Manga of the Month: December

RG Veda by CLAMP

There are few CLAMP works that one could actually say go under appreciated so while RG Veda is certainly not wholly forgotten, CLAMP’s current and growing fan base may not have gone all the way back to the beginning. RG Veda involves many familiar, but well done, fantastical elements including a worn torn land, magic, desolated clans, gods, a mysterious prophecy, an orphaned child, and a group of warriors who come together to fight a great traitor. The setting is distinctly another time and place sufficiently ingrained in many mythologies of the world. The crux of the story centers around Yasha and Ashura, two beings that are destined to meet and cause great deeds and calamities in the world. Yasha is a great warrior who defies both Taishakuten the Emperor, what his clan wants him to do, and even fate itself to protect Ashura who is but a child at the beginning of the story. Once he does this, there is no turning back, his path is set and he has no choice but to see it through. Along their quest to free the world of Taishakuten’s wrathful rule they encounter allies and foes, sometimes having difficulty telling one from the other. There are very fatalistic themes presented so pick your favorites carefully because no one is safe and it’s never clear what paths all will take. While CLAMP reexplores this theme in X (possibly with more polish), RG Veda is still an engrossing fantasy tale with rich characters and a setting that shows off an ability to carve out a memorable tale in just 10 books.

Maison Ikkoku by Rumiko Takahashi

If I had to pick one manga as the only manga I could ever read again it would be a tough choice but I am almost certain I would pick Maison Ikkoku. While she is hardly the best manga-ka Rumiko Takahashi is my favorite manga-ka. And my favorite work she has ever done is Maison Ikkoku. It captures everything that is wonderful about Rumiko Takahasi’s ability to write comedy and romantic drama that pulls at the hearts string while simultaneously tickling the funny bone. Most importantly it has a solid and wonderful conclusion that lets it avoid some of the criticism of her other work.

Yusaku Godai is a ronin desperately studying to get into college but the people in his apartment building keep disrupting his studies. Finally reaching his breaking point he is about to move out when he discovers there is a young and beautiful new apartment manager named Kyoko Otonashi. Godai instantly decides to stay and try and win her affections but he faces some major obstacles. First he is perpetually broke and horrifically unlucky. If anything can go wrong for him it will go wrong for him in the worst possible way. Secondly he quickly gains a rival for her attentions in the form of the handsome, witty, and rich tennis coach, Shun Mitaka. And the most important obstacle is the fact that Kyoko is a widow who has not moved on from her the death of her husband.  Can Godai find happiness or is he doomed to remain a loser for the rest of his life?

I doubt most people are going to connect as personally to the story of Maison Ikkoku as I have. I so empathize with Godai. I understand how it feels to be continually a day late and a dollar short. I know how it feels to wonder if you seemed destined to fail no matter what you do. I know how it is the continually reach for a goal that always seems ever distant. To feel you will never measure up to those around you. I also understand perfectly Godai’s love for Kyoko. Kyoko has a dignified beautify and a refined grace. She is strong yet gentle. She can be stern and even stubborn when pushed but by default she generous and kind. She always pushes Godai forward believing that he can be a better man and do more. At the same time she never lets him get away with giving up or slacking off. More than anything else she feels real. She is a mixture of sadness and happiness and strength and weakness that makes her feel authentic. Their slow building relationship and their give and take is what sold me on the series. But make no mistake I think this series will resonate with anyone who reads it. The delightful mixture of comedy and romance is superbly balanced and draws you in. By taking the scenic route towards the conclusion it makes the overall trip much fun and ultimately rewarding. I could go no but what you should take away from this is that more than any other manga I suggest everyone go out an read at least the first book of Maison Ikkoku.

If anyone knows me well enough they know that I do not whip out Maison Ikkoku as anything but The Big Gun. And with that I announce that Manga on the Month is going on hiatus. This blog is always a work in progress so we decided to mix things up once again. We are replacing the manga of the month with the Speakeasy. Once a month Narutaki and I will pick something that is on our mind and give you a little dissertation on the subject. I think it will be a little more personal and should thought provoking and entertaining for both you the readers and us. See you next year!

Guin Saga (#2-5): The Marches Episode, Hungry like the leopard.

Well done serial adventures like Flash Gordan and the Lone Ranger work best if they are addictive. They should engage the audience in a way that even after giving you some amount of resolution keeps you coming back again and again. Guin Saga is no exception to this rule, the first book tells a complete story but it is a very small piece in the grandiose epic of Guin discovering who he is, what he was meant to do, and being totally awesome while he does it. The next four books keeps up the constant forward momentum of Guin and his companions in the next leg of the journey. When you finish one book you will often be surprised how quickly you find yourself wanting to move on to the next.

Once I got my hands on the rest of the Guin books released from Vertical, it was a short time before I was finished and wanting more. We decided to review the rest of the Marches Episode of Guin together because a lot that is going on is very transitional especially in the second and third installments. This is by no means a complaint or a determent to the series, it is just a fact in a multiple volume story that some books will fall into this section of moving the story along without having any huge incidents. However, Kaoru Kurimoto is able to keep you on your toes the entire time with a rapid pace and varying points of view.

Like an good serial adventure we ended with our heroes in mortal peril (i.e. jumping into the churning waters of the deadly Kes River) after escaping the castle of the Black Count. They obviously survive the fall and soon find themselves with Istavan Spellsword running into the twisted wasteland known as Nospherus. Guin and company soon find themselves between the monstrous denizens of Nospherus and a large contingent of Mongauli soldiers led by the beautiful Lady Amnelis. Guin must find a way to marshal the inhabitants of Nospherus to drive off the army intent on killing them all, taking the twins of Parros, and annexing the wastelands. Guin is outnumbered and outgunned but he’s Guin, fate would not have it any other way.

It becomes quite clear as our band of heroes makes their escape from the Monguali army that Nospherus is a hellish place. However, as they start to understand it, they begin to use it to their distinct advantage with the help of the Sem barbarian tribes. Even though Guin is on the side of the Sem (and really all the inhabitants of Nospherus) it is always an uphill battle that requires cunning, supreme strategy, and a bit of fate’s guidance. The final battle still had a lot of surprises in store and while the overall outcome was what I expected, getting there and what was sacrificed was not. Once again the storytelling of Guin Saga really shines when it can lead you to understand characters but not predict the entire story to follow.

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Animal Treasure Island, Shiver me timbers!

We usually stick to talking about things we love because not only we like the stuff but because it lets us write better reviews. Nothing gets the reviews flowing on to the page like something you love. But sometimes we find some unique and interesting enough but perhaps doesn’t fall into the love category. They might not be as good as the things we love but for one reason or another they are so fascinating they have to be talked about. This vintage anime movie has many unique oddities worth discovering and examining if you are interested in the roots of Japanese animation.

There are many different ways to approach a work and for the most part we tend to put a lot of emphasis on characters, their development, and the relationships presented. However, those are not the only things that we can appreciate and they are not the only things that can give a work merit. For Animal Treasure Island we take on something perhaps we rarely do here on the blog, we are looking at style and direction and its context in anime history.

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