What the heck do Yashigani and Yandere mean?

Despite being a hikikomori, I was talking to a gothic lolita fujoshi otaku with a shota complex at an imouto cosplay cafe about her favorite moe aspect of the loli tsundere maid meganekko from a real robot mecha OAV gaiden based on the doujinshi eroge game she was playing that was thankfully not guro.

I have no idea what is going on.

That just proves you are sane and healthy human being. If you understood that whole last sentence without needing to click on any other links, then you should consider yourself a high-level anime fan. That and it should be a crystal clear indication that anime fans love to come up with their own little terms for almost any aspect of their hobby. From minor niche fetishes, to broad stroke trends, it seems anime fans on both sides of the Pacific love to label things with some new word that is often incomprehensible to anyone not in the know.

I just think labeling has gotten out of hand! It is like when a three-year-old learns a new word, so they say that word all the time and about everything. Of course three-year-olds are just excited but some fans can get very excluding when you don’t know these terms. I freely admit to not knowing moe or tsundere up until about 6 or 7 months ago and ya know something? I wish I didn’t know them. They are over used in general but also I think they are completely misused at the same time. Many of these terms refer to fetish characteristics and I don’t think they always apply to everything everywhere at every moment. Many series have characters that are just that characters, they are not created for the sexual enjoyment of some branch of fetish. Just because people are attracted to them doesn’t mean they were created for the sole purpose of arousal.

In general, any hobby tends to come up with terms for ease of talking to other people who are into the same thing. This is doubly true for nerdy hobbies like comics and animation. Nerds love jargon. The ability to say one word and get a complex idea across is often helpful and convenient. The main problem is when you streamline and over-simply things too much. If you lazily thrown around terms instead of engaging in articulate conversation then such shorthand phrases are a handicap. I know on occasion Narutaki will catch me doing this and make me actually lay out my point instead of relying on some obscure term.

I think I don’t make myself very clear when talking so I have to rely on laying things out because there is no way anyone would understand me otherwise. But you are right, geeks are always using inner circle language. I think that must have to do with the odd circle of geeks being separate from the average people but then further obscuring themselves by being completely incoherent to anyone except other geeks.

The main problem is, there is a recent trend of making fetish characters solely based around said fetish. Then add the fact that more complex characters are often simplified by fans into one note characters. I think we both use terms like mecha, doujinshi, cosplay, and hentai all the time. I think it’s terms like moe and yandere that really get under your skin. The other difficulty with labeling things come in by virtue of the fact that we tend to use terms differently than they do in Japan. This can lead to some rather heated arguments about what is the correct usage. When do you foster a new definition of a word for a different environment and when do you make sure you maintain the purity of a word?

This is true, it starts getting picked apart and then what are you left with? There should be some official otaku dictionary. Now that I am really thinking of all the terms used in anime fandom I guess I do use a whole lot. It’s funny how they seem so natural some of them. Like I’m thinking “That’s not a term, everyone knows that!” I am so wrong.

When we were at the Otaku USA panel at NYAF, the main topic of discussion was if the use of otaku in the title of the magazine was an appropriate title for an anime magazine. In the U.S., people wear the title of otaku as a badge of honor. In Japan, it means that you are a obsessive about some topic. That topic is most often anime but not necessarily so. It has a distinctly negative connotation. It is a clear cut example of a loan word whose connotation has changed with the transfer from one language to another.

This discussion was totally fruitless. I started to get annoyed after the third time it was brought up. We were at an anime convention, everyone there identifies with the word otaku, end of story.

Interestingly enough, it seems like adult content has the biggest discrepancy between how Americans and the Japanese use certain terms. In America, yaoi is a catch all phrase for any manga or anime that has explicit sex between two men and shonen-ai is when the relationship is not as explicit. In Japan, yaoi generally only refers to doujinshi about any type of homosexual relationships written for a female audience. Shonen-ai in Japan only refers to a very specific genre of stories about prepubescent boys falling in love. The term shonen-ai is unused, generally considered a dead genre, and associated with pedophilia. Most of the non-doujinshi related homosexual comics written for women is called BL or Boys Love comics. Yuri and shojo-ai being the lesbian equivalents in the U.S. have the same general situation of being disconnected to their original Japanese.

I wonder if it really just comes down to the fact that we took Japanese words, because let’s face it we think it sounds cool, and then we thought we totally knew what they meant but we didn’t. And the definition just stuck. I think that is probably how it all went down. However, I have to admit to using shonen-ai in the incorrect way. But I actually like the way it has been coined here because I like to know if what I’m getting is explicit or not.

That is a very sound theory. Now that the internet has made finding out information about anime so much easier you see less people misusing words like they would have in the past. In the old days it was like an international and intercontinental game of telephone. American anime fans would try to decipher what terms they could from imported materials. The amount of materials was often so limited American fans were often forced to interpolate from what little data they had. I’m sure that this lead to a lot of the differences in terms we have today.

The question comes down to this: where do we draw the line? When do we stop labeling things? When do stop people from using loan words? When do we halt words from being modified when the are imported from other languages. In my opinion, you get into trouble if you try to make an unbreakable rule on labeling in general. Languages drift, borrow, and modify words all the time. The Japanese borrow words from English all the time, making subtle to complete changes. English itself is mostly made of loan words from other languages. There is a famous quote by James Nicoll, “The problem with defending the purity of the English language is that English is about as pure as a cribhouse whore. We don’t just borrow words; on occasion, English has pursued other languages down alleyways to beat them unconscious and rifle their pockets for new vocabulary. “I feel that it all comes down to how useful is any new word or redefinition. The modification of anime I feel is a useful and important modification.

Stop labeling things right now (well not really)! Many classifications are important, like genre classification for example. However, if we just start throwing terms around willy-nilly I think you stop looking at the show and just look at its classification. The same goes with characters. Of course there are archetypes that are commonly used over and over again, but giving all characters a one word description is damaging. Aren’t people just breaking down characters a little too simply? Sure there are many that fall straight into the definition of these terms like tsundere, moe, yandere but there are lots of well-developed characters that may only be exhibiting some traits of these labels. I guess I just want a more well-developed discussion to go on.

P.S. Yashigani means an episode of an anime with extremely rushed and sloppy animation. Yandere is a character who seems sweet and shy but is coldblooded and psychopathic on the inside.
P.P.S. Nagi Sanzenin is a loli tsundere otaku hikikomori ojou-sama. Is that not so moe? : )

Narutaki Currently!
Watching Spice and Wolf
Reading Kekkaishi
Listening to aiko

Hisui (Brainwasher Detective) Currently:
Watching Hayate the Combat Butler
Reading Shonan Junai-gumi
Listening to Hayate no Gotoku! by KOTOKO

Narutaki & Hisui VS. 2007

This is pretty self-explanatory, we are looking at what we loved or hated from 2007. There was a lot going on, even with the decline in licenses in the U.S. there were still some great shows released! And Japan hasn’t been letting us down either. Not that is any surprise.

The Harold and Maude Award or Favorite Classic Manga Release:
To Terra
It is so rare to get older, 70’s titles. But I feel it is even rarer to find old shojo titles,
hopefully this will be changing in the next few years. It was nice find a serious, sci-fi story that had a solid story and characters. While looking at real world issues, it doesn’t losing any of its charm coming from the fantastical elements.

Ode To Kirihito
“Ode to Kirihito is moving, tender and engrossing. Also very, very odd.”
—Neil Gaiman, author of The Sandman and Anansi Boys
If Neil Gaiman likes it, it has to be good. At 832 pages for $25 you definitely get your money’s worth with this classic Tezuka work. One of Tezuka’s more mature works, it follows the story of a doctor who contracts a disease that makes him more bestial than human. It then becomes his quest to restore his humanity and at the same time is a examination of what makes someone human.

Burn this Book or Worst Thing I Read:
Rurouni Kenshin: Voyage to the Moon
I think I was a bit spoiled because the first translated light novel I read was Twelve Kingdoms: Sea of Shadow, and it was well done. This one was either translated horribly or just not good to begin with, unfortunately I will never know. The characters seem odd in prose form; the movements were very stilted and awkward; the fight scenes were boring and matter-of-fact. There seemed to be zero that reminded me of the greatness of the manga series.

Pretty Face
“Rando struggles to be a good “big sister” to Rina as fate conspires to put him in one disastrous situation after another. When pants start coming off, and half-naked women start crawling all over him for the thinnest of reasons, Rando must use all his karate wiles to avoid being exposed as a complete weirdo. Meanwhile, will the mad Dr. Manabe succeed in his plan to remove the last remnants of Rando’s manhood…or will Rando remove Dr. Manabe’s brains with his fist? It’s 7.5 inches of manga heaven!”
-Ad copy for Pretty Face Book 2

I admit I have not read this per-say but all the ad copy for it makes it seem so very bad. It’s like the most messed up shonen romance show premise I have heard in a while. Even Boku to Kanojo no XXX and Midori Days seem sort of cute compared to Pretty Face. Maybe it’s really good but everything about it makes me not want to give it a chance.

Hot, Wet Nobu or Best News of the Year:
Death Note Movies
Death Note movies have been licensed and the third movie (all about L) is coming out in Japan! They may even get a big screen release here in the states. Really loved these two films and am anxious to watch them again and own them for myself! Also can’t wait for the new movie, surely only made because they realized too late that everyone really loved L in the series and not Light. Yay for L fan service!

ImaginAsia getting into Anime
ImaginAsia really seems to understand how to pick up and distribute older and/or niche series and actually make a profit. If anime companies are going to continue to license older series and distribute them on DVD, they just might have to do it how ImaginAsia has been doing it.

DearS Season 2 or Worst News of the Year:
Geneon closes down
Bye, bye Geneon. I for one am very sad to see you go. Especially in mid-release of some good shows! They did a quality job and picked up some beautiful, but not super marketable shows.

Okiku Furikabutte made into anime
I guess it would be too easy for me to pick Geneon’s death as well; so I’m going with Okiku Furikabutte being made into an anime. What I have seen of this show makes it seem like moe for girls. It is nothing but shota yaoi doujinshi fodder and a side order of actual baseball manga. The main character is a useless crybaby and everything seems to be designed to be eaten up by horrible Fujoshi.

Just Shut You Mouth Already or Things I Wish People Would Stop Talking About:
Nymphet Controversy
Kodomo no Jikan! It is a horrible thing but seriously what else is there to say about it that hasn’t been said yet? Could there be a week gone by where this topic isn’t broach yet again.

Why fan-subbers are saints and heroes
I know that part of the industry’s problems come from their inability and refusal to adapt to the fact that the internet changes everything; but that does not make every fan-subbing group a bunch of faultless white hats and untouchable heroes. Two wrongs don’t make a right. Fan-subbers can be cool and do a service to the American anime community but that does not forgive the bad groups that don’t follow the rules of proper fan-sub etiquette. It also does not mean that fan-subs are only good and that they don’t sometimes hurt American fans on certain levels.

Peanutbutter and Relish Sandwich or Show I Unexpectedly Liked:
Hayate the Combat Butler
Hayate no Gotoku! It just sounded kind of “eh.” But after a friend of mine described the first episode to me, I was laughing out loud, and I had to see it for myself. It’s so wacky and ridiculous that it infectiously makes you laugh. So, while it isn’t some earth scattering series that will change your life, you can bet you will have a lot of fun watching it.

Kekkaishi
I expected Kekkaishi to be a generic shonen fighting show. But I think it takes the tried and true shonen formula, then tweaks it enough to make it something that stands out from the pack. Kekkaishi’s focus on the romance while not making it overbearing is refreshing. Also every episode seems to add to the world and plot without seeming like a stall for time. Then the fact that the female character is not just a damsel in distress or eye candy. Added to them not pulling punches and killing characters. All this and more makes it a very unusual and refreshing show. Too bad no one cares.

Can You Stop Playing That Please or Favorite Opening:
“Sha la la -Ayakashi NIGHT” by Saeka Uura
This is a tough one. I really love the song in the Gundam 00opening (it is L’arc-en-Ciel afterall) and also loved the catchy tunes from Lovely Complex. But overall awesome? Guess that would have to the Kekkaishi opening. It was one of the first things that got me curious about the show, so it was good enough to draw me in. The song is really fun and since I have sought out the artist to hear more of her stuff.

“Brand New World” by D-51 (One Piece opening 6)
The opening to kick off the Ennis Lobby section of the Water 7 Arc is an upbeat and fun opening for One Piece. I think the opening really gets you pumped while really encompassing the spirit and flavor of the series. I’m just warning you that the opening is sort of filled with spoilers so if you have not finished Water 7 you might want to hold off on watching the opening.

Wowza! or Hottest Character:
The Men of Saiunkoku
The majority of the male cast from Saiunkoku. Unless they are an old guy, there isn’t a bad face to be seen in the court! And even the old guys were good looking when they were younger. Not only is this series full of historical type drama and romance it also boasts lots of eye candy!

Revy from Black Lagoon
Damn! Revy would probably kill you as soon as you look at her, but who cares? She is HOT. She is a very competent mercenary and the way she handles herself just makes me think that she is a goddess drenched in a gown of blood. She is also built like a brickhouse and that never hurts. In a time of moe, she is the antithesis of helpless and under-aged; she is a breath of fresh air. Or more like a breath of smoky spent shells and cigarettes.

All Those Sacrificed Goats Were Worth Something or Best License Announcement:
NANA TV
NANA TV series. PERIOD. Awesome story, awesome characters, awesome music. My only really complaint about the series is it doesn’t finish the story since it is an ongoing manga. But it was a delight seeing my favorite characters moving and to hear the music. Any music series is obviously made better by having an anime counterpart.

Honey and Clover
Even though I have mixed feelings about the ending of Honey and Clover, it is an excellent josei manga and a well done anime. We get so little josei in the U.S. that any of it is welcome. Very well done josei is even better. I really want this show to have a vocal fan-base because the more diversity there is in the U.S. market the better it is for fans in general. Hagu is love.

The Micky Rooney of Manga or Best Short Manga:
Penguin Revolution
I actually wish more series were in the 5 to 7 book range. I am always anxious for a storyteller to tell their story, in a complete fashion, but then to move on to the next great story! I want to say Penguin Revolution, but it hasn’t finished in the U.S. yet and I haven’t read the last 3 books (out of its 7). But I really like the story thus far, combining hilarious capers with a bit of mysticism and romance. Her other series Land of the Blindfolded, also released in the U.S., was along these lines but the mysticism was more prominent.

Wanted!
Wanted!
is a collection of short stories by Eiichiro Oda. These were written before he started One Piece. There are 5 different stories including the second version of Romance Dawn that was the prototype for One Piece. It’s an interesting look into how his style and storytelling has developed. You can also see that Oda takes certain aspects and characters from his earlier works that later incorporates them into One Piece.

Sometimes Shipping From Japan is Worth It or Favorite Piece of Merchandise:
Bandai’s Athrun Zala 1/8 figure
My brand-new Athrun Zala 1/8 figure. It is all mine! MINE! The loveliness of his face made only better by his perfect pose. Okay, maybe I’m bias.

Max Factories’ Fate/Zero 1/8 Saber
It’s Saber. She is wearing a Suit. She has an awesome sword. If you don’t like that then I’m not sure we can be friends.

Here is My Room Key or Favorite Convention Guest:
Tomokazu Seki
Tomokazu Seki who was at Otakon was so great! He did so many voices and gladly did special parts from the series for the audience. He was super kind and gracious. I almost injured myself getting his autograph and after I go it he even said something that I requested! He was all around an awesome dude who also happens to always be voicing characters I love.

Katsushi Ota
If nothing else, it’s a sure sign that we are one step closer to getting Kinoko Nasu as a guest at a U.S. anime convention. He seemed a likable guy and to be an interesting, well articulated guest. The fact that he gave me two book of DDD just because I was was a big fan was really gracious. And that he took my picture and promised to pass it on to Nasu made my day. I really hope Faust does well here in the U.S.

Mr. John Holmes Award or Best Packaging:
Beck Box Set
It would have to be BECK. The box for the DVDs looks like a mini-amp! It has some weight to it and the top of the amp opens to put the DVDs in. I just love it. It also came with stickers and all the DVDs come with guitar picks. How fun and appropriate. I don’t buy boxes much anymore unless they have some unique feature and this definitely has that.

Saiunkoku’s box set case
It’s a classy little box for a very classy show. It is shaped like a jewelry box and it has a ornate red ribbon on the front. I like how it folds open and has the fan-like disk sleeves. It also just looks very nice on a self or a desk. I’m not sure I would buy a box like this for every series I pick up, but it seems very right for this series. It’s a shame that Saiunkoku is in limbo right now. If anyone else picks up the series, I would probably still put them in this box.

Spewing Milk Out of my Nose or Funniest Manga:
Nosatsu Junkie
Nosatsu Junkie is definitely a shojo romance but it is surpassed by its hilarity. Between the dual personalities of Umi, our male lead, and the serial killer expression that our main character makes whenever she tries to smile and look cute, it is a laugh a minute.

Nodame Cantabile
Nodame is such a fun character that she could be in any manga and just make it funnier. Combine her with Chiaki and it makes comedy gold. They play off each other very well. The best part of Nodame is the characters are real enough that you feel that they could be actual people you could meet. I guess in part that comes from Nodame actually being based on a real person. I’m sure that Narutaki will agree with this assessment almost as if it seemed that parts of Nodame were based on parts of his life.

I know there haven’t been many articles this month. But with the end of the semester, holidays, and whatnot it just wasn’t possible. Next year will be a whole other story! Look forward to it.

How can you not see it’s awesome?

If you are a veteran world travel, like I am not, then you will know that the menu items on your favorite menus and toppings on some of your favorite foods are quite different in foreign countries. In Europe, people love to dip their french fries in mayo and/or vinegar instead of ketchup. Any international fast food franchise will have a significantly different menu in another country. There will be some menu items that are notably absent in some countries and others that are unique to one country. Heck, in different parts of the same country you will have variations in eating tastes and menu items.

Now, I’m hungry.

What does this all have to do with anime and manga? Well, it just shows that like people consume different foods in different regions they also consume different entertainment as well. There are some anime that are insanely popular in Japan that will never come to the U.S. or horribly bomb in the U.S. because Americans just don’t care for them. There are also some shows that the Japanese don’t care for but are brought over to America and sell like gangbusters. Even though there are anime fans on both sides of the Pacific the tastes in the anime that anime fans have can be wildly different.

As we know, dozens upon dozens of series get brought to the U.S. every year but there are thousands to be picked from. And there is good reason for that in many cases (and in some cases not). A lot of anime/manga are very Japanese, more Japanese than anything we have seen, and it just wouldn’t be appealing for most fans. A lot of these include comedies, which can sometimes turn out to be totally not funny if you aren’t from Japan.

There are a slew of long running anime/manga that have never even come over despite their enormous popularity in Japan. In general, Japan likes long running episodic family shows and Americans want nothing to do with them. Japan also loves sports shows but Americans ignore them completely.

Sports show are huge in Japan! Giant! The only one that seems to have any U.S. following is Prince of Tennis. But then who wouldn’t love a show where you can defeat dinosaurs by using tennis? The Touch series was especially big, it is about baseball, by Mitsuru Adachi. He did a short story series called Short Program which was released in the U.S., quite good. Anyway, Touch was decently long, had 3 movies, T.V. specials, live-action adaptations, you name it! This was an 80’s show so that may account for some of the lack of interest. Captain Tsubasa is another that comes to mind, it is about soccer. This series started in the early 80’s and still has incarnations of it running today! Manga, anime, video games, movies, the works! They can’t seem to get enough. Although this could be attributed to Americans notoriously not caring about soccer, too. Because Captain Tsubasa was translated into many languages in the Middle East and Europe. Some of both these series have been fan-subbed though.

I also remember that Captain Tsubasa has a huge fan following in South America and Mexico. America loves baseball and football but you don’t see Star of the Giants and Eyeshield 21 merchandise all over the place because of the huge TV deals they got to put those shows on Cartoon Network. I’m sure if the U.S. loved soccer we would still not see Captain Tsubasa in the U.S.

Sazae-San is clear the most famous of the huge hits in Japan that has absolutely no following in the U.S. Sazae-san is often the highest rated anime on Japanese TV. I remember that Josh in Japan said that when he lived in Japan the only anime he regularly watched was Sazae-san with his family. Sazae-san started in 1946 in a local newspaper and revolves aroun a housewife named Sazae Fuguta and her family. Much like many American newspaper comics the characters will change with the times but do not age much, like the Simpsons. Even though the manga has ended, and the original manga artist has died, the characters have proven themselves so popular that the Sazae-san anime is still has new episodes on TV today.

Doraemon is one of those perennial TV shows that so many other anime have referenced. Heck, I remember GTO and XXXholic making Doraemon jokes. The cartoon Puri Gorota in Nodame Cantabile is also an obvious parody of Doraemon. Doraemon is a robot cat from the future who was sent back in time to help out his original owners descendant named Nobita. It turns out that since Nobita is such a sad dork he runs up a huge amount of debt for his descendants in the future so they send him Doraemon in hoped that he grows up to be a better man and save the family from finical ruin. Since Doraemon is from the future, he can pull out a large array of hyper-technological gadgets from a pouch in his belly. The gadgets are supposed to help Nobita but they often get stolen by his friends or cause more trouble they they solve. Nobita usually learns a lesson from his adventures making it firmly a children’s cartoon. In many ways, Doraemon is wish fulfillment mixed with a moral lesson.

Doraemon is a cute enough show. It also doesn’t have an engrossing appeal to ever need to be watched over again, which is fine. But that doesn’t exactly mean it should be wrapped up and brought to the U.S. It also isn’t hysterically funny either. It is kind of slow and has a lot of word-play. It is something you watch with your kids and maybe you laugh, too. Also Japan loves cute mascot characters so Doraemon takes the cake.

Detective Conan is another well loved long running anime and manga in Japan. Jimmy Kudo is a 17-year old prodigy and often helps to police solve cases much like Encylopedia Brown. After helping solve one murder case he is attacked by an employee of the mysterious Black Organization and injected with an experimental poison. The poison was supposed to kill him but instead it regresses him back into a ten year old. Since the Black Organization thinks Jimmy is dead he takes the name Conan Edogawa and enrolls in elementary school. He helps his friend’s father, Richard Moore who is a detective, help solve cases while he tries to track down the leaders of the Black Organization and find a cure for his condition. Most of the episodes are Conan solving some mystery that either Richard Moore has become involved with or some problem that his friends have gotten involved with. Every few episodes Conan finds some lead with the organization but usually he ends up just as in the dark as he did at the beginning of the case.

Yay, Detective Conan! I have seen very little of this series but detectives always attract me, it’s like bat radar. I would really like to see this series released as brick sets, it is the only way it seems worth getting such an insanely long series. I would watch like the Japanese do, sort of, by watching a few episodes now and again. The problem with shows like that is you seem to lose the U.S. audience because you have to purchase it and you don’t just get to tune in randomly to it.

The main problem with Conan is it’s a kid show so it is sort of hard for people to wank on about how super deep it is (not that it stops them from doing it with other shows) but it can be rather bloody and violent which make it unsuitable for children according to U.S. standards. The paradox sort of keeps it from getting any mainstream appeal in America.

Kochira Katsushika-ku Kameari Koen-mae Hashutsujo (Kochikame) is the longest continually running manga in Japan and the longest running Shonen Jump manga. I know: A Shonen Jump property that is popular in Japan that has not be brought over here. It sounds like a lie but it’s true. Kankichi Ryotsu is a lazy, money grubbing otaku police officer who spends almost as much time coming up with silly plans as he does doing actual police work. I have heard that some people consider Ryotsu the Japanese Homer Simpson. There is also a large cast of Ryotsu’s fellow police officers who either help with his plans or try to foil them. There are two reasons why we won’t be seeing this in American anytime soon. The first problem, the art has been somewhat modernized but still has an unshakable old school style that most American fans don’t care for. Second, many of the plots revolve around Ryotsu trying to get rich by taking advantage of the latest fad in Japan. I assume a lot of the time even if you don’t fully understand the fad the jokes are still funny but it’s still a big hurdle for a lot of people.

Let’s not forget those few shows that slip through Japan without much interest and then get a huge reception here in the U.S. The biggest examples I can think of are Trigun, Berserk, and Big O, which then got a second season because of U.S. desire. While I like all of these shows, I have to wonder if they were really noticed because they were marketed well (Trigun especially had lots of merchandise) and also because they just had fewer shows to compete with in the states. I mean with a hundred new shows going on each year in Japan you can be lost in the shuffle. I also think that the success of these shows domestically, made a lot of people take a second look in Japan. Shows seem to stay in the minds of American fans longer.

In general, U.S. audiences like darker, action shows which generally only have otaku appeal in Japan. Hard seinen with very mature plots and little or no fantasy seems equally unpopular. Gritty or fantastic shonen seems the most popular genre of anime in America. Trigun, Berserk, and the Big O are all prime examples of that. Shows that are darker than most shonen but not as ponderous as some more mature seinen. In Japan, they tend to like either light-hearted shonen or very hard seinen depending on the age of the viewer.

I sometimes wonder how episodic shows would do if they were only released on DVD in Japan. They might fall to the same place as the U.S. but luckily for them that is not the case. Like was said earlier a lot of the shows have so many Japanese-isms that it could be difficult to translate and also might not translate into anything coherent. I think anime fans are interested in Japanese culture but not to the extent of many of these shows. Someone made the example using Seinfeld, a very American show, while some of the humor translates many of it just comes from the things we know as Americans and can’t really be duplicated. So while it was a huge success here in the states, it wouldn’t translate into big ratings in Japan.

Top 5 shows I love but the average anime fan does not care about
1. Master Keaton
2. Kekkaishi
3. Urusei Yatsura
4. Galaxy Angel
5. I’m Gonna Be An Angel!