New York Anime Festival 2008

Hisui and Narutaki’s NYAF schedule
Friday
Bandai Entertainment Panel
Funimation Panel
Ryu Moto Interview
Hideyuki Kikuchi Panel/Q&A
Vertical Inc. Panel
Anime Recruitment Panel (This was us.)

Saturday
Mobile Suit Gundam Panel
Cooking Manga Panel
Media Blasters Panel
Anime Blogging Panel
Del Rey Manga Panel
Yoshitaka Amano Panel/Q&A
Anime News Network 10th Anniversary Q&A
Rie Tanaka Performance

Sunday
Rie Tanaka Panel/Q&A
I Can’t Believe You Haven’t Seen This! Panel (This was us.)
Hideyuki Kikuchi Birthday Party

 Reverse Thieves kicks off back to back anime convention reports with our take on the New York Anime Festival. It was our second year attending NYAF but our first year as press. Being press changes your view of the convention but it certainly doesn’t make it any less enjoyable. Yet. Maybe in several years time I will be drinking and smoking my way through NYAF 10 to kill the pain that is my existence but for now it was merely a bonus. So how has New York’s corporate run anime convention changed and grown? How has Reverse Thieves changed now that we wield a modicum of influence? Who will revolutionize the world? These questions and more might be answered below.

Being Press was just a mite too dangerous, I am drunk on the power! Well, okay, maybe that is an exaggeration but I don’t want to go back to being a regular citizen at conventions. We were seated at the front of all panels and never had to wait in line, chatted with the heads of the convention (and get an upcoming interview with Lance, coming soon!), plus had the extreme pleasure of interviewing Ryu Moto who is best known for his Petite EVA work (this interview will be in a separate post coming soon!). Also the weather held out, this had nothing to do with us being press however, just enough to make it not a miserable weekend for a  convention. Though it was incredibly humid.

It’s always intriguing to meet people you only know from the Internet. Most bloggers don’t plaster their site with their pictures so it isn’t easy to know what they look like. You get this image in your head of what people look like from from the way they write. It is fun to see how much of your guesses are accurate and how much of it is wildly off base. I can’t say that anyone looked exactly as I pictured but I was pleasantly surprised how on target I was about certain things. It also makes me curious how accurate our fellow bloggers were about our appearance. Do people picture me as Kanako Ohno and picture Narutaki looking like Makoto Kousaka? I know that is how I always picture us and I know Narutaki in person.

I have always known that one of the best parts of any convention is socializing. We were lucky enough to meet some of our fellow bloggers, Scott over on Anime Almanac and Oguie Maniax, who were terrific guys. Though I have to admit to not fully picturing them in my mind as what we encountered. At the same time I am quite sure they didn’t think we looked how we did. We also took this opportunity to take a poll of our fellow anime fanatics, the results of which you’ll see sometime after Providence Anime Conference.

The first thing you see when you walk into the exhibition hall is the Bandai booth. I don’t know if Bandai was out of control at Otakon this year, too, but seriously their booth was a constant stream of free stuff (behold at my Gundam 00 and The Girl Who Leapt Through Time posters) and screaming fans mixed with Gurren Lagann cosplayers. This series certainly dominated the con with fans, merchandise, and events. But I am happy to report the Japanese guests had plenty of people clamoring for them. NYAF was the first convention I can remember having to turn away people from guest panels. It is usually the autograph sessions that take precedents but perhaps with the implementation of ticketing for autographs, the people who are turned away for that are coming to the talks.

I heard we missed out Vertical giving away syringe shaped pens for Black Jack which is a shame but we the get the squishy Phoenix Wright gavels from Del Rey which were cool and Haruhi slap bracelets from Yen Press. Wait what was that you said? People being interested in the Japanese guests and what they have to say? That is clearly impossible but somehow true! I’m thinking they had to turn people away because they had big enough guests that people cared even if they were “only” Japanese guests. Maybe that is the greatest things about a corporate run convention. They can get the big names, that draw the crowds, even in their second year.

 We both went to the Hideyuki Kikuchi panel. His translator was Kevin Leahy who also translated the Vampire Hunter D books. Of course almost all of the questions were about Vampire Hunter D and he answered them with pretty substantial answers. I also asked him about his time at Kazuo Koike’s Gekika Sonjuku. I wished he had talked more about his time there because it seems like a fascinating place. Kazuo Koike seems eccentric enough that any classes he gives must be entertaining. He seemed surprised that I knew that he had gone there which filled me with a warm happy feeling that I had done some good research. I loved the part when Kikuchi stared to talk about Amano not releasing he was in the audience. He was definitely embarrassed when he realized what was going on. It was definitely a high point of the panel.

Yoshitaka Amano was probably the most talkative guest, telling stories and what not. He really made the audience laugh as he regaled the story of Tako-Man, his part octopus superhero. He promised us we would see him in a project soon. I was rather disappointed than NYAF didn’t put something together to show some of his work at the convention. It would have been great to have a small gallery space. I was also really surprised at the lack of Final Fantasy questions. Maybe if there was more time they would have come up, but I was impressed by the queries about his fine art and film works. He also brought along some t-shirts, which featured Final Fantasy and Vamprie Hunter D, I didn’t get a close look but I thought they may be the ones from UNIQLO. The crowd was randomly called on to tell everyone why they liked Amano in order to get a chance at playing Jan-Ken-Po against him. Never in my life have I seen more people openly cheat.

Rie Tanaka was just so cute! Got to see her perform three songs right before the masquerade which seemed to be a bit of a secret event. I only knew about it thanks to the forums; a few people were really disappointed to learn about it after the fact. She was bright, funny, and very happy to interact with her fans. At her panel she even had everyone gather around and take a photo with her. It was especially hilarious to hear her talk about being a huge gaming otaku. I was lucky enough to throw a question out there which was did she feel any difference between voicing for a large franchise like Gundam and a smaller project. She responded by saying there isn’t much of a difference though she feels more pressure when doing something big because of all the money, time, and people involved.

Rie Tanaka was definitely a cutie. When she was talking about gaming I could easily see why she has the fan following she does. She is a nerd boy’s dream. Rie is super easy on the eyes but just geeky enough to seem obtainable. I joked that she seem more like a Nagi than a Maria in real life. Her mini concert was not long but it was enjoyable. She put in a great deal of effort for someone who was not an official musical guest. The greatest injustice was I came in seconds after she had already used her Maria voice at her panel on Sunday. Damn you cruel fate. Damn you. Maria is love. Oh, they gave away prizes at the end by have the audience play Jan-ken-po against Rie.

 I went to the Mobile Suit Gundam panel with Phatbhuda on Saturday. The Gundam panel had a woman on it dressed as Fa Yuiry from Zeta Gundam! It seems that women can like Gundam enough to do a panel about it and she spoke about more than Wing and 00. I was as shocked as much as you are. The three people who did the panel were pretty knowledgeable but it was mostly a overview of Gundam for people who had only seen the most popular parts of the franchise. It was hardly the most in-depth review but you could do several panels off each Gundam series so this is understandable. They had a fun little Gundam Jeopardy at the end which easily proved my Gundam Kung-Fu is mad weak.

Cooking manga was underwhelming. I am aware of all the cooking manga currently licensed and was expecting this panel to be about those plus all the great stuff we haven’t got yet. The only titles mentioned were the few that have an English release so I was visibly disappointed. The woman heading the panel seemed to genuinely like some of the titles but at points it was more like an industry pitch. It was a decent first try, but I would like to see a more fleshed out version.

I had mixed feelings about the anime blogging panel. The panelists were obviously seasoned bloggers. They gave everyone in the audience all the information they needed to start their own blogs and they a lot of basic advice. I felt after that the panel sort of petered off. They seemed to assume the room would be filled with people wanting to ask questions so they left too much time at the end. My personal opinion is you should always have enough material so that questions run over to outside the panel room. That way people get what they came for. Still it was a panel with potential and I hope they run it again with added info.

I am always completely terrified before we do a panel, but then I hit some sort of stride and it all melts away. We had great turn outs for both our panels; more than 70 people in our I Can’t Believe You Haven’t Seen This! panel and a slightly smaller crowd for Anime Recruitment. The crowds were really great, asked a lot of good questions, and seemed genuinely interested in what we were going on about. We even had some great conversations with some girls after Anime Recruitment and one of them took our picture (we are famous?). It is a bit hard to get feedback on panels but the general feeling seemed to be good. They went smoothly although both times we had to search for staff to get some tech support.

I was slightly surprised by what got big reactions and what did not at I Can’t Believe You Haven’t Seen This! I was worried that everyone and their mom would know Hayate but it was not a total audience recognition like I had feared. I was shocked by the number of people that cheered for the Dirty Pair. That made me happy. Hopefully some people will go out and watch Kekkaishi and Saiunkoku due to the panel. We are definitely going to keep the I Can’t Believe You Haven’t Seen This! panel. They are enough really good overlooked shows that there is no reason not to switch it up. Phatbhuda made the good point after the panel that we should throw on at least one robot show considering how unloved the genre is in the U.S.

Industry panels were basically the usual with a few announcements sprinkled in. I was probably most excited about the Mushi-shi live-action coming out from Funimation. Oh, funny story from the Bandai panel. So they were announcing something new and decided to let the audience guess by just showing the trailer. We get an overhead view of a street and then a 1988 date and Neo-Tokyo. I thought I might know what it was, then the whispers of EVA start and culminate in buzzing, chattering excitement. I thought maybe I was just crazy, everyone was pretty sure. Then there is an explosion of Tokyo and the words Akira come up on the screen. I almost burst out laughing because I was right all along. Akira on Blu-Ray, not very funny to call it something “new.”

The Del Rey panel was amusing as always. The oddest announcement in my mind might be the fact that they have licensed Moyasimon: Tales of Agriculture which is about a college student who can see and talk to bacteria. It is a cute but bizarre series. I wish them luck on it. It seems like something that is going to be a horrible failure in the U.S. like Nodame Cantabile but I admire their persistence in pushing new and inventive series. I feel since Hisui is a maid I should also mention that they licensed something called Maid War Chronicles. That looks like a series in which you instantly know if your going to like it (or want to burn it in cleansing fire) by the name alone. We really wanted to go to the Yen Press panel but since it was during our I Can’t Believe You Haven’t Seen This! we didn’t have the chance.

The Media Blasters panel looked like it was going to be a real turkey what with having no presentation, trailers, or announcements. However, it ended up being entertaining and rather candid. I learned the writer of the Twelve Kingdoms anime had a bit of a breakdown and that is why the TV series didn’t continue. Also heard that Gonzo isn’t a happy place to work. And she [the Media Blasters rep] also went on a bit about how the decrease in retail space has hurt the anime industry possibly more than fan-subs.

I theorize that it is more like a circular relationship between the two than one killing the market more than the other. People download more fan-subs so they buy less DVDs. Since people are buying less DVDs they get less self space which means that there is less diversity among the shows on the self which means people download more fan-subs. This continues until the market is in shambles for everything but the best-selling titles.

Vertical didn’t have any manga to announce but man I am very curious about one of their series of novels called Shinjuku Shark. Apparently, he is one of the pinnacles of Japanese detective characters, kind of like a Sam Spade type. Plus he has a totally awesome name. Someone asked them about licensing more Keiko Takemiya work (I was going to ask this!) and they said unfortunately the numbers for To Terra . . .  just don’t justify it. Needless to say I am sad about this. Only stayed long enough at the Anime News Network panel to ask a question (and gain a L figure!). Funnily enough Anime Almanac mentioned my question without realizing it was me. I wanted to know if they planned to continue their reviews of first episodes of the new shows in Japan. They answered in the affirmative.

Overall the exhibition hall was same ole, same ole although I felt prices were a little higher this year (sorry 2 bucks off a Tachikoma on Sunday is not enough to make me buy). The hall had a lot of space which was great because I never felt the nauseating push of too many bodies. I tend to stay away from the dealer’s on Saturday but with the wider aisles it wasn’t as necessary. Friday night was pure chaos after the exhibition hall closed. It was a free for all in the panels hallway, the atmosphere was odd. But atleast Friday was free of sign people and yaoi paddles. These are two major things that other conventions have put their foot down on and I was disappointed to not see the same measures being taken at NYAF.

The Artist Alley was much better organized from my point of view. But it was a part of the exhibition hall which closes rather early. It wasn’t huge but it had a wide variety of styles to choose from. Though I did hear about the price of tables being quiet high by anime convention standards. I picked up another piece from ProdigyBombay this time it was Cloud fan-art. I had scooped up a picture of Allen from D.Gray Man at Otakon 2007 and was pleasantly surprised to see her again here. It is becoming harder for me to pass up these sensitive and beautifully rendered pieces. She really captures nice expressions on the characters.

I keep meaning to bring pictures with me to get commissioned works but I never remember in the end. I really should have gotten a Hisui and Narutaki. That would have been cute. One year I will remember and it will be glorious. Be sure to look for full artist alley coverage from our friend Skeith which will be up October 7. I was sad that there was no podcasters section like their was at Comic-Con. I am always on the look out for new anime podcasts worth listening to.

I capped off the convention with the Hideyuki Kikuchi Birthday Party at the Jekyll and Hyde Club. For people who don’t know about the Jekyll and Hyde Club it is a quirky themed restaurant with okay food but excellent atmosphere. The theme of the restaurant is horror so it was the prefect place for the birthday party for the author of Vampire Hunter D.  The Club has its normal waiters but they also have actors constantly interacting with the patrons in-character whether it be a vampire or a mad scientist; there are animatronic statues of things like Zeus, the Wolfman, and talking Voodoo masks that perform little comedy routines; there is also a periodic stage show. Everything is a production and if you are in the mood it can be a blast. Narutaki’s advice: Go on Thanksgiving. The place is dead so you get the most bang for your buck.

Unfortunately Amano did not show up for the dinner but I did get to sit down next to two representatives from Dark Horse. I was at the opposite end of the table from Hideyuki Kikuchi so I did not get to interact with him much. I did chat a lot with the lady who does the Dead Sea Scrolls 606 blog. She was very charming and apparently has also seen Macross 7 and enjoyed it in only the way one can love Macross 7. I felt bad for the two girls that showed up late. One of them used to live right next to the other Jekyll and Hyde location on 7th Avenue so they went there not realizing there are three in the city. The conversation was very free flowing and several people took everyones’ email addresses. At the end Kikuchi gave everyone cute little sketches with his autograph. Peter Tartara promised that everyone there would get sketches from Amano due to him being unable to attend. If they offered such a experience next year I would consider it again depending on who the guest was.

For me, this is my last con of year and I think I’m going out on a high note. With it only being the NYAF’s second year, there are still improvements to be made (is there any con that doesn’t need those?) but the event shined brighter than it did previously. It was vastly more populated but never felt overwhelming. And with dates for the next already announced, September 25-27, I look forward to bigger and better things in 2009!

I on the other hand will return next week with my report from the Providence Anime Convention. Considering I came back from NYAF rather worn out I am curious how much of a number PAC is going to do on me. I enjoyed New York Anime Festival more than last year and look forward to the next one. I hope they keep improving and expanding like any convention does. NYAF is still going through its growing pains as compared to established conventions like Otakon and Anime Expo but it is still enjoyable. I felt that I always had something to do which is my litmus test of an enjoyable con. See you in 2009.

Top 5 Anime Maids
5. Kogarashi from Kamen no Maid Guy
4. Emma from Emma – A Victorian Romance
3. Karinka from Steel Angel Kurumi
2. Maria from Hayate the Combat Butler
1. Hisui from Tsukihime

Race you to NYAF!

It is finally time! New York Anime Festival is upon us! Don’t look for a new Ongoing Investigation this Friday readers, all week will be spent making final preparations for the convention. Along with our Panelist badges and Press badges we will also have these (startlingly realistic) illustrated home-made badges. Please stop and chat if you run into one of us! We can also be found at the panels we are running throughout the convention or anywhere gumshoes are needed.

Narutaki and I will have our digital cameras so if you do catch either of us I’m sure we will place your glorious visage on the blog. Also Skeith and the oft mentioned but never seen Kohaku will be at the convention with Reverse Thieves badges as well. If you run into either of them give them your love as well. If you have any questions you wish to ask any of the guests feel free to send us an e-mail as well. I will personally try to ask any questions you pass along especially if you can’t make it out to New York but wish to ask something of one of the guests.

Being press we are not sure of our time and if we can get interviewers or not but we are sure going to try! But at the same time we want to try and make it to as many events as we can cram in. The NYAF event list is really incredible. Our tentative schedule is as follows:

Friday
Bandai Entertainment Panel
Funimation Panel
Otaku USA Panel
Hideyuki Kikuchi Panel
Gundam 00 Panel
Vertical Inc. Panel
Anime Recruitment Panel (This is our panel!) 8:00PM – 9:00PM

Saturday
Cooking Manga Panel
Media Blasters Panel
Anime Blogging Panel
The Art of Translation
Vampire Hunter D Panel
Del Rey Manga Panel
Top Secret
Yoshitaka Amano Panel
AMV Contest
Anime News Network 10th Anniversary
Rie Tanaka Performance (i.e. the beginning of the Masquerade)

Sunday
Rie Tanaka Panel
I Can’t Believe You Haven’t Seen This! Panel (This is our panel!) 12:30PM – 1:30PM
Ryu Moto Panel
Know Your Creators Panel
Hideyuki Kikuchi Birthday Party

See you there!

New York Anime Festival 2007

Hisui and Narutaki’s NYAF schedule

Friday
Del Rey Panel
ImaginAsia Panel

Saturday
The Art of Reviewing Anime Panel
Katsushi Ota Q&A
Kobun Shizuno Q&A
Viz Media Panel
Otaku USA Panel
Unicorn Table Concert

Sunday
Vertical Inc. Panel
State of the Manga Industry
State of the Anime Industry

This was the first anime con in NYC since 2003, but nevertheless I had high hopes for NYAF. They were planning far in advance; they got the Javits Center; the schedule was up almost a month before the convention; and they were advertising. However, this last one was a bit worrisome, NYC is a big place and if everyone in it who likes anime shows up at a con you can expect a freakin’ crowd. Their projected numbers were around 15,000, I am eager to see what the actual was. Unfortunately for them, it didn’t seem that busy. It is not that I want to be squashed between otaku all day but for how big this con seemed like it was going to be, it wasn’t.

Without a doubt, this was definitely a professionally run convention. There were no major schedule changes and everything ran as smooth as silk. Even Otakon at it’s best did not run as smooth as NYAF. I think it could be argued that it ran a little smoother than Anime Expo. I have only gone to Expo once and it was very well run the year I went, 2006, but they still made things a little bit difficult and obtuse. They also had a bunch of schedule changes and mix-ups. So not matter what there is something to be said for professionally run conventions.

Saturday at NYAF, which is always the busiest day at most cons, seemed like a Friday at any other big con. When something like AnimeNEXT gets a crowd like that, it seems fine because they are smaller cons and have smaller expenses. They don’t need as many people to make back their money. Doing anything in Manhattan is expensive. I too wonder if this is the last we shall see of NYAF. First year cons almost always have a low number of attendees, so maybe they will wait and see if this con will grow. If given an chance, I’m sure that this con will grow but it has to be given that chance. According to this, BAAF had 3,500 people during its first year in 2001. Then again, BAAF 2001 was a much smaller affair from what I remember of it. Still, it was a convention that grew in numbers and scope as the years went on. BAAF did occur at another time but it still shows that even in NYC it takes time for a convention to grow. I’m also not really sure what exactly killed BAAF. I have heard several stories but they were more rumors rather than anything close to factual evidence.

Friday started out well for me, I got there around 2:30 since I had silk-screening in the morning. I met up with Kohaku to wander this new experience. The first thing that struck me was how the dealers room was set-up. It was very similar to comic cons and there was a lot of free stuff, which is always a plus. There weren’t too many people so navigation of the area was fairly simple. The entire convention was in a relatively small area but had very wide hallways.

I missed Friday because of work (and the fact that I accidentally FedExed the print out of my ticket to one of our clients). I guess on Monday there was a very confused guy opening up an overnight package. I showed up at around 6:30 to see Narutaki and Kohaku getting out of the convention.

The dealers room was definitely set up like the New York Comic Con when it was at the Javits Center. I don’t remember this convention having more free stuff than any other anime con. But maybe that is because I’m a moody loner that ignores other people where as Narutaki and Kohaku are normal functional human beings. I remember the comic con was pretty packed but things still moved nicely most of the time thanks to the large hallways.

It was also the best day to talk to industry people since there wasn’t a whole ton going on and they weren’t overwhelmed with questions yet. We chatted with Mike Bailiff (I think) from ADV and also Chris Oarr. We also talked with quite a few people over at the newest addition to the manga market, YEN Press. And as per usual, talked with the people from Del Rey as well. Del Rey certainly made a lot of acquisition announcements for the coming year, of which included a light novel of XXXholic and the manga of Gankutsuou.

I’m curious to see what the XXXholic light novel reads like. It was great potential to either be very good or very bad. XXXholic can be very episodic so a random story in the middle is not anything that would be obtrusive. I have not heard anything about the Gankutsuou graphic novel but historically any manga based on an anime is weaker than the original work.

ImaginAsia, I wanted go to to see how the classics were doing. I really wanted them to be going well! And thankfully they are, thanks to the sets being really nice and them being shown on their cable channel. They also have a block of programing that is all Geneon titles, I had to ask what was going to happen to that with the recent news. They said it would remain as is, and they have hopes that Geneon isn’t completely dead yet. I also spoke to them after the panel and asked about Rose of Versailles. I thought I was going to hear the usual about it being expensive, and the creator is problematic. But she told me that the biggest obstacle right now is Riyoko Ikeda wants the manga released first! Well, bring it on people!

Well did they not say that Riyoko Ikeda was not a super crazy lady but she was a super crazy lady who also wants the manga released first. Also Geneon still seems to be in an odd undead limbo between being fully dead and just half dead.

The dealers room, the industry booths, and the artist alley were one big mish-mash. I can’t really find a reason for this, except to possibly just fill the room to make it seem bigger. But after some searching you could find everything you wanted. And of course the dealers room did hold some gems. But this is not really my priority at cons.

I did not buy much this convention most because it was so close to Christmas. I did find it odd that they combined the dealers room and artist alley into one as well. I did pick up a neat Gundam doujinshi where they remade Azumanga Daioh strips with Gundam characters. Any doujinshi with Domon Kasshu and his glowing King of Hearts in a Azumanga strip is worth the price of admission.

The Art of Reviewing Anime panel was rather uneventful, but it did reaffirm my beliefs about the AnswerMan being jaded. I don’t think it’s impossible to work in the industry and still be a fan. Daryl from AWO was there to and it was rather amusing to see him and the AnswerMan saying the completely opposite of the other. But the Katsushi Ota panel was wonderful! Thank you Del Rey for bringing him. He is the editor of Faust which Del Rey announced they would be releasing parts of. It is a light novel anthology series that has illustration accompaniment. This will definitely be an experiment here in the U.S. and I’ve very excited about it. I asked him about digital distribution and he said there was something big coming up later this year that he couldn’t talk about.

Jaded? The tomb of a Chinese Emperor is not as jaded as Zac Bertschy. A noir gumshoe is not as jaded as Zac Bertschy. The fact that he did not light up cigarettes to put them out on members of the audience was somewhat surprising.

Well if nothing else, Katsushi Ota provided me with the highlight of the con. Kinoko Nasu who writes for Type-Moon (games like Tsukihime and Fate/Stay Night) also has written for Faust so you know I was at this panel. I like the idea of light novels in general so I was probably going to go anyway, but once I found out they might be announcing some works by Nasu, I was there in a flash. Faust seems pretty interesting. They have a collective mix of authors and artists working on the book. We will only be getting selected parts of the Japanese Fausts but as long as we get Garden of Sinners, DDD, and see their CLAMP artwork I’m happy. I asked Ota what his impressions of Nasu were and he gave me both an amusing story and a definite insight into the man. That was awesome. I also thought that their boxed line of books looked nice.

I am always interested in more light novels being released, since I’ve such a big reader, so this is a dream some true to me. Ota seems to be smart, insightful, and has a desire to bring creative people together into projects. Anthologies haven’t been bigger sellers in the U.S. but I hope this turns that around. It will have short stories and also excerpts from longer works.

At the end Katsushi Ota gave me the first two books of DDD and then took my picture with the books and promised to send the pictures to Nasu himself. WIN! That is the second Japanese creator that now has a picture of me. Without a doubt my favorite part of the convention.

The Guest of Honor was Kobun Shizuno. At first Patrick Macias asked him about how he became a director in the anime industry and what he though of the industry in general. Then Shizuno showed a pretty long clip of his newest show, Cross Climber. It seems to be about a full immersion virtual reality MMO with a sinister secret purpose. Then a bunch of people asked him questions about the Evangelion movies that he could not answer. The most interesting part was listening to how Shizuno worked his way through the industry to become a director. I sort of wished the people from the audience had asked him some more interesting questions. I did like that someone asked him a Princess Nine question. That show does not get enough love.

You are kinder than I was. I was practically leaping from my seat in outrage at the crappy questions. Two questions were not about his OWN work but about Ginax works. This man is a director, not a film critic, you shouldn’t be asking what he thinks of other peoples’ work. Not to mention there was only time for about 5 or 6 questions so them being wasted was quite a frustration. After this panel we also man into Dave and Joel from Fast Karate and talked with them a bit.

I had never heard of Unicorn Table before they were announced as the musical guests. But I am always up to hear some J-pop! So the concert was something of a high priority for me, and I wasn’t disappointed. There were 10 or 11 songs, which was more than I could have hoped for. We pushed our way to the second row and enjoyed quite a show! We survived the otaku stink for nearly an hour and a half. Although, I wasn’t crazy about her solo songs in the middle, the entire band was the best part. They really got the crowd up and cheering. There was even a raffle at the end, they gave away a t-shirt, a DVD, and a small bag.

Unicorn Table was pretty fun, although my favorite part was when the guitarist and the bassist just started to rock out while the main singer was changing costumes. I stayed away from the madness at the front of the concert and enjoyed myself in the back. I also have no need to be around stinking touchy-feely otaku.

The panels were all industry run and this was my biggest complaint. I really like a mix, I always go to many industry panels but I also like things about older anime or some aspect of anime. I hope this can be remedied next time around. The best things were the state of the industry panels where people from all over got together for a round-table of what’s been going on in the last year. As can be imagined, the anime one had a lot of what if’s and what can be done. It was really informative.

I’m not sure why they did not have any fan run panels. I admit when fan panels are bad they are very bad but they also could have had some good fan runs panels. It might be that as a professionally run convention they did not want to take the risk of a non-guest/nonprofessional run panel. Excluding fan run panels cuts down on your poorly done panels but also excludes a good many interesting panels that could exist.

It was really interesting to hear the two state of industry panels. The manga panel was happy talk and full of what are we going to do next. The anime panel was full of what can we do to pull ourselves out of this mess. Both panels talked about digital distribution. The manga panel speculated on why they were doing so well and how they could keep up their success. On the anime panel, they discussed why sales were down, what they could do to counter it, and what their hopes for digital distribution were. John O’Donnell, from CMX, definitely stole the show during the anime round-table. His answers/tirades were insightful if a little harsh.

I feel like this was a small con that seemed bigger because of the industry involvement but really it wasn’t anything like Otakon. A small con dressed up in big con clothes. Then again, it was its first year and also it is the winter…in NYC, not exactly the most inviting scenario. I also feel like it should have gone on longer into the night. Panels running till 8 or 9 at least and showings till at least then if not later. We know they could do it since the concert went on till almost 10. Overall, I had a good time and learned a lot. It wasn’t the best time I’ve ever had at a convention but I look forward to another one of these, if there is one.

I like having a con basically in my back yard. I’m sure I would fly halfway across the country to go to NYAF, but I will definitely take a subway ride again next year. It was not my favorite con but I had a good time and it did everything I need a con to do. I was never at a real loss of what to do; there was always something interesting going on. I sort of wish I had had some more time to see some of the movies they premiered on the big screen but there were too many good panels. Too many good things is never a real problem. It proves that a for profit convention can be done in an acceptable manner. If NYAF takes what they did this year, and grows, it has the potential to be one of the big name East Coast cons. I look forward to seeing how things turn out next year.