Ongoing Investigations: Case #154

We received a copy of Nozomi’s re-release of Gasaraki. The story follows a war between the Americans backed by the Japanese and the fictional nation of Belgistan. Both sides have bi-pedal robots with main pilots possessing odd connections and powers. It is worth noting that I have tried to watch Gasaraki before, many moons ago and didn’t make it very far. I wanted to give it another chance but this time around I was only able to get one episode further. Despite people’s assertions that this show is a realistic depiction of mecha, I just can’t find it anything but slow and uninteresting. Also my thoughts on what is realistic must be different because this show has Noh dancing magic. . . . In any case, a good portions of episodes revolve around people talking, typing, or staring at screens. Talking heads and computer screens can be made interesting (just ask Evangelion) but Gasaraki fails to put passion or facial expressions into its scenes. This also makes the dub doubly painful since at least the Japanese put some inflection in their voices. The battles are compelling in moments but they are too short or interrupted by looking at screens. The show didn’t capture me in any way.

If I have nothing else kindly to say about Gasaraki I will say that it tried to do certain things that most mecha shows don’t often attempt. Ryousuke Takahashi tried for a more realistic version of modern mecha combat and politics while mixing in some magical elements to spice things up. The fact that there are only two types of mecha in the whole show and the commentary on the Gulf War make the show stand out. The only problem is the show is so amazingly and mind numbingly boring. It takes the tedious parts of part of war and magical conspiracy and focuses on the most mundane aspects of each to the to the point where only the most hardcore fans of realism will find the show interesting. Ryousuke Takahashi showed that you can do a more realistic mecha show like Armored Trooper Votoms and make it compelling. But this swings so far toward the nitty-gritty details as so suck away any enjoyment. They even focus on the boring aspects of the shadowy magical conspiracy behind the mecha action in excruciating detail. When the plans of the magical cabal feel like a run down of someone’s tax audit you know something has gone horribly wrong. I will say that this show has a reputation for a completely magical ending that comes out of nowhere but as far as I can tell the freeky deeky occult aspect of the show is apparent from the first episode. I admit that the few actions scenes are the only parts of the anime that are easy to stay awake so that makes them the most memorable pieces but there is unmistakable and unnerving mystical element present in the show from the beginning. Like Narutaki I watched this show years ago and I wondered if I could come back to the show as a more mature fan and gain a greater appreciation for a show I had disliked in my early fandom. But this show still deserves the infamous reputation it gained with me and other fans so many years ago.

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Enter the Red Dragon

As someone who played more table top role-playing games than maybe I should have in college I have a distinct soft spot in my heart for that genre of games. I have probably played more White Wolf, GURPS, and D&D than I care to admit. I still will revel in old plot lines I participated with friends like veterans trading war stories. We often mention to each other that a clever one of us would put together some of our better story lines and try to pitch them as a book. George R. R. Martin of current Game of Thrones fame did just what with a long running super hero game he ran that included several noted authors that became the Wild Cards series. There are currently 21 books in the series with more coming out next year with a possible movie on the way. Also the Record of Lodoss War franchise started as a series of replay transcripts that eventually became a larger multimedia franchise. In fact these replay novels are not uncommon in Japan and there is one such series on the horizon that looks amazing. Red Dragon has become one of the properties I am most looking forward to in 2012. Continue reading

Ongoing Investigations: Case #143

It has been awhile since I saw Last Exile but overall I remember liking the series so I was eager to watch Last Exile: Fam, the Silver Wing. Right off the bat the series reminds you of one thing: Range Murata is definitely a lolicon. Any perusal of one of his Robot art books will remind you of that fact. So when Fam starts the series in her underwear and sleepwalking I am not exactly sure why people were SUPER surprised. It does set an odd precedent as the episodes I have seen since then never have that odd level of fan service again. Perhaps Gonzo thought this was putting their best foot forward but I think most people would disagree. Other than that poor choice it is mostly the Last Exile you remember. Apparently the prediction that moving to an abundant planet would stop the conflicts was optimistic thinking because it seems war had broken out again. But really without giant airship battles I don’t think people would be anywhere near as interested in Last Exile. Since the Guild is no more they don’t have the musket battles but in their place there are air pirates so you can get your Skies of Arcadia grove on. Fans of the original series will notice that Dio is alive and well. Still sort of loopy but definitely calmer. How exactly he survived after Last Exile has yet to be explained (if it will be explained at all.) After three episodes I have yet to make a firm decision on the series. It has a primarily female cast. While there are men the three main characters and primary focus are all young ladies. So that means no wading into harem territory like people accused the series of doing with Claus but it then does lend itself to the yuri subtext being in everything that the world of the pink ghetto casts. Fam and Giselle seem fine with Fam being the spunky one and Giselle being the quiet one. Millia is not only a princess but also a princess character and that means she can be a bit grating. The action has been pretty good so far and the plot has potential. But as far as I can tell the main villain’s problem seems to be that everyone is far too happy and he will not be having that which could lead to a very corny developments. I am interested enough to keep watching but still hesitant to give it a recommendation yet.

As many others did, when I got Sailor Moon vol. 1 I also got Codename Sailor V vol. 1. This was new to me, I knew about it of course and had looked at some of it, but never really got to read it. Having read Sailor Moon first of the two, it put me in the exact mood for the young girl fantasy that is Sailor V. The big difference between these two so far is that Sailor V is decidedly free of any serious romantic entanglements instead focusing on peppy Mina’s daily struggles with classes balanced with sometimes saving the world as a Sailor Guardian thanks to talking cat Artemis. Mina amuses me greatly in her slacker fashion which prefers video games and idols to studying and saving people. Since this is a primer for Sailor Moon you can obviously see a lot of Usagi in Mina but they are still different because Mina is very physically capable. This is also what makes her so fun as she loves kicking baddies once she is roped into caring. Sailor V also becomes something of a legendary icon as the story goes on getting her own video game, fan club, and even a police detective rival among other amusing things. Once she has been in action a while, Mina gets more serious and both her and readers start to wonder who is “the boss” and why Mina was chosen for this role. I am curious to see how this ties in swiftly to Sailor Moon.

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