All Points Bulletin: Shadow of the Bat

If you have any suggestions for what to highlight on an APB drop us a line via email or Twitter.

Hisui’s picks:

Narutaki’s picks:

  • My Peoples, the Disney Movie That Almost Was
    This 2D and CG combination production got pretty far along before it was shelved permanently. Romance, folk art, bluegrass music, and the Appalachians looked poised to be Disney’s next masterpiece until they declared “2D is dead.”
  • Start Talking Video Game Industry!
    Great article about the lack of communication between companies and gamers. Companies are so tight-lipped they are creating nothing but ill-will with gamers but maybe it isn’t too late. The author brings up just how arbitrary some “no comment” answers are as well as emphasizing that transparency would result in less anger when things go wrong with a title. I really like the article because it stays away from sarcasm and cynicism despite how frustrating the topic is.
  • Typography & Superheroes
    My graphic design heart really enjoyed these little art pieces.
  • Ra’s Al Ghul + Scarecrow + Joker + Two-Face = Bane
    This is a closer look at Bane as the final villain of Nolan’s Batman trilogy, spoilers of course.

In honor of the most unexpected Fate/Apocrypha cosplayer at Otakon:

Otakon 2012: 15-minutes with Gen Urobuchi

Now that we have been doing the blog for five years, I have gotten quite comfortable going as press to any convention I attend. One of the perks in doing so is on occasion you get to interview a Japanese guest you are really interested in. That alone is worth any and all hard work put in as press. This time I was lucky enough to get some time with Mr. Gen Urobuchi thanks to the accommodating Otakon staff.

As Gen Urobuchi has worked with Type-Moon in the past, and is even currently working on a project with Kinoko Nasu, he is obviously someone who is on my radar. For many, he is probably best know for his work as the writer for the hit Puella Magi Madoka Magica anime. And his authoring of the light novels which the recent Fate/Zero anime is based on also makes him a high-profile figure in otaku circles.

Mr. Urobuchi’s career started in 2000 with the visual novel Phantom of Inferno which has been adapted into an OVA, TV series, and a manga. He continued making visual novels adding light novels and anime to his repertoire along the way. He garnered a small cult following from his Lovecraftian-themed visual novel Saya no Uta which recently came out in the U.S. In addition to the Fate/Zero light novels, he has also done several others including two Black Lagoon books. Many of these light novel and visual novel titles have have yet to come out in the U.S. but that is slowly changing. On the anime side of things, he has several anime projects coming out over the next two years and these are more likely to see English release. With so much current and upcoming work, Gen Urobuchi is definitely a name on everyone’s lips.

I knew that several other blogs and website were going to ask him a whole slew of Puella Magi Madoka Magica and Fate/Zero questions; that was a majority of the questions at the Q&A as well. I had already asked most of my best Fate/Zero questions when I was involved with interviewing him for the Anime News Network back in October. So, I decided to ask questions you’re less likely to see elsewhere.

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Manga of the Month: Solanin

Solanin (ソラニン) by Inio Asano

Solanin is the type of story that sticks with you long after you’ve read it. It has a personal feeling to it and grounds itself quickly as true to life.

I would call Solanin a coming-of-age, the kind that comes when you are in your 20’s and transition from college student to working adult. “Real life” hasn’t quite kicked in yet for our characters; they aren’t sure where exactly to go next creating a sort of holding pattern. The journey that occurs, that journey that you can no longer avoid, doesn’t happen at the same time for everyone. Solanin is about that road that you follow without knowing where it will lead.

The story follows Meiko in her early 20’s who up and quits her boring job, then instead of finding a new one spends the next couple of months deciding just what she wants out of life. A part of this journey is her long-term musician boyfriend Taneda and her collection of college friends all at various stages in the same road. It touches quite poignantly on Japanese youth culture and a difficult economy, which also makes it quite relevant to today’s American 20-somethings, too. Music and friendship dovetail wonderfully to create a hopeful story spurred on by tragedy.

I recognized these people, the relationships, and their questions; it will certainly resonate for anyone out of college. The emotions, reactions, and thoughts seen through the characters of Solanin are utterly genuine and honest. Plus, the ending felt right without grasping for a concrete conclusion to lives that have only just begun.