NYICFF 2012: A Monster in Paris, The Voice of an Angel

First, I really must thank the New York International Children’s Film Festival for bringing one of my wish list movies of 2011 to the event this year. This French CGI production played in 3D and was the opening night feature to kick off the nearly month-long festival. This comedy adventure features wonderful animation, great music, and charm on all levels.

Our story begins in a flooded Paris of the early 20th century, giving a magnificent backdrop to the tale. When Emile and Raoul make a delivery to a scientist’s lab, they take the time to explore. Their experiments accidentally create a giant insect that promptly escapes into the city. With the pompous police commissioner in pursuit, the now infamous “Monster of Paris” meets young singer Lucille who takes him in after recognizing his noble heart.

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Manga of the Month: GTO: The Early Years

GTO: The Early Years aka Shonan Junai Gumi (湘南純愛組!) by Tohru Fujisawa

Since I already did GTO: Shonan 14 Days as a Manga of the Month it is only natural that I recommend GTO: The Early Years as the companion piece. Shonan Junai Gumi is where Eikichi Onizuka’s adventure started. I always had a vague feeling there was a longer story that occurred before GTO when I first read the series. Characters make quick reference to old stories and grudges. Characters would pop on to the scene with minimal introduction. Ryuji Danma and Onziuka seemed to have had a tremendous amount of back story. But I did not think much about it and just assumed Tohru Fujisawa liked it hint at a greater story than he was telling. But when I learned that GTO was a sequel to an equally long manga called Shonan Junai Gumi it all made sense. So I was thrilled when Tokopop started releasing the original series and crushed when they closed up shop leaving the manga unfinished. Thankfully Vertical has licensed recused this series and is putting their own signature polish of the title.

Back before he was the greatest teacher in Japan Eikichi Onizuka was just a teenager with his friend Ryuji Danma and they both had a dream. To finally lose their virginity. It just so happens these two goofy teens are also the toughest delinquents in all of Japan. So the Oni-Baku has to fight all stripes of insane thugs, miscreants, yankees, criminals, and psychopaths to keep their reputation while trying to find love (or at least satisfy their lust) with some lucky ladies. They build quite a gang for themselves in the process.

It is great to get the end of the beginning of the Onizuka legacy when it seemed like this part of the story would not see a full licensed release in the US. While this part of the story is a bit cruder than later parts of Onizuka’s story it also has its own energy that is not present in the later iterations as well. The art and story telling is a bit less refined but I feel the humor is a bit ruder, the action a bit wilder, and the stakes a bit higher. As Tohru Fujisawa goes on in his career his work gets much more refined but he loses a bit of spontaneity in the process. This is the raw and uncut Onizuka. I would like to see this do well because then Vertical can go back and redo the old Tokoyopop versions of GTO: The Early Years and maybe even GTO itself. If you want more Onizuka there is the new Ino-Head Gargoyle that continues the GTO legacy with Saejima Toshiyuki who has been with the GTO franchise since Shonan Junai Gumi as well.

Manga of the Month: Take Moon

Take Moon (テイクムーン) by Eri Takenashi

With Carnival Phantasm just wrapping up I decided I might as well spotlight it’s origin. Take Moon was a little comedy anthology that Eri Takenashi of Kannagi fame wrote while she was still at Type-Moon (not that she fully left as she is doing the character designs for Girl’s Work.) It took the mostly serious characters from Tsukihime and Fate/Stay Night and puts them in utterly comedic situations to play out their personalities in as exaggerated manner as possible. So Arcueid goes from eccentric vampire to am undead blonde airhead while Saber is portrayed less as a hungry young swordswoman and more as a bottomless pit. But it is all done in a loving manner. It has the lighthearted feel and spirit of fandom present in an amateur doujinshi with the polish of a professional manga. The first book is all Tsukihime characters where as the second book add in skits from Fate/Stay Night. You can tell that Eri Takenashi has a bit off a soft spot for Arcueid and Ciel but almost everyone gets a turn in the spotlight. Even Hanei Misawa and Bazett Fraga McRemitz get some screen time.

I will warn readers that the manga has two major barriers. The first is it assumes that you know the Nasuverse characters inside and out. No real effort is made to introduce the characters or their worlds. Eri Takenashi not only assumes you have played all the Type-Moon games but that you also know the fandom in-jokes surrounding the games. You don’t just have to know who Kohaku is but know her mad scientist persona that she has gained outside of the main games. The second barrier is the fact there is no official English release and the second volume has never been fan scanned. I think it would be neat if someone picked it Take Moon considering the increased interest due to Carnival Phantasm and its short length but I am not holding my breath.

Speaking of Carnival Phantasm the instant question is, “If I watched Carnival Phantasm is there any reason for me to read Take Moon?” The answer is of course. While some of the stories are pretty much a direct interpretation most of the stories have been modified. The anime adds in characters that were introduced after Take Moon was written like Riesbyfe Stridberg or Red Saber but throws some characters like Arihiko Inui and Zouken Matou from main character roles to minor cameos. Heck the whole Phantasmoon skits from the anime are based on one page of a longer and very different Phantasmoon story in the original manga. Both have stories unique to their iteration as well. I mean if nothing else you don’t want to miss out on the Mystic Eyes of Breast Enlargement. It is a delightful little piece of fun for fans of Type-Moon and Eri Takenashi alike.