Anyone who was ever dated can easily attest to the fact that men and women have very different ideas on romance, courtship, and love. Fiction written for men and women and fiction by men and women is therefore distinctly different as well. Almost universally you will see that shonen and seinen manga treat love and romance completely differently than shojo and josei manga. I would daresay that the magazine a manga is published in is more important to how romance in handled in manga than the sex of the author. Score another point for the power of the editor in manga. We are very clearly going to be talking about generalizations. I’m sure there are a dozen examples to counter each claim we make below. Especially since most manga magazines want crossover appeal they tend to try to add elements from magazines for the opposite gender in at least one manga in their anthologies. Most of the times the manga that break the rules we set below are the exceptions that prove the rule.

I think it is funny because as many difference as you can find, you can find almost as many parallels that are just dressed up a little differently. I can think of examples of shonen series that treat love in a very natural and organic manner, certianly, but that sure isn’t the norm. Love seems like this cast-off that is thrown in when need but never really becomes a solid or believable part of the story. Most characters personalities just aren’t suited to it so you can feel when it is being forced.

As Short Round said in Indian Jones and the Temple of Doom, “Hey, Dr. Jones, no time for love.” Most shonen fighting and tournament manga seems to have a similar philosophy. There are definite examinations of relationships and romance in these titles but it almost always happens in the background. Most fighting manga tends to focus on themes of friendship and teamwork. Girls will express romantic feelings most of the time and sometimes male side characters will express their love for someone but the protagonist will usually only have platonic feelings for the women around him in the beginning. This leads to love having two main proposes in fighting manga. Powering up the protagonist in his darkest hour and to create comedy in between the action.

Girls are known much more for being emotional and able to express their feelings better than males. So it is no surprise that this is often the way it is portrayed in shonen series. The girl might not be direct but she will express her feelings to a side character or make it extremely obvious through her actions. I think the age of most shonen protagonists is an age where guys are thinking about the physical side of woman rather than the emotional. So a girl has to worm her way into a boys heart because they really aren’t looking for it, it might not even occur to them.

The protagonist tends not to show much in the way of romantic feelings for girls. Ichigo Kurosaki is a prime example of this. You would assume that he was an asexual plant most of the time except for a few occasions and they seem done for comical effect. He often goes out of his way to protect Orihime and Rukia but he seems to do so in the same way that he would protect any of his friends. We clearly see that Orihime has romantic feelings for Ichigo and is is often hinted that Rukia has feelings for him as well. The only male side characters that seem to show any interest in women in general are Mizuiro Kojima, Keigo Asano, Kisuke Urahara, and Shunsui Kyoraku.

I wonder if it just doesn’t come up because the target audience is around 10-12. Although this doesn’t stop it in literature. Perhaps because for young boys love doesn’t seem very manly so if it comes up in stints it is more tolerable. I really don’t think it has a negative effect personally. I mean series like Kenshin were quite popular! It adds a layer of depth but it can be hard to balance it correctly in a fighting series. I think that is the big problem knowing when to throw it in and when to pull back.

Most of the time when the hero realizes that he has feelings it isn’t until some critically point in the story. Usually he discovers his love either after the girl is kidnapped, threatened, or killed. Sometimes they also realize their love when it looks like they can’t win but then the girl shouts out their name. Also if the girl has been corrupted by evil the hero often realizes his love for his heroine which helps break her free of the controlling influence. No matter what the scenario it is this realization of love that lets the hero either spring back with renewed energy or a new found power. It seems Samurai Deeper Kyo can’t go for three books without Yuya having to shout out someone’s name to bring them back up to full fighting form. You think she was a monk using Chakra in Final Fantasy Tactics. Also Damon and Rain are able to overcome the Devil Gundam’s influence and power up when they realize they love each other. I bet you dollars to donuts Ichigo is only going to realize he has feelings for Rukia during a battle if it ever comes up at all.

Thank goodness we don’t have to wait for those moments in real life! But it does make for some great dramatic moments! Fighting series are soap operas for men, really! Always friends becoming enemies, romance, deception, mystery, and someone always ends up being an old acquaintance or relative or some such. And even though a lot of times you can predict wants going to happen, it doesn’t stop you from sitting on the edge of your seat for it. The added romance is no different. It has to be this huge culmination of many situations and then it must burst forth for ultimate dramatic effect! However, I am always thankful for situations that aren’t solved using the power of love.

There is also the whole section of manga known as shonen romance manga. This category is most often mistaken for shojo manga by casual readers. The general assumption is shojo manga are all about romance and love so any manga about romance and love is a shojo manga. It usually involves a milquetoast protagonist that through some series of events gets some girl he would normally consider out of his league to spend time with him an eventually fall in love with him. There are usually alternate suitors for both the boy and the girl who try and woo them away.

I remember that horrible woman…what was her name? Oh, yes! Jessica Chobot who had a list of the “best shojo manga” or some such thing. And smack dab in the middle of the list was Love Hina. NO! NOT SHOJO! NOT EVEN CLOSE.

The most popular variation is one we have discussed before. The harem manga. In a harem manga there are usually almost no guys of significant importance other than the protagonist except a possible mentor figure or rival. The only thing that is required is that almost every attractive female is slowly drawn to the hero as the series goes on. Anything by Ken Akamatsu follows this formula to a tee.

I think I would say “hero” lightly. I mean most of the time it is super wish-fulfillment because the guy does absolutely nothing to warrant people falling for him left and right. At least if he was a hero, as in did something heroic, there would be a reason!

Well, most shonen romance is wish fulfillment pure and simple. Who would not want someone beautiful and caring will come and just fall in love them them? Considering that most otaku are not the most suave people on the planet. The concept of being able to find love just they way they are has an undeniable appeal to someone like that.

Everyone wants that, it is true. A good portion of shojo is the same way. You are dealing with a main character who is average (if that in shonen) and all of a sudden the hottest people on the planet want their bodies! Although, the person always has some wonderful quality deep down inside. This is basically how everyone feels and all they need is someone who can recognize their greatness.

Romance in seinen is much less prevalent. There is a whole lot more sex but not much love. I feel that shonen manga is usually about a young man’s journey to become the best. Seinen manga is all about the guy who is already the best and he just has to take care of all the punks that get in his way. The same thing relationship exists between shonen and seinen manga when dealing with love. In shonen manga the hero slowly learns about love and wins that love. In seinen the hero is the man. He has mastered the game of love. He does not need to court women. Women come to him.

Seinen involves everyone wanting your booty, even thought you may not want theirs! Or it is about how love gets in the way of your manly quest. As I have said before…everyone girl/woman from the age of 4 to 400 wants Guts! Even if they don’t know they want him, they do, you can see it. But funnily enough he doesn’t get too much action. I guess he has that whole saving the woman he loves and weird fetus creature sightings to deal with. I don’t read too much seinen to see patterns but I feel that there is never that definite lovely ending to it. There is so much drama, blood shed, and whatnot that that type of ending would seem out of place. I expect a massacre at the end of Blade of the Immortal and not much else.

There is some actual romance in manga aimed at men but it is harder to find. I feel that Rumiko Takahashi’s Maison Ikkoku is a good example of a legitimate romance manga from a seinen anthology. Maison Ikkoku has several interconnected love triangles and several women are interested in Godai; but, it is mainly how Godai and Kyoko fall in love over the years. I also feel that Hachirota “Hachimaki” Hoshino and Ai Tanabe slowly develop a natural and organic relationship in Planetes.

I think any series involving “real” love can easily attract a female audience. Heck, lots of shonen has the crossover appeal that shojo will never, ever see. I think most things that are straight up romance fall into the wish-fulfillment category, on both sides. Everyone has their own ideal qualities in a significant other so it is hard to say when things really ring true. This is one of the reasons why doujinish are so prevalent, even of characters that have little romantic interaction. For me, stories that involve a larger plot that one romance have a fuller feel to me. And this is how it is handled in shonen for the most part.

Narutaki Currently!
Watching Cat’s Eye
Reading Gakuen Alice
Listening to Hajimari no Kaze (Saiunkoku opening)

Hisui (Brainwasher Detective) Currently:
Watching Sayonara Zetsubo Sensei
Reading Blade of the Immortal
Listening to “AFRO Gunsou” by DANCE MAN

Top 5 canon couples
1. Kyoko Otonashi and Yusaku Godai (Maison Ikkoku)
2. Kanji Sasahara and Chika Ogiue (Genshiken)
3. Jinto and Lafiel (Banner of the Stars)
4. Anemone and Dominic Sorel (Eureka Seven)
5. Kazuya Hasukawa and Igarashi Miya (Here is Greenwood)

There are lots of sub-genres of shojo manga but romance is hands down the biggest of them all. Even when the main plot isn’t just a love story, more often than not there is still a romance in it. So it comes as no real shock that most people relate the pursuit of love to shojo manga. There are certain things that come to mind when thinking of romance, like most people it comes from what we see in the media, at least the immediate things. This is greatly reflected in romance written for women. There is a kind of strange conversation that goes around in my head about it. It goes something like this: the perception of how woman want to be treated comes from what we see in movies, TV, and books but are those images merely what society tells us? Or do they really exist because women like that, they watch and read it so some of those ideas must resonate within them as desirable. Cliches exist for a reason.

Feminists and psychologists have argued about the answer to that question for years. For a long time, people have wondered how much of our taste is dictated by our biological sex and how much of it is learned from our physiological gender. The main problem is they are so intrinsically linked; that it is quite possible why we will never be able to separate what contributes to what and how much it contributes. Sufficed to say a majority of women are not going to stop asking for romance in their literature anytime soon. However, the particulars of how those romantic stories are told will change from year to year as it always has.

One might also say to themselves, well there are a certain type of women that like to read romance. While I grant you that not all women like romance in their reading, a good portion do and it doesn’t seem to have any rhyme or reason to who they are in real life. Like many types of fiction, a lot of it is escapist literature and who can’t really put a label on who wants to escape or not.

I have yet to really meet any women who are anti-romance, but I know they exists. I suppose that speaks to how many women like romantic literature. Certain tomboys and nerdy girls will have a preference for more masculine literature but I would say even most of them will still willingly and even eagerly read something with a romantic bent. The only thing that will turn people off will be pure romance, Harlequin-style novels.

I totally agree. Even something like fantasy novels, which has a wide male readership, has a lot of romance in them. I also think some females insert romance, even when it may not be there. That is a whole other discussion though. But I think we can agree that woman like romance in their stories at varying degrees. This might even be doubly so for manga. I don’t know why that is, but it seems to be. It works with its own set of rules for romance!

The ever present confession, although this is a staple across the board, this is really prominent in shojo manga. I always find this very intriguing, it is almost as if you can’t actually pursue someone without it! Sometimes there is a lot of outside pressure to confess. You often see other females insisting that a girl confess her feelings because it isn’t “fair” to be around the guy without it being said. Example, Prafait Tic! our main character has a crush on Daiya. They become friends and hang out a lot. So all the girls gang up and and basically bully her into prematurely telling him she likes him. The reasoning was: all the other girls that like him aren’t friends with him and can’t be around him all the time, but she gets to because she hasn’t confessed and that isn’t right. There seems to be some sort of split on being friends first.

I remember a conversation we had about the fact that most people we knew just sort of fell into relationships. Most of the time there was no formal courtship and grand romance. Both people just sort of realize they liked each other and the next thing they know they are dating. In most shojo titles, the courtship ritual is usually very stylized. In anime you always see people meeting and talking on top of the roof of the school. From what I understand this is much less common than it really is in Japan. Anime likes to exaggerate things for flavor and effect.

I think this also creates a more awkward situation than say being friends first. The feelings are out there and they know it, so every little move has meaning. Of course, with all things there are extremes. So sometimes it goes the completely other direction till what you get is a girl thrown into a relationship with random guy that she has met for 5 minutes.

I think to put it in manly terms, the difference between shojo dating and real life courtship is the difference between a real street brawl and a manga fight sequence. A real fight tends to be clumsy, awkward, brutal, and sometimes even embarrassing. Manga fight sequences tend to be stylized, clean, and artistic. Think about the differences between the fights in the movie Rashomon. Shojo romance is the same way. Heck, it’s not much of an exaggeration to take the lines I said about fight and merely replace the word courtship for fight.

In general, it wouldn’t be a love story in manga without multiple guys falling for our heroine. Typically they like the perfect shape, the triangle, but that doesn’t stop them from throwing 3, 4 or even more our main character’s way. But the triangle is most popular and within that triangle you usually have an angsty boy with dark hair and a funny, spirited boy with light hair. I guess they want both sides of the coin. And up until recently, I always thought the angsty boy won. However, I dunno if writers are changing, taste is changing, or I have just picked up the right manga for me, but it seems to be 50/50 on who our girl ends up with.

Manga like any other form of literature will have unending waves of trends and then backlash to those trends. I think certain manga artists tend to have a preference in the dark-haired angsty guy vs. light-haired funny guy war. Certain manga artists are guaranteed to have the heroine fall in love with the stock character model boy that she uses in every manga. I’m looking right at you Yuu Watase and Rumiko Takahashi.

Wait, wait in Absolute Boyfriend our main heroine falls for a blond, who is funny! Of course he is a robot…and there is the other guy who does look like Taka-clone (aka Takahome from Fushigi Yuugi). Essentially, the writer is guaranteeing the reader will like someone and hopefully enough to follow the story till the end. I have to think on that one. But that easily leads to want I wanted to talk about next: Pretty Boys. One of the most important things that shojo writers have given us! And this is certainly something very unique to Japan, well Asia really. It actually has roots in very historical arenas and isn’t merely a phenomenon of the age.

Pretty boys and shojo manga are pretty much synonymous. You show me a shojo manga without a bishonen and I will show you a shojo manga that did not make it past 2 volumes. Bishonen are one of those odd things that it takes some people a little getting used to when they first start reading manga. But once most girls accept it they eat up bishonen with spoon and a side order of BL. Even shonen manga will always throw in a bishonen to attract a cross gender readership. Even as early as Saint Seiya they have been throwing pretty boys in fighting manga to get a female readership. I mean if girls did not at least glance at shonen manga because of the bishonen guys then why is there so much Renji x Byakuya fanart.

Anyway! In a lot of josei manga, I see this approached a little differently (I wish I could read more josei). There is often many suitors but most times there is no real doubt about who the character is going to be with. Take Saiunkoku, while there are other characters in love with both Shuurei and Ryuuki, we know the story is about them and the growth of their relationship rather than a battle to see who wins their hearts.

Josei manga also tends to have a more realistic view of love and romance where as shojo tends to have a more idealized view of love. There is hardly a hard and fast rule but definitely a trend. I assume this comes from the fact that the average josei reader has gone through one or two relationships. There by it more easily relate to a more realistic relationship. In Nodame Cantabile I don’t ever think we are ever unsure if Nodame and Chiaki will end up together. Nodame is more about how their relationship progresses as they try to graduate music school and find their place in the world of professional music. If an older reader wishes to read about a more idealistic relationship they can still pick from a wide variety of more stylized shojo manga.

And really, there is also lots of so cute and sweet youcouldrotyourteeth shojo manga. Like you have to take a break between chapters from the sparkles! These the ultimate in perfect boy fantasies. If a boy appears without sparkles and/or flowers he is soooo not worth the time. I love the sparkles if only to give me a minute of laughter. This is also one of the most commonly parodied things in comedy anime and manga.

You forgot my favorite part of shojo manga. The hand hold. In many shojo manga aimed at a slightly younger or more conservative audience, you will still have sex but it can’t be as graphic as magazines aimed at older readers. So, if they want you to know a couple is having sex but can’t show it, they will insert the Shojo Hand Hold. Any experienced shojo reader will recognize it right away. It is when they cut away from a couple in a rather intimate embrace and only show the two characters holding hands with their fingers intertwined. Then they cut back to them in bed after the act. For some reason, I just find it hysterical.

I think the most grounded shojo manga really comes from the comedy-romance which makes up a big portion of shojo love stories. It has enough drama to keep you interested but it also makes you laugh and feel happy with the outcomes without using too much angst to do it. These also seem the most real to me, but that is just my personal view on life. Most relationships are a good part comedy. These types of stories seem to gain the largest fan followings, i.e. Fruits Basket, Love*Com, Ouran High School Host Club, etc. Then there is a whole other sector of overly dramatic stories. Which sometimes jump into comedy from being so ridiculous. But these are somewhat more mature stories with dramatic plots, angst, and often times sex.

I tend to see most relationships as tragedy and heartbreak. I suppose this is one of those things that very easily show the difference in our world views. But for exactly the opposite reason, I tend to like romantic comedies as well. I like the fact that they put a healthy dose of comedy in what is otherwise angst and tension that is in a normal relationship. It can be argued either way but I would put Fruits Basket in the mostly drama category. It certainly has a healthy amount of comedy but I feel Fruits Basket focus is on the drama. Love*Com and Host Club seem more comedy based with Love*Com having a healthy dose of drama.

Well, I would put Fruits Basket in the same section as Kare Kano which starts with a strong dose of comedy which tapers as the series goes on.

Aggression plays a big role all around. This one is always the hardest for me to understand because of my own views. The completely wilted flower heroine (I say that with spite) is ever present making zero decisions for herself while simultaneously being desired by ever boy on the block. This has both to do with societal standards and also the fantasy. Just because a girl might read some manga with very aggressive men in it, doesn’t necessarily reflect on how she would want to be treated.

Well in both Eastern and Western culture we generally assume that it is the man who peruses the woman and the man who asks out the woman. It is not uncommon or shocking to see a woman chase a man in today’s society but it is still seen as against the norm.

I guess I should say not just aggression then but dominance and control. There are varying degrees, from the guy being the pursuer; to a guy forcing himself on a girl. What the hell is with the rape/almost rape!? I mean seriously if we put our stock on manga you would think there are like rapist hiding behind every lamppost in Japan. And not just rapist, but totally hot rapists who will rape you and you will secretly like it. And then you might be saved, you might not be, but you have a good chance you will meet a decent guy later on but you won’t find him as great as your rapist. I wish I was joking. I’m gonna go cry now.

Well, I always find it odd that there are a good number of women who have rape fantasies so I’m sure that little fact feeds into it’s prevalence in manga. The Japanese seem to have little to no compulsion against playing with certain taboo or uncomfortable topics in manga. Rape is understandably a sensitive hot topic so it can easily make any discussion about it sensitive and difficult.

It certainly is with me. I don’t find sexual violence in any way, shape, or form enjoyable. But as I said before, judging people’s actual taste based on what they watch and read is sort of making a leap.

That is definitely true. I just can’t find any good reason why rape has become such a tremendously popular plot device. I’m sure there are several reasons why it has popped up as a theme, but I can’t easily point to any. They will even use it in shonen and seinen manga. I guess my only other theory is on a certain level rape is one of the easiest and simply illustrated villainies. A rapist is a clearly identified villain and therefore anyone who steps in to save you from such a fiend is a hero. As for why a rapist would ever been seen a sympathetic or easily forgiven character I really can’t explain that. I can’t tell you how many times I have seen characters attempt to rape someone in a series and then be forgiven a little while later. It happens in Rose of Versailles, Sakura Dairies, and the Wings of Honneamise. It’s just a mystery to me. I don’t have that sort of easily forgiving nature.

I also find it interesting that most stories deal with the chase and once the guy is gotten the story ends. This definitely is switched up in josei manga, so that is refreshing. But for most younger shojo titles we see pursuit and not much afterward. There are a few exceptions of course! This is just human nature I suppose. I mean don’t most people find the chase the best part of the relationship. I have certainly heard it said often enough. I think it is natural to want the happily ever after ideal at the end of a story. So if we don’t see the course of the relationship we can just say “…and they were together forever.”

I think it comes back to shojo being often a more idealized romance; where as josei incorporates a more realistic view. I feel that a younger more naive person would tend to believe that if you fall in love and do it right then everything will fall into place and you’ll live happily ever after. Those more experienced in the ways of love realize that it is often harder to maintain a relationship. Plus, an older reader is more likely to be trying to or have already tried to maintain several relationships. A younger reader is sometimes more interested in the exciting prospect of falling in love because it is what they are craving. The older reader wants the story of not only how does one find someone but who they keep it all together.

If we look at literature we see similar trends across cultures and generations. Clearly there will be differences, a trend here or there, but romance seems to be a universal language. I think shojo has many unique qualities to its ideas of love, relationships, and heartbreak. So through many titles it can bring many things to the table, some ring true and some are pure fantasy but I think we need both of those things for a true love story to be told.

Narutaki Currently!
Watching Shigofumi
Reading NANA
Listening to Abingdon Boys School

Hisui (Brainwasher Detective) Currently:
Watching Denno Coil
Reading Slayers
Listening to An Ordinary Sunday by Tomohiko Kikuta

Top 5 canon couples
5. Meroko & Izumi (Full Moon wo Sagashite)
4. Tokine & Yoshimori (Kekkaishi)
3. Shuurei & Ryuuki (Story of Saiunkoku)
2. Cagalli & Athrun (Gundam SEED)
1. Tohru & Kyo (Fruits Basket)

So, I was walking through the park and for some random reason I started thinking about the word tsundere. Maybe because I hate that word and I usually dislike characters that fall into that category. And probably also because I am a weirdo who thinks about anime pretty constantly. Consequently, I started thinking about how fans seem to want to label everything, but that is another article all together.

I’m vaguely curious if there was something in the park that made you think of tsundere characters but that is neither here nor there. I on the other hand really like tsundere characters because I’m a messed up human being. Maybe I just enjoy pain. I also have less trouble with people needing labels. People really like to classify things. That being said I would make sweet sweet love with Flag.

Hold the phone! Aren’t you over stating that a bit? You might like somecharacters that happen to be tsundere but you don’t always like characters who are. Right? RIGHT!? Ahem, that is a whole other article.

I like a wide variety of characters. I guess I think certain tsundere characters are be cute in their tsundere nature. I think Eri or Rin are sort of endearing; where as I don’t really care anything about Naru or Akane. I think you have a general prejudice against characters who are tsundere. I on the other hand am just a loser.

There seems to be a lot of categories people throw the show Urusei Yatsura into that seem wildly inaccurate. If you have never actually seen Urusei Yatsura, well first off why not? And secondly, it will probably be hard to understand what we are about to ramble on about.

Urusei Yatsura is the story of the most lecherous and unlucky boy in the world. Ataru Moroboshi hits on any pretty girl he can find but always strikes out partially because he is just unlucky and partially because he is super skeezy. One day, aliens from the planet of the Oni are about to invade the earth and they give humanity one chance to avoid being conquered. If they can defeat an Oni in a game of tag they will be spared an invasion.

Due to a random drawing Ataru is chosen as the Earth’s Champion. At first he wants nothing to do with the contest but after seeing his opponent is the beautiful princess of the Oni named Lum he agrees to try to catch her in order to feel her up. Ataru expects to win quickly until he learns that Lum can fly and shoot lightning. After several days of utterly failing at capturing Lum, his friend Shinobu agrees to marry Ataru if he can catch Lum. So the next day, Ataru gathers up all his cleverness and sleaziness and catches Lum. In his moment of triumph he shouts out a marriage proposal to Shinobu but Lum mistakenly agrees to marry Ataru assuming it was a proposal to her.

Isn’t that also because he tagged her by grabbing the horns on her head?

Well in Japanese, tag is called Onigokko, which means game of the Oni. Supposedly if you play tag with an Oni and you catch the Oni by the horns then the Oni will grant you a wish. So basically, Lum is fulfilling the wish she thinks that Ataru has made.

So Lum moves in with Ataru and basically acts like his wife. She usually acts very affectionate and devoted to him but will not hesitate to electroshock Ataru whenever he goes after other girls. Other characters from Earth and space begin to flock towards Ataru and Lum in typical Takahashi fashion.

Yes, Takahashi-sensei started making the a huge cast of characters with Urusei Yatsura and this has stemmed to her work since. And she creates the most convoluted, mixed-up, insane love quadrangle-tetrahedrons!

One thing that I’ve heard said, and fans constantly debate it, is that Lum herself, is the first example of the tsundere archetype. I really feel like this couldn’t be further from the truth.

I have to agree. The Internet likes to state things without anything even close to logic or proof behind it. They love to make one minor fact and make a whole totally erroneous argument from it while conveniently ignoring any and all contradicting evidence. If anyone is the prototype of the tsundere from Rumiko Takahashi it’s Akane Tendo.

A main stay of tsundere is to frustratingly act like you don’t like the person that you actually do. Lum makes no if, ands, or buts about who she is in love with. From the moment she becomes “engaged” to Ataru, he is the love of her life. And she really has no problem getting up in your face and letting you know that.

The secret appeal of the tsundere to the fans of the tsundere is the hard won approval from the tsundere after the hard battle of putting up with the outward coldness of the tsundere. If the girl comes out right off the bat and tells you she likes you and wants to be with you then she is not a tsundere. Lum will take any opportunity to declare her love and devotion to Ataru and often goes out of her way to prove her love when tested.

Furthermore, when Lum attacks Ataru, there are few people that could blame her. I mean what is Ataru’s personality? But most tsundere girls are constantly hurting their boys for doing nothing or for complete accidents. The guys usually have no idea what is going on.

Well I love Ataru (just like CLAMP who think he is SO handsome) but he is a super jerk (just like everyone else in Urusei Yatsura) and gets what he deserves most of the time. For some reason the Japanese really like that sort of physical humor and so tsundere girls are often physical in expressing their displeasure with guys.

Actually, I love Ataru also. But that is because everyone in Lum is a jerk but in a totally hilarious way.

Ryuunosuke is not a jerk. She is just a hard-luck woman.

If anyone in the relationship of Lum and Ataru is a tsundere, it’s Ataru himself. Ataru often pretends like he does not have feelings for Lum and wants to be separated from her. However, he occasional shows that he cares for Lum as much as she cares for him. This is all classic tsundere behavior.

The other odd thing is, many people call Urusei Yatsura the first harem show. Since Urusei Yatsura has a large number of female characters, and most of them are very attractive, and have some definite moe aspects to them, it must be a harem show. Plus, Ataru can be considered an average joe who is surrounded with beautiful women. I also think that anyone who says that is dead wrong. That’s like calling the car the first airplane because they are both forms of transportation. They have some very minor similarities but you are ignoring all of their differences.

What are people thinking? There are just as many dudes in Urusei Yatsura as there are girls. For what little harem anime I have actually watched, there seems to be an in-proportionate number of females to males. But in Lum there are guys chasing girls, girls chasing guys, and good-looking people on both sides. Hell no one except Lum even likes Ataru.

Shinobu sort of, but barely, likes Ataru in the beginning but as soon as Mendo appears she drops him like a rock. The cornerstone of harem anime is the milquetoast protagonist thats is loved by all the girls in the series because he’s just a great guy deep down even if most people can’t see it (others would argue for no reason at all). Usually the guys just have a few distinguishing characteristics but is an overall a nice guy. Ataru is anything but the stereotypical misunderstood nice guy. He is a horny, perverted, and selfish guy that occasionally shows hints of being a good guy underneath. If anything, he is the complete opposite of the harem master.

Plus, there are only two types of guys in harem anime who are not the main character. Even more nondescript guys that the protagonist to be background losers and romantic rivals who are bad dudes to be defeated in love. Although it can be argued that that “Lum’s stormtroopers” are the nondescript friends and Mendo is the romantic rival. However, there are more male types in Urusei Yatsura than just those two types.

But everyone is crazy in love with Lum. So if anything it’s like a harem show for girls, but then it isn’t that either. Because Lum just has too much sex appeal. Most harem shows have below average characters that have a bunch of good looking people in love with them for no reason at all. None of the guys are drop dead gorgeous, well except for Rei, but he is an idiot. But it is not a big shocker to see a bunch of guys falling all over themselves for Lum.

For shame. For shame! Are you saying Mendo is not drop dead gorgeous?

In my haste to type that sentence, I obviously was blinded by my love. Mendou is beautiful! Better?

Well Lum is still a sex symbol and a otaku icon of worship in Japan.

Hell, that girl has been on more advertising than most pop stars! Rumiko even drew her rooting for the Hanshin Tigers. And she is on like pasta packaging in Europe!

I also think your implying that you would not run off and marry Cherry. You have odd taste. Cherry is so dreamy.

The only category Urusei Yatsura should be thrown in is the hilarious one.

BTW – My favorite character from Urusei Yatsura is Shinobu.

Narutaki Currently!
Watching Majin Tantei Nougami Neuro
Reading Love Berrish
Listening to Alice Nine

Hisu (Brainwasher Detective) Currently:
Watching Patlabor
Reading 21st Century Boys
Listening to Muther Ucking Police!

Top 5 awesome girls who ain’t tsundere
5. Clare
4. Mikako Koda
3. Lum Invader
2. Tohru Honda
1. Arashi Kishuu