I recently attended the Student Anime Film Screening & Discussion with anime scriptwriter Dai Sato at the Japan Society. There, 25 students attended the A*NI*ME: Japanese Animation Production class for two weeks to learn the basic philosophy, theory, and techniques behind anime production. They were split up into 5 teams which had to create a full write up for an anime series or movie complete with character descriptions, plot outline, and a small trailer for their pitch. After the trailers, Dai Sato and the other instructors mentioned what they liked and what could have been worked on. They were always very polite and kind but Dai Sato did give them legitimate feedback in a constructive manner. The first group did a pirate adventure very similar to One Piece called Casa Dulce in which a band of pirates are looking for the legendary Utopia but instead find family through their crew. The students in group two did an adventure series called Floreixen about a society were peoples’ destinies are determined by the eggs they are hatched from. The third group did a western horror influenced series called Scindo in which a mad scientist calling himself Grandfather kidnaps a group of teenagers and injects them with a drug called Scindo. The fourth group proposed a title called 99 where everyone is a partial conversation cyborg but one day a man who is 100% human is found and he is quickly draw into a conflict. Our last group was the only on to pitched a movie, it was called Hybrid where a half human/half robot boy goes on an adventure that makes him wish to seek peace between the warring human and machine sides. We were then shown a dubbed episode of Samurai Champloo about a graffiti battle. After the episode each of the groups was given an award. The first group won the grand prize but all of them got some award of recognition for what they did best. Even though the projects were clearly amateurish they were enjoyable considering they only had 2 weeks to complete the project and much of their time was spent learning how to do the writing and the philosophy behind it. Kishotenketsu the 4-part structure for Chinese and Japanese narratives seemed to be an important part of the classes and was mentioned by each group. After the award ceremony I got my Eureka 7 case and Narutaki’s Cowboy Bebop case signed by Dai Sato.

The Walking Man by Jiro Tanaguchi is a simple, short piece about a man exploring his new town which emphasizes the beauty of noticing the little things in the world and taking a minute to appreciate them. It also seems like a great excuse to draw incredible backgrounds and environments. In fact this is one of the few times where those take precedence over our character so much so that he doesn’t even have a name. The dialogue is sparse with some chapters having none at all. It doesn’t even come across as slice-of-life but just these very brief, serene moments in time.

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