Manga of the Month: Mobile Suit Gundam The Origin

Mobile Suit Gundam: The Origin
(機動戦士ガンダム THE ORIGIN) by Yoshikazu Yasuhiko

hisui_icon_4040 While several series might have been laid the foundations Yoshiyuki Tomino’s anime Mobile Suit Gundam is the father of the real robot genre. The anime brought an unpredicted level of realistic politics, warfare, and characterization to a genre that was previously filled with near magical (or is the case of Brave Raideen actually magical) giant robots fighting monsters. The idea that mecha could be mass-produced machines of war like tanks or planes changed the way those stories are told in a myriad of ways.

But there are two things to remember. The first was while Gundam was revolutionary it still had its feet half way in the genre that spawned it. There series still has some major super robot elements. The MA-04X Zakrello sums that up perfectly. The second is that Tomino is an odd duck. The good luck charm section of the Gundam novels is a prime example. While Gundam has been memorialized as a game changing series it is hardly perfect.

Jump ahead to June 2001. Yoshikazu Yasuhiko starts the Mobile Suit Gundam: The Origin manga. It is pretty much proof that hindsight is 20/20. It is a retelling of the original story twenty-two years later. As the original character designer for Mobile Suit Gundam Yoshikazu Yasuhiko was intimately involved with the orignal production of the series. Therefore he knew the ins and outs of the series including what worked, what they had to cut, and what had not aged well with the original production. Overall the story is the same but this time Yoshikazu Yasuhiko has had over two decades of criticism, analysis, experience to make an updated version of one of the most famous Japanese science fiction stories of all time.

Could this remake live up to the original?

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Type-Moon Weekly News Roundup: Curry for the Curry God. Carrots for the Carrot Throne.

This Saturday post is the weekly Type-Moon news in addition to the regular APB post on Sunday. If you have any suggestions for what to highlight on the Type-Moon Weekly News Roundup drop me a line via email or Twitter.

NYICFF 2015: When Marnie Was There

narutaki_icon_4040 This year’s New York International Children’s Film Festival started off on a pretty high note, especially as an anime fan. The opening night premiere was the latest film from an anime production team that needs no introduction: Studio Ghilbi.

When Marnie Was There (pronounced: MAR-knee) begins with one of the classic setups for children’s stories: moving from the city to the country and discovering a bit of magic in the process. Tween Anna is living in the city but after another bad attack of her asthma her mother decides to send her to the country. Anna makes her way from the bustling streets of Sapporo to a small seaside village to stay with relatives she barely knows.

Once Anna arrives, she falls in love with a beautiful foreign mansion overlooking the marsh. I understood her because I too wanted to paint the house and walk its halls. Anna spends most of her days exploring the area, drawing, and playing with the little girl who lives there, Marnie.

At the same time, reality starts to get blurry.

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