Tag: Kino’s Journey

IN THE YEAR 2000(…through 2009)!

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Since everyone is doing their best of the decade lists we decided to throw in our two cents as well. Instead of doing a “Best Anime of the 00’s” we focused on shows from the 00’s you might have overlooked. We did not try to pick shows that will blow your mind with how obscure they are. These are just good show that you might have overlooked. We hope you find at least one series on the list you’ll really enjoy!

This is not some be all, end all of lists of shows from the decade. This is just a little nudge to say “Hey, did you see all these goodies?” Also these are shows that we have both seen, it was just plain easier to narrow it down that way. But you’ll see at the end a personal pick for each of us. What gems did we overlook in these last ten years, I’d sure like to hear!

Kino’s Journey
(Read our full review here)

Kino’s Journey is a meaty show for people who really want to sink their teeth into what they are watching. Kino’s travels take her to a new town every episode that highlights some oddity of human nature or culture. All the stories deal with philosophical concepts in a mature manner while remaining entertaining. This is best one episode at a time so the ideas presented within can be mulled over in your head for a bit before moving onto the next.

Kino’s Journey  has this mix of hope and melancholy in addition to it’s wanderer feel. The span of the world Kino travels is vast like her indomitable spirit and curiosity. This is also one of those shows where you are sort of dropped into the middle and only see the wrapped up of a specific journey and a bit of growth by the end rather than a full conclusion of some kind. P.S. talking motorcycle

Daughter of Twenty Faces
(Read our full review here)

A high spirited adventure with the best parts of detective and phantom thief anime. Chizuko is a great, strong young woman who is thankfully not sexually exploited by the show. She really draws you into her journey and makes you root for her as she is helping Twenty Faces steal a priceless object or when she tries to solve a mystery. It has an excellent blend of action, comedy, tragedy, intrigue, and drama with a touch of steampunk.

We just wrote about Daughter of Twenty Faces so you shouldn’t be too surprised to see it on the list since in encompasses exactly what we are all about! The setting is really catching with its post WWII feel but intermixing steampunk. Everyone wants an adventure like this, it has that classic familiar feel to it, but its mysteries and quirks are deftly handled.

Planetes

One of the best examples of hard sci-fi you will find in anime; it takes the the best parts of the genre with an utterly believable future filled with commonplace space travel. At the same time it avoids making it dull by connecting you to the characters and their stories. You will find yourself rooting for the underdogs of the debris section as they reach for their dreams. A more mature anime with an adult storyline that does not have gratuitous sex or violence.

There is a sad lack of sci-fi anime of late and Planetes focus on a more probably and mundane future makes it a further anomaly. But within that mundanity of the job are a cast of characters each with their individual dreams, fears, and a connection to space. Think of it like an office sitcom, only better. And since this is really a story about people an interest in space is recommended but not required to enjoy this show.

The Story of Saiunkoku
(Read our full review here)

Don’t let certain people on the Internet make you avoid this show because they say it is a reverse harem. A cast of attractive male characters does not a reverse harem show make. The men all don’t dream of Shuurei. If fact almost none of them do. This a great blend of drama and politics in a unique fantasy setting. The comedy and drama is strong but Shuurei’s deft dealings with politics and adamant determination to improve the nation is what will keep you watching.

Don’t go look at The Story of Saiunkoku promotional material, just don’t, it doesn’t help our case. The story while focusing on Shuurei has a huge cast of characters giving it the feeling of literally telling us the story of an entire country. The romance of the first 10 or so episodes soon takes a backseat to Shuurei’s rise in the government and all the politics, problems, and people that come along with it.

Akagi

Don’t let the fact that you don’t know how to play Mahjong keep you from enjoying one of the most intense anime. The sheer suspense and the players reactions tell you everything you need to know. Every game is a intense life or death struggle where Akagi puts everything on the line and you can’t help but get swept away with his madness. Akagi could be playing old maid and the it would still be as captivating.

First you will watch the opening and shrug, but by episode three you will have the song on your MP3 player. Akagi himself will blow you away with his bad-assery, even at age 14 or precisely because he is only 14, and you will know his chuckle that means “you fool” well. Never has Mahjong been more intense as Akagi goes around challenging the unsavory underworld with stakes that give even the worst of them pause. And yes, Akagi would mop the floor with anyone from Saki.

Paradise Kiss

High fashion and dramatic romance combine to create a visual symphony for the eyes and an emotional one for the heart. A mature look at romance and relationships that is long enough to be an excellent character study but short enough that the melodrama does not wear out its welcome. And the whole time everyone looks stunningly sharp while it is going on.

Paradise Kiss may sell you on its awesome opening alone. If not, then consider Yukari’s dramatic journey from unsure young girl to determined young woman who learns what it is to step out on your own. Between its colorful cast of characters and its very mature romance, Paradise Kiss delivers on all fronts. It also has a hip, modern style paired with its bittersweet coming of age tale.

God Soul Combination Godannar!!

Any mecha fan will tell you that Gurren Lagann is constantly making sly little  winks at the audience to see if they love old giant robot shows as much as they do. Godannar shouts its love for robots outside your window with a boom box playing the Mazinger Z theme. It has comedy played totally straight to great effect alongside well done character drama between the pulse pounding robots fights. It can be easy to miss all of the with the super gratuitous fan-service but don’t let that turn you off from a truly spectacular show.

Alright, there is little to no way you can watch this show if fan-service deters you. But even so you should atleast watch the first four episodes. Godannar is this wicked combination satire but played extra serious making it even more funny! It will leave you holding your sides from laughter but also cheering for giant robot action. And just try not to sign along with the opening. Recommended for viewing in groups.

Le Chevalier d’Eon
(Read our full review here)

It combines real life personalities from pre-revolutionary France and adds a layer of supernatural intrigue. Plus you get zombies, magic, politics, cloak and dagger, and the hottest version of Robespierre ever. The best part is that we get to see the mystery behind the conspiracy in Le Chevalier d’Eon at just the right pace so we are never bored or info dumped. Plus the actions scenes are well choreographed and dynamic.

If I had to pick one show on the list that is simply amazing, it would be La Chevalier d’Eon. It is a well-plotted globe spanning mystery with a great use of subtlety and nuance in addition to its twist on history. Everyone in the series is engaging and all have a little secret making it impossible to always know people’s motives. And best of all this show genuinely surprised me in its final revelations.

Cromartie High School

I really enjoy dry humor when it is done effectively and Cromartie High School pulls it of in spades. Even though the student body is filled with stand up comedy delinquents, a robot, a gorilla, and Freddie Mercury it is all kept in check by making the humor very subdued. The jokes could easily wear thin if the comedy was spastic but the jokes are allowed the correct amount of slow build to make this series a delight.

I always thought Cromartie High School would have done well with the Adult Swim crowd. The series is played so dry and straight as if having these scenarios occur is just a part of life. It’s a riot and you’ll wish you could go to a delinquent-filled Japanese high school too!

Taisho Baseball Girls

Taisho Baseball Girls is a fun and bright tale of a girls baseball team trying to show that they can play on equal terms with the boys. The story moves along at a brisk but relaxed pace and every episode had something that made me laugh out loud or tear up a bit. This show remind me of a historical version of Princess Nine and that is no faint amount of praise.

Taisho Baseball Girls may win you over with just its first episode’s musical tour of Taisho era Tokyo. The series has charm in spades and thanks to a well thought of cast of girls most every moment is a gem. The humor is spry but not over the top as it its tiny steps towards feminism. It also for the most part refuses to pander keeping the themes of teamwork and friendship believable. I too got a Princess Nine feeling, maybe even a little A League of Their Own thrown in!

Kekkaishi
(Read our full review here)

Kekkaishi is this strangely unknown shonen fighting anime that corrects so many of the major flaws of popular shonen fighting shows yet goes critically overlooked. It has a vibrant protagonist, a strong female secondary protagonist, and battles where the fighters have to using their brains more than their brawn to defeat their opponents. Stop complaining about why you dislike the shonen anime you are watching now and watch this instead.

Why, why, why didn’t this show get the love it so deserved? Kekkaishi has the right combination for shonen fighting, which includes a strong female lead. Tokine starts off more capable than Yoshimori and while he grows, so does she. And let’s not forget it also boasts one of the most organic romances in recent memory, one which never overtakes the plot but is in the undercurrent at all times.

Moribito: Guardian of the Spirit
(Read our prereview here)

When done right children’s literature does not mean simple literature it means literature that can be enjoyed by anyone and Moribito is based on a great piece of children’s fiction. Balsa is a great, strong female protagonist who retains her femininity while still be an amazing fighter. Also coming from a family friendly time slot in Japan means the animation is lush and smooth. The story is complex while still be accessible for enjoyment by the whole family.

Moribito stuck out to me because of its established world setting that sort of melds historical and supernatural, its just well realized quickly. Balsa is one tough lady, even though there can be spans between fighting, the fights are nicely presented. Don’t let that it’s based on children’s literature fool you into underestimating it. After you watch this, go and pick up the first two novels!

Gankutsuou: The Count of Monte Cristo

Gankutsuou is simultaneously a unique visual marvel and an amazing re-imaging of a literary classic.  Gankutsuou takes one of  Alexandre Dumas’s most famous tales and places it in a futuristic time while giving us the story from a previously minor character’s point of view. As long as you don’t hold the original book as unchangeable holy writ I think there is much to enjoy about this adaption.

Color, patterns, and light are all played with in the extreme in Gankutsuou and splash about in every scene. This easily lends the otherworldly feel to the story as goes its futuristic historic setting. The story unfolds in dramatic bliss as revenge and love are orders of the day thrown in with more than a few twists. Some people have complained that Gakutsuou’s style is difficult to watch but it is a unique site to behold as is its take on a classic tale.

Princess Tutu

Princess Tutu is so rare and unique that it shouldn’t be missed. A a seemingly simple fairy tale about a duck who transformers into a girl in order to protect the broken pieces of a prince’s heart takes a decidedly dark and deconstructive turn as it goes on. What is explored through the series are myths, how stories emerge, fate, and a darkness in people’s hearts among other things. Ahiru is bright and awkward but with a strength all her own and a sense of duty and love that is unrivaled.  It’s just such an unexpected show!

Emma

Emma is a delightful romance in Victorian England that just feels like it should be on Masterpiece Theater. As a classic Upstairs Downstairs romance it has a charming and human cast of characters that draws you into this period piece. This is a great series to just come home to and relax with in precisely the way the slice of life genre should be. The series is immaculately researched and looks amazing. A masterpiece for anyone who loves historical fiction and well done romance.

Kino’s Journey, The road less traveled.

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Kino’s Journey has a simple structure. Kino is a professional traveler. She goes from town to town and spends no more than three days in any one destination. Each of these towns seems to be considered its own country and has unique peculiarities and customs. She takes in the culture of each country and moves on as quickly as she came. Travelers seem rare but not unheard of and most places seem to make a big production whenever one arrives. She travels on her talking motorcycle named Hermes and protects herself with her professional marksmanship. Her trips to some countries last an episode, other episodes will contain several interconnected stories of her trips to various countries, while other episodes are about what happens in between stops.

Quite literally in the case of Kino, the journey is more important than the destination. Our time with Kino doesn’t start at a specific moment nor does it end in finality. We are merely part of the journey and we only glimpse pieces of it. With the exception of one two-part episode, every piece can be watched on its own without knowing what came before  or what comes after. In fact, we don’t have any way of knowing whether what we are watching is in chronological order to begin with.

Each country is a tool for examining some sort of physiological or societal concept. The world seems to have no set level of technology with near medieval technology in some countries and robots and super computers in others. Most of the stories have an inherently pessimistic view of humanity and society. They usually have a rule or custom that seems logical but is flawed and taken to an extreme. The anime is not just full of inherent pessimism though. Kino just as often will find some beauty or lesson even in the ugliest country. Kino mentions that the world is not beautiful, therefore it is.

At first you are fooled because many of the countries seem peaceful and welcoming, but hide things underneath. Which is a powerful statement about anything, but as the series goes on your naivete wanes. You start to see the darkness earlier; you start to question the smiling towns folk; you start to wonder everything doesn’t have a sinister side. In this way perhaps we are becoming more like Kino as the journey continues. The difference is whether or not you continue on with the knowledge. Some wouldn’t but Kino would and does.

Kino is sort of a valiant stoic cipher almost like a seinen hero. Kino comes off as androgynous and is considered male as often as female by the people she meets. I know that several people were unsure of Kino gender until the 4th episode when it is made perfectly clear. Kino never talks much and never unnecessarily. She will lend a hand to someone in need and even risk her life for another but she does not purposely get involved in the affairs of others. Kino is often cynical and skeptical but you get the feeling deep down she still believes in people and the world. If Kino has one strong driving force and personality trait it seems to be curiosity. She will always investigate something if it seems intriguing and is sometimes the only reason she will interact with anyone.

Depending upon what promotional material you have seen, you can go into this story thinking Kino is either sex. The thinpack cover, in my opinion, makes it very clear from the start. However, Kino acts rather genderless in manner. Her emotions rarely betray what she is thinking or planning. But that isn’t to say Kino has no personality. She certainly sees the world much differently than anyone she meets on her travels. The wonder and curiosity she displays reminds me of a child. No matter what hardships happen on the journey, and they are many, Kino accepts them as a piece of the world she is so anxious to explore. Kino represents the duality of optimism within pessimism. Though we are never privy to Kino’s dreams, I wholly believe she has some.

Hermes is Kino’s sarcastic talking motorcycle. His purpose is three fold. There is the simple fact that he provides transportation to our frequent traveler. The second is to give the otherwise distant Kino someone to react off. Kino is a loner so whoever is her companion has to be someone that she would have to take along. Thirdly, Hermes’ interaction with Kino is the only way to give us an insight into her thought process or emotional state without resorting to out of character monologues or narration. As stated before, Kino is often quiet and stoic. Only someone with a friendly but at the same time playfully antagonistic manner could get any sort of response from Kino.

Hermes is simply essential to the story. In fact there would be no journey without him because he provides the ability to escape. He also drives home the suspension of disbelief as not one person on the journey seems surprised he can talk. Which can also provide some good ice breaks in towns because Hermes is much less inhibited to people. Hermes also goes into hotel rooms, museums, and restaurants without even a second glance from patrons. Hermes is like the audience, along for the ride and taken where ever the whims of Kino dictate.

The director, Ryutaro Nakamura, is a competent guy but I question some of the artistic decisions he made when trying to highlight certain themes in the stories. The director has a habit of transitioning between scenes by cutting to screens of text with the sound of a tuning fork or chanting. The text is almost always something that was said earlier in the episode to drive home a point but it’s often only been said a few seconds ago and can get a bit annoying. It is done in such an awkward manner.

Kino’s Journey is a quiet show and the animation reflects that. It is smooth and uses a lot of long shots of environment creating that wondrous feel of traveling to new places. But when action is necessary those moments are loud and exciting. Though I don’t think they got it all perfect, as Hisui mentioned the frames of text. Also for no apparent reason one episode is not told from Kino’s perspective which struck me as odd and not very purposeful. The opening is great with a song that is whimsical and makes you look towards the road ahead. The series moves between encouraging seeing the world and pulling the rug out from under you. While this may seem like every episode is the same, each has a unique voice. Also we do see some changes in Kino by the end of our stint with her, though we don’t know how it will affect her future travels.

The anime is based on a series of light novels by Keiichi Sigsawa. Sigsawa has written 12 Kino books already and show no signs of stopping of writing for Dengeki Bunko Magazine. The light novels were licensed few years back by Tokyopop but they never made it past the first book. Tokyopop reordered the chapters which I have been told not only angered readers but annoyed Sigsawa. The original books were exceptionally entertaining while being thought provoking. There are also two anime movies, two untranslated visual novels, and a drama CD of Kino’s Journey. In addition, there is a spin off series called Gakuen Kino where Kino is a gun toting magical girl. So for those who read Japanese there is a good deal more Kino’s Journey for you to get into. For everyone else there is just my condolences.

Top 5 Coolest Talking Inanimate Objects
5. Kaleido Stick (Fate/Hollow Ataraxia)
4. Towa (D.N.Angel)
3. Sumomo (Chobits)
2. Tachikoma (Ghost in the Shell)
1. Haro (Gundam)