PSYCHO-PASS: This Plastic Beautiful World

hisui_icon_4040 What is cyberpunk? While it is hardly as problematic a term like steampunk, which is a tempest in a teapot in of itself, it is a genre that gets plastered on quite a few series for mostly cosmetic reasons that often miss the point of the purest essence of the classification.

Therefore I am going to say that to be a full cyberpunk series you need to simultaneously fulfill two requirements. The first is the proliferation of cyber-technology. Cybernetics and Cyberspace should be fairly ubiquitous in the setting. While in many ways we are living in parts of the cyberpunk future laid out in things like the Sprawl Trilogy any contemporary cyberpunk work should be set in the not too distant future where our present information technology infrastructure is even more omnipresent. There should be more advanced augmented reality, more complex and sometimes totally cosmetic integration of man and machine, and a totally ubiquitous internet.  The technology should advance with the march of science.

The second part is there should be a fairly oppressive divide between haves and the have-nots with a distinct air of dystopia. The rich should live in luxury and decadence with a technological regime that supports them. At the same time the down and out live in a paradox. While they have progressed a good deal with the ubiquitous nature of technology their lives should actually be worse since they have lost so much freedom and security. Also the gap between the poor and the rich should be astronomical with the resentment on both sides being equally intense.

You see that in all the classic cyberpunk novels like Neuromancer and Snow Crash, RPGs like Shadowrun and Cyberpunk 2020, and anime like Serial Experiments Lain and Ghost in the Shell. So our question here today is how much does PSYCHO-PASS fit into this two-part model. Does it have a cyberpunk flavor or is it full-immersed in the genre?

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Dear Brother, I’m writing to you to in hopes of funding this DVD release.

narutaki_icon_4040 Everyone was speculating about how AnimeSols would do and what would happen when funding came down to the wire. We’ve now seen people rally and make titles like Creamy Mami the Magical Angel and Black Jack happen while others were stopped short.

Consider this post an encouragement to fund the recent addition to the AnimeSols line-up, Dear Brother. This is the type of show I believe AnimeSols should be courting, it fits perfectly. Dear Brother is a classic, it is fairly well-known, and the original manga is from Riyoko Ikeda creator of The Rose of Versailles. The anime was adapted by Tezuka Productions and directed by the indomitable Osamu Dezaki.

Dear Brother, influencer of so much that came after it, is a seminal shojo anime that might actually blow your mind.

hisui_icon_4040 The Rose of Versailles has always been the big name title that everyone in the US knows Riyoko Ikeda for. The Rose of Versailles was the series that was mega popular in France. It was the anime that made Utena what it was. For the longest time it was the holy grail of anime and manga. The manga had a bilingual release that only had 2 volumes ever released and what little that did come out eventually became a collector’s item. The anime always had a strong vocal fanbase but never could seem to be licensed. Riyoko Ikeda has done other work but really how many people do you know demanding the The Window of Orpheus or Eikou no Napoleon – Eroica?

But in between the rock star popularity of The Rose of Versailles and the almost total obscurity Claudine…! was another title by Ikeda. It was popular enough in Japan to get an anime. It had a lesser known but equally powerful influence on Utena. It had a distinct following of fans due to its yuri themes. A renown director and production company caught a few eyes as well. So Oniisama e… has a distinct but far smaller audience. I think most of the time the Oniisama e… fans decided to pull for The Rose of Versailles with the hopes that if that could get licensed and do well then Dear Brother could hopefully ride in the slipstream of its more popular sister.

But now the The Rose of Versailles anime was licensed by Nozomi Entertainment. Dear Brother is even streaming in Viki. The only has one last hurdle to cross in English. That is the physical release of the anime. So Anime Sols is trying just that with a Kickstarter styled attempt to get the release crowd funded. As fans of the series we figured we would try to sell you on the show in hopes that it can make its goal.

The series is awesome so this should be very easy.

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REPOST – The Speakeasy #009: The Bloody Caesar, Anime Licensing and the Future

Drink #009: The Bloody Caesar,
Anime Licensing and the Future

The U.S. anime market of 2000 was clearly not the same market of 2010 no matter how much some people would like that to be the case. A lot about how anime is brought over to the U.S. has changed in the last few years. We talk about how we got to this point and then at the myriad of ways the remaining companies are innovating to respond to these trends. Which of these new methods of distribution will be able to coexist and which will die out? Whose licensing methods will pick profitable shows and who is still picking Rozen Maiden and Heat Guy J style bombs? And most importantly who thought that picking up Blessing of the Campanella was a good idea?

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And now your helpful bartenders at The Speakeasy present your drink:

The Bloody Caesar

6 oz. Clamato Juice
1½ oz. Vodka
2 Dashes Hot Sauce
2 Dashes Worcestershire Sauce
Celery salt
Freshly Ground Pepper
Lime/Lemon wedge
1 Crisp Celery Stalk

Served on the rocks in a highball class. Rim the glass first with a lime wedge and then with celery salt.