The January Line-Up

Starting new for 2012 we will posting the newly licensed, newly streaming, and newly announced anime and manga for each month. More than anything, I wanted to keep a list like this so I thought why not make it a blog post at the end of the month to keep me on top of doing it. It is amazing how much was announced this month, I guess it is because it is the beginning of the year!

I have to say this is a brilliant little idea from Narutaki. If you have ever done a year in review article you will find that the while you might remember the last week’s news crystal clear what was licensed and when all tends to blur together after a few months. Hopefully this monthly post will help us, and anyone who needs it, have a clearer picture of what was picked up over the year.

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Ongoing Investigations: Case #154

We received a copy of Nozomi’s re-release of Gasaraki. The story follows a war between the Americans backed by the Japanese and the fictional nation of Belgistan. Both sides have bi-pedal robots with main pilots possessing odd connections and powers. It is worth noting that I have tried to watch Gasaraki before, many moons ago and didn’t make it very far. I wanted to give it another chance but this time around I was only able to get one episode further. Despite people’s assertions that this show is a realistic depiction of mecha, I just can’t find it anything but slow and uninteresting. Also my thoughts on what is realistic must be different because this show has Noh dancing magic. . . . In any case, a good portions of episodes revolve around people talking, typing, or staring at screens. Talking heads and computer screens can be made interesting (just ask Evangelion) but Gasaraki fails to put passion or facial expressions into its scenes. This also makes the dub doubly painful since at least the Japanese put some inflection in their voices. The battles are compelling in moments but they are too short or interrupted by looking at screens. The show didn’t capture me in any way.

If I have nothing else kindly to say about Gasaraki I will say that it tried to do certain things that most mecha shows don’t often attempt. Ryousuke Takahashi tried for a more realistic version of modern mecha combat and politics while mixing in some magical elements to spice things up. The fact that there are only two types of mecha in the whole show and the commentary on the Gulf War make the show stand out. The only problem is the show is so amazingly and mind numbingly boring. It takes the tedious parts of part of war and magical conspiracy and focuses on the most mundane aspects of each to the to the point where only the most hardcore fans of realism will find the show interesting. Ryousuke Takahashi showed that you can do a more realistic mecha show like Armored Trooper Votoms and make it compelling. But this swings so far toward the nitty-gritty details as so suck away any enjoyment. They even focus on the boring aspects of the shadowy magical conspiracy behind the mecha action in excruciating detail. When the plans of the magical cabal feel like a run down of someone’s tax audit you know something has gone horribly wrong. I will say that this show has a reputation for a completely magical ending that comes out of nowhere but as far as I can tell the freeky deeky occult aspect of the show is apparent from the first episode. I admit that the few actions scenes are the only parts of the anime that are easy to stay awake so that makes them the most memorable pieces but there is unmistakable and unnerving mystical element present in the show from the beginning. Like Narutaki I watched this show years ago and I wondered if I could come back to the show as a more mature fan and gain a greater appreciation for a show I had disliked in my early fandom. But this show still deserves the infamous reputation it gained with me and other fans so many years ago.

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Ongoing Investigations: Case #153

I continue my morbid curiosity with the Akiyuki Shinbo and Nisio Isin duo by watching the first two episodes of Nisemonogatari because there is no way Narutaki was going to watch this with me. I know some people have been commenting that for better or for worse Nisemonogatari has a different feel than Bakemonogatari. I think the difference between the two seasons is minor but important. I did not use the word subtle because the difference is the pacing of the fan service in the new arc. Bakemonogatari definitely had fan service in it. Each arc in the original series introduced a girl, her supernatural problem, and the fetish she embodied. And so each arc played up that girl’s brand of fan service to all but the most fan service desensitized.  But this current arc is ostensibly about Koyomi’s two sisters but unlike the previous arcs this one really had the other girls getting a good amount of screen time in another girl’s arc as opposed to their cameos early in the story. This means that they now have to cram in a full cycle of story, reference humor, and fanservice that is particular to that girl in a much shorter amount of time making all three components more obvious. So anyone watching for the titillation will probably not notice the difference or only be delighted to be so nicely catered to. But anyone else will either consciously or unconsciously notice the change in the rhythm of the story. The art is still rather gorgeous and the dialog still has a snappy pace. I am just pointing out the big difference that will determine if you want to continue to delve into Koyomi’s supernatural adventures.

D.Gray Man Volume 17 starts off by throwing us into the middle of a virus outbreak that has occurred while the Black Order is also trying to move to their new location. The first few chapters are really out of control and crazy (and ridiculous overall), especially because everyone has  turned into zombies. As the zombies are infecting everyone, Allen tries to figure out the cause and how to cure it. After that insanity, we then get to actually focus on the Black Order group’s move. Allen and Lenalee go first, allegedly to open portals, but there are ulterior motives. The best part though is the reappearance of Cross Marian, who probably has the most shocking story in the volume. There are some major problems for both Allen and Cross, and so even though it initially seems like a jokey volume, it’s actually quite an important one.

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