Ongoing Investigations: Case #154

We received a copy of Nozomi’s re-release of Gasaraki. The story follows a war between the Americans backed by the Japanese and the fictional nation of Belgistan. Both sides have bi-pedal robots with main pilots possessing odd connections and powers. It is worth noting that I have tried to watch Gasaraki before, many moons ago and didn’t make it very far. I wanted to give it another chance but this time around I was only able to get one episode further. Despite people’s assertions that this show is a realistic depiction of mecha, I just can’t find it anything but slow and uninteresting. Also my thoughts on what is realistic must be different because this show has Noh dancing magic. . . . In any case, a good portions of episodes revolve around people talking, typing, or staring at screens. Talking heads and computer screens can be made interesting (just ask Evangelion) but Gasaraki fails to put passion or facial expressions into its scenes. This also makes the dub doubly painful since at least the Japanese put some inflection in their voices. The battles are compelling in moments but they are too short or interrupted by looking at screens. The show didn’t capture me in any way.

If I have nothing else kindly to say about Gasaraki I will say that it tried to do certain things that most mecha shows don’t often attempt. Ryousuke Takahashi tried for a more realistic version of modern mecha combat and politics while mixing in some magical elements to spice things up. The fact that there are only two types of mecha in the whole show and the commentary on the Gulf War make the show stand out. The only problem is the show is so amazingly and mind numbingly boring. It takes the tedious parts of part of war and magical conspiracy and focuses on the most mundane aspects of each to the to the point where only the most hardcore fans of realism will find the show interesting. Ryousuke Takahashi showed that you can do a more realistic mecha show like Armored Trooper Votoms and make it compelling. But this swings so far toward the nitty-gritty details as so suck away any enjoyment. They even focus on the boring aspects of the shadowy magical conspiracy behind the mecha action in excruciating detail. When the plans of the magical cabal feel like a run down of someone’s tax audit you know something has gone horribly wrong. I will say that this show has a reputation for a completely magical ending that comes out of nowhere but as far as I can tell the freeky deeky occult aspect of the show is apparent from the first episode. I admit that the few actions scenes are the only parts of the anime that are easy to stay awake so that makes them the most memorable pieces but there is unmistakable and unnerving mystical element present in the show from the beginning. Like Narutaki I watched this show years ago and I wondered if I could come back to the show as a more mature fan and gain a greater appreciation for a show I had disliked in my early fandom. But this show still deserves the infamous reputation it gained with me and other fans so many years ago.

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Ongoing Investigations: Case #121

I know I could have talked about the shows that ended with the Winter 2011 season but this week I decided to talk about three really odd things and save my feelings on the shows wrapping up for next week.  My first pick is My Little Pony: Friendship Is Magic because I had to understand the strange cult of the Bronies that has formed around this show. Let us get the most important detail out-of-the-way first. This is a cartoon for little girls. It is a very well made cartoon for little girls but make no mistake it is a cartoon for little girls. As someone who watched and loved HeartCatch PreCure! I have no problem watching cartoons for little girls but let us call a spade a spade. There seems to be this odd Touhou Project effect where fans have this strange obsession with filling in all the details of a world. It also creates this strange phenomenon where the fans of the show seem really proud of how ashamed they are of watching the show. That said there is a lot to like about the show. The animation is wonderful and really shows how far flash animation has come over the years. They do their best to make everyone extremely expressive which makes this show infinitely screencapable. The humor is often actually funny. The stories are often super simple considering its target audience but it is rarely patronizing though they do  restate the lesson at the end of every episode in standard kids cartoon style. And now some random observations. As One Great Turtle so succinctly pointed out Fluttershy is the most moe pony ever and I noted that Rainbow Dash is the Tomo Takino of the show. Overall it is a wonderful show to watch with any younger female relatives you have as it is a show you can enjoy together. Apparently it also appeals to older nerdier male audience and there is nothing wrong about that but it is so so very odd.

Twin Spica vol. 5, you surprised me! In a good way. This installment starts giving us some history and the revelation in it, while not totally clear yet, was not on my radar in the least. On that note, this book deals a bit less with Asumi though we do see the continued developement of Kiriu the boy protester she met in the last volume who is focused on quite a bit this time. At this point we know who Asumi is so branching out is nice. And the game of survival they are thrown in during the last couple of chapters adds some great tension while bringing the past and present back together.

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