an elevator pitch. Demonic Seraph of the End or a cat and mouse version of Attack on Titan also work as broad overviews that sort of hint at what the series is about. Sufficed to say much like Death Note it feels a little different from the normal fare found in Shonen Jump. If you find that intriguing like I did then you definitely want to read the rest of this.

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Manga of the Month: Lucifer and the Biscuit Hammer

Lucifer and the Biscuit Hammer (パ惑星のさみだれ) by Satoshi Mizukami

hisui_icon_4040_round The title of manga is often the series first foot forward. Much like a beautiful cover or a striking character design the title has the ability to catch a reader’s imagination in an instant. Most titles are functional with maybe a little hook. Just looking at the top manga on My Anime List you find titles like Berserk,  Fullmetal Alchemist,  Monster, One Piece, Slam Dunk that are all slightly descriptive and mildly intriguing but rely much more on their art work and plot description to draw people in. None of those titles hurt their respective series but they also don’t do any sort of heavy lifting. Then you have the infamous super lengthy light novel title that spells out the premise in almost press release levels of detail. I just linked to an article about some of the longer ones because nobody has time for a list of four of them. Those titles are the very essence of it sells you exactly what is on the tin.

 In contrast Jojo’s Bizarre Adventure almost demands that you pick up the series just to see what it is about. It only gives you the vaguest idea what the series is about and piques all but the dullest curiosity. Lucifer and the Biscuit Hammer is one of those titles as well. You have a Judeo-Christian fallen angel and a device for making mochi. Not two things you normally associate with each other. It is a title that invites anyone who see a volume at least a reason to give it a second glance. You probably want to at least know the general plot if nothing else.

I had actually heard about Lucifer and the Biscuit Hammer several years back. It was generally one of those titles that had a small but vocal fanbase that usually would throw it out as a series that needed to get licensed. The passion of the fans mixed with the memorable title definitely kept it as something I should remember. When I saw that my local library had the complete series I felt it was finally time to see what everyone had been talking about. I truly think that if the title has been less memorable I might have not had anywhere as strong an inclination to read this series which would have been quite the shame.

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Kizumonogatari: Beware That, When Fighting Monsters, You Yourself do not Become a Monster…

hisui_icon_4040_round This post is four reviews for the price of one. You can’t beat value like that. Mind you this site is free but I still think the economical nature of this post is undeniable.

I decided that I would review all three Kizumonogatari movies as well as the original novel in one post. While I was given a copy of the Kizumonogatari novel right after I saw the first movie I decided that I would wait to read it until after I watched all three movies. It is a well-known phenomenon that visual adaptations tend to get much harsher reviews if the critic has read the source material first. I wanted to give both versions as fair as shake as I can so that is why I am bundling all four reviews into one review.

As this is a Nisio Isin series that focuses on vampires there is absolutely no chance of Kate participating in this review. Much like crosses and vampires, I’m fairly certain that Kizumonogatari actually acts as a ward against Kate and possibly does 2d6 damage under the right circumstances.

I also wanted to mention that these Kizumonogatari movies have been in a bit of limbo for a while. The films were originally announced all the way back in July 2010. After several delays and the release of later books as TV series, the release of Kizumonogatari became a bit of a running joke among fans of the series as it was trapped in development hell. In fact, Shaft released 2 multi-part seasons of different parts of the Monogatari series before they released these three movies. More and more points of the anime referenced the plot in Kizumonogatari with the assumption that people had read the book so anyone who only watched the anime just had to piece what happened in the third book by inference. That too became a bit of a running joke with English-speaking fans.

I don’t really know why the movies got delayed as long as they did. It is certainly not a Duke Nukem Forever train wreck despite being delayed so long. In fact, it is on par with everything else that has come before it with a bit more theatrical polish. I mostly wanted to mention that as a bit of history especially if anyone reads this post years after the movies come out it would be very easy to not ever realize how much later these movies came out then it was originally scheduled.

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