Ongoing Investigations: Case #060

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I received a copy of Oh! My Brother 1, one of the latest series coming from CMX, and by the same manga-ka as their other recent release, The Name of the Flower. This short two book series revolves around Masago who is rather average in all things and her brother Shiro who is rather extraordinary in all things. When Shiro loses his life saving Masago from a speeding truck, he doesn’t actually go away. In fact, his spirit gets implanted in Masago so he can help her and take care of some unfinished business on Earth. Masago is tied between blaming herself, feeling inferior to her brother, and helping him because she loved him so much. And she is in love with his best friend. Sure that sounds complicated but the story is rather tame, it’s unclear whether or not Masago will really change or grow, in this first book she doesn’t seem to. The story is not surprisingly, rather silly and highly dramatic at times but never seems to do either extremely well. With this premise I expected the comedy to be turned up much higher. I found this better than The Name of the Flower but on the whole it is just a serviceable little series. 

I am very curious to see what my friends that started Tokyo Magnitude 8.0 at the same time I did have to say about the series as a whole. It was an excellent show with a unique premise. By taking such a tremendous but mundane event as a major earthquake you get all the power and excitement of a fantastical plot but with all the weight of story feeling of reality. The major divide in people’s feelings will come with the fact that each third of the series has a different feel. The last third will either make some viewers claim it as one of their favorite series of the year or it will make them walk away feeling very disappointed or even betrayed. It is an ending that has to be experienced fresh for maximum impact. Therefore I suggest you avoid spoilers for this show until you finish it and then let the actuality wash over you. No matter how you feel about the ending you can not deny that it made you feel something. Continue reading →

Manga of the Month: October

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Swan by Kyoko Ariyoshi

I know nothing of ballet, in fact I have zero ability to dance but I am consistently drawn to ballet manga. There is something about how it looks on the page that makes it very beautiful and very dramatic both of which Sawn has in spades. Japan’s ballet is a baby compared to its history in the rest of the world, but there is plenty of young (and old) talent. Great dancers from all over the nation are invited to compete, the top chosen will receive private lessons from famous dancers all over the world. This is done in hopes to expand Japan’s ballet reputation internationally. We follow Masumi, who is unexpectedly invited to the school for private lessons after being eliminated early on in the competition. She has had poor training but her staunch supporter, famous Russian dancer Alexei Sergeiev, sees great potential in her. Masumi is uneasy and has self-doubt but she is determined. The many people swirling around her add wonderful contrasts to her style and outlook as well as creating tension and of course sowing the seeds of love, friendship, and competition. All of the rivalries so far have been fair, on the level, but fierce and make each push themselves harder than before. However, they have not leaped into sabotage or foul play which is a easy direction to take such things especially in a series that is as highly melodramatic as Swan is. It is rather amazing how much emotion, suspense, and progress Ariyoshi Kyoko packs into each volume. Each character is given the ability to improve and grow which only seems to get more dramatic as the series goes on. Swan a beautifully rendered story with some of the most dynamic page layouts I’ve ever encountered. You will also learn tons about ballet. Swan is a highlight of shojo manga that shouldn’t be missed and that I can’t personally put down.

Hyakko by Haruaki Katou

I believe that most of anime and manga fandom is always looking for the next Azumanga Daioh. While I will not be so bold as to say that Hyakko is just that, I will claim that it will hold you over until you find the next Azumanga Daioh. It is as if you made Tomo the main star of Azumanga making sure to keep her energy at 11 but turn down her skill at getting under your skin to a more reasonable 5. Beyond that, you get what made Azumanga great: releatable high school characters with all their quirks exaggerated just enough for comedic effect; a focus on relationships to create a natural flow of comedy; but unlike Azumanga there are actually male students who are regular characters. Shocking, I know.

Torako Kageyama is a hurricane at Kamizono Academy, a co-ed private high school. She is an energetic spitfire that is constantly getting involved with other people’s lives. She has no great altruistic streak but instead just wants to shake things up. By hook or by crook she has three other friends who usually get involved with her shenanigans as well. Suzume Saotome is Torako’s very peculiar childhood friend, Ayumi Nonomura is a mousy but cute girl, and Tatsuki Iizuka is a straight-laced lady who is often strong armed into participating. Fortunately for Torako there are many a strange student at Kamizono Academy so she is rarely at a want of what to do next.

Hyakko is an excellent comedy manga set in high school. The main appeal is the characters and how they relate to each other. Torako’s brash nature is amusing and I especially like her antagonistic friendship with Tatsuki. We have a wide variety of odd students from the bisexual class president, a child prodigy, a delinquent, and a man with a crush on Torako who play off each other very well. There is no overall plot it’s just a different day in the life of Torako and her classmates. It’s a fun little series that will not change the way you look at life or manga but it will make you laugh and that is all it needs to do.

New York Anime Festival 2009

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Everyone’s question was would NYAF live up to, exceed, or fail compared to the two previous conventions? There was quite a bit of talking with the announcement that NYAF would join with NYCC for 2010 so there was also the question of what would NYAF do as its last year as an independent convention? Although those are all pressing questions my main question was if I was going to have fun? Was I going to be able to do as much as I wanted to? We were also running two panels one of which had a lot of people looking forward to it. The Bloggers Roundtable had some big names on the marquee but it was a the first time we ever ran the panel. I had the most expectations for the panel because I felt it could succeed or fail so much more than any of our previous panels. On top of all that I had two guests staying at my humble abode during the convention so I had to play host as well as press.

It was no secret that we were looking forward to New York Anime Festival, probably more than any other con previously thanks to a killer guest, director Yoshiyuki Tomino. This sent NYAF which I always enjoy but never as much as say Otakon right to the front of the line this year. That being said, the rest of the con experience remained the same though I was happy to see quite a few license announcements this year. Since NYAF’s space has basically stayed the same from its first year, there weren’t too many surprises but that also means it still has some of the same problems. Javits, is Javits, its a bit of a walk from the train, the hotels, and most food. Though it also means that for the most part events went off without a hitch and things seemed to be well in hand with the staff.

The convention for me started on Thursday night since most of my main convention group went to see the Eureka Seven movie. Although not officially a part of the convention experience it felt like a great way to spend an evening before the big show. The movie itself was bizarre. I will never forget the line, “I am an enemy alien spy robot” as long as I live. It was a visually appealing movie but otherwise a utter train wreck. I appreciated their attempt to do something new with the original story but their execution left something to be desired. Though I was happy to watch a film with my friends and be able to talk about it afterward because I often feel like I hardly watch any anime at anime conventions. On Friday morning my two guests the spectacular OGT, the amazing PatzPrime, plus the remarkable SDShamshel all met up and went to the Javits center early to get Tomino autograph tickets. We were all a little worried when we heard that people were already starting to line up at 7am. We finally arrived at 10 and got progressively worried when we saw how the VIP line was growing but we were able to get our autograph tickets. Since we got there before the con officially started getting our press badges was a snap. We all went for some delicious Go Go Curry before starting the convention. Starting the con with curry is a tradition I could get behind.

Once again, the staff of NYAF as far as tickets goes were on top of it. Not a moment more than one was I in line for my press badge, which incidentally looks very different this year. This goes for the weekend con badges and VIP ones as well and only half for individual day passes. I’m not sure what to make of them, on the one hand I really like the hard plastic but on the other hand the badges aren’t very fun. Maybe that sounds like a stupid complaint, but too bad, many of us have a grand time trying to guess what show or characters will appear on the badges before going to a con. The speculations can even spawn forum threads, so it has become a popular and expected part of anime conventions. And I was surprised to not at the very least see the badges sporting the logo from this year’s contest winner. Since I never made it to the convention center before opening time, I have no idea what the lines looked like but from the massive crowds on Saturday I can imagine there was a pretty good wait in the morning. However, panels seemed to be well organized in this regard though having a press badge prevented any problems for me. The Javits space allotted for NYAF was insufficient for Saturday but was tolerable on Friday and Sunday. Happily this mean the Tomino panel was rightfully full.

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