Guest Review: Planetarian

Guest review by Aaron (@lothos88) for Anime Secret Santa 2017.

Planetarian is a bitter sweet experience. Slowly paced, but never really feeling dull. As someone who’s always had a fascination with the cosmos, this movie resonated with me in its simple message, that mankind should keep looking up to the sky with wonder.
After some war in the near future, the world’s been covered in ash and gone into a nuclear winter. Our protagonist, an old man pulling a cart in the snow, informs us that it’s estimated only 100,000 people are left on earth, but nobody’s really sure as records aren’t really being kept and people are spread out and don’t really communicate any more.
The old man is exhausted, and collapses in the snow, but is found by some kids; Levi, Job, and Ruth, who have been living in a bunker built below an old church with some other adults. They nurse him back to health, and find out what he was carrying with him was a projector from a planetarium. The village elder, Ezra, refers to the old man as a stargazer and says they are very lucky to have him there. The children ask what stars are, as the world’s been covered in ash and clouds for decades and they’ve never seen stars in the sky. The old man says he’d never seen them as a child either.
He then recounts his story of meeting “her” and how he came about finding the projector years ago when he was a young man scavenging through an abandoned city.
Taking shelter from automated city defenses inside a building, here he meets a girl inside a theater greeting him as the 2,500,000th customer, and also the first customer in 29 years and 81 days. She hands him a boquet of random junk, saying the flower shop wasn’t answering their phone. He quickly acertains that she’s a robot, and she confirms that she is a robot named Hoshino Yumemi and a member of the staff of the Flowercrest Rooftop Planetarium. She is insistent on him viewing the presentation that’s been prepared to comemorate, he initially goes along with it, but then finds that the projector (who Hoshino refers to as Ms. Jena) is broken.
Our still unnamed protagonist decides to try to repair the projector, seemingly on a whim as he doesn’t have much else to do, even though he is running low on supplies. At this point, we also learn that Hoshino is “dying” in a manner. At midnight she announces, per protocol, she’s going into sleep mode and will have 76 hours of battery life remaining upon rebooting at 9am. This fact seems to not really register with the protagonist at this time, or he simply just accepts that she’s going to shut down forever in a few days.
He eventually gets the projector operational, and is finally able to view the presentation. Clearly seeing the sun, moon, stars, planets, and images of Earth before the war for the first time in his life. She shows the various constelations, and goes into the ancient stories behind their names. He is drawn into these stories and the beauty of the stars. However, before reaching the finale of the presentation, the power goes out in the building. He convinces her to continue the presentation, simply providing her commentary without the projection.
She goes into a history of mankind’s fascination with and exploration of the heavens. From the early days of simply gazing up to the heavens, to early astronomy, flight, rockets, and eventually venturing into space. All of this makes a profound impact on him, and now whenever he closes his eyes he sees the stars she showed him.
The story then jumps back to the current time, where the old man asks the children to help him make a “big umbrella” made out of cloth to put up on the ceiling indoors. He later explains that what they’re making is actually space, another concept that’s foreign to them. As they finish the umbrella, he begins to teach another one of the children, Ruth, how to assemble and care for the projector. Providing her with an instruction manual that he wrote. Finally, he hooks it all up to a hand crank generator and shows them what the projector does. Showing them images of the moon and stars. He then recounts the same stories of the constellations that Hoshino told him. The children as fascinated by all of this, just as he was the first time he saw them. He tells the village elder that he wants the children to come with him, and to be his successors, teaching them everything he can so they can take up his role once he passes on.
Without giving away the ending, I’ll just say things end on a hopeful note for the future, but it’s not all sunshine and rainbows.
Planetarian is nothing spectacular from a visual perspective, the animation and character designs are decent enough but nothing really breathtaking. Likewise, the music, while fitting, also isn’t anything I’d really remember. Where it does shine though is the story. Even though I could foresee how things were going to end, it was still is enjoyable and might lead to some teary eyes at times. While it’s definitely more of a sentimental story than I usually prefer, I’m glad I watched it.

Manga of the Month: Shojo Fight

Shojo Fight by Yoko Nihonbashi

I’m very glad that sports series have been gaining so much momentum in the U.S., but there still are too few women-centered ones to enjoy in English. But never fear because now we have Shojo Fight!

Neri is on an all-star middle school volleyball team, but even in her third-year she’s the lowest rung and barely putting in the effort to be there. However, she is more than capable and it comes out in small moments noticed by few. Turns out Neri is hiding a passionate devotion to volleyball and a sometimes belligerent attitude that isolated her in elementary school.

Like many sports series, Neri is having trouble moving past an unexpected death in her life. Her grief has driven a wedge between Neri and volleyball, Neri and her friends, Neri and herself. Just as she starts reconnecting, a fateful meeting with a coach gives her the final push she needs.

Shojo Fight has a classic sports setup while still feeling fresh. It has the passion, the humor, and the sadness it should. On top of that is Yoko Nihonbashi’s unique art style which has thick, graphic lines and detailed use of screentone has the feel of something more Western.

~kate

Manga of the Month: Atelier of Witch Hat

Atelier of Witch Hat (とんがり帽子のアトリエ ) by Kamome Shirahama

hisui_icon_4040_round Magic can be a tricky element to add to any series. The main problem with magic is that it is a powerful spice that can easily ruin a dish if it added without careful thought. The easy way to ruin the story is to just throw a ton of magic into a series without any careful measurement.

If you just dump MAGIC into a story it can easily unbalance it. There are entertaining stories to be told about what people do with nearly unlimited power but they have to be carefully constructed. If you just add such power to a normal story it can make everything feel arbitrary. When there is no structure to the magic in a series it can feel that obstacles are overcome and conflicts are resolved in a willy-nilly fashion or by deus ex machina. Challenges only exist until the story feels like they need to be removed. It can feel that progress is never earned since the characters can do anything whenever they need to since there are no real well-defined constraints on their powers. Also, characters can feel wildly unbalanced. They might seem untouchable demigods at some points and then flimsy humans then next minute with their exact power merely dictated by whim.

Even series that are fairly strong about balancing magic can fall into this trap. Read any nitpicky review of a Harry Potter story and it will be filled with comments about why did character X not use spell Y at point Z. While most of the time a healthy amount of suspension of disbelief inherent in the genre will smooth things over it is not that hard to spend that goodwill in a more sloppily written story.

The way to overcome this problem is to add restraints to the magic in a story. If magic has boundaries and limits then the more standard story progression can take place. But the problem is that this can also kill the power of magic in a story if it is too harshly applied. I love highly detailed and well-defined magic systems. The problem is these can easily take the magic out of magic for many readers. It can make magic feel like science with an occult paint job. A rigidly defined magic system can avoid the inconsistent feeling of magic but destroy the very essence of its appeal.

The other major way to limit magic is to set things in a low magic world where only a handful of people can use magic and therefore you keep it out of the hands of anyone but secondary characters. Lord of the Rings and Game of Thrones are prime examples of this. The major drawback is that it means you can’t have your protagonist be a magic user which can severely limit your options. Also, you still get Gandalf and the Eagles problems but they are at least contained to side characters.

But these are hardly the only ways of limiting magic for better storytelling. In fact, different solutions to this problem can be the seed for a story in of itself. Atelier of Witch Hat is a great example of this. In the world of the manga magic is the nearly limitless power but it is the witches who practice the craft who limit how it is used. All the constraints on magic are self-imposed by the practitioners. It combines several of the above methods into one which transforms the idea into its own device letting the manga tell a story around the concept.

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